About Philip Turner
My formative experience in the book business was running the chain of independent bookstores, Undercover Books, which I founded with my siblings and our parents in Cleveland, Ohio. During my seven years with the stores I served as a personal bookseller to thousands of readers and customers. Following bookselling, I’ve worked in publishing almost forty years. Through it all, I remain a bookselling-oriented editor, passionately devoted to helping authors connect with readers.
I am an editorial advocate for writer and reader. I edit with the author perched on one shoulder, the reader on the other, fostering a virtual dialogue between the two and creating mutual benefit for each. I am a hands-on line editor, of both brief and lengthy texts, with a generous feel for what a writer is trying to convey, and an intuitive sense of how to help them communicate their ideas as efficiently and memorably as possible. I welcome queries from new and experienced authors, predominantly in nonfiction, and some fiction, with fees quoted upon receipt and consideration of material.
Entries by Philip Turner
An Ode to Bob Dylan and Alan Price
/1 Comment/in Music, Bands & Radio/by Philip TurnerWatched and enjoyed D.A. Pennebaker’s classic documentary “Dont Look Back” (sic) chronicling Bob Dylan’s 1965 tour of the UK. I was delighted to be reminded of the key part that British rocker Alan Price, ex of The Animals, played in the film. In Price’s honor, today I’m listening to my treasured old LP of his […]
Manhatta, a Gift to the City
/1 Comment/in Urban Life & New York City/by Philip TurnerThere is a special category of artifacts about New York City that express the near-boundless possibilities of the metropolis. One is E.B. White’s essay, Here is New York. Another is the short film Manhatta made by photographer Paul Strand and precisionist painter Charles Sheeler. The images are the artists’ while the words are borrowed from Walt Whitman. When you have 11 minutes give yourself a gift–watch this and listen to the modern score by the Cinematic Orchestra that was included in this version until it was taken off the Internet due to copyright issues. To me the film is all about the boundless possibility of Gotham, and living in a New World promised land, like Blake’s Jerusalem. It has great symbolic weight. The denizens of the city arrive on its shore and stride into the future. My heart soars every time I watch it. H/t to web site Music of Sound from New Zealand for bringing the Cinematic Orchestra’s score to my attention. The version on here now has no musical score.
On Human Hands and Technology
/0 Comments/in Technology, Science & Computers/by Philip Turner“A tool addresses human needs by amplifying human capabilities.” Bret Victor’s Brief Rant on the Future of Interaction Design grabbed me from that line. The illustrated essay is a timely reflection on the utility of our hands and how humans interact with tools and technology. If you’ve enjoyed reading such books as Henry Petroski’s The […]
From Ash Heap to Top of the World
/0 Comments/in Books & Writing, Canada, Publishing & Bookselling/by Philip TurnerGotta love a story like this: Esi Edugyan’s Half-Blood Blues was mired at bankrupt publisher Key Porter, then rescued by Patrick Crean at Thomas Allen Publishers, and now has vaulted to win Canada’s Giller Prize. Picador will be bringing it out in the U.S. A foundling to a prize-winner! This is what I’ve always loved […]
