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Tom Russell’s “The Rose of Roscrae,” a Rich Evocation Braiding Ireland & the American West

The renaissance man of Americana presents an ambitious folk opera set in the American west of the 1880s

A few weeks ago, this article in the Guardian caught my eye: Tom Russell: The Rose of Roscrae, A Ballad of the West review – a brave and original epic

I’d seen country singer Tom Russell once, in the 90s at the old Rodeo Bar on Third Ave at 28th St. Last night I had the privilege of hearing him again at a Chelsea venue called Midtown Live, which is booking some great acts these days. These many years later, Russell—cowboy singer, songwriter, renaissance man of the modern West—was playing songs from his new folk opera, recently released in a two-disc CD, “The Rose of Roscrae,” a capacious 52-track assemblage that charts the life journey of a historical figure named Johnny Dutton—and Russell’s imaginative extension of the character, “Johnny Behind the Deuce.” Based on what I read in the book that accompanies the CD, at sixteen, in 1880, Dutton fled Ireland after his girlfriend’s father forbade his courting her. The incident prompts this stanza in the title song, after which Johnny heads for the American West,

Now I can feel her father’s fists/As he knocked me ‘cross the stable floor/And I left my blood and tears behind me/As I walked all night from Roscrae to Templemore 

The Guardian piece has more details, and the video in the post below this one shows an actual rehearsal of “The Rose of Roscrae.”  They make it quite a proper revue, with dance movements, fancy rope tricks, and multiple-part harmonies.

“The Rose of Roscrae” makes a fair bid to be an historical epic, sketched in the green hues of Ireland and the dusty tones of cowboy country, with great musicianship and vocals. I was really pleased to discover that apart from the many songs that Russell wrote—performed here with a large and illustrious ensemble—has also found much precious archival sound that fits the theme: decades-old songs performed by Lead Belly, Moses “Clear Rock” Platt, Johnny Cash, and Jack Hardy.There’s even scratchy sound of a near-contemporary of Walt Whitman reading the bard’s poem “America.” Russell shows his folklorist/song and sound collector side to great effect. Other songs include the voices of Ramblin’ Jack Elliott, Jimmie Dale Gilmore, Guy Clark, Ian Tyson, Eliza Gilkyson, and Bonnie Dobson. The package also includes an illuminating 82-page book with the libretto, bios of the players, and Russell’s notes on the songs, which I read late last night, long after the concert ended.IMG_3075

Readers of my blogs may recall my affinity for Marc Berger’s concept album “Ride,” a kind of cousin to this work by Russell. In 2013 I wrote about Berger’s work here. I’m sure both writers have been inspired by Edward Abbey, a kind of Beat figure of the mid-century American West. Relatedly, I see a connection to some great movies, 1) “Treasure of the Sierra Madre,” which I wrote about here; and 2) the 1962 Kirk Douglas film, “Lonely Are the Brave,” where he plays a latter day cowboy unable to live in or with modern society. It was based on  Brave Cowboy, a novel by A.B. Guthrie, who of course wrote the great modern western The Big Sky, about mountain man Boone Caudill. Kirk Douglas also played the lead role in the 1952 adaptation of The Big Sky.

 

Eager to Participate in the Adirondack Center for Writing’s Publishing Conference, June 6-7

I’m looking forward to being part of the Adirondack Center for Writing’s Publishing Conference on Sunday June 7. I will be evaluating the work of about a dozen writers during the workshop. It should be fun to encounter all this new work and talk about writing and publishing with all the participants. The conference will be held near Lake Placid, NY. If you know any writers who live in that region of upstate NY, please let them know about the event. Thanks to Michael Coffey and Nathalie Costa for the invitation. Click here for more details and see the screenshot below. 

Inspired Readings by the 2014 NBCC Award Finalists

NBCC AudienceFrom the opening night of the National Book Critics Circle‘s annual two-night literary extravaganza, here are pictures I took of some of the finalists who read excerpts from their nominated books. They gave inspired renderings of their work. The awards will be given tonight, in six categories—Poetry, Criticism, Biography, Autobiography, Nonfiction, Fiction—at the New School’s Tishman Auditorium on W. 11th Street at 6pm, free admission. I hope to sit even closer to the stage tonight, for the best possible pictures.

PEN’s Annual Meeting a Reminder of the Organization’s Mission

PEN’s annual meeting last night was the third or fourth such gathering I’ve attended, and it was enriched by the fact that a programmatic element was included in the event, a panel on a recent PEN visit to China, when the delegation met with Ai Weiwei, among other artists and writers. While in other years the meeting was mostly minutes and committee reports, last night’s reminded us of PEN’s mission as an advocate of free expression. Quoting Aung San Suu Kyi from her years as a political prisoner in Myanmar, incoming PEN president Andrew Solomon reminded us of PEN’s mission: “Please use your liberty to defend ours.”

Tracking Malaria, its Calamitous History and Worrying Future

Fascinating Q&A on C-Span BookTV w/narrative science writer Karen Masterson, author of The Malaria Project: The US Government’s Secret Mission to Find a Miracle Cure, which chronicles the efforts of the US military which had for long been worried about the disease’s potential to infect American troops serving in far-flung locales. There was a move to find a cure for the mosquito-borne disease. Interesting to me, the book, which looks to be fairly serious science, is published by NAL. They brought out it in 2014, apparently first in hardcover. By my reckoning, NAL is a house long known more for mass-market paperback fiction than narrative nonfiction in hardcover. [It looks like they’ve now brought it out now in trade paperback.] Good for NAL, a nice piece of publishing. More on Masterson and her book via this link. You can view the video via this link on BookTV’s website.

One thing Masterson said amazed me. The effectiveness of bed nets—which have been a useful tool in combating malaria, preventing mosquitoes from biting people while they sleep—is being eroded because mosquitoes, hungry for what scientists call their “blood meal,” are adapting their behavior and learning to bite people earlier in the day when they are still out and about. In watching her talk about this global affliction that still sickens and weakens millions worldwide every year—and kills a considerable percentage of those stricken—I was reminded of a book that I began discussing in 2006 with Paul R. Epstein—a doctor and scientist, and at the time, associate director of Harvard’s Center for Health and the Global Environment. Epstein was a trailblazer in studying the effects of climate change on human health. I first heard his distinctive New York accent when he was a guest that year on an episode of “Fresh Air” with Terry Gross. You can still hear it, via this link. Listening to their conversation in a rental car, in a classic ‘driveway moment,’ I learned that due to the planet’s warming temperatures, mosquitoes that transmit malaria have over the past several decades begun doing so at more northern latitudes and higher elevations than they have ever been known to do before. Epstein also discussed the finding that the tick-borne illness dengue fever is also occurring at latitudes and elevations where it was before not seen. Epstein discussed how these diseases are infecting a much greater number of people worldwide due to the warming of our planet.

These are only a couple of the scientific discoveries chronicled in Epstein’s book, Changing Planet, Changing Health: How the Climate Crisis Threatens Our Health and What We Can Do about It, co-written with Dan Ferber, which ultimately came out in 2011. I actually commissioned it in 2007, shortly after I became Editorial Director of Union Square Press at Sterling Publishing, a job that ended two years later when Sterling, a division of Barnes & Noble, shuttered the imprint, a milestone I’ve also written about on this blog. When I left the company, my old bosses quickly canceled Dr. Epstein’s book, although I had nearly completed editing the manuscript. Fortunately, that decision, though very shortsighted, while preventing the book from being published as soon as it might have, it was later picked up by the University of California Press, to be published alongside other important environmental titles. This is a link to the book on U Cal’s website. Sadly, Dr. Epstein, died in November 2011, at age 67, of cancer. Here’s a Washington Post obit on him. Though we fell out of touch after Union Square Press closed, I recall we did speak a couple more times, and he sent me a finished copy of the book, which he inscribed to me with a very generous message, “April 25, 2011 To Phil Turner—The motivating force for this book. Warm wishes, Paul,” pictured below. I didn’t know he was ill, and was stunned by news of his death.

Before Dr. Epstein became a teacher and researcher at Harvard, he had worked as a doctor in places like Mozambique and Angola, devoting himself to the study of tropical diseases and improving public health in developing countries. It was a privilege to meet and work with him. I was really sorry he wasn’t able to make personal appearances in front of audiences, on TV, and on radio, like I first heard him. As I listened to Karen Masterson on C-Span tonight, I found myself wondering if she knows about Paul’s research on the growing incidence of malaria and other illnesses worldwide due to climate change, and if she has perhaps read Dr. Epstein’s book. I see she teaches science writing at Johns Hopkins, so perhaps I’ll have a chance to send her this post and find out. [I did correspond with Ms Masterson and she was interested to learn about Dr Epstein and his book.]