Paul Elie, on J.S. Bach and His Modern Interpreters

A great conversation this morning on one of my favorite weekend radio programs–CBC Sunday Edition, hosted by Michael Enright–with Paul Elie, author of Reinventing Bach, a National Book Critics Circle finalist in criticism, examining how Albert Schweitzer, Pablo Casals, Leopold Stokowski, Glenn Gould and Yo-Yo Ma have interpreted Bach over the past century. I had heard Elie read from his work last March at the readings hosted by the NBCC with many of this year’s finalists. In a post about that occasion, I wrote,

Like all the categories, Criticism was filled with standout titles. Paul Elie, (Reinventing Bach), read a fascinating passage about the blockbuster album of 1968, “Switched-on Bach,” for which Walter Carlos had played Bach on the recently invented moog synthesizer. Elie quoted Glenn Gould on the fusion of Bach and the new electronic instrument, where the Canadian pianist heard an ideal match. Gould relished the moog’s absence of vibrato and inflection, which I imagine probably had an aural quality for him akin to a harpsichord.

Elie is very knowledgeable but not pedantic in discussing Bach and the modern musicians. Today’s program is highly recommended listening.