Celebrating Pete Seeger & Enjoying “Mr Personality”–a Music-filled Weekend in NY

Good musical weekend unfolding. Tonight Kyle, Ewan, and I are going to a Pete Seeger tribute show at the Jalopy Theatre in the Red Hook section of Brooklyn. We enjoy the music and the community that surrounds the Jalopy, where one of the house bands is the Downhill Strugglers, a group that includes people who will be playing tonight, such as John Cohen, founding member of the New Lost City Ramblers, Eli Smith and Jackson Lynch. Smith is the founder of the Brooklyn Folk Festival, coming up soon on its sixth year April 18-20 at the Bell House. I hope to post some photos and a report later on about tonight’s tribute to Pete Seeger.

Lloyd PriceWe kicked things off on Friday night when Kyle and I went to see rhythm & blues legend Lloyd Price, aka “Mr. Personality.” The hitmaker behind such chart-toppers as the eponymous “Personality” and “Stagger Lee” began his performing career in 1949, as a singer with a band that included Fats Domino on piano. He will turn 81 on March 9. We were guests of our friends Mike Shatzkin and Martha Moran, who also invited two other old friends of theirs. One was Linda Davis, originally from Liverpool, England. She still has a charming accent, if not, she says, as pronounced as it was when she first came to the States in the ’70s. She told us that back in the day she worked as a coat check clerk in dance halls where the local Liverpudlian music scene of the early ’60s unfolded. She saw twin bills with Gerry and the Pacemakers and the Beatles. Imagine! Mike and Martha’s other friend whom we enjoyed meeting was Tracy Young, a magazine writer. Linda and Tracy had also not met each other before then. All the ingredients were assembled for a great evening, thanks to Mike and Martha.

There was, however, a fly, or a flaw, in the soup: The venue stunk. It’s called The Cutting Room, and it should be cut out of the address book of any live-music fan who expects a club to be run to a minimal standard of consideration and courtesy, with fair value for the customer. I won’t even link to it because it really doesn’t deserve your traffic, either the Web kind or walk-in. I will though link to its Yelp page where my friend Mike left his comment which begins “This is the worst-run club in my 47-year history of going out to hear live music in New York City.” None of us will ever go there again. Fortunately, the company was first-rate and it was a special treat hearing the ebullient Lloyd Price, who moves around on stage, singing and performing with tremendous ease. Not only does he make it look easy, he does it all with great good humor. He put on a fun show with an excellent band that was so numerous on stage there were several horn players I never did actually see, given our partial view. Below is a youtube clip of his 1952 hit “Lawdy Miss Clawdy.” Also, more of the photos Kyle and I took from our perch above the stage.

http://youtu.be/nQZVufJfcG0

Judith Butler, Once More a Target of Critics Who Would Silence Her

Readers here may recall I’ve written and shared about literary scholar and contemporary philosopher Judith Butler, a frequent target of criticism by right-wing conservative Jewish commentators, owing to positions of hers such as support for the boycott/divest/sanction (BDS) movement with regard to Israel. Some people in this debate–like Peter Beinart in his book The Crisis of Zionism–support boycotting only those goods that come from the Occupied Territories, not all of Israel. That’s my position, too. I’m not certain where Butler lands on that point–but regardless, unlike her opponents, I fully support her right to freely express herself and be heard, in all realms–political, critical and aesthetic.

All this comes up again because of a new instance of the Jewish establishment trying to banish her voice from the communal conversation. In the current episode, Philip Weiss writes in a blog post headed, “Jewish community commits intellectual suicide before our eyes,” that Butler had been asked to participate in a March 6 discussion of Franz Kafka at NYC’s Jewish Museum, but the invitation was withdrawn, owing to what Weiss believes was ‘pressure from donors.’ Weiss writes, “One critic said, ‘The hosting of [BDS] advocate Judith Butler by The Jewish Museum is a slap in the face to every Jew,’ Richard Allen, head of JCC Watch, told JNS.org.” This, all about a discussion of Kafka, with no direct relevance to Israel.

In the same vein of craven submission to angry types, the museum also recently canceled a panel that was to discuss John Judis’s important new book Genesis: Truman, American Jews, and the Origins of the Arab/Israeli Conflict. Many Jews on the right are nowadays inflamed by discussions like these, and many organizations, whether or not they share the same conservative ideology, succumb to threats and pressure.

This is all kind of personal to me. Judith Butler and I grew up in the same Jewish community in the suburbs of Cleveland, Ohio, where her father, known to all his patients as “Danny,” was a friendly family dentist. He looked after the teeth of all five Turners. He resembled Jack Paar, but nicer looking. Judith’s sister Diane was in my same year in school, where we knew each other. She moved to NY at around the same time I did, as part of a modern dance company, and we continued to see each other in the city from time to time. I occasionally heard from Diane about her sister, Judith, already then a professor, and a rising star in academia. She is an honorable person and a serious scholar. She should not be castigated or exiled for what I know to be an honest expression of belief, arrived at through careful deliberation and the weighing of difficult moral choices. As an example of her thoughtfulness, I submit this transcript of a talk she gave last February at Brooklyn College. It is well worth reading, and all in her own words.