Welcoming Burma to a Better World

Update: Late Monday this photo by the Washington Post’s David Nakamura of an embrace between Aun Sang Suu Kyi and Hillary Clinton, with President Obama looking on, hit the newswires. Happy to add it to this post.


Some human rights activists are criticizing President Obama for making Burma a stop on his current visit to Southeast Asia. They say the country still holds captive many political prisoners, and that it’s too soon to favor them with a presidential visit. I share their concern that the gains made over the past year aren’t sufficient, and that reversals in the process may still occur. And yet, I believe that the visit, which brings with it not just the president but Hillary Clinton and the whole force of the State Department is the best way to ensure progress and forestall a return to the repression of the past decades.

The NY Times reports that while sharing a dais with Aung San Suu Kyi President Obama said of Burma today:

“‘You must reach for the future you deserve, a future where a single prisoner of conscience is one too many. You need to reach for a future where the law is stronger than any single leader.’”

The Times adds that “Although human rights activists criticized him for visiting while hundreds of political prisoners remain locked up and violence rages through parts of the country, Mr. Obama used the occasion to nudge Myanmar to move further.” The president was greeted on arrival “by further promises of reform by the government, which announced a series of specific commitments regarding the release of political prisoners and the end of ethnic violence. Although Mr. Obama stayed just six hours, his visit was seen here as a validation of a new era. . . . John Sifton of Human Rights Watch said that if the promises [Prime Minister] Mr. Thein Sein announced Monday were kept, it would ‘be a huge step in the right direction for the people’ and future of Myanmar, although he maintained it could have been achieved without rewarding the government with a presidential visit so soon.”

Readers of this blog may recall that last winter I attended the opening of an exhibit put on by The Mantle: a forum of progressive critique at Gallery 35 of Burmese artists whose work spanned the period before the loosening and after it had begun. The latter pieces reflected an early, wary response to the government’s new openness, and blogged about it at the time.  The art was really compelling too, not just as political messages. I’ve posted some of the images here–there are lots more at the original post.

In September, when Aung San Suu Kyi visited Washington, I shared two great pictures from her visit, like the one below taken with Hillary. I’m glad America is engaged this way, not just with Burma, but also reaching out to Thailand and Cambodia on this presidential trip, and look forward to seeing more diplomacy like over the next four years. Though China’s dominance in the region is undeniable, American influence with these smaller countries with growing economic dynamism, is going to be very important, for American trade and public approval.

News on Alamo Drafthouse Cinema & NYC’s Metro Theater

After my July 15 post, Alamo Drafthouse Cinema Coming to NYC!, I’d seen no evidence of renovation at the Metro theater near my home in Manhattan and so have wondered if the enterprise is really going to happen. Happily for my neighborhood and for NYC film buffs, an Oct. 11 item in DNAinfo.comNewYork brings the good news that a key part of  the process is moving ahead. Emily Frost reports that Alamo, based in Austin, TX–which serves food and drink at their screenings–has received approval for a liquor license from our local community board. Meantime, I also found a June West Side Rag interview with Alamo founder Tim Lee who says they’d begun seeking the city permits required to begin gutting the interior and renovating the space to accommodate the five screens and viewing spaces they envision for the theater which first opened to the public in 1933. For readers unfamiliar with the site, the classic Art Deco marquee–shown above in a photograph and below in a painting by my wife Kyle Gallup–has landmark status and will be preserved as is, though the interior has no similar exemption. I’m very pleased with this news, and look forward to having them in the neighborhood, perhaps in 2013, or the next year.

“Life is a Carnival”*

The Bard Graduate Center on West 86th Street is a gem of a small New York museum. On my birthday last Saturday, Kyle asked me what I wanted to do for fun. I suggested we go view Bard’s current exhibit, “Circus and the City: New York, 1793-2010.”

I’ve loved the circus for years, and have even collected artwork on it, like the print below of high-wire artists on a bike, by Dame Laura Knight. I bought it  in 1987 from my late art dealer friend Robert Henry Adams when I was editing and publishing the splendid circus novel, Suite for Calliope: A Novel of Music and the Circus, by Ellen Hunnicutt, who won the Dru Heinz Literature Prize that same year for her short fiction collection, In the Music Library. Ellen’s novel centers around a young female protagonist who’s a runaway from a bizarre custody battle in her family. Holed up in the safe harbor of the Florida winter quarters of a circus troupe, throughout the novel she’s using their calliope to compose a musical work in memory of her late mother. The novel’s theme is how we may turn our mourning and loss to the service of art and creativity. For the record, Ellen passed away in 2005. I hope some day to republish her novel.

Much as I’ve read about circus lore, I had not understood a key aspect of the historical record as documented by the exhibit: the central role that NYC played in the growth and development of the circus throughout North America. Many of the biggest promoters were headquartered in Manhattan, the continent’s entertainment capitol. Once the circus began moving from town to town via train cars, Gotham’s status as a rail hub, as well as its large, diverse population, made it the essential city for promoters and performers alike.

The 20th century was covered on the third floor of the exhibit, with great photographs by Weegee, best known for his lurid crime scene photography, here depicting circus audiences enthralled by performances. There was also a video monitor showing a film of female stunt artist Tiny Kline performing the “Slide for Life,” in which she clamped down on a kind of leather bit she’d placed in her mouth, then slid on a cable for a 1,000 feet hanging above Times Square.

Along with the exhibit, which comprises more than 200 works displayed on three floors of the museum, there will be nine public talks given beginning October 11 and stretching into 2013, ending on January 31, discussing female equestrians; performance photography; the design and typography of circus posters; P.T. Barnum and Ralph Waldo Emerson; Alexander Calder; clowning; and the circus of the future. I hope to be there for one or more of these presentations. Meantime, here is a gallery of images from the exhibit. Please click through to view art and images from the exhibit.

*Thanks to The Band, for use of the title of their song, “Life is a Carnival, written by Rick Danko, Levon Helm, and J.R.R. Robertson, from their 1971 album, “Cahoots.”

Alamo Drafthouse Cinema Coming to NYC!

July 17 Update–A Note to Great Gray Bridge Readers: A reader of my blog saw the post below and thought it’s possible that Alamo Drafthouse Cinema may not come to the Metro Theater in NY after all, that it may not happen. I agree there’s certainly been no improvement to the site yet and I concede the news was reported in Huff Post more than 4 months ago. There’s a possibility something could go wrong, but I doubt it. I’ve found the Huff Post story was triggered by a blog post on the Alamo site. I just don’t think they’d have announced the Metro renovation without a proper deal. We shall see soon, if they really are planning to open in 2013.

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I was excited to discover that Austin, TX–based Alamo Drafthouse Cinema–an innovative chain of movie houses that combines film and food–are going to renovate and reclaim the handsome Metro Theater on Broadway at 100th Street in Manhattan, which has been neglected and empty for nearly a decade. This is great news for the Upper West Side! Coincidentally, the Metro Theater marquee is featured in the series of urban marquees that my wife Kyle Gallup has recently been painting, as seen here. Following Kyle’s piece is shot of the Metro’s Art Deco facade, in a photo borrowed from the Alamo Drafthouse Cinema Facebook page, which you may ‘like.’

Alamo Drafthouse Cinema is also opening a location in Yonkers, just north of New York City, so they’re clearly aiming for a major presence here in the metropolitan area. On the web page for the Yonkers location, they are already soliciting local applicants for positions with the company.

Andy Griffith as a Young Actor

Sad news being reported today about the death of Andy Griffith at age 86. Though he will mostly be remembered as the avuncular Sheriff of Mayberry, I prefer to recall him as the naif, a country singer who gets schooled in the sorry ways of the world in Budd Schulberg and Elia Kazan’s 1957 film with Patricia Neal, “A Face in the Crowd,” a great black & white movie, in the same cinematic family as Billy Wilder’s bitter classic “Ace in the Hole,” aka “The Big Carnival.” Both of these ’50s b&w classics take sharp aim at the jaded ways of the media and modern celebrity-making. Here’s the original trailer:

The NY Times on Bushwick Open Studios

Following on the shared post that Kyle and I published after Bushwick Open Studios (BOS) last weekend, Holland Cotter of the New York Times has today filed a report on his foray through the Brooklyn art event. Considering there were more than 500 open studios and galleries, he got to many venues we did not (and a few we did). The article is well worth reading, for his coverage, and his perspective on the work.

Late Update: On her blog Two Coats of of Paint, Sharon Butler has kindly linked to our original BOS post, Holland Cotter’s Times article, and a number of other BOS round-ups.