New B.B. King Documentary Opening May 21


Last year I saw a great documentary on the blues, “Born in Chicago,” and now it looks like this film on the life and career of B.B. King will also be terrific. At B.B.’s site is a full listing of the more than twenty-five cities in which the film will be opening later this month. In NYC it will be showing at Village East Cinemas.

Bonus for guitar players: here’s a blog post showing how B.B. King played, something you can apply to your own playing.

#FridayReads, April 25, Robert Palmer’s “Blues & Chaos”

Remembering Woody Guthrie’s Sad Convalesence at Greystone Hospital

Wardy Forty postcardFriday night at Valentine, the gallery in Ridgewood, Queens, Kyle and I attended the opening of a very powerful exhibit, “Woody Guthrie’s Wardy Forty,” also the title of an accompanying book by photographer and curator of twentieth century ruins Phillip Buehler. It refers to the name Guthrie himself assigned to the section of Greystone Psychiatric Hospital, in Morris Plains, NJ, where he lived from 1956-61. On WoodyGuthrie.org, the site maintained by the late folksinger’s daughter Nora, the biographical sketch of Woody explains the circumstances surrounding this chapter in his life (edited for length below, I suggest you make time to read the whole sketch):

“Toward the late 1940s, Woody’s behavior started to become increasingly erratic, moody and violent….He was beginning to show symptoms of…Huntington’s Chorea, a hereditary, degenerative disease that gradually and eventually robbed him of his health, talents and abilities….It was later discovered to be the same disease which thirty years earlier had caused his mother’s institutionalization and eventual death. Shaken by inexplicable volatile physical and emotional symptoms, Woody left his family…taking off for California with his young protégé, Ramblin’ Jack Elliott….Woody met Anneke Van Kirk, a young woman who became his third wife….Becoming more and more unpredictable during a final series of road trips, Woody eventually returned to New York with Anneke, where he was hospitalized several times. Mistakenly diagnosed and treated for everything from alcoholism to schizophrenia, his symptoms kept worsening and his physical condition deteriorated. Picked up for ‘vagrancy’ in New Jersey in 1954, he was admitted into the nearby Greystone Park Psychiatric Hospital where he was finally diagnosed with…the incurable degenerative nerve disorder now known as Huntington’s Disease or HD. During these years, Marjorie Guthrie, family, and friends continued to visit and care for him. A new generation of musicians took an interest in folk music bringing it into the mainstream as yet another folk music revival. Joan Baez, Bob Dylan, The Greenbriar Boys, Phil Ochs, and many other young folksingers visited Woody in the hospital, bringing along their guitars and their songs to play for him, perhaps even to thank him.”

For his part, Phillip Buehler explores, photographs, and appreciates modern ruins. His website is called Modern-Ruins.com. When he stumbled on to Greystone the grounds had been abandoned for more than forty years. As it’s described in an statement accompanying the exhibit,

“After coming across thousands of negatives in the deserted darkroom, he researched the hospital and discovered that Woody Guhtire once lived there. He reached out to Guthrie’s daughter Nora…who gave him Guthrie’s case number. Buehler was then able to pull negatives from Guthrie’s file…beginning a ten-year journey that led to Wardy Forty: Greystone Park Hospital State Hospital Revisited.”

Copies of the book, a landscape format photography album with illuminating captions and text, were on hand at Valentine, while on the walls were hung small snapshots, many black & white, of Woody and family at Greystone; large format 4-color photos of the crumbling structure that was Greystone as Buehler found it; a slide show with the original text of Woody’s intake interview at the hospital running at timed intervals, which strikes the viewer with the singer’s innocence of the fact that his interlocutors seemed as it went along to increasingly believe he was mentally ill; and projected images of photographs taken of Woody at widely differing times, sadly showing his inexorable decline in health and demeanor. In a hallway off the main room is a display of intake photos of many Greystone patients with their patient number hovering above them, including that of Woody.

Nora Guthrie and Phillip Buehler were both on hand Friday night at Valentine. When Kyle and I came upon them, they were talking among themselves, but they welcomed us into their conversation and we enjoyed talking over the next little while. Nora told me with enthusiasm about the Woody Guthrie Center in Tulsa, Oklahoma, which she’s recently helped to establish in her father’s home state. She explained that it’s a study center for researchers, an educational facility for students of all ages, and a concert space for live music performances. Nora’s a warm and friendly person and it was a privilege to meet her this night. Buehler is also full of enthusiasm for his enterprises, and I was excited to tell him I share his interest in industrial archaeology and physical artifacts, as with my website photography of maritime and architectural artifacts, such as the Little Red Lighthouse and the Great Gray Bridge.

I recommend you check out Phillip Buehler’s book, which A.M. Homes has called “hauntingly beautiful.” It is available for purchase at WoodyGurthrie.org. I also urge you to see the exhibit, which will be up at Valentine until April 13. Below is more info on the exhibit and the gallery, along with pictures I took the other night, including this one of Nora Guthrie and Philip Buehler.Nora Guthrie&Philip Buehler

Pete Seeger Tribute Night at the Jalopy Tavern

Jalopy photoAs a follow-up to the post below, Celebrating Pete Seeger & Enjoying “Mr Personality”–a Music-filled Weekend in NY, the Pete Seeger tribute turned out to be a fun night. The program, well organized by folksinger Jan Bell, was held at the Jalopy Theatre in the Red Hook section of Brooklyn. The Jalopy, and its next-door tavern, are a combined performance space, instrument store, bar and restaurant. About ten acts peformed Sunday night, playing from a single song to several tunes. Most of the songs were compositions of Seeger’s, or songs the performers believed influenced Pete, or were influenced by him. Proceeds from the sold-out show benefited WhyHunger, a social service organization that is a legacy of the great singer and activist Harry Chapin. $900 was raised to support their important work.

Below are pictures from the show, with captions describing what the artists played. In addition to the musicians pictured here, artists who performed at the tribute included: Tamar Korn, Ernie Vega and Samoa Wilson, Wyndham Baird, Geoff Wylie, and Feral Foster. If you’ve never been to the Jalopy, I recommend you take in some shows there. The venue offers great company in a mellow setting, superb musicians, and very fair admission and food and drink prices. Also, please note that April 18-20, the Brooklyn Folk Festival, organized by Eli Smith (pictured below) will be held at Bell House. I give the Jalopy and the Festival my highest recommendation.

Celebrating Pete Seeger & Enjoying “Mr Personality”–a Music-filled Weekend in NY

Good musical weekend unfolding. Tonight Kyle, Ewan, and I are going to a Pete Seeger tribute show at the Jalopy Theatre in the Red Hook section of Brooklyn. We enjoy the music and the community that surrounds the Jalopy, where one of the house bands is the Downhill Strugglers, a group that includes people who will be playing tonight, such as John Cohen, founding member of the New Lost City Ramblers, Eli Smith and Jackson Lynch. Smith is the founder of the Brooklyn Folk Festival, coming up soon on its sixth year April 18-20 at the Bell House. I hope to post some photos and a report later on about tonight’s tribute to Pete Seeger.

Lloyd PriceWe kicked things off on Friday night when Kyle and I went to see rhythm & blues legend Lloyd Price, aka “Mr. Personality.” The hitmaker behind such chart-toppers as the eponymous “Personality” and “Stagger Lee” began his performing career in 1949, as a singer with a band that included Fats Domino on piano. He will turn 81 on March 9. We were guests of our friends Mike Shatzkin and Martha Moran, who also invited two other old friends of theirs. One was Linda Davis, originally from Liverpool, England. She still has a charming accent, if not, she says, as pronounced as it was when she first came to the States in the ’70s. She told us that back in the day she worked as a coat check clerk in dance halls where the local Liverpudlian music scene of the early ’60s unfolded. She saw twin bills with Gerry and the Pacemakers and the Beatles. Imagine! Mike and Martha’s other friend whom we enjoyed meeting was Tracy Young, a magazine writer. Linda and Tracy had also not met each other before then. All the ingredients were assembled for a great evening, thanks to Mike and Martha.

There was, however, a fly, or a flaw, in the soup: The venue stunk. It’s called The Cutting Room, and it should be cut out of the address book of any live-music fan who expects a club to be run to a minimal standard of consideration and courtesy, with fair value for the customer. I won’t even link to it because it really doesn’t deserve your traffic, either the Web kind or walk-in. I will though link to its Yelp page where my friend Mike left his comment which begins “This is the worst-run club in my 47-year history of going out to hear live music in New York City.” None of us will ever go there again. Fortunately, the company was first-rate and it was a special treat hearing the ebullient Lloyd Price, who moves around on stage, singing and performing with tremendous ease. Not only does he make it look easy, he does it all with great good humor. He put on a fun show with an excellent band that was so numerous on stage there were several horn players I never did actually see, given our partial view. Below is a youtube clip of his 1952 hit “Lawdy Miss Clawdy.” Also, more of the photos Kyle and I took from our perch above the stage.

http://youtu.be/nQZVufJfcG0

Sam Roberts Band Launches New Album, “Lo-Fantasy,” at Mercury Lounge

SATURDAY MORNING TV UPDATE: On Feb 15 the Sam Roberts Band will appear on CBS This Morning as part of their ‘Saturday Sessions’ series. According to press materials, they should go on at 8:45AM.
—-Sam Roberts Band
Had a blast Tuesday night as the Sam Roberts Band of Montreal blew into town for one night to launch their terrific new album “Lo-Fantasy,” drawing a boisterous crowd to a sold-out Mercury Lounge. It was my first time hearing them live, after years of enjoying their music on CBC Radio 3. They are a tight rock n’ roll machine, starting with a tremendous rhythm section of of bassist James Hall and drummer Josh Trager, who played on a clear see-through kit allowing the audience to peer through the armature and really see him bashing away on the skins. I stood directly in front of Hall and Trager, and for the first half of the show I thought maybe that was why they sounded so good, then I decided, nah, they’re just great players. At center-stage was frontman Roberts, a small guy and a powerful rock n’ roll package–a handsome man and a lithe performer who bursts with vocal energy while striking insistent guitar chords, and moving around a lot on stage. On the far side of him from me were a keyboard player, lead guitarist, and saxophonist. The 6-piece outfit ripped through the 11 songs on the new album. Several I had heard already, like “We’re All In This Together”–with good lyrics expressive to me of a communitarian ethic. There’s an extended video of it below, and the process of making the new album. Once they worked through the new record, they took a bow and left the stage. It was clear though they’d be back for more. When they came back out for encores, they really gave the crowd full value, by playing another four songs, all from earlier albums. The sound was a mix of pure pop propulsion–most songs were uptempo, driven by the bass and drums–with Roberts’ vocals and strong riffs and tasty licks from the other three instrumentalists.

Lo-Fantasy Sam Roberts BandYesterday was Paperbag Records‘ official release date of “Lo-Fantasy.” They put out many of my fave Canadian bands, like Elliott Brood, Cuff the Duke and Rural Alberta Advantage. Sam Roberts is well known beyond Montreal and Canada, with the current tour taking him and his band to many US cities between now and March 28: Chicago; Grand Rapids, MI; St. Paul; San Francisco; San Diego; Seattle; Portland; Boston area; Washington, DC; and Philadelphia, where they’ll be playing World Cafe Live, a show that I’d bet will end up on public radio here in the States.


As good as Sam Roberts Band turned out to be, I also liked the opening act, Heaven’s Jail. I walked in as they started and was glad I had arrived on time. Love when that happens at a live show, walking in on the first notes to a new sound that’s immediately likable. Going to hear live music ought to be as much about discovering new bands as hearing longtime faves. Mercury Lounge did a smart thing booking them as the stage-setter for the evening. Based here in NYC, they’re a basic drums/bass/lead guitar trio, and so offered a clean sonic appetizer that went down real easy. For reference, their sound reminded me in the vocals of Warren Zevon, and in their bright jangling guitar-driven riffs they made think of the Felice Brothers from upstate New York who I heard open for Josh Ritter last year. Heaven’s Jail also have a current album, “Angelmakers,” which you can hear at their bandcamp page. I look forward to hearing them again.

After the Sam Roberts Band left the stage for the last time, a lot of the crowd melted away in to the cold NY night. I had already met some great people during the course of the long evening–like Emily Curran, a NYC schoolteacher who had seen Sam Roberts several times–so I stuck around, eager to meet other folks who’d enjoyed the evening, either from among the audience or the musicians. It being a release party it’s no surprise there were lots of music industry people on hand, like Ben Liemer of music distributor The Orchard who I really enjoyed talking with. Next I recognized two of the three members of Heaven’s Jail, and so chatted with them–Francesco and Ethan, guitarist and drummer. I complimented them on their set and we launched in to a spirited discussion of our rock n’ roll upbringings. I mentioned mine in Cleveland, and the great shows I was able to see in my early days as a live music fan, beginning with a Canned Heat and Cream bill back in the day. These conversations–plus one in a group with Sam Roberts’ brother Tom, who I learned lives in NY, and with his friend Jim, a bass player, capped off a fun night.

Via this link are more pictures from last night’s show, two black & white publicity shots of the Sam Roberts Band, and two videos of them performing.
Cross-posted at my blog Honourary Canadian.