Readings From Rust Belt Chic, Jan. 3, at Public Assembly in Williamsburg, Brooklyn

 

Happy to share the above tweet, and expand upon it. Next Thursday, January 3, 2013, at Public Assembly, 70 North 6th Street, Brooklyn, near the Bedford Street station stop of the ‘L’ train in Williamsburg, a posse of Clevelanders, some transplanted to NYC, and others just visiting, will read from Rust Belt Chic: The Cleveland Anthology. I will be presenting my contribution to the book, “Remembering Mr. Stress, Live at the Euclid Tavern,” a personal essay on a venerable bluesman I followed avidly the years I lived in Cleveland. I hope to see you there!

Our Holiday Soundtrack–Ralph Vaughan Williams and Bob Dylan with Friends

Last night in my household we listened to music from several old LPs featuring folk songs, folk themes, and original music for chamber groups and orchestra by Ralph Vaughan Williams (1872-1958), the English composer whose work I’ve listened to since I was a student at Franconia College, a student at Franconia College, when a professor there, Bill Congdon, turned me on to his music. Appropriate to the season, we heard RVW’s arrangements of “Wassail Song,” and similar songs. Not carols, exactly, but old folk songs of the season. I’m Jewish and so don’t observe Christmas, but I do love this music without reservations. RVW was part of a worldwide interest in folk idioms that also engaged many of his musical forebears and contemporaries in other countries–like Smetana and Dvorak in Hungary and Czechoslovakia; Sibelius in Finland; and Aaron Copland in the States. Like Alan Lomax in the U.S. in later decades, RVW took early recording equipment in to the field and had nonprofessional musicians sing and play songs for him, also making notes of what he was told. It should be said, that Vaughan Williams didn’t just take folk themes and rework them–he was also a bold, original composer with an edge, exhibited in such works as his modernist Fourth and Sixth symphonies.

Famously, RWV arranged and reworked “Greensleeves,” as a song, and as a suite for orchestra, and many lesser known songs with names like “The Captain’s Apprentice,” “The Lark in the Morning,” “Bushes and Briars, and “The Unquiet Grave.” His output was vast and in the years when vinyl was still the dominant music medium I bought a lot of it. When I visited London for the first time, in 1980, I bought secondhand albums, releases that were never even brought out in the U.S., such as EMI’s boxed set of his nine symphonies and other orchestral music, conducted by Sir Adrian Boult. The album covers still bear the name of the dealer where I found them, Harold Moores Records. The records I bought there all evidently came from a public or college library, because inside I found little index cards, which had noted each time a patron or student had checked out the item. On “English Folk Songs, Arranged by Ralph Vaughan Williams, with the Purcell Singers conducted by Imogen Holst” a tiny, spidery hand had recorded each of the 13 times the album  was requested and played between 1963-78.  A scant 13 plays in 15 years? The album was in great shape when I brought it back home, and still is. Checking the Internet, I see that Harold Moores Records is still in business on Great Marlborough Street in London.

This afternoon, we made a change of pace and have been listening to a magnificent live album, “Bob Dylan–The 30th Anniversary Concert Celebration,” the Madison Square tribute concert staged in 1992 to commemorate Dylan’s first recordings. This is a 3-LP six-sided banquet that features guest performances of 28 Dylan songs by–brace yourself, in order–John Mellencamp; Stevie Wonder; Eddie Vedder; Lou Reed; Tracy Chapman; Johnny Cash & June Carter Cash; Willie Nelson; Kris Kristofferson; Johnny Winter; Ron Wood; Richie Havens; the Clancy Brothers with Tommy Makem; Mary Chapin-Carpenter, Rosanne Cash, and Shawn Colvin; Neil Young; Chrissie Hynde; Eric Clapton; the O’Jays; The Band; George Harrison; Tom Petty & the Heartbreakers; and Roger McGuinn. The house band was Booker T & the MGs, while Al Kooper makes a key appearance on Mellencamp’s rendition of “Like a Rolling Stone.” Toward the end, Dylan steps on stage at the Garden to play 4 songs, “It’s Alright Ma (I’m Only Bleeding),” “Girl of the North Country,” and “My Back Pages and “Knockin’ On Heaven’s Door,” with McGuinn, Harrison, Clapton, Petty, and Neil. I bought my copy about 15 years ago, again secondhand, and it still sounds great, as day has slipped on toward night.

Celebrating the Holidays with the Singing Roches

The night before the tragedy in Newtown, CT, I attended a special holiday concert put on by Suzzy and Maggie Roche with their extended musical family. It was a wonderful show, full of humor, uplifting sentiment, and infectious music. Sadly, the next morning as I downloaded photos from my camera and prepared to write a blog post about the show, news of the Newtown shootings began to emerge. I put the idea aside, my heart just wasn’t in it, especially after I learned that a former colleague’s 6-year old son was among the dead. Tonight, with Christmas Eve day ticking on toward midnight, even while another violent outburst of deadly gunfire was reported today, near Rochester, NY, I’ve decided to finally share my pictures and make this into a bit of a Christmas post.

I’ve written about the Roches a number of times over the past several months. First, Kyle and Ewan and I had fun at Terre Roche’s Sunset Singing Circle in Battery Park in June. This public sing-a-long was held at the tip of lower Manhattan, facing New York harbor and the Statue of Liberty. I also wrote about sister Suzzy’s splendid mother-daughter novel, Wayward Saints,  a tragi-comic tale of rock n’ roll, family, and second chances in life. I posted next when Terre published a NY Times Op-Ed on what she dubbed the new busking in the music biz, with emerging mechanisms to seek funding for support of recording such as Kickstarter and Indiegogo. Finally, last summer Suzzy led a Bryant Park reading room discussion on Edith Wharton’s House of Mirth, which Kyle and I greatly enjoyed, and which I wrote about, as well.

They are clearly a very talented family, and I’m a fan. What’s more, they don’t just rest on their laurels for things they did back in the day (with Maggie) as The Roches, with such great compositions as “Hammond Song,” with its theremin-like lead instrument and great harmonizing of all three voices. It’s still a beautiful song, and deserves a fresh listen, if you haven’t heard it recently, or ever. That’s why I was eager to attend Suzzy and Maggie’s Dec. 13 program, what they called a “holiday-ish concert,” which was also going to include their brother, David, with his daughter, Oona; Suzzy’s daughter, Lucy Wainwright Roche (whose father is Loudon Wainwright III, composer of the the classic, “Dead Skunk in the Middle of the Road”); and singer songwriter, Julie Gold, best known for her song “From a Distance,” which Bette Midler recorded and made famous as a Grammy Song of the Year in 1991. It promised to be quite a program, and the event didn’t disappoint, at all.

I had never heard Maggie before this occasion, and it was interesting to hear her voice mix with that of Suzzy, with it a bit lower in register by comparison. They did “Hammond Song,” with Lucy taking the part that would’ve earlier been sung by Terre. Lucy also sang the title song from her latest album, “There’s a Last Time for Everything.” That wordplay is found in much of the Roches’ writing, with humor in their lyrics and a kind of plain-spoken matter-of-factness that I found refreshing. It doesn’t at first seem artistic, and the lack of artifice is welcome; what it is, is real. Scan the first verse of their song, “We,” their opening number on this program, credited to all three of the sisters, which they wrote in 1979:

We are Maggie and Terre and Suzzy/Maggie and Terre and Suzzy Roche/we don’t give out our ages/and we don’t give out our phone numbers/give out our phone numbers/sometimes our voices give out/but not our ages and our phone numbers

The night ended with them inviting anyone in the audience who wanted to sing in the last few carols to join them at the front of the church. A lively group assembled around them and the evening ended with a great, joyous sing-a-long. I’m glad I could be there, and finally post this little essay on the concert, notwithstanding the terrible tragedies that have intervened. I hope the photographs below give you a full sense of this special program. Please click here to see all photos.

Windy Hudson River Bike Ride Photos

I shared a couple of these photos on Instagram earlier, but here are two others. They were all taken on a break during a very windy bike ride this past Saturday. Standing on a bluff above the Hudson River as as an intense, dramatic sunset glowed across the whole skyline, I am in upper Manhattan at about 165th Street, looking south down the river back toward the city. Though I’ve often ridden in strong wind along the Hudson, the gusts usually come from one direction. Saturday, they swirled and came from all points of the compass.

Bigoted Orthodox Men Deny Jewish Women Equal Status in Israel

NY Times article by Jodi Rudoren reports on appalling behavior by men in the Orthodox establishment that proceeds largely unchallenged by the Israeli justice system.

Thought-provoking Forbes.com Column by Tom Watson

My Saturday Antidote to NRA Toxicity–Great Canadian Folk-Rock

Sure Sign the NRA is Losing Some of its GOP Base

It’s not surprising that the NY Daily News would show disapproval of Wayne LaPierre’s toxic pro-gun rant yesterday, as shown below, since it occasionally tends more moderate than far-right:

but it is surprising that the Murdoch-owned NY Post ran with this cover on today’s paper:

It is true that Murdoch recently tweeted somewhat favorably about gun control, but the Post has for so long been a bastion of extreme right-wing positions it is striking they would take this tone against the NRA. It shows, I believe, how much the political climate on gun control has changed in the past eight days, and how far the image of LaPierre and his extremist organization have fallen, since the murders in Newtown, and Lapierre’s so-called press conference, where he appeared unhinged and took no questions from the reporters summoned to the briefing.

Thanks to David Taintor of TPM, who shared these covers earlier in my Twitter feed.