As mentioned in my last post, ManitobaMusic.com held its annual showcase in Manhattan last night, at Arlene’s Grocery on the lower east side. It was a great night of live music, with four talented acts taking the stage–The Magnificent Sevens, JP Hoe, Chic Gamine, and Greg MacPherson–and a good crowd in the comfortable venue. Happy to share some photos I took during the showcase. Please click here to see all photos.
Tuesday night from 8-10:30 PM Arlene’s Grocery on the Lower East Side will feature a great bill with musical acts visiting NYC from the Canadian province of Manitoba. It’ll be the second year in a row that ManitobaMusic.com is hosting this showcase. Last year I had the good fortune to discover two of the acts who are returning tomorrow night, along with two new acts I’m eager to hear for the first time.
The two acts making return visits are Chic Gamine (pictured above) a five piece outfit composed of four female singer/instrumentalists from Winnipeg, and the lone guy, the drummer, from Montreal. With great verve and stage presence, they perform an energetic melange of anglophone, francophone, and First-Nation tinged rootsy pop. Songs like “Closer,” on video here from their website show their tremendous talent and inspired songwriting.
I love their sound, their style, their great look, and am eager to hear them and meet them once more, and their outgoing manager Jeff Horowitz, who made sure I knew about this gig.
The other artist I’m eager to hear again is singer/songwriter JP Hoe (pictured below) also from Winnipeg. A year ago he gave me a demo of his forthcoming album, “Mannequin,” with terrific songs such as “Bingo Palace” and Do I Know You?, and I’m glad to see it’s since been released and he’s been touring North America in support of it, including dates in Los Angeles, Portland, OR, and NYC, as well all over Canada.
Their are two other acts tomorrow night, The Magnificent 7s and Greg MacPherson. I’m eager to hear them too, since ManitobaMusic.com has shown themselves to be so adept at presenting great talent to New Yorkers. If you’re eager to hear some great music, I suggest you come out to Arlene’s Grocery on Stanton St. to hear these talented musicians from Manitoba. The cover is just $5. Here’s the line-up:
I love that all my Canadian pals on my Twitter feed and Facebook page are going as crazy as my Yank pals. This is a big win for lots of people!
For the second year in a row I attended a bunch of live rock shows during the annual CMJ Music Marathon, Oct. 16-20, going to hear live music at a handful of different Lower East Side venues.
Wednesday night, for the showcase mounted by Canadian Blast at Arlene’s Grocery, I heard Two Hours Traffic from Prince Edward Island, a place that produces great musicians, belying its status as Canada’s smallest province. This 4-piece played an infectious chord-driven guitar rock with bright pop vocals by frontman Liam Corcoran, who looked like he could be the brother of actor Toby Maguire. Next up was Elephant Stone, an exciting psychedelic quartet from Montreal with Rishi Dhir’s thumping bass and sitar at the center of their often mind-blowing sound collage. They’re about to release a new self-titled album, their third, on Hidden Pony Records. Foam Lake of Saskatoon played next, leading off with “True Hearts,” which has a rousing chorus I recognized from hearing it on CBC Radio 3, the hub of indie rock in Canada. Later, in front of Arlene’s, on Stanton Street, I met a musician I recognized from earlier as Two Hours Traffic’s bassist. Nathan Gill’s his name. Late though it was, he was planning to be up in a few hours for a morning for a flight to Nova Scotia, where he’d be playing the Halifax Pop Explosion with another band of which he’s a member.
Thanks to Cara Wodnicki of BMF Media Group, who accommodated me and the guest I’d invited to join me this night, Torontonian Peter Evans, CEO of Speakerfile, the company I consult for that connects conference organizers with authors and other experts who do public speaking. Like me, Peter really enjoyed Two Hours Traffic’s efficient, tuneful set.
Before closing out my Canadian Blast evening, I also ran into members of Rah Rah, a band I have blogged about before, and of which I’m a big fan. They weren’t performing on this bill, but would be playing four times over the next few days, including Thursday evening at Bowery Electric, a gig I would be attending, not far from where legendary punk venue CBGB’s operated until 2006. Rah Rah’s new album, “The Poet’s Dead” has just been released and it’s terrific, with a great lead song, “Art and a Wife.” I recommend you listen to it at their website. It’s one of their best set of lyrics yet, striking themes about what a maturing artist wants from life and music. Rah Rah played a pleasantly raucous and spontaneous live show in the basement room at Bowery Electric, with players swapping instruments with one another, and grabbing drum sticks to make percussion sounds on any available hard surface, from amp cases to brick walls. The anarchic vibe encompassed Rah Rah’s Jeffrey Romanyk, who alternated between acoustic guitar on some songs, and drums on others–he weathered a broken string on one song and a toppling drum kit on another. But no mishap could snap the spell of the band’s great performance, with its fun, uninhibited vibe. The finale included inflated mylar letters spelling out R-A-H, bouncing over the heads of the audience, and an exploding confetti cannon. Low-tech fun. Afterward, I spent time visiting with Romanyk, as well as his bandmate Leif Thorsen, and Leif’s wife, photographic scholar, Alison Dean. Out in front of the club, lead singer Marshall Burns showed me their big touring van, with its Saskatchewan license plates, and huge lock on the back door protecting their instruments and equipment from thieves, a potential bane for all touring bands.
Friday offered a rare afternoon opportunity to hear live music, like a day baseball game. A showcase from noon-6 at Pianos on Ludlow Street was put on by music marketing and radio promotion outfit Planetary Group, featuring shows by Hot Panda and The Orwells, as well as Australian bands Sun Cisco and Twerps, and again, Elephant Stone and Rah Rah. Just as Rah Rah was sliding into place on Pianos’ raised stage, a friendly fellow sat on the stool next to me. This was Wilson Lemieux, who works as music director at KWTS radio station in Canyon, Texas. They have “Art and a Wife” in heavy rotation, he told me, but he’d never heard them live, until today. I assured him he was in for a treat. It was great hearing Rah Rah again, as they played a largely different set of songs than the night before. During this relaxed afternoon I met Planetary Group’s Greg Khaikin and Oscar Zubia, and their boss, Chris, all very welcoming and articulate about the bands they were promoting. During a break between sets I had a chance for pleasant chats with Hidden Pony’s Mike Renaud, his wife Natasha, and Elephant Stone’s Rishi Dhir, and bandmates Gabriel, Steven, and Miles, nice guys all. It’s always fun talking with Canadians in NYC, who are so appreciative of Gotham’s charms. Out on the sidewalk dodging the cigarette smoke, I also met the members of Kiven, a 4-piece outfit from Los Angeles whose music I’m now eager to hear via their bandcamp page.
Click here to read entire post and see all photos.
Douglas & McIntyre, one of the most highly regarded independent publishers in Canada, has filed an announcement that throws the company’s future into question. Here’s the entire report from Quill & Quire, the journal of the Canadian publishing industry, on the publisher seeking protection from creditors, entering into a Canadian-style bankruptcy. I know and am friendly with many people who work at Douglas & McIntyre and its associated companies, beginning with co-founder Scott McIntyre. I also know some of its authors. My thoughts are with all of them. I’m hoping for the best and that they manage to come out of the process whole and intact.
D&M Publishers files for creditor protection
D&M Publishers, home to the Douglas & McIntyre and Greystone Books imprints, has filed for creditor protection and intends to restructure.
The Vancouver-based firm announced late Monday that it has filed a notice of intention under the Bankruptcy and Insolvency Act. According to a statement, the company intends “to carry on its operations during this restructuring process” and has enlisted Bowra Group “to locate an investor or purchaser for its assets.” New Society Publishers, a subsidiary of D&M Publishers with offices on B.C.’s Gabriola Island, is not affected, and its “business activities will continue as usual,” according to the statement.
Co-founded by Scott McIntyre, D&M Publishers, which celebrated its 40th anniversary in 2012, is one of the largest remaining Canadian-owned publishing houses. In July, McIntyre stepped down as CEO and the company appointed a new publisher.
D&M Publishers is known for high-quality non-fiction and art books, as well as titles with a regional focus. The company had recently bolstered its fiction program under the Douglas & McIntyre imprint, publishing Daniel Poliquin’s 2007 Scotiabank Giller Prize nominee A Secret Between Us and the science-fiction anthology Darwin’s Bastards, edited by Zsuzsi Gartner.
In 2010, Douglas & McIntyre won reprint rights to Johanna Skibsrud’s Giller-winning novel The Sentimentalists, originally published by Gaspereau Press. Earlier this year, Carmen Aguirre’s memoir Something Fierce, which appeared on the Greystone list, won CBC’s Canada Reads competition.
D&M is distributed in Canada by HarperCollins Canada. It has a long-standing agency agreement in place with Farrar, Strauss and Giroux that is set to expire at the end of the year.
In 2007, a majority share in Douglas & McIntyre was sold to a trio of investors led by Mark Scott, who went on to develop the digital publishing platform known as Bookriff. Q&Q will continue to report on the story as more details become available.
Had a great time Sunday night at Radio City Music Hall, where I was the guest of Steve Conte, a friend I’ve made through CBCRadio 3, the great Internet radio station that plays indie rock n’ roll by Canadian bands, some of the best contemporary music being played and recorded nowadays. Steve, who is a comic book artist and writer who also operates FunnyBooks, a comics shop in Lake Hiawatha, NJ, had tickets for a bill headlined by Metric, a Montreal quartet fronted by fabulous lead singer Emily Haines. They play a high energy kind of doomsday pop–big chords and heavy sounds, veering toward the apocalyptic, yet infused with plenty of tuneful hooks that keep you remembering their melodies. Haynes sings fiercely, moving, prancing, and running around the stage like a big, lithe cat.
Having been to many club shows at small venues on the Lower East Side over the past couple years, I was unprepared for how comfortable, even opulent it felt to take in a rock show at Radio City. Art Deco splendor everywhere your eye falls, both in the auditorium and out in the lobby; suited and uniformed staff serving at a nice bar, where I bought us each a pre-show Johnny Walker cocktail; and superb acoustics with great lighting effects.
The opening act was Half Moon Run, also from Montreal, and they also played a beautiful set, later making a return to the stage at the end of Metric’s 90-minute set. Before that event, we were startled to hear Emily Haines welcome to the stage one of her musical heroes, Lou Reed. He came out for two songs, standing side by side with Haines.
If you don’t know Metric at all, here’s one of their band videos, the song “Gimme Sympathy.”
Here are photos I took from the terrific mezzanine seats Steve had gotten, which gave us a great view of the wide stage and handsome auditorium. I hope to go back to Radio City for another rock show–this one was excellent in every department. Thanks, Steve, for reminding me what a great venue it is! Please click through to see more than 20 photos from Metric’s performance.
Lovely story here: Kris Doubledee is a bus driver in Winnipeg, Canada. This past Tuesday, just a day after he’d seen a desolate man in bare feet along his route, saw the man again. This time he stopped his vehicle, got out from behind the wheel and approached the stranger. According to an interview Doubledee did with CBC TV, the two had an exchange that went like this:
“‘I said to him, ‘Do you have any shoes?’
The man answered, ‘No, I don’t.’
‘If I give you a pair of shoes [will] you keep ’em?
He said, ‘Yeah.’
‘I took off my shoes and gave ’em to him.'”
Doubledee got back on the bus and continued driving down Portage Avenue, now in his stocking feet. Later that day, Denise Campbell, a passenger of Doubledee’s who’d observed the exchange between the two men, began telling her office colleagues about this unusual act of kindness. Later, she posted an account of what she’d seen on a community news site, under the headline, Winnipeg Transit Driver’s Act of Kindness Stuns Passengers. She wrote,
Campbell’s blog went viral and soon news crews were looking to interview Doubledee. Eventually he was located and just below is one of the interviews he gave. (He was also contacted by CBS News in New York and he appeared on their morning show today with Mayor Sam Katz of Winnipeg–when I find that link I’ll share it, as well.)
Doubledee’s fateful stop came at the corner of Portage and Main. It so happens that one of the Canadian indie music groups that I heard this summer during the North by Northeast Festival (NXNE) is called Portage & Main, so here is a link that includes their song, “What Have I Done,” a moving ballad about trying to do better in one’s life. I offer it here as a feel-good bonus for all my kind readers. You’ll find it at the top-right corner of their band page at CBC Radio 3.
Library Voices is an absolutely great band from Regina, Saskatchewan. They’ve been through New York City twice on tour since I discovered them a bit more than a year ago. The video below is an acoustic version of their song “Traveler’s Digest,” from the website of Green Couch Sessions. Library Voices plays with a boisterous enthusiasm, whether unplugged as here, or with full compliment of amps and synths in tow. I hope you enjoy the video. Their albums are great, including the most recent, “Summer of Lust.”
Green Couch Sessions says it’s “a place where music lovers come to listen. Found abandoned in an alley it has transformed into a hub of local and awesome music. Reviews, Interviews and anything else we want to talk about!”
Green Couch was also responsible for the Tracks on Track musical extravaganza this past June, when 10 bands, including The Matinee, and Shred Kelly, CBC Radio 3 host and author Grant Lawrence, plus a couple dozen fans of Canadian indie music traveled by rail from Vancouver to Toronto. I was unable to join that journey from west to east, but I met many friends from the trip in Toronto for the annual North by Northeast festival (NXNE). There’s lots of cool video from Tracks on Tracks online.
Special thanks to CBC Radio 3 pal Rebecca Gladney for posting “Traveler’s Digest” on Facebook tonight. //end//