There’s Music in the Trees!

During NXNE at the unofficial CBC Radio 3 picnic in Toronto’s Trinity-Bellwoods Parks organized by host and author Grant Lawrence, the musicians Adrian Glynn and Zach Gray literally climbed a tree to perform the three songs that made up their excellent set of music. They had funny banter from aloft, including about their band moniker, which I’ve confirmed with Adrian Glynn is Emperor of the North AKA Murder on The Canadian AKA the Caboose Boys. I managed to record one of their tunes as a video on my IPad. I’m glad I got it, even if it cost me a stiff neck to train my device on the two of them for 4 + minutes. Fun stuff. For more info on Adrian and Zach you should go to www.adrianglynn.com and www.thezolasmusic.com. Click through to see all photos and captions.

To Share or Not to Share

Interesting piece by book publicist Brian Feinblum* of public relations firm Media Connect, on what makes people want to share content online, and what makes them decline to do so. The riddle he’s trying to solve is a key one in the Internet age, and one that strikes me as analogous to a question I often pondered when I ran my bookstore, Undercover Books: what makes browsers apt to pick up a book and put it back down again, or what makes a customer walk to the cash register with a firm resolve to buy the book. I haven’t worked in retail since 1985, but I still think about consumer behavior, and nowadays, online behavior. The analogy isn’t an equivalent one, because sharing online doesn’t cost money, but clicking the share button does represent an investment of one’s prestige or reputation. Feinblum must be doing something right, because I decided to share his link and word of his article.

* Full disclosure: I’m on Feinblum’s email list and received a message from him where he asked his subscribers to consider sharing the above article. After reading it, I decided I would because I could stand behind its content as offering something valuable to my readers too.

Announcing My Collaboration with Speakerfile

June 25, 2012–Shelf Awareness, the e-newsletter for booksellers and librarians and others in the book trade, has run a generous announcement on the collaboration I announced last week with Speakerfile. It was in the email they sent out to their subscribers this morning and at this link. If you don’t already subscribe to their emails, I recommend them–there’s a professional one for the book trade that comes out every workday and one for readers that’s published twice a week–they are grouped together at this link.

Last Friday, the day the release below hit the wires, the daily e-newsletter Publishers Lunch also covered the news, with a piece at this link.
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June 22, 2012–Today I am announcing a business collaboration with Speakerfile–the Toronto-based company I’ve been writing about a lot on this blog over the past month. I’ll be representing their robust online platform that connects conference organizers and meeting planners with authors and thought leaders to publishers, authors, agents, and publicists. This press release on PR Newswire announces the arrangement. I’ve also pasted it in below, for your convenience. If you are an author, or you work with authors who want to do more public speaking, please read the release and follow the links to learn more about this engine of discovery that has the potential to put authors in front of audiences and drive book sales. You’ll also find a promo for Speakerfile near the upper right-hand corner of this website, which you can click on to go directly to Speakerfile’s site. Please let me know directly of any questions you may have, or if you’d like to sign up for Speakerfile.

Click on the link above for the press release or click through here for the release copied & pasted-in.

Terre Roche, on the “New Busking” in the Music Biz

I’ve written on this blog about the delightful Friday night singing circle that longtime singer and songwriter Terre Roche leads in NY’s Battery Park most Friday nights in May and June. My wife and son and I went on June 8th and we had a good time, singing along to songs like “The Weight,” “Bird on a Wire,” and “The City of New Orleans,” while getting rained on by a lower Manhattan sun squall and seeing a rainbow.

I’ve also read and enjoyed Terre’s sister Suzzy’s current novel, Wayward Saints, so for me the past few months has been a Roches-inflected season, discovering and rediscovering their creativity. They are clearly a very talented family, and don’t just rest on their laurels for things they did back in the day (with third sister Maggie) as The Roches, with great songs like “Hammond Song,” with its theremin-like lead instrument. It’s still a beautiful song, and deserves a fresh listen, if you haven’t heard it recently, or ever.

Today, Terre’s published a self-aware  NY Times opinion piece titled The New Busking, a somewhat rueful take on how she’s found that trying to generate support for her current music project, a fusion called Afro-Jersey, through Kickstarter and Indiegogo* has inevitably shifted her focus away from creating and more toward networking. Her column reminds me of similar laments I’ve heard from authors who regret the things they have to do get published, or even to surface amid the bevy of authors and books out there nowadays.

As a longtime bookseller, editor, and publisher–in short, not an artist but a member of the commercial class that promotes creative work and shares it with the public, or declines to do so–I have no easy answer for those authors, or for Terre. This is the pass we have come to in the early 21st century–the new busking, indeed. Still, I did want to make note of Terre’s column and say  I recognize the dilemma and the struggle. Somehow, though, I remain hopeful that even while Web platforms such as those she engaged represent a distraction from creative work, they also offer a chance for that work to be heard, seen, and read. Clearly, for better and/or worse, there’s no going back.

My Letter to the Dept. of Justice in the Agency Model Ebook Case

With Monday June 25 as the last day for public comment in the Agency Model and ebook pricing case now before the DOJ I submitted a comment today. This is what I sent in an email to John Read at the Dept. of Justice:

June 23, 2012

Mr. John Read
United States Department of Justice
Washington, D.C.

Dear John Read,

I believe a competitive book market for authors, publishers, and readers is essential to the cultural and commercial well-being of our country. Because of the public good that a competitive marketplace conveys, I urge you to turn away from any course of action in this matter that would have the perverse effect of boosting Amazon.com and permitting them to continue predatory conduct that they have shown a predilection to practice.

While I know that the government’s investigation has been about allegedly improper conduct on the part of some publishers, I hope you can find a remedy here that does not deliver a new competitive advantage for Amazon.com, one that, given current trends, could surely lead to a less healthy, less competitive book and publishing marketplace, one that would over time lead to fewer titles coming from publishers; less income for creators; and less choice for consumers.

I write with respect for the difficulties you and your office must face in dealing with this matter. But as a longtime retail bookseller, editor and publisher, I know that our industry is balanced on a perilous edge where your decision could lead to a more competitive and fairer book marketplace, or when where a very few players dominate the commercial and cultural space. I hope you will not let that occur.

Sincerely, Philip Turner
Philip Turner Book Productions
New York, NY
www.philipsturner.com

Click through to see screenshot of my email to the DOJ

Publishing People for Obama Fundraiser, June 18

I had a great week in Toronto, covering the North by Northeast festival (NXNE) for this blog, and working with my client Speakerfile, but when I booked the trip in late May, I deliberately scheduled my departure for mid-afternoon on the Monday, June 18, with a hoped-for return landing at LaGuardia before rush hour. This was designed to give me some time in Toronto that workday, while also allowing me to make it to the Publishing People for Obama reception and undraiser that was being held that evening from 6-8 in the Midtown Loft at Fifth Avenue and 29th Street. I lucked out last Monday. Though the day was extremely hot and hazy in Toronto and only a bit less so in NY, there were no thunderstorms messing up the northeast corridor and nothing delayed my departure and rapid return home to Manhattan.

Since I had not flown in a sportcoat and dress shirt, I wanted to change in to an outfit that would come close to business attire, or semi-business attire. How was I going to do this? In the back of a livery cab? I didn’t think so. I lucked out again and had a funny sort of sitcom moment when I found a “family restroom” at LaGuardia, with a door I could lock and then dig into my luggage for my toothbrush and a suitable change of clothes. So far as I know, I didn’t inconvenience any desperate parent with a baby in need of a diaper change–at least no one banged on the door begging entrance, nor did any airport guard see me go in and out of this inner sanctum of airport privacy.

With luggage in tow, I reached the loft space, showed my passport at the front table (since it was handy) and stowed my stuff in a nearby coat closet. (I’d wondered if a security detail would want to inspect my belongings, but luck prevailed again and no one did). Unencumbered at last, I began greeting publishing friends who had also donated to the president’s reelection campaign via our organizing committee and, like me, were eager to hear from our guest speaker, presidential advisor David Plouffe, and later Rosanne Cash, the evening’s entertainment. I saw the event co-hosts Barbara Lowenstein, Roger Cooper, Tom Dunne, and Bob Miller. Over the next few minutes I saw and spoke with Will Schwalbe, whose second book, The End of Life Book Club will be out this fall; Fauzia and John Burke, of the indie publicity firm FSB Associates, which set up the Facebook page for the event; Linda Johns and George Gibson, of Bloomsbury Publishing, as well as Peter Ginna, of Bloomsbury; Mike Shatzkin and Martha Moran, longtime book biz friends going back to my bookstore days; book packager and publishing consultant David Wilk, and his wife Laura, a watercolor artist;  Brian DeFiore, Irene Skolnick, Deborah Schneider, Scott Waxman, and Alice Fried Martell, all literary agents with their own agencies; Michael Coffey, co-editor of Publishers Weekly, and his wife Rebecca Smith, a sculptor; and Marc E. Jaffe, a publishing advisor whom I hadn’t seen in ages. It should also be said that many people from outside of New York donated, but didn’t attend the event. Thanks to them all too!

Many of these people I saw up on the rooftop, where we enjoyed a great view of the Manhattan skyline all around us, including the Empire State Building at 34th Street, which seemed close enough to touch. Soon, with the evening’s program approaching we were urged to head back downstairs to the main room, which by now had become very crowded. Pretty soon there were so many familiar faces I couldn’t keep track of who I was seeing. The space got full very fast.

Plouffe is slender and perhaps around 5′ 10″. He has thin hands and long fingers on a slight frame, with a rather bird-like profile. He spoke for about twenty minutes, and then took a half-dozen questions. He thanked us all for contributing to the campaign, and said he believes it’s going to be a close election, and tougher to win than in 2008. He referred to the possibility that Mitt Romney could win, though he also expressed confidence the president will be re-elected. He said only one president has ever been re-elected amid an economy overcoming a depression or recession as severe as the one we’ve endured. That was FDR, in 1936. Plouffe also talked about the veritable flood of Super Pac money flowing against the president and other Democrats, and observed that at times it feels as if their opponent isn’t Mitt Romney, but all the Super Pacs. He pledged that the campaign will do everything possible to remind the American people of how damaging the stated policies of Mitt Romney and the Republican congress would be for the country. He said there is still much that the American people has to learn about Romney–for instance, he said that barely 50% of the country even knows he served as a governor, or what his record was while in office. He promised the campaign will draw sharp contrasts between the president and Romney whenever possible. He asked for our help, and our time as volunteers, for instance by making calls to swing states, or visiting them if you’re able to do so. In 2008 I made calls to Ohio (the state I was born), Virginia, Colorado, and Pennsylvania and will do so again. // more . . . // Click through for entire post and all photos and captions.

Steve Wynn & the Miracle 3 at Bowery Electric

I happen to have as Manhattan neighbors the venerable indie rocker and songwriter,  Steve Wynn, and his wife, drummer Linda Pitmon. In the 80s, Steve led The Dream Syndicate, a formative post-punk band that’s sometimes mentioned in the same context as REM and the Replacements. On Wynn’s website I see that Trouser Press wrote of him at some point, “What he took from punk had more to do with attitude, noisy energy, abyss-skirting emotions and musical riskiness–qualities, of course, present in the best rock and roll of any scene, era or sub-genre.” I should add that I published a compilation of Trouser Press’s album and band reviews that came out in 1991, The Fourth Edition of the Trouser Press Record Guide: The Ultimate Guide to Alternative Music, edited by Trouser Press maestro Ira A. Robbins. In that book, still a reference I often thumb through for valuable guidance, Ira cites the Dream Syndicate album “Ghost Stories” as the best work they put out.

Nowadays, Steve and Linda often play as part of The Baseball Project, and I’ve heard them perform under that rubric. However, this past Thursday Steve and Linda played at Bowery Electric under the billing Steve Wynn and The Miracle 3. I went to the show and they turned out to be a hard-driving rock n’ roll 4-piece that may be a touch closer to Steve’s longtime rock roots than the baseball songs are. Steve and The Miracle 3  played a great set–although the songs were all new to me, they hooked me in right away–with great musicianship from all four players, including bassist Dave Decastro and lead guitarist Jason Victor. Songs that stuck out for me were “The Deep End,” “Death Valley Rain,” and “That’s What You Always Say.”

My first time in Bowery Electric, the club was also a good ‘hang,’ as I heard one friend in Toronto say during NXNE last week about one of that city’s many splendid music venues, The Dakota Tavern.

An added bonus for this fun night was spying in the crowd a familiar face from suburban Cleveland, where I grew up. I was positive we’d grown up going to some of the same schools in Shaker Heights. After the Miracle 3 had finished their energetic encore, I approached this fellow, and noticed that the woman he was with was showing him on her phone display a 4th quarter score from Game 5 of the Heat-Thunder series, with the Lebron-led Heat way ahead. Given their rueful looks, I knew he must have grown up in Cleveland. I introduced myself, and sure enough, he was John Bendes, a name that struck a bell; though remote in my memory, I was now certain that we had grown up in the same community. I gave him my card that IDs me and this blog and I look forward to being in touch in the future.

Click through for all photos and captions.

#FridayReads, June 22–Finished “Canada” by Richard Ford

I really saved and savored Richard Ford’s current novel, Canada, and finally finished it while in the air flying home from Toronto earlier this week. Immediately after completing it I began re-reading Chapter One, where 15-year old Dell Parsons opens the book by telling readers that

“First, I’ll tell about the robbery our parents committed. Then about the murders, which happened later. The robbery is the more important part, since it served to set my and my sister’s lives on the courses they eventually followed. Nothing would make complete sense without that being told first.”

I had written about the book at earlier stages in my reading, and now I can say with sure conviction that it is a great novel. The measured pace of it; the mounting force of Dell Parsons’ adolescent  voice; the shocking violence that suddenly invades the seemingly placid narration; the amoral nature of many of the adults in the tale; the way Ford evokes character and place in Montana and the Canadian prairies, in short, sharp strokes that left me wanting to re-read his chiseled sentences–all these things combined to leave an indelible mark on my consciousness while reading it, and once I’d finished it, impelled me to want to start it all over again, eager to riddle out the narrative from the start. It’s one of those novels that teaches you to how read it, while you’re reading it.

I am aware that Canada has had mixed reviews–for instance, the reviewer in Publishers Weekly didn’t care for it, asserting that the first two parts of the book, set in Montana, then Saskatchewan, made little sense together–but I don’t agree. It all worked for me, and brilliantly. Now I want to go back and read more of Ford’s earlier work, and re-read the ones I read years ago.