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Anticipating a New Way to Sell the Books I Write About to Readers of My Blogs

For book industry pals like me, who’d read and wondered this week about the import of national book distributor Ingram’s acquisition of the digital company Aer.io, I was excited tonight to read this analysis by friend and industry observer Mike Shatzkin, which anticipates potentially a very dynamic platform, one that could provide thousands of website managers and Internet publishers tools to help them sell books—print and digital editions—directly to their visitors. For my part, I see that it could provide bloggers who write about books, including me, the ability to sell titles directly from our websites to our readers and visitors. I currently affiliate with Powell’s Books of Portland, OR, but that arrangement has long been limited to print copies, with no prospect for selling ebooks, which is the format more likely to be preferred by blog readers, with rapid availability of digital content, and no shipping involved. As a retail bookseller before I was an editor and blogger, with a career-long penchant for sharing my enthusiasms, I’m eager to learn about these new options, and from an industry perspective, I anticipate significant interest from bloggers like me.
Shatzkin speculates that the new platform, combining Aer.io’s tools with Ingram’s capacity, has the potential to dramatically increase the sheer volume of online bookselling, with the potential to bring along many new types of Web publishers; it could also represent competition for Amazon, hence the title, “Can crowd-sourced retailing give Amazon a run for its money?”
Here you’ll find 1) a screenshot of Ingram’s announcement; 2) a portion of Aer.io founder Ron Martinez’s optimistic interview with The Bookseller, explaining what the platform provides now, and what it may offer in the future; and 3) some paragraphs from Shatzkin’s cogent analysis. You can read these screenshots by clicking Pause at the upper right corner, and read them in their entirety on the respective websites:  1)  /  2)  /  3).  Ron Martinez

And Yet…Looking at Publishing’s Big Five and the Book Business Today

This weekend I read an essential piece about the state of the book business today from industry analyst Mike Shatzkin. It’s titled “No, the Big Five are not a cartel and it really ignores reality to label them as one.” You may read it at the author’s blog via this link. (Disclosure: I’ve known Shatzkin since 1980.)

His piece, in part, pushes back on rhetoric from some people in the self-publishing community who cast publishing’s Big Five (that’s Penguin Random House, Hachette, Macmillan, Simon & Schuster, and HarperCollins) as a veritable OPEC of books. He doesn’t so much defend the Five as point out realities that apply in the business, actualities that are sometimes overlooked or skipped over by some of self-publishing’s most zealous celebrants. One critic, Barry Eisler, claimed during a panel at the recent Digital Book World conference that publishers don’t really compete against one another, and instead largely cooperate with each other to the detriment of authors. As Shatzkin shows, this isn’t really borne out by the facts:

“First of all, the Big Five have plenty of competition: from each other, as well as from smaller niche publishers who may but [sic] be ‘big’ but certainly aren’t ‘small’. (That is why the big ones so often buy the smaller ones — they add scale and simultaneously bring heterogeneous talent in-house). They are all quite aware of the authors housed elsewhere among them who might be wooable. In fact, since we have started doing our Logical Marketing work, we have done several jobs which were big author audits commissioned by publishers who wanted to steal the author, not by the one which presently has them signed. Eisler explicitly resisted accusing the publishers of ‘collusion’, but he does accuse them of ‘not competing’ with each other. That is an accusation that is simply not supported by the facts. Nobody who has spent any time talking to people who work in big houses could possibly get the impression that they don’t compete.”

My own outlook on the book business is derived from the fact that I’ve worked in many sectors of it—retail bookselling from 1978-85; small and big-house publishing from 1985 to 2009; and for the past six years, I’ve been working independently, often with self-published authors. I appreciate the new access writers have to publication, an emerging space that’s also enabled me to chart a new career path over the past six years. As an editor and consultant, I help writers pursue all their options, including self-publishing; as an author’s representative, I also look to license books to traditional publishers. I have criticisms of big and small houses, believing, for instance, that they should pay higher royalties than the 25% of net proceeds on ebooks that is common. And yet, I also appreciate what traditional publishers, big and small, are capable of doing for the titles they acquire and publish.

I don’t believe self-publishing solves all problems in the book business, and am uneasy with what I take to be a kind of evangelical fervor for self-publishing exhibited by some people. And yet, I definitely relish the variety in the business now, as barriers to publication have been lowered for many writers who wouldn’t earlier have found their way in to print. If you want an informed perspective on the business today, I recommend you read Shatzkin’s latest column, and keep up with what he posts on his blog. For starters, here’s a screenshot of the first four paragraphs of “No, the Big Five are not a cartel and it really ignores reality to label them as one.”

Whistleblowers on Speakerfile

Delighted to have my recent blog essay, On the Imperative of Publishing Whistleblowers, republished today on the blog of Speakerfile, the company I consult for that connects conference organizers with authors who do public speaking. H/t Neal Maillett of Berrett-Koehler Publishers for his piece, Why We Publisher Whistleblowers, which inspired my own, and Mike Shatzkin, who alerted me to Neal’s essay. Also, thanks to Cara Posey of Speakerfile who solicited this post from me.

My Love of Live Music in NYC–It All Began w/The Drongos in 1983


Now well past my twenty-fifth year of living in New York City, I’m still a fan of going out to hear live music in Gotham. Last week, for instance, I attended two great shows, blogging about them here and here. Tonight, finding the video I’m coupling with this post I was reminded that I was keen on hearing live music here even before I thought about moving to the metropolis.

In 1983, then living in Cleveland and running Undercover Books and Records with my sister Pamela and brother Joel and our parents Earl and Sylvia, Joel and I drove to NYC one summer weekend for a record release party. The band with the new album was The Drongos, an ebullient New Zealand quartet. We were already fans of the outfit, and making it even better was that they were managed by book biz friends Mike Shatzkin and Martha Moran. Their debut album was feted, I think, somewhere around Irving Place, though I could be mistaken about the location. I do remember it was a great night, because the album was not only on hand to be celebrated, but of course the band too. The friendly foursome–Jean McAllister, guitar and keyboards; Stanley John Mitchell, drums; Richard Kennedy, guitar; and Tony McMaster, bass–wrote their own songs and played several of the ten tunes from their self-titled LP during the evening. Looking at the album sleeve today, I recall such great songs as “Eye of the Hurricane” and “Life of Crime.” “Non Citizen,” written by Mitchell, typified the uneasy world of a visitor living in a country’s shadows:

Living life as a non-citizen
Living under the table, keep your profile low.
Leaving friends landed in another time,
Came looking hoping to find the stages set.

Stony faces sleeping in the subway
And in the nights hiding in the clubs, they let it show.
Swim or sink, winning or losing,
No one said the city had to play a good clean game,
I say:
 Deep down, where we live
 Life seems so absurd
 But we keep on making the best of the western world.

Today those lyrics read like an 80s rock ‘n roll version of Tom McCarthy’s splendid 2008 movie “The Visitor.” Even while singing sensitive lyrics like those, The Drongos were a damn fine rock band, superbly professional musicians, entertaining, and tons of fun to hear live.

That whole trip with my brother, and that summer night in particular, was a great time. I remember it all fondly, not least because Joel died suddenly in 2008. Soon after moving to NYC in ’85 I looked up Jean McAlister and Tony McMaster, who were married and by then had a young daughter, Carmen. I remember a golden day I shared with them and baby Carmen in Riverside Park. As is wont to happen with so many bands, circumstances spun them out of their collective orbit, which doesn’t diminish the great band they were for a good stretch of time.

I was reminded of all this tonight when I saw that Richard Kennedy is still playing music, living in the UK–has a terrific new video on Facebook of him playing guitar, pasted in above. H/t to Ira Nonkin who posted it on Facebook, and to Martha Moran, who brought it to my attention. So glad I still have my LP, so I could shoot the sleeve for this blog essay. The original album pictures were shot by photographer Leslie Fratkin, another old friend of Mike and Martha. For his part, Mike has also blogged about working with The Drongos. // more …. [Click ‘Continue Reading’ to see detail of album photo]