Recorded Music I’ve Collected at NXNE + CBC Radio 3 Picnic

Almost too busy to post or write about yesterday’s NXNE. This being Saturday it’s probably the fullest day of programming all week. But I’ll share something here, pics of the CDs I’ve gotten since arriving here on Wednesday. Some have been given to me, some I was glad to pay for. It’ll be great when I get back to NYC and unpackage them. Sunday should be quieter, so probably more coverage coming here.

Below is an EP and a full album by Crissi Cochrane, a friend from the CBC Radio 3 blog community, and an emerging artist in her own right. I had never met her before today at the annual CBC Radio 3 picnic, nor heard her sing. She has a beguiling voice and presence, as shown in the pic below her recorded music.

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As noted in my Day II post below, on Thursday night I heard Toronto band Inlet Sound at The Cameron House. I really enjoyed hearing them, and was glad CBC Radio 3 host Grant Lawrence also invited them to the picnic today. Like Crissi, they are also pictured below their album “The Romantics.” Alongside it is the album I picked up by Union Duke, also on Thursday night.

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Next are Loon Choir’s two albums. They became new favorites of mine when I heard them on Thursday night. Here’s my post that includes a write-up on that show.

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Also, here’s an album by The Darcys. They were the musical guests at CBC HQs last night where Grant Lawrence ended the 7000KM cross-country CBC Beetle Road Trip. Last is The Matinee‘s “We Swore We’d See the Sunrise.” They played last night at the Supermarket, after which I tweeted:

@philipsturner: The Matinee just played one of the best live sets ever. They owned the crowd&the stage. @NXNE @thematineemusic http://t.co/u2LJxEYREX

 

NXNE Day II–Another Musical Bounty

Up early Friday after another night (and day) of great music and fun times with good friends at many different venues, from outdoors in a green Toronto park to crowded nightclubs. I'm meeting two journalist friends this morning, but I’ll get started on this recap now and work on it throughout the day.

Thursday afternoon, I walked to Trinity-Bellwoods Park to do one of my favorite things–listen to music outdoors. I heard sets by Olenka and the Autumn Lovers, a trio whose sound is tinged with Eastern-European tones; Maylee Todd, who with her 6-piece band wowed the happy crowd seated on the grass with her R&B sounds and the expressive dancers that accompanied her songs; and Kalle Mattson, a talented singer-songwriter who with his three bandmates played a song he co-wrote with Jeremy Fisher, another favorite Canadian musician of mine. Under threatening clouds, we were all really glad the rain stayed away long enough for these three sets.

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In the early evening I walked down Bathurst in heavy rain to a party sponsored by the e-reader company, Kobo. I know them of course as a book industry presence, and was really glad to see them representing at NXNE. Held at a club called the Hoxton, I was excited when I bumped in to several friends from the CBC Radio 3 blog community, folks whom I would see at other venues later in the evening.

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The rain let up as I walked to the Cameron House to hear Inlet Sound, who played last night as an acoustic trio, sans their usual drums&bass. Playing seated, they showed great voices which the big room could barely contain. Their own songs are terrific, but they really surprised and pleased with a cover of Wintersleep's rock classic, Weighty Ghost,' great to hear in this unplugged setting. After their set, I was excited to get a copy of their album, The Romantics.

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Shred Kelly, a stoke folk outfit from ski haven, Fernie, British Columbia, played one of the most rousing sets of music I've ever had the good luck to hear. Foot-stompin' hardly does justice to the live show this 5-piece put on last night at the Supermarket club in Kensington Market. I love their style and am eager to hear them again tomorrow when they'll be playing an acoustic set at the annual CBC Radio 3 picnic, also held in Trinity-Bellwoods Park, coordinated by CBC host Grant Lawrence.

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Next, I cabbed over to the Great Hall with two CBC Radio 3 friends for a mostly solo bluesy set by Michael Rault.

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From the Great Hall I walked to the nearby Drake Hotel where in their Underground club Loon Choir was to play an 11PM set. There I met Katherine Cauley, who plays fiddle in this 7-piece outfit from Ottawa. Also in the house were Katherine's parents and her brother Brian, who until the other day had been on the CBC Beetle Road Trip that's brought Grant Lawrence all the way from Vancouver in a 6000KM road trip. Brian is a radio engineer, who's been producing radio segments that are then being shared on the CBC Radio 3 website and in social media. Brian and Grant were joined on the trip by videographer and filmmaker Brent Hodge, who was also there last night to hear Loon Choir. Other Radio 3 fans in the room were friends who I know mostly by their blog and twitter handles: @Shonica and @HedgeHogFriend. Loon Choir is a terrific live act with lots of dynamic energy, particularly from their lead singer, Derek. At one point, he unfurled a banner emblazoned with a message, Occupy Gezi Park, in support of the current uprising by progressives in Turkey. The music had lots of uplift and great power chords that made the tunes, many of which I hadn't heard before, instantly likable. I got their two CDs and look forward to hearing their studio sound.

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At 11:45, I hailed a cab and asked the driver to take to the Mapgie, where rootsy band Union Duke would be playing at the top of the hour. I had been invited to this concert by a new friend I made this week, Toronto journalism student and TV company staffer, Harriet Luke. She has a few friends in this band, and I was delighted to have been alerted to them. Like Shred Kelly, they are another foot-stomping 5-piece featuring banjo, handmade percussion, and great vocals. The room was humid and warm, and soon people were shedding their jackets and hitting the dance floor.

I cooled down on the walk back to my hotel and soon hit what my late father Earl Turner used to call the featherball, i.e., the pillow, eager for Friday and another day of fun at NXNE.

 

Day I of NXNE: A Musical Banquet

I heard terrific music last night at some excellent Toronto venues. All the artists I heard were new to me. Here's a rundown:

Right on time at 8 PM at the club Central, I sat at a front table and listened to Marta Pacek, an Aussie-born, Toronto-dwelling singer songwriter who led a terrific 4-piece band. Her accent was evident in her between-song banter, but not in her strong singing voice. After their set, I enjoyed meeting Pacek and her friend, writer Neil Murchison, who gave me a download card so I can later hear more of Pacek's music. Here's a pic I took during the show.

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Next up was a lively outfit with a rather dolorous name, The Maladies of Adam Stokes. They played a 9 PM set at the Legendary Horseshoe Tavern, the only club I know of that manages to squeeze an adjective like that in to its name! The venue has earned it, though, as they recently marked their 50th anniversary of presenting great live music. I'm sure I'll be back at the 'Shoe' several times this week. Here's a shot of their lead singer and keyboard player.

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Next, I took a Toronto street car then walked to reach a club called The Boat, near Kensington Market, where young punk band The Mouthbreathers were playing a 9:45 set. This 4-piece–two women guitarists & a two-man rhythm section on bass and drums–had all the energy associated with 80s punk–playing brief songs fast, loud, and hard. It was the lead singer's 23rd birthday, pictured below on the right. I stood on a riser near the merch table to get this shot, raising myself a bit above the boisterous crowd who stuck with the band all the way.

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From The Boat I walked with friend Amit Saha–known as @XCanuck on the CBC Radio 3 blog–to a club on Queen Street West called Czehoski. We wanted to check out The Almight Rhombus, from Sudbury, Ontario, who were playing at 11 PM. They turned out to be one of the highlights of my evening. This 5-piece, which includes 3 brothers, played hooky songs with great energy on the club's very narrow stage. The joy they took in playing their own material was infectious. I met one of the brothers after the show and introduced myself as the writer of this blog. He gave me a copy of their self-titled five song CD.

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I left Amit at the Czehoski bar where he was watching the first overtime of Game 1 in the Stanley Cup finals, for what turned out to be a triple overtime game. I walked down Queen Street to one of my most favorite venues, the Cameron House. I barely bothered to check who was even playing, because they always have good bands. The Cameron's front room usually features country and acoustic-oriented acts, while the back room has fuller bands. In the back room, I discovered the excellent Julian Taylor Band, fronted by the extravagantly dreadlocked and handsomely suited Taylor, who played funk and soul-inflected pop with a reggae touch. His keyboard player, shown below on the left, was terrific, too. They ended their set with a crowd-pleasing cover of I Shot the Sheriff.

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I moved on to the front room where a 5-piece country outfit called Dear Sister were showing post-midnight revelers a great time. Fronted by two talented women (not sisters, I learned), and featuring an excellent lead guitarist who didn't fit on the tiny stage, they played original material and got many in the crowd dancing and making graceful moves to their sweet harmonies.

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With that, I walked back to my hotel room happy and satisfied with all the great music I heard on just my first day at NXNE. Below is a shot of my NXNE badge that's getting me in to so many great shows. Can't wait for what's to come today and tonight.

 

To Toronto for North by Northeast (NXNE), June 12-17 + Exploring New Media Connections

For the third consecutive year I’ll be attending Toronto’s North by Northeast festival (NXNE), which I’ll be covering as accredited press for this blog The Great Gray Bridge, which I began the day after Halloween in 2011. The festival, which stretches across the big city on the northern shore of Lake Ontario, takes place at 100s of venues, combining live music shows with artists from Canada and other countries; comedy shows; films; and panels and presentations on interactive and digital topics. I arrive tomorrow, June 12, and will be in town until next Monday night, June 17. I look forward to making new friends and meeting up with many of my old pals from the CBC Radio 3 blog and fan community, coordinated by the inspired work of our ringmaster, Grant Lawrence, radio host, author, and catalytic ambassador for Canadian indie rock n’ roll. Grant is also expected to arrive in Toronto tomorrow, as he completes the CBC Beetle Road Trip, a 5000KM music discovery journey that he began in Vancouver almost three weeks ago.

In addition to covering NXNE, I’ll be working in the area of my publishing consultancy. I’ll be seeing people at Speakerfile.com–a Toronto company whose brand is visible at the upper right corner of this website–one of my chief consulting clients. I also have meetings and meals set up with Canadian publishing, book industry, and media friends and am still seeking out confabs with new contacts. Because Canadian politics is being keenly followed by readers in the States these days–over issues that really matter to my avid audience, such as transnational oil politics and trade issues; the hard sell by the Harper gov’t of the Keystone pipeline and PBO’s looming decision on what to do about Alberta’s tar sands; the always eventful mayoralty of Toronto’s Rob Ford; and many, many US and Canadian shared musical and literary touchpoints.  My goal in Toronto will be to explore with media contacts how the coverage I do here of Canadian culture, books, publishing, and politics–all composed from the personal viewpoint of a longtime bookseller of Canadian titles, publisher of Canadian authors, visitor to Canada, and observer of its ways.  Stephen Harper’s inevitable electoral bid for another majority will come no later than 2015, a time that I believe I will find more outlets for my writing.

If any Canadian friends, old or new, read this post, and want to get together or talk while I’m in town, please be in touch. You may use this link at my contact page, or find me at Twitter, @philipsturner

Finally, if you’re curious what the home page of the NXNE website looks like, here it is. My favorite bit is in the upper right corner: 1000 Bands * 30 Films  * 150 Comedians  * 65 NXNEi Sessions *  60 Artists


 

Remembering Maurice Sendak on his 85th Birthday

The animated doodle on Google’s main search page today is really inspired. If you haven’t already seen this tribute to Maurice Sendak, there’s a screen shot below. You can view it via this link, and make sure you click on the arrow to start the animation.
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Last May, soon after Sendak’s passing, I published a recollection on this blog called, Warding Off a Zealous Censor of Maurice Sendak’s In the Night Kitchen. Via this link, I invite you to read about this episode from my bookselling days, when a prudish religious conservative woman demanded we stop selling Sendak’s work.

Update: I also just found this animated video on the Daily Beast narrated by Sendak himself.

#FridayReads, June 7–Eric Lundgren’s “The Facades” & Suzanne Corkin’s “Permanent Present Tense”

#FridayReads, June 7–The Facades by Eric Lundgren–a witty and heart-filled novel about a man in a post-apocalyptic world who’s searching for his family. I’m also reading Permanent Present Tense: The Unforgettable Life of the Amnesic Patient, H.M. by Suzanne Corkin–a scientific biography of a historic medical subject, a man who after undergoing brain surgery suffered a permanent loss of his capacity to make and retain long-term memory. In 2008, when I was Editorial Director of Union Square Press, I heard an NPR segment about Prof. Corkin’s work with H.M. and contacted her to ask if she was writing a book. Indeed, she said she was working on a manuscript, though she added it was a long way from completion and she suggested I should stay in touch with her agent. When I left the job in 2009, I wondered what would become of the project. At BEA last week I was pleased to see it had ended up on the list of Basic Books. Please click through to see full post and all pictures

A Special Treat–Weekday Baseball at Yankee Stadium

IMG_0194 Had a great time yesterday watching the Yankees vs. the Indians play ball on a bright and gorgeous day at Yankee Stadium. Longtime friend and publishing consultant Mike Shatzkin got tickets and had invited me to join with him two other friends of his–Dick and Mike–with whom he’s in a rotisserie baseball league. The game ended up as a 6-4 win for the Yanks. As a Tribe fan, I would have been happier to see my old hometown team prevail but the Bombers were much the better team, with Yankee starting pitcher C.C. Sabathia, the former Indian, throwing a complete game.

As Mike put it at one juncture, “What’s the point of having your own business if you can’t take time off to go to a day game?” I agreed wholeheartedly, and really enjoyed the wide-ranging conversation the four of us carried on for all nine innings, ranging over photography, New York City, New Hampshire, the economy, the early days of the Internet, publishing, and of course, baseball. My camera happened to have enough battery power for one photo and I’m glad I got this good shot and could include it here. What a great way to spend a late spring afternoon!

A Hot & Sunny Day in Manhattan, 1939

On Facebook longtime friend Martha Moran has shared this timeless film of a Manhattan tour from 1939, remastered in bright, vibrant color by the excellent Romano-Archives. You can view the 3-minute film below, or via this link posted by Eric Larson at mashable.com, @_ericlarson on Twitter. For this post I’ve made two screenshots of favorite images from it. One shows a theater marquee in Harlem where they were evidently screening W.C. Fields’ “You Can’t Cheat an Honest Man,” my favorite movie comic. Oddly, it anticipates the compressed spellings mandated by today’s social media, as the narrow marquee reads, “U Can’t Cheat a Honest Man.” It reads like a tweet. The second screenshot is of the #5 bus, a route I still use regularly in Manhattan. I consider it my personal “scenic drive” as for part of its route it cruises along Riverside Drive, affording splendid views of the Hudson River. It must have been glorious in 1939, when it was a double-decker bus with an elegant curving stairway that conveyed passengers to the upper deck!I suggest that at the very end you notice all the big ships docked at piers on the west side of Manhattan. This reminds me of a line in one of my favorite S.J. Perelman humor sketches, where a woman tells the narrator she’s waiting to pay him a debt “until my ship comes in,” whereupon he retorts with, “I’ll be watching the shipping news,” a reference to the ubiquitous maritime tables that newspapers used to print every day. Thanks for this to Martha Moran.
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