A Book Talk about Jim Tully

I was delighted a few weeks ago when Paul Bauer and Mark Dawidziak, authors of Jim Tully: American Writer, Irish Rover, and Hollywood Brawler, my favorite biography of 2011, came to NYU to speak about their book at NYU’s Glucksman Ireland House. I’d been in touch with Paul and Mark last November after I blogged about the book in a piece called Lost American Writer Found–Jim Tully and so was excited to attend their talk and meet them in person, especially because my artist wife Kyle Gallup and our actor and writer son Ewan, would be coming with me.

Paul and Mark gave a great talk, using photographs and film clips to anatomize the story of Tully’s life. Their book chronicles the life of the hobo writer-turned Hollywood insider who minted the hardboiled style of prose that would become even better known later on in the books of Raymond Chandler, James M. Cain, and Dashiell Hammett. The pictures accompanying this post should give you some flavor of their talk. It was a treat meeting them afterward, and the next day, having Paul over to our apartment for tea and rugelach. He’s been a second-hand book dealer for many years and so it was great to not only talk about Tully, whose early book Circus Parade I’d been reading, but also to show Paul volumes from our library.

Last November I wrote this about their book, which I stand by today as my summing up of the authors’ visit to New York City.

“Biographers Bauer and Dawidziak steep the reader in Tully’s lifelong struggle to make himself into a significant person; glimpsing his continual act of self-creation is what I found thrilling about this book. The authors chronicle how even in relatively prosperous years, he continued striving to create himself and forge his work. . . . What’s great about the Tully bio–and other books like it that achieve this deep level of discourse with their subject’s life–is that the reader has a chance to assemble, in ways the biographer shows one how to do, how a literary career is lived and aspired toward, and achieved. The successful biography spans the decades and folds of a life, making the living subject comprehensible and one whom we understand. That’s what happened for me with Jim Tully: American Writer, Irish Rover, Hollywood Brawler, and why this book will be on my best list for 2011.”

C-Span’s Brian Lamb–Good for TV, Good for the USA, Good for Books

I read with interest last night the news that C-Span founder Brian Lamb’s decided to step aside as active CEO of the network, leaving the leadership to a two-person combo, Susan Swain and Rob Kennedy. I’ve worked with Brian and Susan and I’m very happy for them both–for Brian, who can step back a bit after close to three decades in day-to-day leadership of the innovative network, and for Susan, who like Brian has always been a pleasant presence on-screen and great to deal with on any matters relating to their prodigious coverage of nonfiction books. In fact, if publishers and authors have not given C-Span an award for its coverage of current affairs and issues books, it’s hight time we as an industry did so.

I got to know Brian, and Susan, when as an editor with Times Books of Random House I edited a book with him in 1998-99. It was Booknotes–Life Stories: Notable Biographers on the People Who Shaped America, drawn from Brian’s on-air conversations with the more than 500 biographers he’d interviewed on “Booknotes,” the program that preceded his current showcase, “Q&A.” Imagine a book filled with the insights of Robert Caro (on LBJ), Ron Chernow (on John D. Rockefeller), and Blanche Wiesen Cook (on Eleanor Roosevelt), and multiply it times a couple hundred. One of the great evenings of my career was the night we launched the book at Barnes & Noble’s Union Square store, with Brian moderating a discussion among Caro, Chernow, and Cook. After the signing, as we all headed across the Square  to a restaurant I had the chance to introduce myself to Caro, whose indomitable book on Robert Moses, The Power Broker, had crystallized in me a dream to live in New York long before it was a practical possibility.  As we were crossing 17th Street, I said to Caro, “Your book made me nostalgic for the city and a time I never lived in.” Caro stopped in the street, turned to me and in his broad Bronx accent marveled, “No one’s ever said that to me.” I was some kind of glad that night, especially when Caro later told me that he long admired my late author Edward Robb Ellis and his books, The Epic of New York City and A Diary of the Century.

Working on the manuscript with Brian, he was always self-effacing and eager to hear my take on the material. Despite what I’ve seen expressed by a few commenters below the TPM story on this development, C-Span has no partisan agenda, and neither does its founder. And the neutral ‘C-Span look’ that hosts have when callers phone in and make their aggressively partisan points? It’s no accident; rather, it’s a product of Brian’s studious refusal to choose sides in Washington. By now, if a D.C. backbench politician isn’t being heard, it’s not for lack of opportunity via C-Span and other cable networks. I’d argue that C-Span has made hearing from politicians almost routine, and while we may feel we get too much of them nowadays, I believe that’s an improvement over the era when few members of congress not in leadership positions were even heard from.

Detractors might say that Speakers of the House still control the camera, and that’s true, but not for lack of C-Span trying to expand the number of lenses positioned in the chamber. Now, if the Supreme Court would finally accede to Lamb’s request that they allow cameras in their Court–something he’s asked for repeatedly over the past several years–we’d also have a somewhat more open third branch of government.

#FridayReads/March 16–Cornbread Mafia

#FridayReads/March 16 The Cornbread Mafia: A Homegrown Syndicate’s Code of Silence and the Biggest Marijuana Bust in American History, Jim Higdon’s terrific book coming out in April. This blurb for it appears above the author’s bio:

“I knew of course that decades ago, Prohibition pushed moonshiners further into the hollows of Appalachia; now in Jim Higdon’s pulsating true thriller I’ve discovered that crackdowns on pot are propelling today’s newly minted desperadoes deeper into the wilds of rural America, determined to harvest their crop and supply millions of Americans with the bud they crave. Higdon has written a speeding bullet of a book that turns grower Johnny Boone into one of the most fascinating characters I’ve encountered in years. If Hunter S. Thompson were still with us I believe he’d be praising The Cornbread Mafia and telling his pals to read it. But since Dr, Gonzo is gone, I’ll do the job myself: ‘Read The Cornbread Mafia for a hit of real-life excitement. This is a true-crime drama that will keep you hugging the edge of your chair.'”—Philip S. Turner, bookseller, publisher, and blogger at “The Great Gray Bridge”

“Dreams From My Father” & Kodansha Globe, 1995-96

As some of my book biz friends know, in the 90s I had a good long tenure as an editorial executive with Kodansha America, the NY office of the largest Japanese publisher. Although we published some Asian-oriented titles, it was a mostly U.S. list with such books as the national bestseller al bestseller Having Our Say, by the centenarian Delaney sisters, and A Diary of the Century:Tales From American’s Great Diarist by Edward Robb Ellis, which sold well and got lots of coverage, including a rare hat trick when the author appeared on all three network morning shows the week of publication. I just blogged about Eddie a few weeks ago, on the anniversary of what would have been his 101st birthday.

During my five years with Kodansha, I also started a trade paperback series that in some ways anticipated the fine list published nowadays by the New York Review of Books Classics imprint. Kodansha Globe combined titles in cross-cultural studies, anthropology, natural history, adventure, narrative travel and belle lettres. I developed the program with my astute and affable Japanese boss Minato Asakawa, with valuable contributions from talented editorial colleagues Paul DeAngelis–who introduced me to the work of Owen Lattimore, whose 1950 anti-McCarthyite broadside Ordeal by Slander I would republish in 2003–and Deborah Baker, about whom I’ll say more below. By the time I left Kodansha in 1997 we had published more than ninety Globe titles, including the first paperback edition of Barack Obama’s debut book Dreams From My Father

The Globe list included revivals of notable books that had fallen out of print: Man Meets Dog, on the origins of the human-canine bond, by Konrad Lorenz, Alone, a harrowing account of survival near the South Pole, by Admiral Richard Byrd, Blackberry Winter, the youthful memoir of Margaret Mead, and All Aboard with E.M. Frimbo, a classic of train culture by New Yorker stalwarts Rogers E.M. Whitaker and Tony Hiss; originals like Sarajevo, Exodus of a City, a biography of the besieged city by Bosnian playwright Dzevad Karahasan, which the Voice Literary Supplement made a year-end best book during the Balkan Wars; and reprints of current hardcovers from major houses like Peter Canby’s The Heart of the Sky, on the resilience of Mayan culture in the Americas and Alex Shoumatoff’s The Mountain of Names, chronicling the history of human kinship and genealogy, which before dying last year Christopher Hitchens made the springboard for one his last columns. We also developed a strong list in books on Central Asia, including four books by the master chronicler of the region, Peter Hopkirk, whose The Great Game: The Struggle for Empire in Central Asia was the top-selling Globe title. // more w/illustrations . . .

#Fridayreads/March 9–The Crisis of Zionism

#Fridayreads “The Crisis of Zionism,” Peter Beinart’s timely examination of Zionism in the world today, counterposing Barack Obama and Bibi Netanyahu. Eager to hear from Beinart (pictured here) at a @NewAmerica Foundation event next week. Also enjoying the 1927 classic “Circus Parade,” by Jim Tully with a Foreword by the late Harvey Pekar, an unsentimental portrait of big top life. To learn more about Tully, a hobo writer turned Hollywood insider, here’s a blog essay of mine about him.  

My Friend Ruth Gruber, Pioneering Photojournalist




Since 1997, when I began working with my remarkable author Ruth Gruber, I’ve had the privilege of bringing out six of her books in hardcover and trade paperback. Over the past year, it’s been really exciting to see four of those books–Ahead of Time: My Early as a Foreign Correspondent; Haven: The Dramatic Story of 1,000 WWII Refugees and How They Came to America; Inside of Time: My Journey from Alaska to Israel; Raquela: A Woman of Israel–be published as ebook editions by Open Road Integrated Media. Now, in honor of Women’s History Month Open Road is making it very easy for new readers to discover Ruth’s work by placing excerpts from each of those books on its blog.

In addition, to observe Ruth’s 100th birthday last October Open Road posted a brief video of her reflecting on her life and career. That video is pasted in above this blog post. I urge you to watch and listen to Ruth, read the free excerpts, and go on and buy her books. I’d suggest you begin with Ahead of Time, which is also the title of a fine documentary film about Ruth. In addition to the recognition that film has brought her, the International Center of Photography mounted an exhibit of Ruth’s photographs last summer, as the ICP gave her the Cornell Capa Lifetime Achievement Award for her contributions as a photojournalist.

I am really excited to spread the joy I’ve taken over the years in working with Ruth and share it with you.

A Personal Encounter with Writer Jennifer Homans

Yesterday, my wife and I attended a Scholastic writing awards ceremony with our teenage son Ewan where he was given a medal for a humor sketch he’d written (posted here). The program included a keynote speaker, Jennifer Homans, who was introduced as the author of Apollo’s Angels: A History of Ballet. I knew of her book, which had won awards and been named to many best book lists in 2010, but I knew nothing else about her. She offered good advice to the many young writers assembled in the high school gym, like find a place “inside” yourself to write from and, even while relying on stimulation and information from the outside world, turn off the input, such as Twitter and Facebook, and don’t hesitate to go into yourself. Then she turned to a personal matter. She revealed that her husband, also a writer, had died less than two years earlier, and that she had just written and published an account of his passing, which required her to emerge from her quiet place, not a comfortable place for her, but one that she felt obliged to occupy for a time. She didn’t mention her late husband’s name, and I made a mental note to find out who he was. Before I had a chance to look it up, the essay by Homans on her late husband jumped out at me, in the New York Review of Books. He had been Tony Judt, the prolific author and intellectual historian of modern Europe. Stricken with ALS in 2008, her piece chronicles his last two years, when he maintained many of his intellectual and writerly pursuits, most significantly  ‘talking’ out his last book, Thinking the Twentieth Century, in regular two-hour conversation with collaborator Tony Snyder. He was editing passages of it just before his death in the summer of 2010. The book was published posthumously last month. Homans personal essay is a moving tribute and I’m grateful for having had the chance to hear her speak about her writing life and that of her brave and brilliant husband.

“My Father the Returner”–Guest Post

Ewan Turner headshotMy son Ewan won a medal for a fanciful humor sketch that he’d submitted to Scholastic’s 2012 writing awards. He and I hope you’ll enjoy the piece, which is running here as a guest post on this blog.

My Father the Returner

My father can return anything to any store anywhere, anyplace in the world. He has sent back everything from runny eggs to half gnawed peaches. He has argued and tussled, hustled and bustled. It isn’t that he is confrontational; it’s just that he has no shame. His name is Philip Turner and he is, in his own convoluted way a superhero. Not a man who can fly faster than a speeding bullet or lift a parked car, but a man who can spring fear into the hearts of humans. When managers and unsuspecting cashiers fall under the Returner’s spell no one is safe. He managed on one occasion to return an old sagging mattress and an entire pot of borscht. He was once discounted on year-old underwear because he felt it was “overly scratchy.” He has this face he makes when he is set for refund. It is between a grimace and a sneer, the countenance of a man set on retribution. He is not unlike Napoleon or Julius Caesar marching his way toward victory. I am the exact opposite of my father. I never make a scene and I never make a point.

There was this one day I remember quite distinctly, it is burned and ingrained upon my innermost psyche. We trundled off to a department store to return an item. It was a plain white shirt that looked suspiciously unassuming. I asked him why he desired to take it back. He replied because “it says it’s a medium and it didn’t fit like a medium.” I nodded ruefully. When we arrived at the store he positioned himself, like an unmoving battlement in front of the register. The woman at the counter had hair like Medusa and eyes that really could turn a man to stone.

“I bought this shirt a while ago and it says it’s medium but it doesn’t fit like a medium,” Philip said.

“Do you have a receipt?” she asked, her nasal voice dull and weary.

“Yes!” he said with delight, wrenching from his pleather fanny-pack a receipt.

“This is from four years ago,” she said, gazing at it.

“Yes.”

“Perhaps you’ve just gained weight.” My father stared into her eyes, braving, damming the danger.

“I want satisfaction and I want it now!” he bellowed. The Gorgon Queen flinched, sensing the power of an unstoppable beast of destruction. It was in this deciding moment that she cracked.

“I can offer credit,” she said. This was a big mistake, a sign of weakness.

“Credit? So you can unload socks on us? I want my money back.” She smiled a smile devoid of all hope and said she would get the manager. He emerged from a small windowless room in the back and approached the register.

“What seems to be the conundrum?” he asked. He wore a monocle, pristinely shimmering under the fluorescent lights.

“I want my money back for this shirt. It says it’s medium but it doesn’t fit like a medium,” Philip repeated. The manager’s eyebrow raised, his monocle tumbled out of his eye and onto the floor. He scrambled to recover it and as he did my father delivered the knockout punch.

“If I am not compensated then I vow I will never bring my business or that of my family here again. I will tell everyone what a sham this place is! I am Philip Stanley Turner and I demand satisfaction!” The manager turned a surprising shade of white and put his hands into the air, accepting defeat. He handed fourteen dollars across the counter with a quick palsied motion, bowing his head and trotting off. Philip smiled victoriously, savoring his conquest. I gulped and looked down, hand in pockets, trying to shoulder the embarrassment for the both of us.