Remembering Maurice Sendak on his 85th Birthday

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The animated doodle on Google’s main search page today is really inspired. If you haven’t already seen this tribute to Maurice Sendak, there’s a screen shot below. You can view it via this link, and make sure you click on the arrow to start the animation.
Screen shot 2013-06-10 at 3.47.59 PM

Last May, soon after Sendak’s passing, I published a recollection on this blog called, Warding Off a Zealous Censor of Maurice Sendak’s In the Night Kitchen. Via this link, I invite you to read about this episode from my bookselling days, when a prudish religious conservative woman demanded we stop selling Sendak’s work.

Update: I also just found this animated video on the Daily Beast narrated by Sendak himself.

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#FridayReads, June 7–Eric Lundgren’s “The Facades” & Suzanne Corkin’s “Permanent Present Tense”

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#FridayReads, June 7–The Facades by Eric Lundgren–a witty and heart-filled novel about a man in a post-apocalyptic world who’s searching for his family. I’m also reading Permanent Present Tense: The Unforgettable Life of the Amnesic Patient, H.M. by Suzanne Corkin–a scientific biography of a historic medical subject, a man who after undergoing brain surgery suffered a permanent loss of his capacity to make and retain long-term memory. In 2008, when I was Editorial Director of Union Square Press, I heard an NPR segment about Prof. Corkin’s work with H.M. and contacted her to ask if she was writing a book. Indeed, she said she was working on a manuscript, though she added it was a long way from completion and she suggested I should stay in touch with her agent. When I left the job in 2009, I wondered what would become of the project. At BEA last week I was pleased to see it had ended up on the list of Basic Books. Please click through to see full post and all pictures

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One More BEA In the Books

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It was not the most energetic Book Expo America (BEA) I’ve ever attended, but it was still a good show for me. Wednesday–when the Buzz panel was held, before the Exhibit Hall officially opened–was a good day. And then the next 3 days (Thursday-Saturday) were a roller coaster with busy, agitated activity to slow times when one could imagine the proverbial bowling balls rolling down the carpeted aisles. On Friday afternoon, there were so many publishing executives off the main part of the floor–I surmised many of them were in meetings, closeted behind the black curtains I saw that shrouded makeshift conference rooms at a distance from the publishers’ stands–that there was a palpable deflation of activity out on the floor. And yet, over all, I picked up many galleys and download cards of important forthcoming books. It took three jumbo zippered red totes that I’d kept picking up at the McGraw-Hill stand to drag it all home, which I did by myself. 

On Saturday, BEA for the first time ever opened itself to members of the reading public, not just book industry professionals. I saw many well-organized groups of fans and other readers powering around the floor, often under the concierge-like care of publicists who brought them en masse to signings with authors like Sylvia Day (at Harlequin), and Jami Attenberg and Jeffrey Deaver (at Hachette). There must have been at least 20 lines I saw like that today. I also saw smaller groups of two or three Power Readers, as the BEA dubbed them, eagerly snapping up galleys and stuff. I know there were some book industry people who, when the announcement of this innovation was made, were skeptical it would be a good thing, but I’d say that this not so daring–and to me, welcome–experiment went very well, indeed.

I took a pic of the jacket of David Folkenflik’s forthcoming Murdoch’s World: The Last of Old Media Empires, a book I’m very eager to read, having in 2008 edited and published a book on Roger Ailes, Dark Genius: The Influential Career of Legendary Political Operative and Fox News Founder Roger Ailes by Kerwin Swint.Murdoch book

I’ll have more to write and share about the book convention over the next few days and weeks, with photos and reporting. Meantime, glad to get a post up today, even though I’m exhausted from the four days of the show.

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Book Expo America–Off to a Quick Start on Day I

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Buzz panelAlthough the exhibit floor doesn’t open until tomorrow, there was lots of activity at the Javits Center today. My wife and I stopped in the hall just before 10:00 AM and got our badges as certified press, covering BEA for this blog. In the late afternoon, was the annual Editors’ Buzz panel, where a select panel of editors get to pitch their favorite titles of the coming fall season. By far the most exciting presentation was made by Liese Mayer [spelling corrected here from above tweet], of Overlook Press who touted the novel she acquired just after joining the company, The Facades, a first novel by Eric Lundgren. She said the novel combined elements of Kafka’s forbidding city and Batman’s modern Gotham. I grabbed one of the galleys and, after her compelling presentation, am eager to start reading the book. I also was interested in the presentation by  Picador editor Anna deVries of The Affairs of Others, a novel by Amy Grace Loyd and so took a galley of it. Now, running off to evening activities!

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The POT THIEF Mystery Series–Licensed to Open Road Integrated Media

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I’m happy to announce that as literary agent for author J. Michael Orenduff, in conjunction with the Silver Bitela Agency, my company Philip Turner Book Productions recently licensed the six-book POT THIEF mystery series to Open Road Integrated Media, a major player in digital publishing. The books, previously self-published by Mr. Orenduff, are The Pot Thief Who Studied Pythagoras, The Pot Thief Who Studied Ptolemy, The Pot Thief Who Studied Einstein, The Pot Thief Who Studied Escoffier, The Pot Thief Who Studied D. H. Lawrence, and The Pot Thief Who Studied Billy the Kid. They will all be published by Open Road in print and digital editions beginning in 2014.

As a devoted mystery reader myself, I adore the POT THIEF books and have earlier written about them here. They are set in and around Albuquerque, New Mexico, featuring dealer in Native America pottery Hubie Schutz and his sidekick in sleuthing, wise-cracking Susannah Inchaustigui, a descendant of one of the region’s old-line Basque ranching families. They meet most afternoons at Hermanas Tortilleria, to sip margaritas and discuss their latest puzzler. After years running Undercover Books, a bookstore where I sold lots of mysteries, and as an editor publishing mysteries, I know the mystery market well and am particularly excited that the many readers of Tony Hillerman’s Jim Chee and Joe Leaphorn mysteries, also set in the American Southwest, will now also be able to discover the POT THIEF books. In their earlier editions, the POT THIEF books won numerous awards and raves from mystery readers, including this one from Anne Hillerman, the late mystery master’s daughter: “I inhaled this book. Witty, well-crafted and filled with unexpected plot turns, The Pot Thief Who Studied Billy the Kid will delight J. Michael Orenduff’s many fans—and win him new ones.”

If you haven’t yet heard of Open Road, I suggest you visit their website. They have more than 3000 active titles, including five books by my longtime author Ruth Gruber, as well as titles by dozens of important authors such as William Styron, Rachel Carson, Andre Dubus, and Mary Glickman, always in digital editions, and sometimes in print editions, too. They’ve been operating for three years, innovating and growing along with the emerging ebook market. The company was recently profiled in an excellent piece via this link at paidcontent.org. 

I’m delighted for my author J. Michael Orenduff and also very pleased to be working with Ed Silver and Babz Bitela of the Silver Bitela Agency, who are representing the POT THIEF brand for film and TV rights. In fact, they are already sharing with producers an excellent screenplay based on the series, written by previously credited screenwriter, Robert C. Powers.  Announcements of the deal I made with Open Road have appeared in Publishers Weekly and in PublishersMarketplace.com, both of which mention the Silver Bitela Agency (these may only be available by subscription so I’ve made screenshots of both to be sure they can be read by GGB readers). Happy I could share this great news the same week as Book Expo America (BEA), the book industry’s annual convention, taking place at NYC’s Javits Center May 30-June 1. Please click here to see deal coverage from the two book industry outlets.

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#FridayReads, May 3–James Lasdun’s “Give Me Everything You Have: On Being Stalked”

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#FridayReads, May 3–Give Me Everything You Have: On Being Stalked, novelist James Lasdun’s nightmarish memoir is a literary yet realistic account of how he came to be cyber-stalked by a former student. No matter what Lasdun has done over the past several years, from contacting police to ignoring the woman he calls Nasreen, she has continued to make him the target of her ceaseless anti-Jewish hatred and twisted paranoia, emailing venomous messages to him with numbing frequency, posting vicious rumors about him, impersonating him to his contacts and in online forums, implicating his literary agent and colleagues.  Despite these invasions of his personal space, Lasdun has prevailed, in his own way. The book is rich with allusions to such literary sources as Gawain and the Green Knight, Isaac Bashevis Singer’s novel,  The Penitent,  and Lasdun’s own novel, The Horned Man. A disturbing yet compelling chronicle. I want to read more of Lasdun’s work, because whatever one may say about this horrible experience with Nasreen, he’s also a terrific writer whose sentence-making is continually engrossing.James Lasdun

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Author Gilbert King, a Deserving Pulitzer Prize Winner, Takes it All in Stride

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Devil in the GroveGilbert King, whom I happen to know as a publishing acquaintance, got some welcome and unexpected news last week. His book, Devil in the Grove: Thurgood Marshall, the Groveland Boys and the Dawn of a New America, was awarded the Pulitzer Prize in the general nonfiction category. King didn’t know that his publisher HarperCollins had submitted his book for consideration of the prize. A NY Times story published tonight profiles the unpretentious King, who was on a golf course in Florida when he got the news from a friend’s text: “Dude. Pulitzer.”

With refreshing modesty, King, whose book was published in March 2012, told the Times reporter William Grimes, “‘I’m sure people who write the big, critically acclaimed books know if they’re in the running. . . . But I’d just gotten a notice from my publisher that the book had been remaindered.’” The book tells a story of a too-little known incident of racial injustice, when in 1949 four black men were falsely accused of raping a white woman. The villain of the tale is the local sheriff in Groveland, Florida, Willis McCall, who King told Grimes compares unfavorably even with another notorious lawman: “’He made Bull Connor look like Barney Fife,’ the author said, “referring to the notorious commissioner of public safety in Birmingham, Ala., during the civil rights era. ‘Connor used dogs and fire hoses. McCall actually killed people,’” including one of the accused in this case.

King faced a daunting research challenge. While he did have the FBI case files to draw on, he also really needed to see records of the case housed at the NAACP, as Thurgood Marshall, then with the civil rights organization, had defended the accused. Though the organization had never shared such case files, even with eminent academics–because of attorney-client privilege–King persuaded them in this instance by insisting he was only interested in this one case, and none of their other historic cases. It sounds like a remarkable book, one with a terrible miscarriage of justice at the heart of the story that it seeks to redress, just the sort of book I have always enjoyed acquiring and championing as an editor for publishing houses.

I couldn’t be happier for Gilbert King, whose two books have “enjoyed only modest sales.” Grimes writes that King “is undecided what the next project might be. When the Pulitzer news came, ‘I was sort of lying low.’” I hope his next book, whatever he writes about, and whenever he publishes it, will gain recognition from the start. With the Pulitzer in his back pocket, it’s a good bet it will.

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#FridayReads, April 12–“The Barber’s Conundrum,” Essays by John Hartnett + Richard Nash, On the Business of Literature

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bc-goodreads-cover1#FridayReads, April 12–The Barber’s Conundrum–And Other Stories: Observations from Life in the Cheap Seats by John Hartnett. A while back, the author, whom I know a bit as a publishing industry contact, asked if I’d like to see a copy of his book of humorous essays, which he’d recently published himself. I like the genre of the humor essay, going back to E.B. White, Stephen Leacock, and in our era with writers like Roy Blount, Jr., and Nora Ephron, and so asked him to send me a copy. I had dipped in to the book a bit before this week, but only in the past few days have I made a point of making sure to read all 35 + pieces in the collection, and gain a sense of the whole. Now I realize how much I really like this charming book. The title piece, on the futility of trying to get a decent haircut, is full of wry observations and delicate exaggeration:

“I’m a barber’s worst nightmare because I’m not a crew cut guy. They enjoy giving crew cuts because all they need is a pair of clippers and a little conversation. There’s no finesse in crew cuts, no risks. Whenever I sink into the chair, they automatically reach for the clippers and when I tell them I just want a trim, they start looking at my head like it’ the Manhattan Project. It’s not uncommon to have three barbers looking at my head at the same time, like baseball managers standing around the pitcher’s mound deciding whether to try a little pep talk or send for the reliever. I’ve had barbers spontaneously retire while I sat in their chairs. One even tried to convince me that I’d be better off cutting it myself.”

Equally amusing are such pieces as “The Catalog: A Modern Fairy Tale,” about the insidious temptations of mail order shopping, and “Surviving Your First Trade Show,” on the rituals of being an exhibitor at a convention.

Hartnett’s been a gag writer, so he’s got the knack for inducing a chuckle, and nowadays also writes a humor blog, The Monkey Bellhop. I’ve found this an ideal book for the subway, where I can actually start a piece boarding a train, and finish it before reaching my destination. I recommend it if you’re looking for some painless laughs, something to lighten whatever load of worry might be a part of your day. While self-published, it’s nonetheless attracted 55 customer reviews on Amazon. I know of many commercially published books that don’t manage even half as many comments.

I’ve also read and will be mulling for days, Richard Nash’s deepthink essay on the future and purpose of publishing, “What is the Business of Literature? published in the Virginia Quarterly Review. Nash is with Small Demons, an innovator in mapping and indexing content from books in creative ways. I also recommend this essay highly, which carries the reading line, “As technology disrupts the business model of traditional publishers, the industry must imagine new ways of capturing the value of a book.” I was happy to be reminded of Nash’s piece–which first landed with a flurry a few weeks ago–by publishing thinker Brian O’Leary of Magellan Media, who wrote about it on his blog earlier this week. H/t Brian. Nash VQR

I didn’t plan ahead on sharing this medley of readings–but sort of like cooking a meal with an unlikely set of ingredients and discovering how well they work together–now that I’ve done so I’m intrigued to see there’s a kind of congruity about them. From a self-published book of essays that’s making its way in the emerging publishing ecosphere to an essay considering that ecosphere and even what makes a book, I think the combination suggests something more than just my reading taste. Not sure I can say yet that is, but it’s what I’ll be mulling this weekend.

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