In Conversation w/Canadian Author Ken McGoogan at The Explorer’s Club in NYC

In the early 2000s, when I was an editorial executive with Carroll & Graf Publishers, I had the good fortune to acquire the US publishing rights to a book first published in Canada, Fatal Passage: The Story of John Rae, the Arctic Hero Who Time Forgot and Ancient Mariner: The Amazing Adventures of Samuel Hearne, the Sailor Who Walked to the Arctic Ocean, what would prove to be only the first two books on polar exploration by Ken McGoogan, who has continued to immerse himself in the subject over the past twenty years, now having published a total of six Arctic books. A key development in that immersion has been his role as a resource historian for many sailings with Adventure Canada, a travel company that takes visitors on voyages to Canada’s northern reaches and in to the Arctic itself.

Fatal Passage chronicled the mystery of the ships HMS Terror and Erebus, which under the command of Royal Navy captain John Franklin, set off with more than 125 officers and crew on board in search of the Northwest Passage, but then disappeared never to be heard from again, at least not among Euro-centric people. Many search parties sought to learn the fate of Franklin and his men, including one helmed by John Rae, from Orkney in northern Scotland. He was the first European-based explorer to value highly the local knowledge of Inuit guides, hunters, and interpreters, who led him to eyewitnesses who’d seen hungry white seamen trekking across their lands in dire straits. They reported to Rae their understanding that to them these desperate men had engaged in cannibalism, feeding on the dead to try and save themselves. Rae’s discovery, though vetted by him with careful cross-questioning of the native witnesses, earned him a vituperative rebuke once back in England from Franklin’s wife, Jane Lady Franklin, who even enlisted Charles Dickens to editorialize against Rae. Fatal Passage effectively rehabilitated the reputation of John Rae, more than a century after it had been trashed by poobahs in Victorian England.

When it was published in the US, in 2002, the book won a Christopher Award, given to authors who produce works that “affirm the highest values of the human spirit.” McGoogan traveled from his home in Toronto to New York for the ceremony, and we began to get better acquainted as author and publisher, and as friends. Later, I made a road trip with my wife and son to Toronto and we enjoyed a dinner at Ken’s home with him and his artist wife Sheena. Another guest that night was Ken’s literary agent Beverley Slopen, from whom I’d acquired the rights to Ken’s books, and from whom I would later acquire rights to books by other Canadian authors, such as the mystery master Howard Engel, creator of the Benny Cooperman detective series.

Last December, Ken got in touch with me to extend an invitation. His latest book, Searching for Franklin: New Answers to the Great Arctic Mystery, was published in Canada last fall, and he explained to me it would be coming out in the US in the Spring of 2024. He would be coming down to New York to make a presentation on March 22 at the NY Public Library, in connection with a new exhibit, “The Awe of the Arctic” in the historic main library from March 15-July 13. A day prior to that, Ken said, he would be giving a talk at another public venue. He asked, in so many words, “Would you be interested in reading the new book, preparing some questions, and interviewing me at the first event?” After learning a few more details, including the fact there would be an honorarium to cover my preparation and for serving as his interlocutor, I readily accepted the exciting invitation.

In January, I was even more excited to learn from Ken that the venue for our joint event would be The Explorer’s Club, a venerable institution on the east side of Manhattan established in 1904. On Honourary Canadian, the sister website to this one, I put up a post promoting our talk, chronicling my longtime association with Canada and Canadian authors, and drafted what I dubbed my Canadian-adjacent bio, touching on my longtime immersion in #CANLit and in reading and publishing tales of polar exploration.

From Ken’s publisher—Douglas & McIntyre of Madeira Park, British Columbia, Canada—I received a copy of Searching for Franklin, and dove right into it. Rather than immediately noting possible questions for Ken while reading the book, I instead read it with a pencil in hand, scratching out asterisks in the margins next to passages that intrigued me, which I anticipated going back to once I’d finished the whole book, to mine them for the most resonant themes and to form the most stimulating questions I could think of for our discussion.

I found the book quite engrossing, and appreciated that it was written in multiple, contrasting styles of narrative nonfiction, though it’s all done without becoming jarring or off-putting. While most of is written in past tense, the norm for this sort of book prose, there are occasional passages in present tense, as when Ken and his fellow adventurers were actually touring the Arctic on an Adventure Canada cruise, and when they disembarked from the ship to traverse the ground where Franklin, his officers and crew, and their Inuit hunters, interpreters, and guides had trekked almost two centuries ago. Ken also presents some fascinating counter-factual possibilities that contrast with the known historical record, as he offers his best theory about what led to the tragic demise of Franklin and his two ships and the entire crew. Note with no spoiler: this new theory of his, appearing for the first time in Searching for Franklin is supported by medical reporting and highly informed speculation.

Last Thursday, the night of our discussion finally arrived. I was glad to be joined by my wife, artist Kyle Gallup, and my adult son Ewan Turner, who operates Philip Turner Book Productions with me; he is a creative writer publishing under the pen name M.G. Turner. After a friendly reception in the historic rooms of The Explorer’s Club, Ken McGoogan pulled on the rope that sounds the Club’s bell, calling the meeting to order, and an audience of what looked to be about seventy-five people took seats in the main hall. Following an introduction by Cedar Swan, the CEO of Adventure Canada, Ken gave a talk outlining his long association with the Franklin saga, going all the way back to the writing of Fatal Passage. Using slides, he described how Margaret Atwood had introduced him to Swan’s father Matthew, the founder of Adventure Canada; the many voyages he’s made with them over the past twenty years; how Franklin’s candidacy to lead the search for the Northwest Passage had been championed to the Royal Navy by Lady Franklin, even though his earlier expeditions had produced less than stellar results; John Rae’s discovery of Franklin’s fate; and the medical and dietary travails that he now believes led to the demise of so many of Franklin’s men. When he finished his presentation, it was time for our discussion.

I began, asking such questions as these (with appendices from my research in parentheses):

  • Why did the idea of the Northwest Passage become so central to British myth-making about itself, and later to Canada’s own self-image? (In a discussion a day earlier when we met for a convivial dinner and to discuss the following night’s program, I referred Ken to such evidence of the rousing example from pop culture of Stan Rogers’ song “Northwest Passage,” a veritable Canadian national anthem, sung lustily by the barrel-chested musician (1949-83) on his debut album in 1981. So as to not lengthen the duration of our discussion unduly, I refrained from mentioning it then, but do so now for the sake of sharing more of my research.)
  • How was it that young boys went to sea so young, including Franklin himself, at age twelve? (In another example from cultural history cited in camera to Ken, but not at the Club is the haunting folk song “The Captain’s Apprentice,” collected in 1905 by my favorite English composer Ralph Vaughan Williams, whose lyrics tell the sad tale of a boy treated roughly.)
  • Can you contrast the leadership styles of John Rae and Franklin, with Rae seeming to show special regard for the well-being of his fellow expeditioneers, more so than Franklin?
  • It’s amazing to me, as you write, that ships had libraries—1700 volumes on Franklin’s ship, which would have taken up a lot of room on board. Aboard ship, where living and sleeping quarters were notoriously tight, how did they accommodate so many books? (And, was there such a thing as a ship librarian? That would be the job for me.)
  • You write that Charles Dickens at least allowed John Rae to publish a rebuttal to Lady Franklin’s accusations about him, but I wonder: Why did Dickens believe Lady Franklin’s slanders about Rae, at all?
  • Can you explain why when Erebus and Terror were found in 2014 and 2016, they were forty miles apart in the Arctic Ocean?
  • The caloric demand for portagers and voyageurs while doing all the enormously strenuous work on the trail must have been very high for them—while they carried 80-pound packs, in contrast to the sailors who carried a fourth of that weight—yet they often didn’t get the food they needed. How did they manage?

The discussion between the two of us transitioned into questions from members of the audience, with me calling on seven or eight people to stand and ask their questions, which were good ones. I enjoyed this part of the program very much, taking me back to my days when I moderated the community meeting of my college, Franconia College. After about an hour and twenty minutes, we concluded what had been a very enjoyable and stimulating program. The Explorer’s Club has posted it on their youtube page, so if of interest, you may view it via the link below.

I will conclude this post by making one more observation that I didn’t take the time to say last Thursday night. As my author Ruth Gruber (1911-2016)—about whom I’ve written often on this website—who I’ve observed with her spot reporting during and after WWII, and in such books as Exodus 1947: The Ship that Launched a Nation, became, in my opinion, the most prominent chronicler of DPs (displaced persons) following the war, Ken McGoogan has over the course of his six books on the Arctic become our foremost chronicler of the explorers who sailed across the Atlantic seeking navigable waterways spanning northern seas that would take them all the way to “Cathay”—a Pierre Berton for the twenty-first century. I’m glad I’ve been in a position to carry on a dialogue with Ken these past many years.

And here is a gallery of photos from the whole night, from the reception through Ken’s talk, and then from our discussion. All photos taken by Kyle Gallup.

 

 

 

Proud to Have Been a Judge for the J. Anthony Lukas Prize Works-in-Progress Awards, Announced Today

May 1, 2024—I received this message from administrators of the Lukas Prize at Columbia Journalism Graduate School regarding the ceremony scheduled for May 7 to honor the recipients of the awards:

“Out of an abundance of caution and with deep regret, we have decided to cancel this year’s Lukas Award Ceremony. With the volatile circumstances on campus, we feel it is in everyone’s best interest to delay this celebration until a later date when we can properly honor the winners, and thank you for your stellar work in judging these prizes.”

Since early fall last year, I’ve been serving as one of three judges for the Works-in-Progress Awards of the J. Anthony Lukas Prizes, sponsored by the Columbia Journalism School and the Nieman Foundation for Journalism at Harvard. Collectively, we read nearly 100 nonfiction book proposals and mission statements submitted for consideration, with each of us reading approximately one-third of the entries, then arriving at a shortlist of fifteen titles, which was announced last month.

Following more discussion among the three of us, we chose two works-in-progress—whose authors will each receive $25,000—which have been announced today. The works-in-progress awardees are Body Weather: Notes on Illness in the Anthropocene by Lorraine Boissoneault (Beacon Press), which was in my original tranche of proposals, and The Life and Death of the American Worker: The Immigrants Taking on America’s Largest Meatpacking Company by Alice Driver (One Signal, Atria).

Here are the citations we wrote for the books:

Body Weather is a visceral work of reported essays, masterfully braided with narrative research. Lorraine Boissoneault tells the story of living with chronic illness at a time when the planet is in a state of dire suffering. Climate change is bringing more hurricanes, lightning, tornadoes, fires and landslides. How will a distressed planet affect stressed, ill or disabled bodies? In poetic and haunting prose, Boissoneault unearths intersections between her unique experience living with illness, while also illuminating universal questions lodged within all of us: How do we learn to live with discomfort? “How do we seek refuge from our own bodies, from weather that wraps itself around the world?” The Lukas Prize will enable the author to travel from her home base in Chicago to the Saguenay fjord in northern Quebec, to Death Valley in California and to Australia’s outback to complete reporting for the book. Body Weather is a singular work of literary reportage, a firsthand, intimate account drawing profound connections between the body and the planet.

The Life and Death of the American Worker is a rigorously researched work of narrative nonfiction that exemplifies the spirit of holding powerful institutions accountable, while humanizing the individuals who have been systematically dehumanized by immigration law and unregulated labor practices. Powerful forces have tried to silence the project and the people who are part of it. Yet with deep access and empathy, Alice Driver tells the multifaceted stories of families who have filed a class-action lawsuit to hold Tyson responsible for the working conditions that caused the deaths of their loved ones. She conducted interviews in the various native languages of subjects, and the Lukas Award will go toward some of those translations. Although many journalists have held temporary jobs within meatpacking plants to write about the industry, Driver (who is from Arkansas and grew up around Tyson employees) is solely focused on the longterm experiences of immigrant workers who have been at Tyson for decades. Driver has performed a remarkable feat of investigative and narrative reporting in telling the stories of these essential yet often overlooked and exploited workers.

It was a pleasure to serve with my fellow judges, Chris Jackson, Publisher and Editor-in-Chief, One World Publishing, Penguin Random House, and Erika Hayasaki, Professor at the University of California, Irvine, in the Literary Journalism Program, and author of Somewhere Sisters: A Story of Adoption, Identity and the Meaning of Family (Algonquin Books, 2022). I also want to thank publishing friend Peter Ginna, who had been a Lukas juror in previous years, who recommended me for this assignment. I’m also grateful to Program Manager of Professional Prizes at Columbia Journalism School Susie Marples for her deft and genial handling of many matters.

I want to add that a great majority of the projects submitted to us were worthy of support and consideration. In the course of our deliberations, on many occasions one of us said to the others, “I wish we could recognize and support all these books!” As an affirmation of that reality, the graphic with this post shows the fifteen books shortlisted for all Lukas Prizes this year, including the five works-in-progress.

The J. Anthony Lukas Work-in-Progress Awards are given annually to aid in the completion of significant works of nonfiction on American topics of political or social concern. These awards assist in closing the gap between the time and money an author has and the time and money that finishing a book requires. J. Anthony Lukas (1933-1997) was the author of many books, including Common Ground: A Turbulent Decade in the Lives of Three American Families (Knopf, 1985), which was awarded the Pulitzer Prize.

Two other Lukas Prizes were announced today:

Accountable: The True Story of a Racist Social Media Account and the Teenagers Whose Lives It Changed by Dashka Slater (Farrar, Straus & Giroux, August 2023), the J. Anthony Lukas Book Prize ($10,000).

A finalist for this prize was also recognized: Bottoms Up and the Devil Laughs: A Journey Through the Deep State by Kerry Howley (Knopf, May 2023)

and

The Rediscovery of America: Native Peoples and the Unmaking of U.S. History by Ned Blackhawk (Yale University Press, April 2023),
the Mark Lynton History Prize ($10,000)

A finalist for this prize was also recognized: Judgment at Tokyo: World War II on Trial and the Making of Modern Asia by Gary Bass (Knopf, October 2023)

Congratulations to all the authors, as well as their editors and their literary agents! There will be a public ceremony on May 7 at the Columbia Journalism School, honoring all the authors and their work.

From the prize website: “Established in 1998, the J. Anthony Lukas Prize Project honors the best in American nonfiction writing. Co-administered by the Columbia University Graduate School of Journalism and the Nieman Foundation for Journalism at Harvard, and sponsored by the family of the late Mark Lynton, a historian and senior executive at the firm Hunter Douglas in the Netherlands, the Lukas Prize Project annually presents four awards in three categories.”

 

 

Recent Sales By Philip Turner Book Productions

At Philip Turner Book Productions, we’re excited to announce three new deals for two of our authors.

This week with my business partner Ewan Turner we sold Ray E. Boomhower’s latest biography of a journalist, Black Witness: Wallace Terry, The Civil Rights Crusade, Vietnam, and His Book ‘BLOODS to the High Road Books imprint at University of New Mexico Press. This is the third book we’ve sold to UNMP for Ray Boomhower. The earlier books were biographies of Richard Tregaskis, who during WWII wrote the bestselling book of firsthand reportage, Guadalcanal Diary, and Malcolm Browne, AP Bureau Chief in Saigon in the early years of the Vietnam War—he took the shocking photograph of the Buddhist monk who self-immolated in protest against the South Vietnamese government. #CivilRights #VietnamWar #OralHistory #Journalism #biography

We’re also excited with two deals we’ve made for biblical scholar Brandon Grafius, Feeling Our Way Through Violent Texts: Interpreting Scripture With Emotions to Baker Academic Publishing and Scared by the Bible: A Hermeneutics of Horror to the Morehouse imprint at Church Publishing. These are the second and third books we’ve sold for Brandon Grafius. The first book of his we sold was Lurking Under the Surface: Horror, Religion, and the Questions that Haunt Us (Broadleaf Books, 2022). #Horror #Bible #Hermeneutics #Text

“Sitting in a Grove Reading Shelley” by M. G. Turner

I sat this afternoon in a grove reading Shelley. The sky was bright and the heat of the early spring a portent of things to come. The pages turned, the poetry passed, the phrases came to me with ease. I saw ancient lands that dissolved and rearranged as quickly as clouds. I saw fleeting glimpses of storied citadels and fiery furnaces. I saw riders on horseback pushing themselves toward an infinity of grandeur. My breath halted; I had finished the book.

Sighing to myself, it was lucky I had brought something else to read on this happy warm day. Another work sat beside me on a bench, of related and equal importance.

This new thing was the novel of his wife Mary, an immense book in some respects, a little book in others. I thought of them together, I thought of the dinner party with Lord Byron in Geneva when they’d each agreed to write a frightening tale—in her case, a classic to be. Had it come to her easily? Was it in some respects a presentiment of her approaching grief, Percy’s death at the age of twenty-nine, in a dreadful sailing accident? How do we remake the ones we’ve lost? Can they only be demonic when we’ve cobbled them back together by fragments, and by memories? The sky was turning a brighter shade of blue as I thought of Percy and Mary and their antique love; then I thought of my own lost loves, some that had drifted away, others that had collapsed in on themselves like ailing stars. Being alone was now a balm and not a travesty—at least not when Riverside Park was green and the sun shone down on me so freely.

Oh grief, which makes its home in human hearts, art thou not a monstrosity? Cursed be Prometheus who stole fire from the gods and raised us from our lowly origins. Cursed be the phantoms and phantasms that haunt our quiet moments, when all we would like to have is the peace which I, for a brief moment, experienced in that golden grove at the start of the spring, as I began to stitch together the many severed pieces of myself.

Soon enough I left the grove and went home, both Shelleys tucked snuggly under my arm. Reunited at last.

“The Funeral of Shelley,” Louis Edouard Fournier, 1889. Edward John Trelawny, Leigh Hunt, Lord Byron, l-r. Walker Art Gallery, Liverpool.