Spirited NYC Demonstration Supporting First Nations Rights & #IdleNoMore

Saturday Morning Update: Below I’d written about indie journalist Matt H., of Stopmotionsolo who was livestreamning yesterday’s #idleNoMoreRally. Here’s his comprehensive report on the demo, with good pictures and video, including a brief interview he did with me. Viewing that footage, which can be viewed via this link, I realize now how cold I had become after hours outside, as my speaking on camera seems to have been slurred by my cold lips.
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A hunger strike in Canada by First Nations leader Chief Theresa Spence in Attawapiskat, a scandalously impoverished native village in far northern Ontario began 18 days ago, but the issues of indigenous peoples’ rights and environmental justice that it’s stirring up are now spreading throughout the continent, and across the continental border, into New York City where I live. This afternoon I participated in a rally organized by native Americans of NY State in support of and in solidarity with Chief Spence. As shown in the photos below, they brought placards proclaiming their support for her, and for her opposition to the onerous new Canadian law, Bill C-45. It was promoted by the government of Canadian Prime Minister Stephen Harper and passed by the Canadian senate on December 14. A few days earlier Chief Spence began her hunger strike and asked Harper to meet with her and other First Nations leaders before the law is implemented. She is determined to explain her objections to the law and talk with him directly about the issues currently facing her people and many native groups. He has refused thus far and his government ministers have mostly been trying to ignore her. The rising crescendo of vigorous protests all across Canada, and in NYC today, are being mounted daily to show Harper he cannot hide from this selfless leader. Here is an up-to-the-moment report on Day 18 of her hunger strike at a link from CTV.

For about an hour in today’s freezing temperatures amid bright cold sunshine the spirited crowd of well over 100 people chanted, struck drums, sang, and danced in a circle around the central fountain in the center of Washington Square Park in Greenwich Village. During the rally I met a young journalist who was livestreaming the event. He interviewed me briefly, giving me the chance to tell him how the opposition to Bill C-45 had been building in Canada for months, and that it has now found a powerful catalyst in Chief Spence and her hunger strike. This indie journalist goes by the handle Mr Solo; streams at www.stopmotionsolo.tv; and tweets at @Stopmotionsolo. He gave his audience my name and that of this blog, so I hope that his viewers will find this post through the Internet and social networking. I also made audio and video of the demo, and will try to get some of that up as soon as I’m able.

I hope you can catch the spirit of the event from my pictures and a scan of the flyer handed out during the rally. To amplify all this, if you’re on Twitter please note that the hashtag #IdleNoMore has been trending all over North America this week, so please use it if you tweet on this topic. I also met Kevin Tarrant, Deputy Director of American Indian Community House in NYC. I told him that I thought he and his group  had done a great job of representing the issues from Canada, right down to the copy on their signs, not typical in a demonstration crossing borders like this one. He explained that they had read carefully on the Idle No More website and taken their cues from it. But of course, Kevin and his group really have no border separating them from Chief Spence, with whom they share bond and blood. He was pleased when I told him and a few of his fellow drummers and chanters that word of the rally was already traveling across the continent as I’d tweeted during the demo to an activist friend in Vancouver, British Columbia, Cameron Bode, known on Twitter as @vanboders. Here are Idle No More’s social addresses and connections:

Web: idlenomore1blogspot.com    Facebook: https://www.facebook.com/IdleNoMoreCommunity?fref=ts  Twitter: https://twitter.com/IdleNoMore


Click through to see all pictures.

My Saturday Antidote to NRA Toxicity–Great Canadian Folk-Rock

“A Few Genuine Songs . . . All But Drowned out by the Loud Siren of Ambition”

In “Censoring Myself for Success,” a strikingly candid Op-Ed published yesterday in the NY Times, Somali-Canadian  poet, rapper, singer, and songwriter K’naan laments the influence of his label A&M/Octone on his latest album “Country, God and the Girl.” Coming after the worldwide fame that attached to him when his first hit song “Wavin’ Flag” became the anthem of the 2010 World Cup, K’naan writes that his early songs drew directly from his childhood experiences of a country trapped in continuous conflict, but then:

“A few days before I was to record [my third album], which was released in October, I received a phone call saying my record label wanted a little talk—before the songs were written. (I like to write in the moment.) For the first two albums, there were no such talks. But that was before my name was familiar. So let me start my story there.

In 2005 I found cheap recording space and sang about the killing ground of Somalia:

‘We begin our day by the way of the gun… you don’t pay at the roadblock you get your throat shot I walk with three kids who can’t wait to meet God lately, Bucktooth, Mohamed and Crybaby.’

In 2008, with a recording budget, I went on my own to Jamaica, to Bob Marley’s old studio, and sang of a lovely, doomed young friend:

‘Fatima Fatima, I’m in America, I make rhymes and I make ’em delicate, you woulda liked the parks in Connecticut… Damn you shooter, damn you the building, whose walls hid the blood she was spilling, damn you country so good at killing, damn you feeling, for persevering.’ …

Over breakfast in SoHo, we talked about how to keep my new American audience growing. My lyrics should change, my label’s executives said; radio programmers avoid subjects too far from fun and self-absorption.

And for the first time, I felt the affliction of success. When I walked away from the table, there were bruises on the unheard lyrics of my yet-to-be-born songs. A question had raised its hand in the quiet of my soul: What do you do after success? What must you do to keep it?

If this was censorship, I thought, it was a new kind—one I had to do to myself. The label wasn’t telling me what to do. No, it was just giving me choices and information, about my audience . . . who knew little of Somalia. How much better to sing them songs about Americans. . .

And there I was, trembling between doubt and self-awareness. I had started . . . striving to make (and please allow room for grandiosity here) my own ‘Natty Dread’ or my own ‘The Times They Are a-Changin’.’ But now, after breakfast, another voice was there, whispering how narrow the window of opportunity was. . . 

So I had not made my Marley or my Dylan, or even my K’naan; I had made an album in which a few genuine songs are all but drowned out by the loud siren of ambition. Fatima had become Mary, and Mohamed, Adam.

I now suspect that packaging me as an idolized star to the pop market in America cannot work; while one can dumb down his lyrics, what one cannot do without being found out is hide his historical baggage. His sense of self. His walk.”
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Later, I found this posted by K’naaan on his Facebook page:

“After your overwhelming response, I’m inclined to write you all a quick note. Starting with the question: WHERE DID YOU PEOPLE COME FROM?!!! What an amazing and articulate bunch you are. You should know, I’ve read every single word in every single post underneath my essay, and, I am deeply moved. Have no fear, whatever you hear coming from me next, good or bad, will only be born from the intention to express. No other voice shall ever trespass into the sovereign continent of my words. I really do, from the bottom of my heart, thank you all. For gathering around me, like you did. I feel energized. Let it be a wondrous journey, thank you for riding along.

So much love to you guys,
K’naan”
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In K’naan’s Op-Ed, I was struck as much by his self-criticism as by his critique of the execs who suggested he change his artistic approach. I suggest you read his whole Op-Ed for yourself, and note that the NY Times web page also includes a nice spoken word by K’naan, talking about Somalia and poetry. Finally, if you haven’t heard K’naan here is a video of his performance of “Wavin’ Flag on the CBC program “Q”: 

Manitoba Music Showcase at Arlene’s Grocery/Part II

As mentioned in my last post, ManitobaMusic.com held its annual showcase in Manhattan last night, at Arlene’s Grocery on the lower east side. It was a great night of live music, with four talented acts taking the stage–The Magnificent Sevens, JP Hoe, Chic Gamine, and Greg MacPherson–and a good crowd in the comfortable venue. Happy to share some photos I took during the showcase. Please click here to see all photos.

Manitoba Music Showcase at NYC’s Arlene’s Grocery, Nov. 13

Tuesday night from 8-10:30 PM Arlene’s Grocery on the Lower East Side will feature a great bill with musical acts visiting NYC from the Canadian province of Manitoba. It’ll be the second year in a row that ManitobaMusic.com is hosting this showcase. Last year I had the good fortune to discover two of the acts who are returning tomorrow night, along with two new acts I’m eager to hear for the first time.

The two acts making return visits are Chic Gamine (pictured above) a five piece outfit composed of four female singer/instrumentalists from Winnipeg, and the lone guy, the drummer, from Montreal. With great verve and stage presence, they perform an energetic melange of anglophone, francophone, and First-Nation tinged rootsy pop. Songs like “Closer,” on video here from their website show their tremendous talent and inspired songwriting.

I love their sound, their style, their great look, and am eager to hear them and meet them once more, and their outgoing manager Jeff Horowitz, who made sure I knew about this gig.

The other artist I’m eager to hear again is singer/songwriter JP Hoe (pictured below) also from Winnipeg. A year ago he gave me a demo of his forthcoming album, “Mannequin,” with terrific songs such as “Bingo Palace” and Do I Know You?, and I’m glad to see it’s since been released and he’s been touring North America in support of it, including dates in Los Angeles, Portland, OR, and NYC, as well all over Canada.

Their are two other acts tomorrow night, The Magnificent 7s and Greg MacPherson. I’m eager to hear them too, since ManitobaMusic.com has shown themselves to be so adept at presenting great talent to New Yorkers. If you’re eager to hear some great music, I suggest you come out to Arlene’s Grocery on Stanton St. to hear these talented musicians from Manitoba. The cover is just $5. Here’s the line-up:

Canadians ♥ Barack Obama

I love that all my Canadian pals on my Twitter feed and Facebook page are going as crazy as my Yank pals. This is a big win for lots of people!