Publishing & Bookselling – Page 26 – The Great Gray Bridge

Joel C. Turner, May 26, 1951-Dec. 8, 2009

May 26, 2012/11 Comments/in Philip Turner's Books & Writing, Publishing & Bookselling /by Philip Turner

On this anniversary of what would have been my late brother Joel’s 61st birthday, my sister Pamela and I remember him with all the force of memory and familial affection, as well as our departed parents, Earl and Sylvia. On May 4, 1978, the five us founded Undercover Books, the bookstore that would give all three of us siblings our adult careers. For those who didn’t know Joel–or who did and want to be reminded of his personality and accomplishments, which included a run for Congress in 2000 and earlier being among the very first online booksellers, several years before Amazon.com–you may read an obituary in the Cleveland Plain Dealer and the remembrance I wrote that was excerpted in Shelf Awareness and Bookweb. The entire piece is pasted in below, set in the Comic Sans font to which Joel was partial (for readers able to view it that way) along with photos of him.
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December 9, 2009

Dear Friends and Colleagues,  

It was with great regret and sadness that we write to inform you of the recent, sudden passing of our dear brother, Joel C. Turner, 58 years old.  

Many of you will recall that we three siblings together opened Undercover Books, in Shaker Heights, Ohio in 1978, on May 4 of that year, with the hard-working assistance of our parents, Earl (deceased, 1992) and Sylvia (deceased, 2006). From the original location at Van Aken Shopping Center, our family-run independent chain grew to occupy a location in the historic Old Arcade of downtown Cleveland, and a shop that also featured the sale of record albums and the then-new format of CD-ROMs, in Chagrin Falls, Ohio. Joel’s role in the bookstores’ success and the good reputation we enjoyed in the book world was vital and indispensable. He was always generating exciting new ideas that drove our growth. Joel was a constant reader, a passionate believer in books and the power of the printed word. He derived tremendous satisfaction from selling books to the devoted readers whose trade we cultivated in our bookstores.

We were fortunate to open our business at a moment when throughout the country and particularly the midwest, much book retailing was migrating from older downtowns to suburban locales, as the book departments of long-established department stores and old-line independents gave way to new indies like us. Soon, we were being regularly called upon by publishers’ sales reps from all parts of the industry, as Undercover Books became a go-to store for houses eager to break out books on the national scene. Notable authors who launched books at our stores included Mark Helprin (“Winter’s Tale”), Richard North Patterson (“The Lasko Tangent”), and Walter Tevis (“Queen’s Gambit”).

The stores, indeed the Turner family home, helmed by Sylvia’s extraordinary cooking and hospitality and Earl’s gregarious nature, and Joel’s energetic raconteurship, also became a favorite stop for sales reps and authors.  

By the early 1990s, competitive and economic pressures had mounted, and Joel had the vision to reduce the brick & mortar concentration of our enterprise and transform it into an operation that served businesses, corporate libraries, schools, and public institutions. As this shift occurred, the name of the business became Undercover Book Service, which soon also had an online presence, surely one of the first online booksellers. He also developed a sideline in the antiquarian and second-hand side of the trade. Joel was a true bookseller, and also served the book industry through active participation as an officer and board member of the American Booksellers Association.   

In this decade, he and Sylvia moved to a lovely part of North Carolina, where he helped her live very comfortably for the remaining years of her life. After Sylvia’s death, he built for himself a beautiful home on a scenic mountaintop in the town of Bostic, Rutherford County, North Carolina, where he died in his sleep this past weekend. In addition to the two of us–his younger brother and older sister–Joel is survived by nephew and niece Benjamin and Emma Taylor; nephew Ewan Gallup Turner; brother-in law Ev Taylor; sister-in-law Kyle Gallup; cousins Stephanie Shiff Cooper and Brian Shiff; and Uncle Myer Shiff and Aunt Linda Shiff.   

Plans for memorializing Joel are being considered as we write this to you. For those wishing to mark Joel’s life with a charitable donation we urge you to make contributions to the American Booksellers Foundation for Free Expression (ABFFE, http://www.abffe.com/) or for medical research in search of a cure for diabetes.

We write in sadness, but with fondness and appreciation for all the years that we three Turner siblings and our parents were recipients of your generous affection, respect, and consideration. The bookstores gave all of us, and especially Joel, great enjoyment and satisfaction, along with so many wonderful friends. Feel free to send this message on to any of your contacts in the book world.

Sincerely,

Philip Turner (philipsturner@gmail.com) and Pamela Turner (pturnertaylor@roadrunner.com)

// more. . . Please click through to the full post to see all photos.

#FridayReads, May 25–“Bill Veeck” and “BEA Buzz Books”

May 25, 2012/0 Comments/in Books & Writing, Publishing & Bookselling /by Philip Turner

#FridayReads, May 25–Bill Veeck: Baseball’s Greatest Maverick, Paul Dickson’s superb life of the progressive-minded baseball team owner, filled with fascinating social history and baseball lore. Also dipping into BEA Buzz Books, the ebook collecting 30 top books to be featured at this year’s Book Expo America, with selections from Neil Young’s Waging Heavy Peace, Mark Helprin’s In Sunlight and In Shadow, and many others.

A Renovated Digital Home for the CBC Archives

May 24, 2012/0 Comments/in Canada, Media, Blogging, Internet, Music, Bands & Radio, Publishing & Bookselling /by Philip Turner

Cool stuff on the Web from the CBC Archives is now accessible to virtually all computer users. The national broadcaster of Canada goes back to 1936 but until now their Internet archive was more frustrating than enlightening. Now, however a post on the CBC’s in-house blog explains that the old site has been updated, with a side benefit that MAC users–formerly shut out–should now have as full access as folks on Windows machines. It does look much better now and you can savor TV and radio clips of musicians Neil Young, Leonard Cohen, Glenn Gould, writers Margaret Laurence, Margaret Atwood, Alice Munro, Farley Mowat, and Pierre Berton, comedians Bruce McCullough and Scott Thompson from Kids in the Hall and Catherine O’Hara of SCTV and Patrick Watson* (the longtime broadcaster, not the current day musician), to name only a handful. I should add it’s not all about the artistic luminaries–the correspondents and journalists who’ve long made up the CBC, such as Patrick Watson* (the longtime broadcaster, not the current day musician) and the late Barbara Frum, co-host for many years of “As it Happens,” Canada’s “All Things Considered,” represent great broadcast talent. This archive is a veritable youtube for Canuckaphiles and honorary Canadians like me. For a taste of one artist, enjoy this 2 1/2 minute clip on stellar rapper Cadence Weapon, celebrating his selection in 2009 as Poet Laureate of Edmonton, Alberta.

*In 1979, one year after my family bookstore Undercover Books opened for business, Patrick Watson published an excellent suspense novel titled Alter Ego. My brother Joel read it and wrote to Patrick inviting him to visit our store. With the participation of his publisher, Viking, Patrick visited our store for an autographing and a great book party that moved from the store to my family’s nearby home. I recall that Patrick, an accomplished pilot, flew his own small plane from Toronto to Cleveland. I bumped into him in 2003 on the convention floor at Book Expo Canada. We had a pleasant reunion. He’s a grand fellow and has had a fascinating career as broadcaster, actor, author, and engaged citizen. Apart from the thriller Alter Ego, Patrick is also the author of a book in my art book library, Fasanella’s City, on the American painter known for his colorful canvases that depict May Day celebrations and demonstrations of workers’ rights amid clamorous scenes of urban density.

My Parents in 1948, about a Year after their Wedding

May 13, 2012/1 Comment/in Canada, Philip Turner Book Productions /by Philip Turner

My now sadly gone parents–Earl Turner beaming and his pretty wife Sylvia Shiff Turner, with a gardenia in her hair. They were on a trip in June 1948 from Cleveland, to Niagara Falls and Hamilton, Ontario, in Canada, and to Detroit. The Turners liked Canada even then. Happy Mothers Day!

Correcting Politico and Drudge on “Dreams From My Father”

May 2, 2012/1 Comment/in Books & Writing, Media, Blogging, Internet, Philip Turner's Books & Writing, Publishing & Bookselling, Urban Life & New York City /by Philip Turner

Happy to be quoted at length in this TPM story by Brian Beutler about the erroneous reporting by Politico, which mistakenly reported today that Barack Obama had failed in the earliest editions of Dreams From My Father: A Story of Race and Inheritance to acknowledge that he created composite characters in the book. I know otherwise because I published the first paperback edition of the book, in 1996, as I have written on this blog. I contacted TPM this afternoon to correct the record on the needlessly murky situation created by the false report that originated with today’s Politico story by Dylan Byers, then amplified on the Drudge Report. You may click on the TPM story or read it below.

A former executive of the original paperback publisher of President Obama’s 1995 memoir Dreams from My Father weighed in on Wednesday’s manufactured controversy over whether Obama represented fiction as fact by using composite characters in his autobiography.

“It is unfathomable to me how Dylan Byers of Politico could have overlooked the very plain disclaimer that the book carried from the very start,” Philip Turner said to TPM via email. Turner was an editorial executive with Kodansha America, which published the paperback version of Dreams from My Father in 1996.

“The reference to ‘compression’ appears on page ix of the Introduction of the book I published then, which I have on my desk as I write this message,” Turner says. “What’s more, the 1996 paperback was an exact reprint with no changes of the hardcover edition that had been published a year earlier….” (emphasis added).

The fact that Obama used composite characters in his memoir — and that he disclosed this in the book’s introduction — was widely known before it was mentioned again in an excerpt from David Maraniss’ upcoming Obama biography, published Wednesday in Vanity Fair. It even featured prominently in a 2007 story by Politico’s top political reporter Mike Allen.

But on Wednesday, Politico published a story that made no reference to the disclaimer, suggesting Obama had misled his own readers. That piece has since been appended with a correction, but still reads as an indictment of the President.

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For the record, this is the entire comment I sent to TPM which they quote from above:

As the first paperback publisher of “Dreams From My Father,” in 1996, I feel obliged to confirm everything in the above TPM story by Benjy Sarlin. The reference to “compression” appears on page ix of the Introduction of the book I published then, which I have on my desk as I write this message. What’s more, the 1996 paperback was an exact reprint with no changes of the hardcover edition that had been published a year earlier. For the record, I was editor-in-chief of Kodansha America then, and we acquired the rights to publish the book from Random House, whose imprint Times Books had done the hardcover. In the early 2000s Kodansha’s license to publish the paperback expired and rights reverted to Random House. Their Three Rivers Press imprint republished it in paperback in 2004 with a new preface by the author, and yet his original Introduction, with the disclaimer about “compression” remained in the book then.

It is unfathomable to me how Dylan Byers of Politico could have overlooked the very plain disclaimer that the book carried from the very start. I wonder if commenter @wpilderback isn’t right in his explanation below: “This was an opportunity for them to remind people that Obama slept with a white woman, and nothing more.” Even if Byers just made a stupid and avoidable mistake, I’m sure Drudge was only too happy to perpetuate the error.

For readers interested in further information on the paperback edition I published, I refer you to a personal essay I published last month on my blog The Great Gray Bridge, via this link: http://philipsturner.com/2012/03/11/dreams-father-circa-1995-96/

Remembering Nick Webb, a Bright Light in British Publishing

April 23, 2012/0 Comments/in Books & Writing, Philip Turner's Books & Writing, Publishing & Bookselling /by Philip Turner

Via the Guardian comes a lovely memorial by longtime British publisher Ion Trewin bearing the sad news that the sparkling, smart Nick Webb–who as science fiction editor of Pan Books commissioned Douglas Adams to turn his BBC radio drama “The Hitchhiker’s Guide to the Galaxy” into an international bestselling book–has died at age 63. According to Trewin’s obit, the first book of what would become the multi-volume science fiction series sold 250,000 copies within three months of publication in 1979 and a million copies by 1984, in the U.K. alone. Meantime, in the U.S., where I was then running Undercover Books, my bookstore in Cleveland, we stacked up and sold the well-priced little hardcover from Crown Publishers, reordering it repeatedly for months.

Trewin, who now works as literary director of the Man Booker Prize, clearly knew and liked Webb, the voluble son of an Irish pop and a Jewish mom. “He had a vivid sense of humour, often word-based, and delighted in mixed metaphors, once relating hearing someone say: ‘I smelled a rat and nipped it in the bud.’ Many years later the memory would still make him chortle. In conversation he used words and phrases that were inimitably his own. The acquisition of the first Hitchhiker novel was hardly considered a big deal, he recalled, or as he put it: ‘I was not proposing that we spend serious sponduliks.'” I met Nick Webb once, at a Frankfurt Book Fair when I was with Kodansha America, and enjoyed telling him I’d sold Adams’ novels in my bookstores. I liked him instantly.

Sadly, Douglas Adams also died, in 2001 at fifty-one. Happily, he and Webb left a remarkable legacy–one of the funniest, most brilliant pieces of science fiction published in the second half of the twentieth century.

Talking “The Cornbread Mafia” over Breakfast

April 19, 2012/7 Comments/in Books & Writing, Publishing & Bookselling /by Philip Turner

This morning I met an author whose work I really admire. My breakfast mate was Jim Higdon, author of The Cornbread Mafia: A Homegrown Syndicate’s Code of Silence and the Biggest Marijuana Bust in American History, which is officially released tomorrow. I’d never met Jim, though I had a role in insuring that his book had a chance to get published. When I read the draft manuscript I wasn’t in a position to publish it myself, but I really enjoyed this gonzo true-crime narrative, and so recommended it to longtime Carroll & Graf colleague and friend, Keith Wallman, now an editor at Lyons Press. It was precisely the sort of book he and I combined to edit and prepare for publication many times, with books like David Pietrusza’s Rothstein: The Life, Times, and and Murder of the Criminal Mastermind Who Fixed the 1919 World Series; Barbara Raymond’s The Baby Thief: The Untold Story of Georgia Tann, the Baby Seller Who Corrupted Adoption; Alan Bisbort’s “When You Read This, They Will Have Killed Me”: The Life, Redemption, and Execution of Caryl Chessman, Whose Execution Shook America; and Chuck Kinder’s Last Mountain Dancer: Hard-Earned Lessons in Love, Loss, and Outlaw Honky-Tonk Life, to name only four of many dozen books we published together.

I was pleased when Keith did sign up Jim’s book, and awaited word of publication plans. Turns out, I was to be involved with the book again because Keith asked if I would be willing to receive a galley, and spread some good words about the book. A month ago, I posted my full blurb ** on this site, which reads in part,

Higdon has written a speeding bullet of a book that turns [pot] grower Johnny Boone into one of the most fascinating characters I’ve encountered in years. If Hunter S. Thompson were still with us I believe he’d be praising The Cornbread Mafia and telling his pals to read it.

Despite hearing from the author from time to time over the months since the book was put on a path to publication, Jim and I had never met, so today’s meeting took care of that. He’s a Kentuckian, where his book is set, but the book is not merely a product of his local knowledge. He’s a graduate of the Columbia Graduate School of Journalism where he took Samuel Freedman’s demanding course on writing narrative nonfiction books. Cornbread Mafia is deeply reported with dozens of sources, featuring a protagonist who’s a fugitive from federal justice. Jim’s a big guy with a good sense of humor and a keen focus on his work. We talked about the book’s publicity campaign and story ideas that Jim may explore for newspapers and magazines in coming months, and I snapped a photo of him before he headed up to Columbia to see former colleagues. It was fun meeting Jim, a writer I’m proud to have encouraged in his work.

** Worth noting that after I posted my blurb on March 16, I got this comment from reader Kurt Mattingly: “This book is, without a doubt, the most rivetting account of central Kentucky history anyone has ever written. Being a native Marion Countian and growing up just a few miles from Raywick (between St. Mary and Lebanon), almost completely oblivious to the “counter-culture” that was inherent basically all around me, I cannot put this book down.”

The CIA, Patron of Abstract Expressionism

April 4, 2012/0 Comments/in Publishing & Bookselling /by Philip Turner

Hiding in plain sight is confirmation in a 1995 story from Britain’s Independent newspaper that after WW II and continuing on throughout the ’50s the CIA promoted Abstract Expressionism, ostensibly to show America’s openness to cultural variety, as compared with the rigid Constructivism in Soviet arts. I had somehow missed the story by reporter Frances Stonor Saunders, which, thanks to fellow Tweeps @nwoah and @roc_cayard, resurfaced this evening on Twitter. Among many fascinating revelations it reports that

In 1958 the touring exhibition “The New American Painting”, including works by Pollock, de Kooning, Motherwell, [Rothko] and others, was on show in Paris. The Tate Gallery was keen to have it next, but could not afford to bring it over. Late in the day, an American millionaire and art lover, Julius Fleischmann, stepped in with the cash and the show was brought to London. The money that Fleischmann provided, however, was not his but the CIA’s. It came through a body called the Farfield Foundation, of which Fleischmann was president, but far from being a millionaire’s charitable arm, the foundation was a secret conduit for CIA funds. So, unknown to the Tate, the public or the artists, the exhibition was transferred to London at American taxpayers’ expense to serve subtle Cold War propaganda purposes. A former CIA man, Tom Braden, described how such conduits as the Farfield Foundation were set up. “We would go to somebody in New York who was a well-known rich person and we would say, ‘We want to set up a foundation.’ We would tell him what we were trying to do and pledge him to secrecy, and he would say, ‘Of course I’ll do it,’ and then you would publish a letterhead and his name would be on it and there would be a foundation. It was really a pretty simple device.” Julius Fleischmann was well placed for such a role. He sat on the board of the International Programme of the Museum of Modern Art in New York–as did several powerful figures close to the CIA.

Eisenhower-era support of boundary-busting art seems ironic now, but the article also points out the truth that the CIA, notwithstanding its Cold Warrior status, it