#FridayReads, April 4–A Week for Bookselling & Publishing Memoirs: “Amazonia” by James Marcus & “Stet” by Diane Athill

Amazonia #FridayReads, April 4–AMAZONIA: Five Years at the Epicenter of the Dot.com Juggernaut by Employee #55, James Marcus’s witty and winning memoir of working at Amazon from 1996-2001, which he published with The New Press in 2004. Having earlier this year read and written about Brad Stone’s THE EVERYTHING STORE: Jeff Bezos and the Age of Amazon, which briefly cited Marcus’s book, I also read Marcus’s review of it in Harper’s. I made a point to also read George Packer’s February 2014 New Yorker articles on Amazon, “Cheap Words” and “Amazon and the Perils of Non-Disclosure.” In the latter piece, Packer likens Amazon executives, secure in their Seattle redoubt parceling out only the most limited information about the company, to American officials during the Iraq War confined to Baghdad’s Green Zone who only shared information that suggested the war was going great. I found this analogy quite striking, and suggested, that at least from Packer’s perspective, things may not be going so well for the retail “juggernaut.” Seeing that Marcus was a quoted source for Packer, Marcus’s book has been squarely on my radar for a few months, so I’m glad now to have gotten a copy and begun reading it. It’s immediately enjoyable, with Marcus chronicling the decidedly weird and geeky culture of Amazon and his first meeting with Bezos, when the Amazon founder asked him to “explain a complicated process in as simple a manner as possible.” Humor is sprinkled throughout, as when he begins his new editorial job by writing a 45-word spiel on the seafaring novels of Patrick O’Brian.Amazonia back

I’m also reading STET: An Editor’s Life, Diane Athill’s London publishing memoir spanning the end of WWII 40s to the 90s with Andre Deutsch Ltd. Athill knew and edited many great writers, including Brian Moore and Mordecai Richler for several of their early books. She recounts having also published Philip Roth’s first novel, LETTING GO, which did well enough that they were going to make an offer on his second book, WHEN SHE WAS GOOD. I love the way she presents this embarrassment:

Stet “[We] decided to calculate the advance on precisely what we reckoned the book would sell–which I think was 4,000 copies at the best–and that [offer] was not accepted. As far as I know WHEN SHE WAS GOOD was not a success–but the next novel Philip wrote was PORTNOY’S COMPLAINT.

This space represents a tactful silence.”

 

These are illuminating and humorous recollections, gossipy but never malicious, coupled with a wise presentation of editing essentials. She’s also a very endearing narrator. I heard a lot of good things about this publishing memoir when it came out in 2000, and bought it on a trip to a Bay Area publishing sales conference back then. I’m glad I’ve finally made time to read it.Stet

#FridayReads–Barry Lancet’s Thriller, “Japantown” & Dan Richter’s “The Dream is Over,” Memoir of the 60s

Japantown#FridayReads, Jan 31–Barry Lancet’s thriller, Japantown and Dan Richter’s The Dream is Over, a memoir of the 60s.

I’d made Japantown my #FridayReads last weekend, when I had read only about 140 pages of the nearly 400-page fast-paced international thriller. The rest of the book was every bit as riveting, and overall, hugely enjoyable. I liked it so much that, on Wednesday night, heading out to hear live music–I stowed the hardcover book in my knapsack, along with my handy bike flashlight–and read deep in to its last chapters between sets in the dimly lit music room at Pianos, inching toward the suspenseful climax which I reached the following morning. Here’s an abbreviated version of the plot rundown from my post last week:

“The book is at first set in San Francisco where protagonist Jim Brodie works as a dealer in Asian antiquities, while also maintaining connections with the private detective agency his late father founded and ran in Tokyo. Brodie’s widowed, a single dad living with his grade school-age daughter, Jenny. Brodie is the new go-to-guy when the San Francisco Police Department find itself investigating a grisly mass murder with Japanese victims and Japanese cultural characteristics. At the crime scene, Brodie finds only one clue, a paper artifact emblazoned with an obscure written character (kanji in Japanese). Brodie doesn’t realize, though the reader sees, that even as he surveys the scene of the brutal killing he and his Homicide Dept confidant are being surveilled with lenses and cameras by unknown agents. Though not understanding the full extent of the danger he’s in, Brodie senses he’s being watched, at his gallery and even at home with Jenny. With the obscure kanji in hand, Brodie undertakes an investigative trip to Japan, first putting Jenny in to the protective embrace of a police safe house. Once in Japan, the malign forces behind the killings begin taking aim at Brodie and his trusted Japanese colleagues.”

Good set-up, huh? Trust me, it’s much more exciting than my synopsis. After finishing Lancet’s totally satisfying thriller, I’m really excited he’s working on another book set in Jim Brodie’s world.

After finishing Japantown, I needed a nonfiction tonic and so picked up  The Dream is Over, Dan Richter’s personal account of London in the ’60s, his friendship with Yoko Ono and John Lennon, and his struggles with addiction. Richter’s book, released in hardcover in Britain in 2012, carries a Foreword by Yoko. I met Dan in the early 2000s, when I edited and published his first book Moonwatcher’s Memoir–A Diary of 2001: A Space Odyssey. Dan was in his twenties, working as a mime actor, when Stanley Kubrick–searching for the right sort of performer to play the role of the marauding ape wielding a club in the opening scene of the 1968 intergalactic time travel epic–met Dan and cast him in the part. Working with Dan, I learned that he’d met Yoko in the ’60s through his theater work and her early works of performance art. Later, he would meet John Lennon through Yoko. His verbal accounts of those years were fascinating to hear about, so I’m delighted he’s written this second memoir. It focuses on 1969-73, when he was living in London, putting on poetry readings at the Albert Hall, and running with a literary set that included Alan Ginsberg, during his frequent visits to London, and Beat writer Alexander Trocchi, a bad-boy Scotsman who wrote Cain’s Book, a notorious and transgressive book in its time. Dan recently got in touch and asked if I might be able to help him find a US publisher for The Dream is Over, so I’m reading it as work and for the welcome evocation of a rich era that it paints. Characters who walk in and out of the narrative include Eric Clapton, Andy Warhol, Bob Dylan, the rebel psychiatrist R.D. Laing, members of the Beatles and the Rolling Stones. I don’t know yet about the prospects for finding a US publisher, but I’m glad to be reading the book. I’ll try to post more about it once I’ve read more. The flap copy promises an intimate account of the making of the album “Imagine.”Moonwatcher's Memoir
Dream is Over

J. Michael Orenduff’s POT THIEF Mysteries on Sale Today from Open Road

J. Michael OrenduffReaders of this blog may recall that I’ve posted about author J. Michael Orenduff (l.), whom I represent as his literary agent. He’s written the delightful POT THIEF mystery series, which were an indie- and self-publishing success beginning in 2009. Last year I licensed the six-book series to Open Road Integrated Media for new ebook and paperback editions. I’m happy to post today that the new POT THIEF editions have just gone on sale from Open Road, whose site leads to all the major ebook and brick & mortar booksellers, such as  OverdriveGooglePlay; Indiebound and Amazon.

As a devoted mystery reader myself, I adored these books when I first read them in 2011. They’re set in and around Albuquerque, New Mexico, featuring dealer in Native America pottery Hubie Schutz and his sidekick in sleuthing, wise-cracking Susannah Inchaustigui, a descendant of one of the region’s old-line Basque ranching families. They meet most afternoons at Hermanas Tortilleria, to sip margaritas and discuss their latest puzzler. After years running Undercover Books, a bookstore where I sold lots of mysteries, and as an editor publishing mysteries, I am especially excited that the many readers of Tony Hillerman’s Jim Chee and Joe Leaphorn mysteries, also set in the American Southwest, will now also be able to discover the POT THIEF books. In their earlier editions the POT THIEF books won numerous awards and raves from mystery readers, including Anne Hillerman, the late mystery master’s daughter who’s recently revived the bestsellerdom of her father’s series with her own book, Spider Woman’s Daughter, featuring Navajo Nation Police Officer Bernadette Manuelito. Hillerman said this about the sixth POT THIEF book:

“I inhaled this book. Witty, well-crafted and filled with unexpected plot turns, The Pot Thief Who Studied Billy the Kid will delight J. Michael Orenduff’s many fans—and win him new ones.”

If you haven’t yet heard of Open Road, please note they have more than 3000 active titles, including five books by my longtime author Ruth Gruber, as well as titles by dozens of important authors such as William Styron, Rachel Carson, Andre Dubus, Sherman Alexie, and Mary Glickman, always in digital editions, and sometimes in print editions, too. They’ve been operating for about five years, innovating and growing along with the emerging ebook market. The company was profiled last year in a profile at paidcontent.org.

If I were still running a bookstore, I would urge all my mystery-loving customers to read the POT THIEF books. Please click here to see Open Road’s new covers with their uniform look.Enjoy!

A Basket Full of Holiday #FridayReads

PT #FridayReads photoDelighted to have so much free time this week for this terrific collection of great recreational and work-related reading. Here’s a quick rundown on each book with the tweets I put out about them tonight.
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My fave books by suspense writer Michael Connelly are his Harry Bosch novels, but the ones involving defense attorney Mickey Haller are enjoyable too.


Dave Bidini, longtime member of The Rheostatics, is a triple threat–stellar musician, compelling writer, and all-around good guy. I love oral histories like this one: the memorable voices of many musicians are soldered together in to an alternately hilarious and heartbreaking narrative of stalwarts traveling and playing music across one of the largest countries on the planet.


I admire CUNY Graduate Center Professor William Helmreich’s civic enterprise–he walked on nearly street in the five boroughs, meeting and speaking with hundreds of New Yorkers to weave together a fascinating portrait of the 21st century city enriched by new immigrant groups.


I’m hopeful that Chicago writer Haas’s suspense novels will merit rediscovery and publication. I was delighted to be asked to look at them by Shirley Haas and old Chicago friend Kevin Riordan.

Jeff Stein Visits Lara Logan’s Husband at Home

November 26 Update:

NPR media correspondent David Folkenflik just reported on their hourly news bulletin that Lara Logan and the producer of the botched “60 Minutes” segment on Benghazi have been put on a leave of absence for the many misjudgments they made in producing writing that piece for the show. More to come . . .

 

Kudos to Jeff Stein, veteran national security and intelligence reporter, for his important Newsweek story, “Lara Logan’s Mystery Man”. He explores what may have motivated Logan to so badly mis-report her “60 Minutes” story on Benghazi which was built upon the contributions of a source who claimed to be an eyewitness to events it is now understood he couldn’t have seen. Almost immediately after the October 27 airing of the segment, critics began questioning the CBS broadcast, but it took the network several days to even acknowledge any problems with the story, and then finally disown it, with a brief and unrevealing Logan apology on air two weeks later.

Most significantly, judging from Stein’s article, he managed to speak with Logan’s husband, the mystery man of Stein’s title, whose background includes a stint with the Lincoln Group, a company that the Pentagon, under Donald Rumsfeld, hired to supply fake positive news during the Iraq War. I relish the vision of Stein talking his way past Logan & Burkett’s front door, before, I assume, he was asked to leave. I recommend you read Stein’s whole story, but here’s the final portion as a sample:

“So why did Logan put that story on the air? Her pro-military bias is as well known, but so is her mettle – she’s worked in some of those most dangerous parts of war-ravaged Iraq, Afghanistan, and Egypt, where she was sexually assaulted by a mob. She won an Emmy for one of her Iraq reports. In other words, she’s a smart, tough, experienced reporter. And the producer and writers and reporters who helped her put this Benghazi story together are honored, respected professionals, many of whom have been covering the region for years. Whoever fooled them, whoever convinced them that al Qaeda orchestrated that attack on the U.S. embassy, had to be smart, incredibly persuasive and savvy about the media. And unquotable. In other words, an intelligence source. And the person closest to Logan with those credentials is her husband. But he’s not talking.”

Did Burkett have an uncredited role in producing Logan’s story? Stein’s story makes me wonder. That would be a big deal.

The contrast between CBS’s veritable stonewalling on Logan’s flawed report, and their total repudiation of Dan Rather’s “60 Minutes II” story on George W. Bush’s National Guard records–which despite errors, actually had many accurate elements–is striking. In 2004, the network appointed a blue-ribbon panel to study what went awry and fired producer Mary Mapes. In the current instance, there’s been no public airing of what wrong, and no one, least of all Logan, has been dismissed or publicly criticized. There’s also been no public admission that “60 Minutes” has a corporate sibling relationship with Threshold Editions, the conservative book imprint at fellow Viacom company Simon & Schuster, that published (and then withdrew) the fraudulent “witness’s” book. Did Logan allow her personal agenda, or that of her husband John Burkett, to color her reporting? We may never know, unless and until CBS becomes more transparent on this troubling incident.

A bit of humor to close . . .

On a lighter note, I also have to give props to Jeff Stein for a keen cinematic reference in his story, likening John Burkett as a “puffer” to Steve McQueen’s character in “Solider in the Rain” (1963), with Jackie Gleason, based on the fine novel by William Goldman.

Talking Transition–for Mayor de Blasio & NYC’s New Government–w/PEN America

Support the Book EconomyAs a member of PEN America, I was invited to participate in a PEN speak-out Tuesday night that was part of Talking Transition, an event going on all week and next in Soho, providing input on policy and priorities to NYC’s incoming mayor Bill de Blasio, all citywide officeholders, and the new members of our City Council. Talking Transition is taking place in a big heated tent that’s set up on the north side of Canal Street, along Sixth Avenue. Each day this week has been devoted to a different topic–Tuesday night had an emphasis on Arts & Culture. PEN chose to devote its 90-minute slot to “Keeping NYC a literary and cultural capital.” On Twitter, you can follow transition events @TalkNYC2013 and the hashtag #TalkingTransition.

Each member who chose to speak was given just a 3-minute slot, so we really had to trim our points down to the minimum. The group was comprised of almost two dozen speakers, including several poets, administrators of poetry and literary programs, and publishing colleagues. The evening moved along with alacrity in front of a pretty good-sized audience under the big tent. This was the preliminary list of speakers, which came off with only a few small changes.PEN Speakout roster I titled my own talk “Support the Book Economy, Foster Publishing Experiments.” The transcript of my remarks, delivered almost verbatim, is here, and below them is a key point I would’ve made if I’d had a bit more time.

Support the Book Economy, Foster Publishing Experiments. 

When the recession hit in September 2008, the book economy in New York, was already in a parlous state. To choose just two measures, the rate of closure among indie bookstores was rising and the income of mid-list authors was declining, along with their access to being published at all. A few months later, in January 2009, I was swept out of corporate publishing when the imprint where I’d been editorial director was shuttered. Much as I could talk about my experiences over the past five years, the new business I started, or my three decades in the book business, this talk is not about me, for I am only one among 100s of publishing professionals who lost full time jobs in the months and years since the economic collapse who have yet to again find full employment. To get at the scale of the problem, consider that in 2009 Publishers Weekly started a “Comings & Goings” feature that allowed folks to submit their contact info so that others who wanted to be in touch, to hire them, or just to network, could do so. It had over 200 names at one point. And then last month another book news outlet, Media Bistro’s galleycat, created a directory of just freelance editors, which after a few weeks already has nearly 300 people in it. Based on my observations of book industry layoffs, I’m sure that these figures of self-selecting people only hint at the total numbers.

Clearly, there is still a wealth of great publishing talent in the city. That’s good news. And yet while many of us are still working as editors, marketers, and publicists, or working in adjacent fields like online news, often we are not being paid adequately, and sometimes not at all, for time spent on publishing tasks we hope will one day turn in to full time jobs or paying assignments. Regrettably, this condition persists even while the book industry has experienced a boom from digital reading that’s given greater exposure to book culture, increased the engagement of many readers, and left thousand of readers more avid for books, print and digital.

Yet, even while the boom has grown, the benefits of it are not being felt by most of the under-employed full time publishing workers. This crisis offers the city an opportunity to capitalize on the talents of all these bookpeople with publishing incubators that would foster innovation, experiments, and new models to help business-savvy bookpeople turn their enterprises and current projects in to job-creating engines of the book and the New York City economy.

Therefore, I urge City Council, Mayor-elect de Blasio, and all citywide officeholders to establish public-private partnerships and other initiatives that would help make available low-cost or no-cost business enterprise advice (legal, accounting, financing); no-cost or low-cost workspaces where people could share cubicles, WiFi, and conference rooms. With philanthropic support, or venture capitalists with money looking to do good, a fund for experiments could be launched, with grants being provided to offer recognition, encouragement, and a stipend. I urge the tech community, really a first cousin to digital publishing, to work with bookpeople to create new initiatives that will elevate the entrepreneurial efforts of New York City’s publishing community.

My addendum to these comments is an explicitly political point. One of the reasons that the economy remains anemic in New York City and around the country–with a lack of full employment for millions of people, not just publishing professionals–is that obstructionists in Congress have imposed austerity on the country. Since 2010, right-wing politicians have thwarted any ongoing economic stimulus that would, if enacted, help prime the pump and accelerate demand.  This has been denied us, even at a time of very low interest rates. Now, with the victories of Mayor-elect de Blasio, many progressive citywide officeholders, including by far the most progressive City Council since I moved to New York in 1985, I hope that the city, and my own precious book industry, can have, courtesy of the new actors in city government, its own local and direct stimulus that will benefit publishing, readers, authors, and all of New York City.

Finally, here are pictures I took Monday and Tuesday night when I attending Talking Transition events. PEN Participants had been asked to submit favorite quotations, our own, or those of other writers, which you’ll see in a tweet cloud in many of the photos.Please click here to view them.

#FridayReads, Nov 8–Book Proposals & Manuscripts–Examining a Notorious Political Killing, Exploring the Paranormal, etc.

#FridayReads, Nov 8–While I’m sure I’ll be reading a proper book or two this weekend, my reading this week has been dominated by work-related materials–nonfiction book proposals, fiction manuscripts and lots of promising queries on submission to me in my work as a literary agent, part of my publishing work. Here’s a rundown on some of what I’m looking at, only in generalities out of deference to the writers whose work I’m considering: 1) a proposal for a book that will explore the motive behind one of the most infamous consequential political crimes of the 20th century, while also one of its least examined; 2) a hardboiled crime novel about the theft of an election in a battleground midwestern state; 3) several works by a British scholar with a rigorous approach to unexplained phenomena involving the super- or even the paranormal; and 4) an original manuscript that includes the original heretofore unpublished memoir of Hollywood’s most idiosyncratic, even weird, movie-making mogul.