Gone Fishin’
I am away from my desk this week and next on a combined train and road trip with my family. I will be posting entries from time to time. Until later then, I hope you’re having a nice summer, and look for me later in this space.
I am away from my desk this week and next on a combined train and road trip with my family. I will be posting entries from time to time. Until later then, I hope you’re having a nice summer, and look for me later in this space.
I had a meeting yesterday morning to present the excellent Web platform of my client Speakerfile, which I often tell people is like eHarmony for the conference industry, matching up event planners with authors who do public speaking. My meeting was with Gail Kump, Director of Membership Marketing for the Association of American Publishers (AAP). It was a fitting meeting, since it’d been Gail who’d referred Peter Evans, Speakerfile CEO, to me during the Digital Book World conference last winter. It is thanks to her that I’m working with them now. I’ve known Gail for a few years and we had a good talk, with each of us seeing ahead to many ways that the AAP and Speakerfile can work together. After sharing our ideas and swapping names of new contacts, I thanked Gail for her time and our meeting ended. Rather than immediately leaving the cool and pleasant AAP offices, I decided I’d sit on the comfortable couch in their lobby and do some work on my IPad and make a few phone calls before heading out to my next Manhattan meeting.
After a productive half-hour, I packed up my kit and prepared to leave. But first, peering back into the conference room where Gail and I had met, I noticed a familiar figure seated at a table. It looked like longtime book biz friend Carl Lennertz of World Book Night. Walking back that way, sure enough, it was him. Voicing a surprised “hello” greeting, I greeted Carl and we shared a few minutes of conversation. I learned that he and a colleague there with him, Laura, were assembling results of the enormous book giveaway they’d engineered this past April, when 23,000,000 copies of thirty different books were handed out gratis in North America, Ireland, and Britain. The non-profit program’s motto is “Spreading the love of reading, person to person.” The titles included Just Kids by Patti Smith, The Glass Castle by Jeanette Walls, and I Know Why the Caged Bird Sings by Maya Angelou. Carl and Laura showed me the Manhattan phone directory-sized bound volume that covers the myriad international locations where volunteers gave away books, with maps, charts, graphs, and narrative summaries of volunteer reports. Carl mentioned it will be made available as an ebook. I told them I’ll be eager to learn more about World Book Night’s plans for 2013.
It made for a pleasant morning, seeing Gail and Carl, and meeting Laura. I hope to see them again soon!
Day Later Update: Jonathan Krohn went on Last Word w/Lawrence O’Donnell Monday night and did a great job explaining the evolution of his political views over the past few years. He’s a very mature 17-year old and I can’t help being a fan of his, and admiring his transformation. You can watch it via this link.
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Late Afternoon Update: After I tweeted out my blog post about Jonathan Krohn I heard from him, and the Twitter exchange we shared is below. I must say I admire his candor and his broad-mindedness in continuing to quest for a political philosophy that suits him. For proper sequence, the tweets should be read from top to bottom.
Onetime young favorite of the conservative movement, Jonathan Krohn, now 17, has largely disowned the doctrinaire ideological positions he seemed to favor at age 13, when he gave a widely covered speech at the Conservative Political Action Conference. Politico‘s Patrick Gavin has the story on Krohn’s transformation into a gay marriage-favoring, healthcare-supporer who would probably vote to re-elect President Obama voter, if he were of age in November. From Gavin’s article, partly in Krohn’s own words,
Soon after the speech and all the coverage Krohn garnered, publisher Roger Cooper of Vanguard Press signed him up for a book. Roger, for whom I’ve edited manuscripts, asked if I would be interested in working with Krohn and editing his book. I had seen the speech, which I watched it with my own son Ewan, who’s a year younger than Krohn. Ewan found his beliefs and his celebrity, weird and unappealing. Though committed to the idea that every author has a right to tell his story, I declined to make a bid for the editorial assignment, largely because I didn’t want to work on political material I found inimical to my own or Ewan’s views; nor did I anticipate I could have a vigorous exchange of ideas with the smug boy I’d seen on C-Span. He seemed so convinced of his ideological positions, I just didn’t relish the thought of working with someone like him. The weird thing for Krohn now is that he’s got this unenviable Youtube and Internet history that he can’t escape, and which he’s already tired of dealing with, and being forced to explain to people. He’ll soon be going to NYU where he plans to study philosophy and filmmaking. The last word in the story is from Krohn:
We can hardly believe that on the eve of the Supreme Court ruling on the Affordable Care Act, Kyle’s had to draft a letter to the New York State Superintendent of Financial Services about the 2013 rate increase requested by United Healthcare, our health insurer, which I’m now adding to.
I don’t know what the Court ruling will be when it’s announced tomorrow morning at 10:00 AM, but I do know the system sucks when a CEO can make money like that. There is an insidious dynamic at work here: Hemlsey’s compensation and the rate increase request are diabolically inter-related–he makes more money when the company is more profitable, and the company is more profitable the more they charge their policyholders.
We’ll finish the letter tomorrow and mail it off to Albany, by which time we’ll know how the Court has ruled. It’s going to an interesting, historic, stressful day.
June 25, 2012–Shelf Awareness, the e-newsletter for booksellers and librarians and others in the book trade, has run a generous announcement on the collaboration I announced last week with Speakerfile. It was in the email they sent out to their subscribers this morning and at this link. If you don’t already subscribe to their emails, I recommend them–there’s a professional one for the book trade that comes out every workday and one for readers that’s published twice a week–they are grouped together at this link.
Last Friday, the day the release below hit the wires, the daily e-newsletter Publishers Lunch also covered the news, with a piece at this link.
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June 22, 2012–Today I am announcing a business collaboration with Speakerfile–the Toronto-based company I’ve been writing about a lot on this blog over the past month. I’ll be representing their robust online platform that connects conference organizers and meeting planners with authors and thought leaders to publishers, authors, agents, and publicists. This press release on PR Newswire announces the arrangement. I’ve also pasted it in below, for your convenience. If you are an author, or you work with authors who want to do more public speaking, please read the release and follow the links to learn more about this engine of discovery that has the potential to put authors in front of audiences and drive book sales. You’ll also find a promo for Speakerfile near the upper right-hand corner of this website, which you can click on to go directly to Speakerfile’s site. Please let me know directly of any questions you may have, or if you’d like to sign up for Speakerfile.
Click on the link above for the press release or click through here for the release copied & pasted-in.
As a longtime publishing staffer who was let go in a major layoff at Sterling Publishing more than three years ago, when downsizing at publishing houses is announced, I read the notices with a combination of concern and regret for the folks losing their jobs, now colleagues of mine in the forced evacuation from the ranks of corporate publishing. It’s analogous to reading the New York Times obituaries to learn who’s recently died, before looking at any other section of the paper. This is not schadenfreude*, pleasure derived from the suffering of others, but something more its opposite–there ought to be a word for the vicarious experience of misery alloyed with empathy upon learning that still more people will soon be joining the ranks of the unemployed, the disemployed, and for how long it cannot be known.
Readers of this blog may recall that in an essay entitled Three Years Ago Today I’ve written about the day in 2009 when I was laid off as Editorial Director of Sterling’s Union Square Press. Covertly summoned to the office of the HR director Denise Allen, she and my supervisor Jason Prince were waiting for me with grim faces. After they lowered the boom, they “asked” me to leave the office later that day for the last time. “Asked” was really a euphemism for “demanded.” Any personal items I could not grab that day–and I had a substantial work and reference library in my office–would be boxed up and shipped to me, they said. I returned to my office in shock to find that I had already been denied access to my work email.
I do know why HR professionals claim that this is the safest way to let people go, lest a dismissed employee make the survivors uncomfortable in the now-shadowy presence of a person who an hour earlier was a colleague; deride the company in the presence of remaining staff or make off with company secrets; or go ‘postal’ and harm higher-ups and co-workers. What’s more, Sterling is owned by Barnes & Noble, a publicly traded company, and during my Sterling tenure B&N was hyper-averse to news and publicity they couldn’t control–even denying book editors the ability to trumpet their latest acquisitions in industry newsletters like Publishers Lunch without first having the announcements vetted by corporate PR. During my Sterling tenure, this aversion to unwanted publicity even extended to the fact that B&N declined to name people who lost their jobs in layoffs, nor was the number of people let go ever confirmed. However, much as negative consequences from treating people decently may be feared, I believe that what this behavior does instead is subtract at least a bit of humanity from everyone in the equation. I note ruefully, but again without any satisfaction, that Jason Prince was himself laid off from Sterling earlier this year. I take no pleasure in this turnabout, and wonder if he was himself on the receiving end of such lousy treatment the day he learned of his dismissal.
With the above as personal prologue, I note with regret that HarperCollins yesterday announced a reorganization of their Sales Department that will lead to the elimination of the positions of at least five senior employees. But there was something novel about the press release put out by Harper’s President of Sales Josh Marwell**–the degree to which he names, acknowledges, and even thanks the people who are losing their jobs. The entire text ran in galleycat.com. The mensch-like passage reads:
When you get laid off you invariably, unavoidably, experience a kind of professional death. The process of being shown the door is sort of like getting ferried to the other side, but the process that put me on the boat across my personal River Styx was not as kind or forgiving as the ferryman Charon was with his passengers. And yet, you might say that over the past three and a half years rather than going where the souls of the departed reside, I’ve pretty much managed to be reborn professionally, not buried. That though would be a story for another post. For now, I just want to say I wish Jeff Rogart well in his retirement, and that I feel really bad for Ken Berger, Mike Brennan, Mark Hillesheim, Kathy Smith and Jeanette Zwart, the latter whom I have known personally over the years. I wish them well on their journey into post-corporate life, no matter how brief or long-lived, and assure them that if they ever want to consult with me about my experience of it, I will be glad to share whatever practical advice and insight I can muster. I’m relieved that Josh Marwell and HarperCollins named them, that they were praised and given the professional courtesy they are due, and that under lousy circumstances their dignity was preserved and that their departure will not be so rushed or precipitous as mine. I cannot comment of course on the terms of severance under which they’re leaving the company–I hope they were generous–but as for announcing layoffs, this is a model for how to do it right.
*For an insightful discussion of schadenfreude and related words, I refer you to this excellent blog post by musician and songwriter Zak Claxton.
**Full disclosure: I have known Josh Marwell for more than thirty years, since he was a sales rep to my Cleveland bookstore, Undercover Books, representing St. Martin’s Press. We have not discussed the current matter.
Monday, June 4, I will be attending the BEA Bloggers Conference. The regular Book Expo America (BEA) is from Tuesday, June 5-7, but first I’m looking forward to hearing from and meeting many other book bloggers. I’ve been attending this convention virtually every year since 1978, and it’s always a thrill. This year is going to be an exciting one, and it all starts in a few hours.
As an in-house editor at more than a half-dozen publishing companies over twenty-five years, one of my biggest challenges was always to try and keep somewhat current with the enormous volume of printed submissions (full manuscripts and proposals) that was continually flooding in across my desk. And once the Internet fully entered the workflow, the volume–owing to the greater ease with which agents and authors could submit material–took an exponential leap. The required reading, to borrow a phrase from school days, was enormous and punishing, and sometimes it really did feel like homework. My colleagues and I fought a mostly losing battle to read it all in timely fashion, while maintaining an appreciation of the vision and imagination with which the work had been created, and then deciding if it was something we could acquire, edit and publish with a fair chance of critical and commercial success.
I always kept a log of incoming submissions, and to impose organization on the printed material I used shelving units with cubby holes alphabetized by author or agent last name, at least in theory helping me keep a visual and mental track of it all. But even with good intentions, and frequent resolutions to do better, we inevitably fell behind. This meant that first weeks, then months, and sometimes many months, might go by before we’d let an author or agent know if we wanted to pursue a project, or that we were declining it. I knew it was hard for agents and authors to accept the situation, but the truth then–and still–is that the dynamic generally favored buyers not sellers. And given the many in-house duties that editors must shoulder, there just was no way to be more on top of that part of our job.
I have not been an in-house editor for the past three and a half years, and while I am still working as an editor, now independently (and sometimes as an author reprsentative or agent)*, among the very best things about my self-employed life has been gaining some control and a level of choice over my reading life. I began reflecting on this yesterday after reading two recent opinion articles by a pair of young publishing professionals who happen to be in Britain–one an agent, the other an editor–each of which shines an up-to- the-moment light on this perennial issue in publishing. In the first article, by the agent, pseudonymously calling herself Agent Orange, “Do editors not say no because they can no longer say yes?” she laments the absurd difficulty of getting any answer at all from many editors, even a decline on a project. In anger, she writes,
In a direct response to the gauntlet thrown down by Agent Orange, the editor, Francesca Main,** avers that “Working 9 to 9 Editors are More Accessible than Ever”. She writes,
For the record, both these commentaries were published in the online publication edited by Porter Anderson, *** Futurebook, described as “a digital blog from Europe in association with Bookseller,” the publishing magazine. Both make fair points, and if you care about these challenges each piece is definitely worth taking a few minutes to read. Taken together, they pretty well sum up the dilemmas and the challenges of working as an agent or an editor in our business today. The challenges of the agent I have come to learn recently, as I represent the handful of authors with whom I’m working. Were I still working as an editor in-house, or if I end up working in-house again at some point, I can only imagine, and sympathize, with the pressures that acquiring editors operate under nowadays, even compared to when I was last on staff.
I know there are authors among the readers of this blog, and I want to say I recognize how disappointing it is when you sense that your work is not read with the attention it is due, nor with the level of intention and focus that led to its creation. One of the toughest things about publishing is that it is a ‘cultural business’–those conjoined words create a veritable oxymoron. But, for better and worse, that is the hand we’re dealt–editors do the best they can under difficult circumstances, as do agents. As the two articles by the young British professionals attest, I hope we can all cut each other a bit of slack, and somehow make our work and creative lives a bit more rewarding and fun.
*Ethical full disclosure: Generally speaking, authors who pay me to edit their work are not authors I represent as agent, except in unusual cases, and even then only first explaining to the author this isn’t normally done to avoid conflicts of interest. These circumstances are rare.
**Though Ms. Main’s article does not reveal the house where she works, it is discoverable online that she appears to be an editor at Picador. Agent Orange, so as far as I know, has remained anonymous since posting her piece. In fact, Futurebook‘s editor Porter Anderson, makes an appeal to Ms. Orange in a comment below her published post, asking that she consider revealing her name, at least to him, so that he might continue publishing her commentaries.
*** In a comment published below Philip Jones of Bookseller clarifies the relationship of the magazine to Futurebook, and Porter Anderson’s role.