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New York City Winters, Then & Now—Climate Change Reflections

I moved to New York City from Cleveland in early March of 1985, almost 37 years ago. In many of the winters I’ve experienced since the move east, the Hudson River would become icy, as attested to by these pictures I took in January 2015.

Sometimes the ice would be close to shore, as seen here, with the tidal nature of the Hudson ensuring the river didn’t freeze hard. But in the ’90s, I remember extended runs when temperatures didn’t rise above freezing for days or weeks, and temps in the twenties, teens, and single digits were common. Then the ice would become more solid and fill in across the middle of the river. With the tidal shifting less impactful, the ice could stretching toward New Jersey. Someone foolhardy might’ve thought they could walk across, but that would have foolish indeed.

Despite the blustery cold, it was thrilling to watch and listen as the floes heaved, ground, and pitched against one another. I used to feel like I was in my own private Shackleton expedition. If you’ve read Alfred Lansing’s stirring narrative about that sojourn to the South Pole, the ships became trapped amid colossal bergs that stoved in their sides and collapsed their masts. The sailors were driven to near madness by the grinding and gnashing of the ice.

The past several winters? Not so much, a function of planetary warming, I believe. Our winters are definitely becoming less cold. More evidence of this? Flocks of geese used to visit the Hudson shores seasonally, and leave for months at a time, flying further south for warmer climes. Now they’re resident year-round.

 

Looking Back on 2021, Our Year in Editing and Agenting

Yesterday I began totaling up the volume of our business in 2021, to prepare for writing an annual year-end blog post, and I’m pleased to confirm it was by far the best year Philip Turner Book Productions has had since I began operating outside the staff job/corporate publishing world in 2009. My son Ewan, 25, has been working with me for the past two years; it’s good to have a colleague and partner. As Executive Editor and Literary Agent, he heads up our New Stories division, devoted to cultivating new work in fiction, narrative nonfiction, and memoir.

Looking back on the year that ends today, I see that in 2021,

  • We edited manuscripts and book proposals from twenty-five different authors;
  • We sold ten new titles to book publishers, books that will be published in 2022 and beyond. and one title to an audiobook company which came out in 2021. We dispersed advances and royalties to fifteen authors and rights holders. Our sales this year were:
  1. THE BARRENS: A Novel of Love & Death in the Canadian Arctic by father-daughter duo Kurt Johnson and Ellie Johnson, sold to Arcade Publishing, who will publish it on May 3, 2022. This is the first title we’ve sold under our New Stories rubric.
  2. PICTURE SHOW PLAYLIST: Pop Music in Film from the Crystals to Rihanna by Nate Patrin, sold to University of Minnesota Press, whose first book Bring that Beat Back: How Sampling Built Hip-Hop, we also sold to UMP, which they published in 2020.
  3. LURKING UNDER THE SURFACE: Horror, Religion, and the Questions that Haunt Us by Brandon Grafius, sold to Broadleaf Books, which will be published around Halloween 2022.
  4. YOURS, FOR PROBABLY ALWAYS: Martha Gellhorn’s Letters of Love & War, 1930-1949 by Janet Somerville, sold to Penguin Random House Audio with actress Ellen Barkin as the narrator of the audiobook, published in May 2021.
  5. CINEMA OF SWORDS: A Popular Guide to Movies & TV Shows About Knights, Pirates, and Vikings (Plus Samurai and Musketeers) by Lawrence Ellsworth, translator of Alexandre Dumas, sold to Applause Theater and Cinema Books
  6. .

  7. THE ULTIMATE PROTEST: Malcolm W. Browne, Vietnam, and the Photo that Stunned the World by Ray E. Boomhower, sold to University of New Mexico Press, which in November 2021 published Boomhower’s Richard Tregasksis: Reporting Under Fire from Guadalcanal to Vietnam
  8. ROOSEVELT SWEEPS NATION: FDR’s 1936 Landslide and the Triumph of the Liberal Ideal by David Pietrusza, sold to Diversion Books, to be published August 2022.
  9. LAST CIRCLE OF LOVE, a novel by Lorna Landvik, acquired by the Lake Union imprint, Amazon Publishing
  10. HEROES ARE HUMAN: Lessons in Resiliency, Courage and Wisdom from the COVID Front Lines by Bob Delaney with Dave Scheiber, co-authors of the bestselling Covert: My Years Infiltrating the Mob, placed with City Point Press, distributed by Simon & Schuster, to be published Fall 2022.
  11. THE KREMLIN’S NOOSE: Vladimir Putin’s Blood Feud with the Oligarch Who Made Him Ruler of Russia by Amy Knight, sold to Northern Illinois University Press distributed by Cornell University Press; we earlier sold Knight’s Orders to Kill: The Putin Regime and Political Murder (St Martin’s Press, 2017).

In 2021, books that we had sold in earlier years were published:

1) Ten Garments Every Man Should Own: A Practical Guide to Building a Permanent Wardrobe by Pedro Mendes, published by Dundurn Press.
2) Emily Mann: Rebel Artist of the American Theater by Alexis Greene, published by Applause Theater and Cinema Books
3) Between Two Kings: A Sequel to The Three Musketeers (Musketeers Cycle, Book 5) by Alexandre Dumas, translated by Lawrence Ellsworth, published by Pegasus Books
4) Richard Tregaskis: Reporting Under Fire from Guadalcanal to Vietnam by Ray E. Boomhower, published by University of New Mexico Press, and as an audiobook by Blackstone Publishing.
5) The Pot Thief Who Studied the Woman at Otowi Crossing (The Pot Thief Mysteries Book 9) by J. Michael Orenduff, published by Open Road Media.
6) In addition, a manuscript I edited in 2021, THE MOST PRECIOUS GIFT: Memories of the Holocaust, A Legacy of Lisette Lamon, was self-published by David Mendels, the late author’s son.

Also, coming in 2022 will be an anthology about the book business, Among Friends: An Illustrated Oral History of 20th Century Publishing and Bookselling edited by Buz Teacher, co-founder of Running Press. It will be published by the University of Pennsylvania Press, and I have contributed a personal essay entitled, “The Education of a Bookselling Editor.”

Ewan continues to write his own fiction, having completed a story collection in the realm of anthology horror, and is working on a novel. As he likes to say, his touchstones fall somewhere between F. Scott Fitzgerald and Rod Serling. His work may be read upon request.

After 2022, we eagerly anticipate publication of DEVOURING TIME: Jim Harrison, a Life by Todd Goddard, the first biography of the acclaimed fiction writer, master of the novella, gourmand, ardent friend, hunter and fisher, which we sold to Blackstone Publishing.

Entering what will be my thirteenth year working as an independent editor and literary agent—a longer tenure than any of my in-house positions—I am more energized than ever by the opportunities to work closely with authors, more than closely than I was able to do during my latter years in corporate publishing. Even with the many challenges the book industry is facing, such as many bookstores open for only limited, distanced hours due to the lingering pandemic, I am optimistic about the book business, as readers are eager to have the companionship of books, and writers are driven to tell their singular stories.

We work on a wide range of material with special affinity for imperative books that really matter in people’s lives. I’m always interested in first-person work from authors who’ve passed through some crucible of experience that leaves them uniquely equipped to write their book. If you have a project you’re developing, or a personal essay, and want to discuss your work, or a project you think may be ready to offer to publishers, please don’t hesitate to contact one or both of us. We already have a number of terrific projects lined up to edit and represent in the new year, and we’re hopeful 2022 will be a strong year in publishing and the book business, , and a better year for us all. 

As always, please get in touch if you or someone you know is seeking guidance about publishing. Ewan can be reached at ewanmturner [@] gmail [.] com, while my contact info is philipsturner [@] gmail [.] com.

William Blake and My Close Friend Rob Adams

When I woke up this last morning of the long Thanksgiving weekend, I looked at Twitter on my iPhone and saw that this date November 28 is the birthday of the timeless artist William Blake (1757-1843). Immediately, I thought I would share an image of the precious work I have by him, an engraving from his hand, given to me years ago by my close friend, Robert Henry Adams (1955-2001).

After I shared a social media post seen here, on Twitter, Instagram, and Facebook, I realized I could also do a fuller post that links to earlier blog essays I’ve shared on this website (here, here, and here) about Rob, our meaningful friendship, and a third Franconia College friend pal with whom we constituted a troika, Karl Petrovich.

The Blake gift doesn’t exhaust the fine art that Rob gave me, or occasionally, that I bought from him. There are no less than a dozen such pieces in my Manhattan apartment, such as a print I bought of a circus aerialist by British artist Dame Laura Knight. Another is the framed Lincoln portrait by Civil War-era photographer Alexander Gardner shown here. Sometime in the late 1980s Rob spotted it at an auction, and bought it relatively cheaply due to the unfortunate crease in the middle. Always one to see the bright side, despite the defect, Rob had also spotted the signature, “Your Obt Servt A. Lincoln“, seeming to him in pencil or faded ink, and not a mechanical or mass-reproduced autograph. This made it all but certain it was from Lincoln and Gardner’s time, done in the sixteenth president’s own hand. FYI, the printing near the bottom of the picture reads, from left to right,

A. Gardner, Photographer.         Published by Philip & Solomons, Washington D.C.               Washington

Rob didn’t want to try re-selling it because of the imperfection, and so gave it to me, a (probably) autographed Lincoln photograph. Pretty amazing, right?!

There was some sweet symmetry to the Lincoln gift, because earlier, in the 1970s, for Rob’s wedding to Chicago fashion historian Sandra Adams, I had given him the oversized photography book The Face of Lincoln (Viking, 1979, 15″ x 11 1/2 inches), collecting every known photograph of Lincoln, which at my family’s bookstore in Cleveland, Undercover Books, we were then stocking and selling.  

 

Listing Notable Current Affairs Titles I’ve Worked On

For an editorial assignment on a current affairs title with a major publisher that I’m being considered for—in what amounts to a competitive situation among other candidates—I listed a dozen notable titles I’ve acquired, edited, published, and/or agented over my years in publishing. Below is a screenshot of that list for readers of this blog who may be curious about some of the titles I’ve chosen to work on and be involved with over the years. I should add there are many such titles beyond this dozen. Please let me know if the editorial and publishing services provided by me and my business partner Ewan Turner might be of interest to you.

*So Wrong for So Long: How the Press, the Pundits—and the President—Failed on Iraq by Greg Mitchell, w/a Preface by Bruce Springsteen; The Baby Thief: The Untold Story of Georgia Tann, the Baby Seller Who Corrupted Adoption by Barbara Bizants Raymond, a Publishers Weekly Best Book of the Year; and Ahmad’s War, Ahmad’s Peace: Surviving Under Saddam, Dying in the New Iraq by Michael Goldfarb, a NY Times Notable Book.

Publishing November 15, “Richard Tregaskis: Reporting Under Fire From Guadalcanal To Vietnam”

As mentioned on this blog, I’m a lifelong fan of reading biographies, and it’s a delight to work on so many good ones, like Ray E. Boomhower’s new portrait of the life and career of Richard Tregaskis, one of the most accomplished combat correspondents of the twentieth century. Here’s how the catalog copy for University of New Mexico Press’s High Road imprint describes the book:

In the late summer of 1942, more than ten thousand members of the First Marine Division held a tenuous toehold on the Pacific island of Guadalcanal. As American marines battled Japanese forces for control of the island, they were joined by war correspondent Richard Tregaskis…one of only two civilian reporters to land and stay with the marines, and in his notebook he captured the daily and nightly terrors faced by American forces in one of World War II’s most legendary battles–and it served as the premise for his bestselling book, Guadalcanal Diary.

One of the most distinguished combat reporters to cover World War II, Tregaskis later reported on Cold War conflicts in Korea and Vietnam. In 1964 the Overseas Press Club recognized his first-person reporting under hazardous circumstances by awarding him its George Polk Award for his book Vietnam Diary. Boomhower’s riveting book is the first to tell Tregaskis’s gripping life story, concentrating on his intrepid reporting experiences during World War II and his fascination with war and its effect on the men who fought it.

 

Richard B. Frank, author of Guadalcanal: The Definitive Account of the Landmark Battle, says of the new biography:

“Alongside Ernie Pyle, Tregaskis was perhaps the most outstanding American war correspondent of WWII. [He’s] best know for…Guadalcanal Diary, but that book covered only one small chapter of his reporting from the front lines. Ray Boohmoer’s excellent new biography finally does justice to Tregaskis in this deeply researched, thoughtful portrait of the man and his times.”

 

The book’s official pub date will be November 15, and I’m getting an early start on congratulating the author, for whom I’ve already sold a second biography of an important journalist to UNMP, The Ultimate Protest: Malcolm W Browne, Vietnam, and the Photo that Stunned the World. Congrats, Ray!

 

 

Publishing November 1, 2021—“Emily Mann: Rebel Artist of the American Theater” by Alexis Greene

One of the joys of being a provider of editorial and publishing services is the opportunity to work on terrific books that I enjoy reading, and which I know a great many readers will also enjoy. As a longtime fan of biography, I’m especially pleased that I get to work on so many excellent life stories, like Emily Mann: Rebel Artist of the American Theater by Alexis Greene, finished copies of which just arrived in my office today, good timing in view of the book’s November 1st publication date.

As I wrote when I sold the book to Applause Theater and Cinema Books earlier this year:

This will be the first book about Mann, a trailblazing woman playwright and stage director, artistic director of the McCarter Theatre in Princeton from 1993-2020. It chronicles the story of Mann’s path through a field where women have often struggled for the opportunity to direct the work of other playwrights, leave alone see their own plays produced.

Greene chronicles Mann’s role in the growth of a socially-oriented theater with plays she’s written that explore current events and issues while focusing on the lives of under-recognized groups in society, in scripts virtually ripped from the headlines and braided together from archives, diaries, public records, and interviews conducted with participants in momentous events. Dubbed a “theater of testimony” Mann has written such plays as “Execution of Justice,” on the murder of Harvey Milk and Mayor Moscone in San Francisco; “Greensboro (A Requiem),” on a deadly 1979 KKK attack; “Mrs. Packard,” based on the true story of a 19th century minister’s wife committed to an asylum when she abandoned the church; “Having Our Say,” based on the bestselling book of the same title, on the centenarian African American sisters Sadie and Bessie Delany; and “Gloria: A Life,” drawn from the life and career of Gloria Steinem. Her development of a kind of new documentary theater has been influential in many ways.

A New York City native, Alexis Greene is the author and editor of numerous books about theater, including The Lion King: Pride Rock on Broadway, written with Julie Taymor, and the biography Lucille Lortel: The Queen of Off Broadway. Her career spans acting, theater criticism, and teaching (she holds a PhD from the Graduate Center of the City University of New York).”

It’s the first biography of the pathbreaking director and playwright, known best for her “Theater of Testimony,” documentary-style plays drawn from public documents and oral histories. If you’re a theater-goer, and enjoy inspiring life stories, I heartily recommend Emily Mann: Rebel Artist of the American Theater.

Cover Reveal for “The Barrens: A Novel of Love and Death in the Canadian Arctic”

Delighted to share the superb cover for The Barrens: A Novel of Love and Death in the Canadian Arctic by our agency clients Kurt Johnson and Ellie Johnson, coming in May 2022 from Arcade Publishing.

Below are all the blurbs we’ve already received for this engrossing novel.

“I’ve rarely come across a novel that’s simultaneously so economical and fulsome, that’s as restrained as it is brimming with unspoken wisdom, and that manages all this while also being propulsive in its storytelling. It’s bravura work that demands a wide audience.”—Peter Geye, author of Wintering and Safe from the Sea

“The Barrens grabbed me from the opening pages and never let go, a riveting adventure story written by a father-daughter team who clearly have wilderness chops.”—Michael Punke, author of The Revenant and Ridgeline

“A deeply compelling tale, told in vivid, elegant but concise prose, The Barrens carried me along, swiftly as the river at the heart of the story. The central character, Lee, will break your heart, although she’ll have none of it. Love, loss, life and death, against a landscape as raw and ancient as the human heart. Most highly recommended.”—Jeffrey Lent, author of In the Fall

“As harrowing as the whitewater adventure it chronicles, The Barrens is an epic tale of wilderness survival and death in the techno age. The writing throbs with presence: the life-force embedded in Canada’s northern frontier landscape and in the life-scape of its queer young heroine as she journeys toward selfhood. Co-authors Kurt and Ellie Johnson reveal the pulse of identity, born of the stories we weave. A mesmerizing, devastating read.”—Carol Bruneau, Canadian author of Brighten the Corner Where You Are: A Novel Inspired by the Life of Maud Lewis

“The Barrens is the raw and moving story of two young women paddling by canoe down one of North America’s the most remote rivers—of their coming of age, their love, and terrible loss. I’ve rarely come across a text that is so visual, and so tangible. The Barrens is a vivid portrayal of the Canadian subarctic, and of the human drive to persevere.”—Alex Messenger, author of The Twenty-Ninth Day: Surviving a Grizzly Attack in the Canadian Tundra

#debutnovels #wildernessfiction #canoeing #paddling #Canada #ThelonRiver #queerlit #writers #writingcommunity

Sold—”The Barrens: A Novel of Love & Death in the Canadian Arctic”

Delighted to announce that in our New Stories initiative Ewan and I have sold a superb debut novel, The Barrens: A Novel of Love & Death in the Canadian Arctic, to Arcade Publishing, who will bring it out in Spring 2022. Here’s a condensed version of the pitch letter I sent to publishers:

The Barrens: A Novel of Love and Death in the Canadian Arctic by Kurt Johnson and Ellie Johnson is a unique adventure novel that will captivate readers across a wide range of tastes. Written in spare, flowing prose, it tells the story of Holly and Lee, two female wilderness paddlers who face hardship and tragedy along the Thelon River in sub-Arctic Canada, canoeing through the uninhabited tundra of the Barren Lands during their summer break from college. Holly had made this canoe trip in an earlier summer, and wanted to share the experience with her friend and lover Lee.

In their relationship, Holly and Lee have always told each other stories; Holly had even called Lee a “storyist,” an animating idea for them both. Storytelling helps Lee endure, and in turn the reader is brought along on their epic journey. These personal narratives form the backbone of the novel, with Lee chronicling her coming-of-age life off-the-grid in Nebraska with an eco-anarchist father who ends up in prison. The reader also encounters their coming-out stories, peaking when Lee meets Holly’s parents at the end of the trip.

The Barrens explores themes of nature versus humanity, the elements versus civilization, weaving them together in a way that is compelling and engrossing. The word “unique” is applicable when considering this novel, as this is the first wilderness adventure tale I know of that explores themes of gender identity and sexual orientation, juxtaposed with gritty survival and tragedy.

Kurt Johnson wrote the novel with insight and guidance from Ellie, who made the 450-mile-long paddle down the Thelon River and for forty-five days didn’t see a soul apart from her paddling companions. The story is the product of the two working to understand an arduous journey through the Barren Lands, and Ellie’s journey as a young gay woman coming of age.

Kurt completed a year-long novel writing course at the Loft Literary Center in Minneapolis taught by Peter Geye (a Minnesota Book Award winner) who’s said of The Barrens, “I’ve rarely come across a novel that’s simultaneously so economical and fulsome,   that’s as restrained as it is brimming with unspoken wisdom, and that manages all this while also being propulsive in its storytelling. It’s bravura work that demands a wide audience.”

Kurt Johnson lives in St. Paul with his wife Stephanie Hansen, who is writing a cookbook with Minnesota Historical Society Press called True North Cabin Cookbook. Ellie Johnson is a senior at the University of Minnesota in the Twin Cities, and a former canoe counselor at Camp Widjiwagan in Ely, Minnesota.
—-

I’ve never worked on a novel that’s received so many sincere and heartfelt endorsements this far out from publication. Here are all of them, in addition to the one above from Peter Geye.

The Barrens grabbed me from the opening pages and never let go, a riveting adventure story written by a father-daughter team who clearly have wilderness chops.”—Michael Punke, author of The Revenant and Ridgeline

“A deeply compelling tale, told in vivid, elegant but concise prose, The Barrens carried me along, swiftly as the river at the heart of the story. The central character, Lee, will break your heart, although she’ll have none of it. Love, loss, life and death, against a landscape as raw and ancient as the human heart. Most highly recommended.”—Jeffrey Lent, author of In the Fall

“As harrowing as the whitewater adventure it chronicles, The Barrens is an epic tale of wilderness survival and death in the techno age. The writing throbs with presence: the life-force embedded in Canada’s northern frontier landscape and in the life-scape of its queer young heroine as she journeys toward selfhood. Co-authors Kurt and Ellie Johnson reveal the pulse of identity, born of the stories we weave. A mesmerizing, devastating read.”—Carol Bruneau, Canadian author of Brighten the Corner Where You Are: A Novel Inspired by the Life of Maud Lewis

The Barrens is the raw and moving story of two young women paddling by canoe down one of North America’s the most remote rivers—of their coming of age, their love, and terrible loss. I’ve rarely come across a text that is so visual, and so tangible. The Barrens is a vivid portrayal of the Canadian subarctic, and of the human drive to persevere.”—Alex Messenger, author of The Twenty-Ninth Day: Surviving a Grizzly Attack in the Canadian Tundra