Stomping Feet in NYC with The Pack A.D. & Elliott Brood

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Last Wednesday night I had the privilege of hearing two great Canadian bands on Manhattan’s Lower East Side, enjoying their back-to-back sets enormously. First up was The Pack A.D., a female duo from Vancouver who play hard-charging drums + guitar raw punk style. Guitarist Becky Black is angular and lanky, kind of a girl version of The Sadies’ Dallas Good, while lead singer Maya Miller drums fiercely and handles show banter with alacrity. With signature songs like “Sirens,” “All Damn Day Long,” “Making Gestures,” and “Haunt You” (with a great arcing chorus vocalized against a pounding drum beat, Black sings, “I died/I died/I died/I’ll haunt you,” stretching out the “I’ll” till it’s more wail than words. Their wall of sound made a helluva sonic impression on me and since then I’ve been loving their recent album, “Unpersons,” which I bought at the merch table. I was joined there picking out a CD by my CBC Radio 3 show buddy Steve Conte, a comics artist and comics dealer from New Jersey.

Next up in Pianos’ tight little music room on Ludlow Street were the Ontario trio called Elliott Brood, whose gritty sound feels as if it’s been imported from the early days of sound recording. More raw than roots, it’s a sonic stew of acoustic guitar, banjo, reverb-ed Fender Stratocaster, harmonica, and thumping drums. Mark Sasso, standing stage right, handles the acoustic, banjo, and mouth harp, while the electric’s in the hands of Casey Laforet, seated at the other side, and in the middle is drummer Steve Pitkin, who also has a small keyboard to the side of his drum kit. Mark and Casey traded off singing lead, also swapping high and throaty harmonies on many tunes. Mark and Casey are bearded, hatted, and vested, reminiscent in appearance of Band members from their prime, Rick Danko and Levon Helm. Their set list was composed of songs from across all the Elliott Brood  albums, including the latest, “Days into Years.” The analogy to The Band isn’t purely visual, as like those original greats from the North Country, Elliott Brood seems to have composed their songs by channeling roots from the last century, or maybe the century before that. For the current album, they borrow the motif for its ten songs from the conceit that a young man in our era has found letters of a WWI doughboy who’d written home about the terrors of the trenches. The signature song for this strand on the record is “If I Get Old,” a verse of which has these lines:

And when we got here we were young men/What we’ve done has made us old/Left to die out in these frozen fields/So far away from home/And if I live to see the end I’m going to make a brand new start/But I’ll never be the same again without my youthful heart. // more . . .

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C-Span’s Brian Lamb–Good for TV, Good for the USA, Good for Books

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I read with interest last night the news that C-Span founder Brian Lamb’s decided to step aside as active CEO of the network, leaving the leadership to a two-person combo, Susan Swain and Rob Kennedy. I’ve worked with Brian and Susan and I’m very happy for them both–for Brian, who can step back a bit after close to three decades in day-to-day leadership of the innovative network, and for Susan, who like Brian has always been a pleasant presence on-screen and great to deal with on any matters relating to their prodigious coverage of nonfiction books. In fact, if publishers and authors have not given C-Span an award for its coverage of current affairs and issues books, it’s hight time we as an industry did so.

I got to know Brian, and Susan, when as an editor with Times Books of Random House I edited a book with him in 1998-99. It was Booknotes–Life Stories: Notable Biographers on the People Who Shaped America, drawn from Brian’s on-air conversations with the more than 500 biographers he’d interviewed on “Booknotes,” the program that preceded his current showcase, “Q&A.” Imagine a book filled with the insights of Robert Caro (on LBJ), Ron Chernow (on John D. Rockefeller), and Blanche Wiesen Cook (on Eleanor Roosevelt), and multiply it times a couple hundred. One of the great evenings of my career was the night we launched the book at Barnes & Noble’s Union Square store, with Brian moderating a discussion among Caro, Chernow, and Cook. After the signing, as we all headed across the Square  to a restaurant I had the chance to introduce myself to Caro, whose indomitable book on Robert Moses, The Power Broker, had crystallized in me a dream to live in New York long before it was a practical possibility.  As we were crossing 17th Street, I said to Caro, “Your book made me nostalgic for the city and a time I never lived in.” Caro stopped in the street, turned to me and in his broad Bronx accent marveled, “No one’s ever said that to me.” I was some kind of glad that night, especially when Caro later told me that he long admired my late author Edward Robb Ellis and his books, The Epic of New York City and A Diary of the Century.

Working on the manuscript with Brian, he was always self-effacing and eager to hear my take on the material. Despite what I’ve seen expressed by a few commenters below the TPM story on this development, C-Span has no partisan agenda, and neither does its founder. And the neutral ‘C-Span look’ that hosts have when callers phone in and make their aggressively partisan points? It’s no accident; rather, it’s a product of Brian’s studious refusal to choose sides in Washington. By now, if a D.C. backbench politician isn’t being heard, it’s not for lack of opportunity via C-Span and other cable networks. I’d argue that C-Span has made hearing from politicians almost routine, and while we may feel we get too much of them nowadays, I believe that’s an improvement over the era when few members of congress not in leadership positions were even heard from.

Detractors might say that Speakers of the House still control the camera, and that’s true, but not for lack of C-Span trying to expand the number of lenses positioned in the chamber. Now, if the Supreme Court would finally accede to Lamb’s request that they allow cameras in their Court–something he’s asked for repeatedly over the past several years–we’d also have a somewhat more open third branch of government.

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