The Great Gray Bridge – Page 123 – Spanning urban life, books, music, culture, current events

Ari Fleischer, Gone But Not Forgotten

February 3, 2012/4 Comments/in Personal History, Family, Friends, Education, Travels /by Philip Turner

Update: A day after reporting Fleischer’s role in advising Komen, ThinkProgress’s Judd Legum is now reporting that Fleischer’s role with Komen is ongoing–he’s still advising them. Komen is paying the ex-Bushie to help them try to recover from the public relations disaster of this past week. Our donations to Komen at work. #WontBeFooledAgain.

As I wrote on this site a month ago in “George W. Bush, Skunk at the Party” Republican candidates this year have shunned W.’s memory and never mention his administration. I was struck by this again tonight in reading Judd Legum’s report in ThinkProgess that Ari Fleischer, W.’s longtime press secretary, advised the Komen Foundation in December 2011 on hiring a Senior V-P for Communications and External Relations–a reader points out it seems they may have anticipated dealing with bad press from a controversy such as de-funding Planned Parenthood. Even while many right-wingers feign amnesia, a salutary result of the Komen scandal would be if it serves to remind voters that though W. and his minions are gone from the West Wing we must remember the baleful influence of the Bush presidency lest the country fall under its malign spell again.

#Fridayreads/Feb. 3

February 3, 2012/1 Comment/in Books & Writing, Music, Bands & Radio /by Philip Turner

#fridayreads ‘Out of the Vinyl Deeps: Ellen Willis on Rock Music,’ a finalist for the National Book Critics Circle (NBCC) annual award in criticism–I’m always good for some rockin’ music essays. Also, ‘The Disposable Man,’ one of Archer Mayor’s superb Joe Gunther police novels set in Brattleboro, VT. Great cop, great story.

Putting Printed Books and Ebooks on Equal Footing

February 1, 2012/1 Comment/in Books & Writing, Canada, Media, Blogging, Internet, Music, Bands & Radio, Publishing & Bookselling, Technology, Science & Computers /by Philip Turner

With indie record labels now routinely making downloads of music available to buyers of vinyl LPs, I’m heartened to see a similar strategy taking hold among indie publishers too, with regard to ebooks and printed books. . . . With the print book and ebook initiative announced today, Coach House has demonstrated their continuing relevance, if it were needed–and that of publishers like them– in the burgeoning digital age that publishing has entered. I wonder how long it will be before big, commercial houses are also routinely making ebooks available, or some digital product, available with purchase of a new book. Meantime, congratulations to Coach House Books for leading the way. // more. . .

Neil Young, Musical Hero

January 31, 2012/0 Comments/in Music, Bands & Radio /by Philip Turner

Neil Young, who has for quite awhile been vocally decrying the sound of much recorded music nowadays said this at a tech conference today: “Steve Jobs was a pioneer of digital music. His legacy is tremendous,” Young said. “But when he went home, he listened to vinyl (albums),” as reported by the AP.

In other Neil news, a recently recorded 37-minute Crazy Horse session is burning up the Internet, http://www.neilyoung.com/. For now, we’ll have to listen to it in a compressed digital file, but it still sounds pretty great. I bet this will be part of a new Crazy Horse release soon, and available on vinyl.

Alan Lomax, Song Collector

January 30, 2012/0 Comments/in Music, Bands & Radio, Urban Life & New York City /by Philip Turner

On the Upper West Side of Manhattan where I’ve lived for 20 years I used to see this big man with a scratchy looking goatee. He seemed somehow familiar, and interesting, like if each of us hadn’t been hurrying we could’ve had a good conversation at a neighborhood diner. Eventually, a neighbor pointed to me who he was–“That’s Alan Lomax, the song collector.” Of course, that’s why I recognized him.

Before I moved to New York, I ran Undercover Books, a Cleveland, Ohio bookstore that also sold recorded music. We used to handle albums from such venerable labels as Folkways, Nonesuch, and Rounder. I had seen Lomax’s picture on the liner notes, as he had for decades been recording field hands, convicts, laborers, and other bearers and keepers of musical traditions. Leadbelly was only one of his great discoveries. I admired Lomax, just as I admired the Englishman Ralph Vaughan Williams, who earlier in the 20th century, even before he would become a brilliant composer of orchestral music, had ventured into the fields, docks, and sheep-shearing paddocks with early recording equipment to hear and record the tunes of local folk.

I never did get to have that sit-down with Alan Lomax, who died in 2002. But I was delighted to read tonight, via this article in the New York Times, that the vast archive he left behind is soon going to be accessible in a digital storehouse that will be widely accessible to scholars, musicians, and the public. Hooray for Alan Lomax, and the Association for Cultural Equity, the project under the hands of his daughter Anna Lomax Wood that is making these treasures available. When you read the Times article, don’t miss the interactive feature with recordings of Mississippi Fred McDowell, Bessie Jones, and other greats.

Never too Late for Justice

January 30, 2012/0 Comments/in Personal History, Family, Friends, Education, Travels /by Philip Turner

Just desserts won by a former slave, eloquently expressed in a wonderful letter he sent to his former master. Be sure to read to the end. H/t to Lisa Christiansen of CBC Radio 3, @LisaChristCBC @NealBrennan @lettersofnote and their neat website, LettersofNote.com.

Farewell to Scottish Friend, Architect Isi Metzstein

January 29, 2012/6 Comments/in Art, Film, TV, Photography, Fine Printing & Design, Books & Writing, Philip Turner's Books & Writing /by Philip Turner

I was saddened recently to learn that Isi Metzstein, a longtime friend and the father in a family I’ve been close with for many years, died at his home in Glasgow, Scotland on January 10. Isi lived a remarkable life and was a well-regarded architect and teacher, as the obituaries that have run all over Britain attest, including prominent notices in the Independent (“Architect Hailed for Modernist Vision and Inspirational Teaching”) and the Guardian(“Innovative Architect Designed Remarkable Postwar Buildings”). //more . . .

A Timely Exhibit of Burmese Artists

January 21, 2012/1 Comment/in Personal History, Family, Friends, Education, Travels /by Philip Turner

April 16 2018 Update: It’s been more than six years since I attended this exhibit of Burmese artists in exile, held on the cusp of pivotal changes in the Asian country. It is distressing to know that despite much positive change, recent months have seen human rights abuses directed against the Rohingya people. There was no sign of this on the horizon when I wrote up the exhibit in 2012. It’s a pity that when positive change takes place—like the Arab Spring of last decade, and the dissolution of Yugoslavia in the 1990s—it is often followed by a decline in freedoms, as rivalries are loosed and opportunistic politicians angle for ways to help themselves gain or maintain power.
—-
I was excited then when I entered Gallery 35 last Saturday night, and detected a buzz of activity in the large, lighted space. I was first aware of the crowd–New Yorkers you might see at any art openings plus the Burmese artists, their friends and family. The work was striking, with much of it overtly on message about the years of military repression they’ve endured, but also full of brilliant color, vibrant shapes and strong composition. There was painting, fiber, sculpture and photography on display. I had a conversation with female painter and performance artist Chaw Ei Thein. She and others I spoke with are pleased, but wary about the regime’s new policy of relaxation. They hope it continues, but none of them is ready to believe in it wholeheartedly. Chaw Ei Thein placed this statement on her website in September 2011, prior to the current relaxation of repression:

Many of my friends are in prison, far away and inaccessible. There are over 2000 political prisoners in Burma. Some have been sentenced to 56 years of imprisonment, some 65, some 102. All are committed to their fight for freedom and justice in Burma, and for our people. I am lucky because I am not in prison like them. But I always think of them: how they spend their time in the prison, and how they have sacrificed. I cannot help them to be free. So I am doing this performance as a tribute to them and what they have done for us. In this performance, I explore the “poun-zan”: a form of torture common in Burmese prisons, in which prisoners must hold a physically excruciating and psychologically humiliating position for a long period of time. My performance is their real performance in those prisons.

I photographed her two-fingered peace sign painting in the Gallery 35 exhibit. If you’re in New York I urge you to check the gallery’s hours and go see the powerful and beautiful work in this timely exhibit. It is up until February 25, and there will even be a closing reception on that Saturday next month. Meantime, here are pictures I took at the opening last week. // more . . .