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#FridayReads, June 22–Finished “Canada” by Richard Ford

I really saved and savored Richard Ford’s current novel, Canada, and finally finished it while in the air flying home from Toronto earlier this week. Immediately after completing it I began re-reading Chapter One, where 15-year old Dell Parsons opens the book by telling readers that

“First, I’ll tell about the robbery our parents committed. Then about the murders, which happened later. The robbery is the more important part, since it served to set my and my sister’s lives on the courses they eventually followed. Nothing would make complete sense without that being told first.”

I had written about the book at earlier stages in my reading, and now I can say with sure conviction that it is a great novel. The measured pace of it; the mounting force of Dell Parsons’ adolescent  voice; the shocking violence that suddenly invades the seemingly placid narration; the amoral nature of many of the adults in the tale; the way Ford evokes character and place in Montana and the Canadian prairies, in short, sharp strokes that left me wanting to re-read his chiseled sentences–all these things combined to leave an indelible mark on my consciousness while reading it, and once I’d finished it, impelled me to want to start it all over again, eager to riddle out the narrative from the start. It’s one of those novels that teaches you to how read it, while you’re reading it.

I am aware that Canada has had mixed reviews–for instance, the reviewer in Publishers Weekly didn’t care for it, asserting that the first two parts of the book, set in Montana, then Saskatchewan, made little sense together–but I don’t agree. It all worked for me, and brilliantly. Now I want to go back and read more of Ford’s earlier work, and re-read the ones I read years ago.

#FridayReads, June 8–A BEA Cornucopia

#FridayReads Some of the books I brought home from Book Expo America (BEA) and have already been browsing through:

The Devil’s Causeway: The True Story of America’s First POWs in a Foreign Land, and the Heroic Expedition Sent to their Rescue, Matthew Westfall (Lyons Press); Crossing the Continent, Michel Tremblay (Talonbooks); Mind Wars: Brain Science and the Military in the 21st Century, Jonathan D. Moreno (Bellevue Literary Press); Leonardo and “The Last Supper”, Ross King (Walker & Company); Too Much Magic: Wishful Thinking, Technology, and the Fate of the Union, James Howard Kuntsler (Grove Atlantic); Poe’s Lighthouse, edited by Christopher Conlon (Wicker Park Press); For the Sender: Four Letters, Twelve Songs, One Story, Alex Woodward (Hay House); Turkana Boy, Jean-Francois Beauchemin, translated from French by Jessica Moore (Talonbooks); The Life Squad, Amir Yassai (self-published); Life Among Giants, Bill Roorbach (Algonquin Books); Wilderness, Lance Weller (Walker and Company).

A Star for Dante’s Inferno

I was delighted to see this new, modern translation of Dante’s Inferno received a starred review in Publishers Weekly. I had made the book one of my #FridayReads on April 27. PW writes, “This will be the Dante for the next generation.” Here’s the entire review:

♦Starred review♦

Inferno

Dante Alighieri, trans. from the Italian by Mary Jo Bang. Graywolf, $35 (352p) ISBN 978-1-55597-619-4

Bang has done for Dante’s most famous poem something akin to what Baz Luhrmann did for Shakespeare in his 1996 film of Romeo and Juliet: updated the presentation of a classic for a contemporary sensibility without sacrificing its timelessness. Bang (The Bride of E) has preserved the feel and tempo of the original—and the many English translations that readers will be familiar with: ”Stopped mid-motion in the middle/ Of what we call our life, I looked up and saw no sky—/ Only a dense cage of leaf, tree, and twig. I was lost,” she begins. She has, however, modernized the metaphors; where Dante looked to the politics and culture of his contemporary Italy for allusions to illustrate his sense of faith and morality, Bang mines American pop and high culture. Yes, traditionalists and scholars may shriek upon seeing Eric Cartman (of South Park fame), sculptures by Rodin, John Wayne Gacy, and many others make anachronistic cameos in Bang’s version of Hell, but this is still very much Dante’s underworld, updated so it pops on today’s page. The result is an epic both fresh and historical, scholarly and irreverent: “ ‘Pope Satan, Pope Satan, Alley Oop!’ ” begins Canto VII with a line in which Bang mines various previous translations of Dante and the roots of the phrase “Alley Oop” in French gymnastics and a newspaper comic about “a Stone Age traveling salesman from the kingdom of Moo who rode a dinosaur named Dinny,” according to Bang’s comprehensive notes. This will be the Dante for the next generation. Includes illustrations by artist Henrik Drescher. (Aug.)

Reading Richard Ford’s “Canada”

I enjoyed reading Richard Ford’s first book Piece of my Heart, and then his breakout novel, The Sportswriter, and still own the copies I read in the 1980s. However, I missed several of the books that followed–this was during the long interregnum when as an in-house editor of topical nonfiction for several publishing companies, I rarely had a chance to read novels, or really anything for recreation. I noted Ford’s subsequent books as they came out, but never had a chance to pick up another one. Now that I’m running my own editorial services business and curating and writing this blog, my reading diet is as broad and nourishing as I can make it–as those who follow my weekly #FridayReads posts will have noticed–and I can make time to read books like Ford’s latest.

Ford changed publishers after Lay of the Land in 2006, leaving Knopf after many years there for Ecco Books, where Dan Halpern must have been eager to add him to his list, at least partially on the strength of this newest novel. As a confirmed Canuck-ophile and honorary Canadian, I was certainly intrigued when I saw the title of the new book–Canada. After about 150 pages into it, I  can totally see why Dan wrote this in a personal letter printed in the advance readers’ copy [Letter also pictured below–click on it for a larger view.] :

“The first thing you’re going to notice here is the voice, and the language that carries it from Montana to Saskatchewan. You’re not likely to read prose more arresting than this any time soon. Then there are the breathtaking sentences that present the prairies of  Saskatchewan, stark and moody, brooding and foreboding. . . . I understand that, as Richard’s publisher, my response to Canada may strike you as hyperbolic, as it should and rightly so. Until you read the book for yourself.”

I also admire the work of Saskatchewan native Guy Vanderhaeghe, especially his two novels set on the Canadian prairie, The Englishman’s Boy and The Last Crossing, and so, in addition to reacquainting myself with Ford’s work, I was eager to be snared by the locales of the new book, and that is just what’s happening. Ford renders a sense of place and an interior state of mind with strength and assurance. The narrator with the compelling voice one notices instantly is a teenage boy, Dell Parsons, who in the course of the narrative is swept up in a bizarre and destructive family breakdown. Dell’s modesty and manner of telling have bound me to his uncertain fate. And the sentence-making, as Dan promises, is full of constructions that are giving me joy in the reading of them, sentences to savor as they trip along the paragraphs and pages. As for the plot, it centers around an improbable bank robbery by Dell’s hapless parents, an escapade that evokes Sidney Lumet’s classic 1975 film with Al Pacino and John Cazale, “Dog Day Afternoon,” featuring another bank heist by two ill-prepared robbers.

This past Monday night, reading late in bed as is my wont, with my little bicycle light serving as my book light, I was at the same time listening to CBC Radio over the Internet, with my TuneIn Radio app on my IPod Touch. CBC Radio’s nightly news program “As It Happens” replays at midnight, and so that’s what I was listening to when I heard co-host Jeff Douglas introduce an upcoming segment,

“Richard Ford is one of the few living writers who can say he’s written the great American novel. Arguably he’s written three of them–they’re known collectively as the Sportswriter trilogy. The second of these books, Independence Day, won the Pulitzer Prize. Like his other work, his latest novel is sweeping, ambitious and touches on themes of American identity. But it has a very un-American name: it’s called Canada. Richard Ford joined Carol [Off] earlier today from a studio in Canada–Vancouver, Canada–to discuss his latest novel.”

That announcement was about the only thing that could make me put the book down, and so I listened for the next half-hour as Ms. Off led Ford through a deep conversation about fiction-writing, his own creative enterprise, and this new book. Following this link will allow you to listen to their conversation. It was after 1:00 AM by the time the program ended, but I couldn’t resist reading a couple more chapters, having gained new insight into this deeply satisfying book which I’m so eager to continue reading in upcoming days.
/ / more. . .  click through for all photos and for sharing.

#FridayReads, May 25–“Bill Veeck” and “BEA Buzz Books”

#FridayReads, May 25–Bill Veeck: Baseball’s Greatest Maverick, Paul Dickson’s superb life of the progressive-minded baseball team owner, filled with fascinating social history and baseball lore. Also dipping into BEA Buzz Books, the ebook collecting 30 top books to be featured at this year’s Book Expo America, with selections from Neil Young’s Waging Heavy Peace, Mark Helprin’s In Sunlight and In Shadow, and many others.

#FridayReads, May 18–“Atlantic Fever”, “Anatomy of Injustice,” and “Bad Blood”

#FridayReads, May 18–Joe Jackson’s Atlantic Fever: Lindbergh, His Competitors, and the Race to Cross the Atlantic, with a cast of obsessed and scheming aviators who all wanted to make Paris first. Among the schemers is Admiral Richard E. Byrd, whose machinations and manipulations on the stage of world-class feat-making would make him almost as legendary as Lindbergh. In the 1990s and early 2000s I published Jackson’s first three books, including the co-authored Dead Run, with an Introduction by William Styron. Jackson’s a very gifted writer of narrative nonfiction. Kirkus Reviews says of his latest: “With stirring detail and perceptive insight about the pilots and the public, Jackson recaptures the tone and tenor of a frantic era’s national obsession.”

Also reading and finishing two powerful true-crime narratives: Anatomy of Injustice: A Murder Case Gone Wrong, Raymond Bonner’s masterful dissection of a flawed and corrupt prosecution of an innocent man; and Casey Sherman’s Bad Blood: Freedom and Death in the White Mountains, a compelling tick-tock of a deadly case I know too well, the violent 2007 episode in New Hampshire, near where I attended Franconia College, when a cop and and a young man he had stopped both ended up shot dead.

#FridayReads, May 11–“Anatomy of Injustice” & “Have Not Been the Same”

#FridayReads, May 11–Anatomy of Injustice: A Murder Case Gone Wrong, Raymond Bonner’s powerful and sad indictment of the system in a S. Carolina death penalty case. Also, “Have Not Been the Same: The CanRock Renaissance, 1985-1995 by Michael Barclay, et al, a rich, readable tour of Canadian rock n’ roll, accompanied by a great CD compilation of the same name.

#FridayReads, April 27–“The Inferno” and “Mickey Cohen”

May 28, 2012 Update: I was delighted to see this new, modern translation of the Inferno received a starred review in Publishers Weekly. They write, “This will be the Dante for the next generation.”#FridayReads, Mary Jo Bang’s splendid modern translation of Dante’s Inferno, with diabolical drawings by Henrik Drescher and fascinating, context-lending notes by Ms. Bang, being published by Graywolf this coming August.  Also, Mickey Cohen: The Life & Crimes of L.A.’s Notorious Mobster by Tere Tereba–what a nasty killer.