Canadian rock ‘n roll, sung in French

While Karkwa was playing its fourth song, roughly twenty minutes into their set, an event occurred that I’d never witnessed at a show–over on the far side of the floor a member of the audience, a woman, collapsed. Within a few seconds, a number of people had gathered around her prone figure, trying to assess the reasons for her fall, and her condition. These Good Samaritans surrounded the woman with their backs facing the band; the musicians clearly sensed something was amiss, but not knowing why, over the next minute or two they played out the song. It was weird though because to us in the audience it was clear something serious was going on. Still, no one signaled the band to stop, including me, though doing something like that crossed my mind.

Hey Rosetta! Plays Brooklyn–Newfoundland Comes to New York

Hey Rosetta! is a great band with intelligent songwriting, empathetic vocals, terrific instrumental playing, and are a very exciting live act. If you enjoy well-played and intelligent songwriting, I urge you to seek out their music online and go hear them when they come to your town.

#Fridayreads/Dec. 2

#Fridayreads Mystery Train: Images of America in Rock ‘n Roll Music, Greil Marcus’s classic book on Robert Johnson, The Band, Sly Stone, Randy Newman, and Elvis. A golden nugget in every paragraph. His analysis of the forces that drove The Band apart are sad, and accurate, so far as I know, and the way he […]

Why Vinyl is Today’s Most Dynamic Music Medium

Consider this remark from Dave W. of Wax Tracks Records in Denver: “I have noticed that at least two or three times a week some father or mother comes in saying that their kid asked for a turntable for their birthday or Christmas present. So it’s not a case of the older generation just giving their turntables to their kids and saying ‘Here’s what we used to play music on,’ but rather the kids saying ‘This is what’s cool and happening right now and I want in on it.'”

Love for the CBC from the LA Times

In what I judge to be an interesting assignment by editors at the Los Angeles Times, I read Marcia Adair’s article on the unifying effect that the CBC, Canada’s national broadcaster, has on the country’s civic identity. The story is partly pegged to the fact that “in a delicious twist, it seems that the broadest […]

Blackie & the Rodeo Kings at The Living Room

I got to hear a great Canadian indie music show this week. On Wednesday night fabled country band Blackie and the Rodeo Kings played The Living Room on Manhattan’s Lower East Side. The Blackies, or BARK, have hung together for sixteen years, even while each member of the basic trio pursues side projects in music […]

An Ode to Bob Dylan and Alan Price

Watched and enjoyed D.A. Pennebaker’s classic documentary “Dont Look Back” (sic) chronicling Bob Dylan’s 1965 tour of the UK. I was delighted to be reminded of the key part that British rocker Alan Price, ex of The Animals, played in the film. In Price’s honor, today I’m listening to my treasured old LP of his […]

Ohbijou & Library Voices at the Knitting Factory

Ohbijou from Toronto and Library Voices from Regina played great sets at the Knitting Factory in Brooklyn Thursday night Nov. 4. A six-piece outfit, Ohbijou’s music is like a space jam with soaring notes and lyrical interludes with great vocals by sisters Casey and Jenny Mecija, who also play guitar and violin respectively. A seven-piece, Library Voices has a brash, fun sound with vibrant catchy hooks, bookish song titles and literary-minded lyrics (“Reluctant Readers Make Reluctant Lovers,” “If Raymond Carver Were Born in the 90s,” “Prime Minister’s Daughter), and a very athletic performing style. It was great hanging with all the band members before, during, and after their sets. Had fun chatting with Jenny and her boyfriend, Eoin, bassist of Library Voices, about Canadian writers, including Pierre Berton and Farley Mowat. Farley is a longtime friend to Eoin’s father, who works for the Library Association of Canada. Because Ohbijou currently has a popular song called Niagara I mentioned that in the 90s I’d published Berton’s great book Niagara: A History of the Falls, which garnered front-page treatment on the cover of the New York Times Book Review. Their lyrics riff on some of the same dangerous features of the falls that characterizes Berton’s narrative: “You collapsed into iron arms/A bridge, a crossing into desperate parts/We filled this quiet, this poison cup.” Several members of fellow Regina band Rah Rah were also in the house–Leif Thorseth, Joel Passmore, and Kristina Hedlund–adding to the good times for all.