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9

Ruth Gruber’s Photojournalism at Soho Photography

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To mark Jewish American Heritage Month, Open Road Media–which has recently brought out five ebooks by my longtime author Ruth Gruber–has published a celebratory post on the Open Road Blog. In addition, Ruth’s photojournalism, for which she’s received the International Center of Photography’s Infinity Award, is on exhibit through June 2 at the gallery Soho Photography on White Street in Tribeca. Among Ruth’s mentors was Edward Steichen, who exhorted her to “Take pictures with your heart.” I recommend you read Ruth’s inspiring books and go see her photographs, including the two accompanying this post. The image above was taken when Ruth was sent to Alaska in 1940 by Secretary of the Interior Harold Ickes, her boss in the FDR administration; the one below was taken aboard the prison ship Runnymede Park, on which the refugees from the Exodus were forcibly sequestered during the summer of 1947, a chronicle that Ruth tells in her book Exodus 1947: The Ship That Launched a Nation, which is illustrated with more than 100 of her photographs. I published it with Ruth in hardcover in 1999, and in trade paperback in 2008. It is still only available in hard copy, and is not yet among the ebooks from Open Road. For the record, the titles available as ebooks are Haven: The Dramatic Story of 1,000 WWII Refugees and How They Came to America; Inside of Time: My Journey from Alaska to Israel; Raquela: A Woman of Israel; Virginia Woolf: The Will to Create as a Woman; and Ahead of Time: My Early Years as a Foreign Correspondent (also the title of an excellent documentary covering mostly the first four decades of Ruth’s life). For readers’ handy reference, I’ve previously blogged about Ruth Gruber, here and here.

10

Virginia Woolf and Ruth Gruber, Driven to Create as Women

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When I last wrote about my longtime author Ruth Gruber—who in May 2011 received the International Center of Photography’s Cornell Capa Award, a few months before turning 100—it was to honor her during Women’s History Month. Now I’m delighted to see that Open Road Integrated Media has picked up another book by Ruth for their ebook program.The latest title, coming after four earlier ebook editions, is Virginia Woolf: The Will to Create as a Woman. I published the printed book in 2004, when I was editor-in-chief of Carroll & Graf.

The book on Woolf is a remarkable document—the core of it being Ruth’s 1931 dissertation, “Virginia Woolf: A Study.” Her first chapter, “The Poet Versus the Critic” opens with lines that lay down a new marker setting forth the idea of women’s studies in literature decades before the term would have widespread salience:

Virginia Woolf is determined to write as a woman. Through the eyes of her sex, she seeks to penetrate life and describe it.  Her will to explore her femininity is bitterly opposed by the critics, who guard the traditions of men, who dictate to her or denounce her feminine reactions to art and life.

An understanding of how Ruth Gruber, a Brooklyn-born Jewish woman came to be in Germany during the early days of Nazism where she would write and publish the first known feminist interpretation of Virginia Woolf’s work is inseparable from her biography, so for readers of this blog who may be unfamiliar with Ruth’s life and career, here’s a sketch.

Born in 1911 in Williamsburg, Brooklyn, Ruth was always precocious. She received her B.A. from NYU at age sixteen; an M.A. in German language and literature from the University of Wisconsin at eighteen; and at twenty was offered a fellowship to participate in an exchange program at the University of Cologne. Early in her studies there, she was asked by a professor if she would consider reading the work of Woolf, and embark on a doctoral thesis about her. I’ve imagined that Ruth’s professors must have realized they had this bright female student in their midst, a reader of English and German, and when might they again have such an opportunity, especially with international exchanges precarious? Ruth demurred—she had not yet read Woolf’s work, she could afford to be in Cologne only one year, her parents would not let her stay longer, the work would surely take longer—but soon she said, “I’ll try.” Taping a picture of Woolf above her desk, she began reading all of Woolf’s books published to that point, pondering their meanings and the significance of Woolf’s creative enterprise.

Ruth did complete the work in less than a year, successfully defended her thesis, and was awarded a Ph.D. Upon her return to the U.S. in 1932 the New York Times wrote: ” When the gangplank went down on the St. Louis [the same ship that seven years later would be denied sanctuary at ports in the US and Cuban] an attractive Brooklyn girl of twenty years stepped ashore bearing a coveted degree of Doctor of Philosophy  . . . She is now the youngest Doctor of Philosophy in the world.” This period of her life is documented in two of her nineteen books, both available from Open Road, the Woolf title just added to their list, and Ahead of Time: My Early Years as a Foreign Correspondent,** which is also the title of a recent documentary on Ruth’s life and career up through the years immediately following WWII.

Despite the notoriety of her youthful doctorate, the Depression had begun and Ruth found little work upon her return to the States, so she continued traveling and trying her hand at journalism and photography. In 1935, the thesis was published as a book in Germany by the Tauchnitz Press, which had a list of English-language titles, including Woolf’s The Waves. Ruth sent a copy of the published book to Woolf in London, thus beginning a lengthy correspondence between the two women that culminated in Ruth paying a visit to Woolf at her Bloomsbury home that year.

Ruth was greeted at the parlor door by husband Leonard. The meeting is covered in detail in both of the above books, but suffice it to say that a somewhat awkward conversation followed, with Virginia stretched out on a rug in front of the fireplace. She offered an ambiguous comment about whether she had read the thesis, and denied that she had anything to say on the subject of Ruth’s latest undertaking, a fellowship to make “a study of women under democracy, fascism, and communism.” Though Ruth hadn’t intended to come as a supplicant, that’s how Woolf interpreted her visit. Smoking a cigarette in a long holder, Virginia said, “I don’t know how I can help you. I don’t know a thing about politics. I’ve never worked a day in my life.” Ruth was “startled” that “she did not think publishing ten books, countless essays, and brilliant book reviews was work.”

In 1989, Ruth was startled again when she discovered that Virginia had written about her in her letters and diaries, in disparaging and anti-semitic terms, including in this diary passage: “Must get up and receive Miss Grueber [sic] (to discuss a book on women and fascism–a pure have yer . . .) in ten minutes.” In Eric Partridge’s books on slang, Ruth read that “a pure have yer” referred to a 1) wanton, kept woman; 2) dog dung; 3) a swindle, or deception. Ruth wondered, Is that what Virginia Woolf had thought of me? Ruth pondered this over the years, until in 2005, at the back of an old file cabinet, she discovered the letters she’d received from Woolf, and read them for the first time in decades.

With the discovery of this new material, Ruth and I began to discuss reissuing her thesis, surrounding it with the letters and a new Introduction in which she would grapple once and for all with the meaning of her long-ago encounter with Woolf and its aftermath. Later in 2005, once we’d made digital facsimile reproductions of the letters and other pertinent materials in Ruth’s archive she donated all her Woolf materials to the New York Public Library, whose holdings of Woolfiana surpass any institution in the world. Also in that year Virginia Woolf: The Will to Create as a Woman was published in the expanded edition we had envisioned. Like the letters, the thesis was reproduced in facsimile, which in this case meant we were able to reprint the gorgeous letter-press typesetting that Tauchnitz had struck for the book in 1935. Carroll & Graf was dissolved in 2006, but for the record the 2005 paperback edition is widely available from second-hand booksellers.

Ruth’s new introduction ran to nearly forty pages. In it, she details a correspondence she’d shared with Nigel Nicolson, son of Virginia’s lover Vita Sackville-West. He wrote, “I fear that you may have been hurt by her references to you, but she was like that in her diary and letters, though perfectly courteous in conversation. It’s one of the things I deplore about Virginia, her cattiness, contempt for almost everyone who were not her friends, an occasional touch of anti-Semitism, her snobbishness and jealousy.” Ruth continues, “In those seventy years since I sat worshipfully in her parlor, I learned more of her violent manic depressions, her wild helpless swings; by turns critical, nasty. . .moving to exquisite warmth and generosity. I learned of her constant fear that she was going insane. . . .” Ruth recalls, “In 1941, when the pain of living had finally become too great for her, she wrote two final loving letters to Leonard before she walked into the river. . . . Those two love letters. . . and her three letters to me, helped me work through my own anger and disillusionment, which now seem trifling in comparison to the agony she endured. They helped restore the admiration I had for her when I was nineteen and just discovering her genius. I realized that she had lived her entire life with a will to create as a woman. That was the most important lesson she taught me. In 2004, I reread my dissertation in the light of that new understanding, underlining paragraphs that mean as much to me now as they did when I wrote them more than seventy years ago.” Then Ruth ended her Introduction by quoting the first paragraph from her thesis that opens “Virginia Woolf is determined to write as a woman,” cited above in the third paragraph of this recollection.

In future writings about Ruth Gruber for this blog, I will chronicle many of her other achievements. For now, let it suffice to say that after 1935 Ruth would continue her worldwide study of women. She would also take photographs everywhere she went—including in Siberia, Alaska, and above the Arctic Circle; in post-WWII Europe, when she would become the foremost chronicler of the thousands of displaced persons (DPs); and in the Middle East, where she would travel with the international committees tasked with resolving the future of Palestine and the fate of the Jews who’d survived the Holocaust—always remembering the inspirational message that her photographic mentor Edward Steichen instilled in her: “Take pictures with your heart.”

11

My Friend Ruth Gruber, Pioneering Photojournalist

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Since 1997, when I began working with my remarkable author Ruth Gruber, I’ve had the privilege of bringing out six of her books in hardcover and trade paperback. Over the past year, it’s been really exciting to see four of those books–Ahead of Time: My Early as a Foreign Correspondent; Haven: The Dramatic Story of 1,000 WWII Refugees and How They Came to America; Inside of Time: My Journey from Alaska to Israel; Raquela: A Woman of Israel–be published as ebook editions by Open Road Integrated Media. Now, in honor of Women’s History Month Open Road is making it very easy for new readers to discover Ruth’s work by placing excerpts from each of those books on its blog.

In addition, to observe Ruth’s 100th birthday last October Open Road posted a brief video of her reflecting on her life and career. That video is pasted in above this blog post. I urge you to watch and listen to Ruth, read the free excerpts, and go on and buy her books. I’d suggest you begin with Ahead of Time, which is also the title of a fine documentary film about Ruth. In addition to the recognition that film has brought her, the International Center of Photography mounted an exhibit of Ruth’s photographs last summer, as the ICP gave her the Cornell Capa Lifetime Achievement Award for her contributions as a photojournalist.

I am really excited to spread the joy I’ve taken over the years in working with Ruth and share it with you.

12

Publishers Lunch Spring 2023 Book Buzz Panel—Including Dava Sobel, on Madame Curie and the Women Scientists She Hired and Inspired

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The Book Buzz panel put on by Publishers Lunch last night was terrific. Four great new novels and one science biography, with the authors appearing one after the other in conversation with their editors. The picture to the left shows the lone nonfiction author, Dava Sobel whose upcoming book is The Elements of Marie Curie: How the Glow of Radium Lit a Path for Women in Science. She discussed it with her editor George Gibson of Grove Atlantic. The narrative focuses on the Polish-born two-time Nobel Prize-winner (in Physics and Chemistry) Madame Curie (1867-1934) and the forty-five women scientists whom she mentored and did pioneering research with in her laboratory in Paris.

For the record, the four novels presented were Penitence by Kristin Koval (with editor Deb Futter, Celadon Books); Sky Full of Elephants by Cebo Campbell (with editor Olivia Taylor Smith, Simon & Schuster; City of Night Birds by Juhae Kim (with Helen Atsma, Ecco Books); and The Ancients by John Larison (with editor Emily Wunderlich, Viking Press).

Back to Dava Sobel, in 1995 I was at the book launch for what became her international bestseller Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time in a book talk at the South St Seaport Museum bookshop in lower Manhattan. That event was also hosted by George Gibson, then her editor at Walker & Co. I am reminded by the inscription in the copy of the book I bought that night that it was September 22, 1995. That happened to be my 41st birthday, though I don’t recall going that night to celebrate, particularly. 

What a fateful night it was, birthday or not, because I also had the good fortune then to meet Dava Sobel’s aunt, who like me, had come to celebrate the publication of Longitude. This was Ruth Gruber (b. Brooklyn 1911-d. Manhattan 2016), a humanitarian, photojournalist, and foremost chronicler of the DPs (displaced persons) after WWII. With her I would ultimately publish six books, titles like Ahead of My Time: My Early Years as a Foreign Correspondent (Carroll & Graf Publishers, 2000) and Exodus 1947: The Ship that Launched a Nation (Times Books, 1997; Union Square Press, 2008; Ruth’s spot reporting in the postwar period on the real-life Exodus ship was the basis of Otto Preminger’s movie “Exodus”).

Dava’s mother was Ruth’s sister, and had long known of her aunt’s exploits and inspiring work. I commissioned her to write a new Introduction to the first trade paperback edition of Ruth’s 1983 book Haven: The Dramatic Story of 1,000 World War II Refugees and How They Came to America (Carroll & Graf Publishers, 2001). It came out around the time CBS broadcast a two-night miniseries based on the book, with Natasha Richardson playing Ruth’s part. The rest of the cast included Martin Landau, Anne Bancroft, and Hal Holbrooke. The backstory to the book and miniseries was that from 1940-46 Ruth had been a staffer in the FDR administration, and throughout that whole span she served as an official of the Interior Department under President Roosevelt’s longest-tenured cabinet secretary, Harold Ickes. In 1944 Ickes assigned her to undertake a dangerous mission. After first being made a temporary general—so if she was captured, she’d benefit from the rights of the Geneva Convention—she was flown on military aircraft to war-torn southern Italy and then met and screened and escorted one thousand (mostly, but not all, Jewish) refugees on a ship called the USS Henry Gibbins across the Atlantic. They were bound for a safe haven in Oswego, NY, a former army base called Fort Ontario, where they were when WWII ended some months later in ’45.

For readers who want to know more about Ruth Gruber, this link will take you to the approximately half-dozen posts I have published about her on this blog.

I am so glad I met Dava that night in 1995, and her aunt Ruth Gruber, through the always stellar ministrations of George Gibson, a friend in bookselling and publishing for many years.

13

In Conversation w/Canadian Author Ken McGoogan at The Explorer’s Club in NYC

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In the early 2000s, when I was an editorial executive with Carroll & Graf Publishers, I had the good fortune to acquire the US publishing rights to a book first published in Canada, Fatal Passage: The Story of John Rae, the Arctic Hero Who Time Forgot and Ancient Mariner: The Amazing Adventures of Samuel Hearne, the Sailor Who Walked to the Arctic Ocean, what would prove to be only the first two books on polar exploration by Ken McGoogan, who has continued to immerse himself in the subject over the past twenty years, now having published a total of six Arctic books. A key development in that immersion has been his role as a resource historian for many sailings with Adventure Canada, a travel company that takes visitors on voyages to Canada’s northern reaches and in to the Arctic itself.

Fatal Passage chronicled the mystery of the ships HMS Terror and Erebus, which under the command of Royal Navy captain John Franklin, set off with more than 125 officers and crew on board in search of the Northwest Passage, but then disappeared never to be heard from again, at least not among Euro-centric people. Many search parties sought to learn the fate of Franklin and his men, including one helmed by John Rae, from Orkney in northern Scotland. He was the first European-based explorer to value highly the local knowledge of Inuit guides, hunters, and interpreters, who led him to eyewitnesses who’d seen hungry white seamen trekking across their lands in dire straits. They reported to Rae their understanding that to them these desperate men had engaged in cannibalism, feeding on the dead to try and save themselves. Rae’s discovery, though vetted by him with careful cross-questioning of the native witnesses, earned him a vituperative rebuke once back in England from Franklin’s wife, Jane Lady Franklin, who even enlisted Charles Dickens to editorialize against Rae. Fatal Passage effectively rehabilitated the reputation of John Rae, more than a century after it had been trashed by poobahs in Victorian England.

When it was published in the US, in 2002, the book won a Christopher Award, given to authors who produce works that “affirm the highest values of the human spirit.” McGoogan traveled from his home in Toronto to New York for the ceremony, and we began to get better acquainted as author and publisher, and as friends. Later, I made a road trip with my wife and son to Toronto and we enjoyed a dinner at Ken’s home with him and his artist wife Sheena. Another guest that night was Ken’s literary agent Beverley Slopen, from whom I’d acquired the rights to Ken’s books, and from whom I would later acquire rights to books by other Canadian authors, such as the mystery master Howard Engel, creator of the Benny Cooperman detective series.

Last December, Ken got in touch with me to extend an invitation. His latest book, Searching for Franklin: New Answers to the Great Arctic Mystery, was published in Canada last fall, and he explained to me it would be coming out in the US in the Spring of 2024. He would be coming down to New York to make a presentation on March 22 at the NY Public Library, in connection with a new exhibit, “The Awe of the Arctic” in the historic main library from March 15-July 13. A day prior to that, Ken said, he would be giving a talk at another public venue. He asked, in so many words, “Would you be interested in reading the new book, preparing some questions, and interviewing me at the first event?” After learning a few more details, including the fact there would be an honorarium to cover my preparation and for serving as his interlocutor, I readily accepted the exciting invitation.

In January, I was even more excited to learn from Ken that the venue for our joint event would be The Explorer’s Club, a venerable institution on the east side of Manhattan established in 1904. On Honourary Canadian, the sister website to this one, I put up a post promoting our talk, chronicling my longtime association with Canada and Canadian authors, and drafted what I dubbed my Canadian-adjacent bio, touching on my longtime immersion in #CANLit and in reading and publishing tales of polar exploration.

From Ken’s publisher—Douglas & McIntyre of Madeira Park, British Columbia, Canada—I received a copy of Searching for Franklin, and dove right into it. Rather than immediately noting possible questions for Ken while reading the book, I instead read it with a pencil in hand, scratching out asterisks in the margins next to passages that intrigued me, which I anticipated going back to once I’d finished the whole book, to mine them for the most resonant themes and to form the most stimulating questions I could think of for our discussion.

I found the book quite engrossing, and appreciated that it was written in multiple, contrasting styles of narrative nonfiction, though it’s all done without becoming jarring or off-putting. While most of is written in past tense, the norm for this sort of book prose, there are occasional passages in present tense, as when Ken and his fellow adventurers were actually touring the Arctic on an Adventure Canada cruise, and when they disembarked from the ship to traverse the ground where Franklin, his officers and crew, and their Inuit hunters, interpreters, and guides had trekked almost two centuries ago. Ken also presents some fascinating counter-factual possibilities that contrast with the known historical record, as he offers his best theory about what led to the tragic demise of Franklin and his two ships and the entire crew. Note with no spoiler: this new theory of his, appearing for the first time in Searching for Franklin is supported by medical reporting and highly informed speculation.

Last Thursday, the night of our discussion finally arrived. I was glad to be joined by my wife, artist Kyle Gallup, and my adult son Ewan Turner, who operates Philip Turner Book Productions with me; he is a creative writer publishing under the pen name M.G. Turner. After a friendly reception in the historic rooms of The Explorer’s Club, Ken McGoogan pulled on the rope that sounds the Club’s bell, calling the meeting to order, and an audience of what looked to be about seventy-five people took seats in the main hall. Following an introduction by Cedar Swan, the CEO of Adventure Canada, Ken gave a talk outlining his long association with the Franklin saga, going all the way back to the writing of Fatal Passage. Using slides, he described how Margaret Atwood had introduced him to Swan’s father Matthew, the founder of Adventure Canada; the many voyages he’s made with them over the past twenty years; how Franklin’s candidacy to lead the search for the Northwest Passage had been championed to the Royal Navy by Lady Franklin, even though his earlier expeditions had produced less than stellar results; John Rae’s discovery of Franklin’s fate; and the medical and dietary travails that he now believes led to the demise of so many of Franklin’s men. When he finished his presentation, it was time for our discussion.

I began, asking such questions as these (with appendices from my research in parentheses):

  • Why did the idea of the Northwest Passage become so central to British myth-making about itself, and later to Canada’s own self-image? (In a discussion a day earlier when we met for a convivial dinner and to discuss the following night’s program, I referred Ken to such evidence of the rousing example from pop culture of Stan Rogers’ song “Northwest Passage,” a veritable Canadian national anthem, sung lustily by the barrel-chested musician (1949-83) on his debut album in 1981. So as to not lengthen the duration of our discussion unduly, I refrained from mentioning it then, but do so now for the sake of sharing more of my research.)
  • How was it that young boys went to sea so young, including Franklin himself, at age twelve? (In another example from cultural history cited in camera to Ken, but not at the Club is the haunting folk song “The Captain’s Apprentice,” collected in 1905 by my favorite English composer Ralph Vaughan Williams, whose lyrics tell the sad tale of a boy treated roughly.)
  • Can you contrast the leadership styles of John Rae and Franklin, with Rae seeming to show special regard for the well-being of his fellow expeditioneers, more so than Franklin?
  • It’s amazing to me, as you write, that ships had libraries—1700 volumes on Franklin’s ship, which would have taken up a lot of room on board. Aboard ship, where living and sleeping quarters were notoriously tight, how did they accommodate so many books? (And, was there such a thing as a ship librarian? That would be the job for me.)
  • You write that Charles Dickens at least allowed John Rae to publish a rebuttal to Lady Franklin’s accusations about him, but I wonder: Why did Dickens believe Lady Franklin’s slanders about Rae, at all?
  • Can you explain why when Erebus and Terror were found in 2014 and 2016, they were forty miles apart in the Arctic Ocean?
  • The caloric demand for portagers and voyageurs while doing all the enormously strenuous work on the trail must have been very high for them—while they carried 80-pound packs, in contrast to the sailors who carried a fourth of that weight—yet they often didn’t get the food they needed. How did they manage?

The discussion between the two of us transitioned into questions from members of the audience, with me calling on seven or eight people to stand and ask their questions, which were good ones. I enjoyed this part of the program very much, taking me back to my days when I moderated the community meeting of my college, Franconia College. After about an hour and twenty minutes, we concluded what had been a very enjoyable and stimulating program. The Explorer’s Club has posted it on their youtube page, so if of interest, you may view it via the link below.

I will conclude this post by making one more observation that I didn’t take the time to say last Thursday night. As my author Ruth Gruber (1911-2016)—about whom I’ve written often on this website—who I’ve observed with her spot reporting during and after WWII, and in such books as Exodus 1947: The Ship that Launched a Nation, became, in my opinion, the most prominent chronicler of DPs (displaced persons) following the war, Ken McGoogan has over the course of his six books on the Arctic become our foremost chronicler of the explorers who sailed across the Atlantic seeking navigable waterways spanning northern seas that would take them all the way to “Cathay”—a Pierre Berton for the twenty-first century. I’m glad I’ve been in a position to carry on a dialogue with Ken these past many years.

https://www.youtube.com/live/450ZwrJor5U?si=QOE_hO59YB89Z2Xf

And here is a gallery of photos from the whole night, from the reception through Ken’s talk, and then from our discussion. All photos taken by Kyle Gallup.

[gallery link="file" ids="18452,18453,18454,18455,18456,18457,18458,18459,18460,18461,18462,18463,18464,18465,18466,18467"]

 

 

 

14

Excited to Receive My Copy of “AMONG FRIENDS: An Illustrated Oral History of American Book Publishing in the 20th Century”

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The Story Behind a Handsome New Book on Books

One bright spot during the dark first year of COVID came on October 10, 2020, almost three years ago. I was invited by Buz Teacher to write an essay for a book he was assembling, an oral history of bookselling and publishing in the last century. Buz had asked my publishing friend Mildred Marmur for a contribution to the forthcoming book and she advised him to ask me, too. Given that I’d been writing about writing about both subjects for more than a decade it didn’t take me long say yes.

Fortunately, I had about six months before I would have to deliver my essay. As is my wont when I have a writing assignment that I’m obliged to deliver—this is true for  writing pitch letters as an agent, or when I was an in-house editor in publishing companies and I had dust jacket copy and catalog copy to write—I fretted about it for some time without actually writing anything. I couldn’t think how I might start it. Eventually I did quit procrastinating and found a place to begin.

I handed the essay in, in June 2021, under the title “The Education of a Bookselling Editor,” clocking in at approximately 4100 words. I welcomed the opportunity to write longer than usual; personal essays on this site, like one I published here—about working with William Styron on an Introduction he wrote for Dead Run, a nonfiction narrative I edited about an innocent man on Death Row—tend to less than 2500 words.

I also handed into Buz, and his co-editor, his wife Janet Bukovinsky Teacher, about half a dozen photos and illustrations from Undercover Books, the bookstores I ran with my siblings and our parents at the start of my career,  and from some of the titles I’ve brought out as editor, which they said they hoped to use as they laid the book out. For more than two years, I’ve been wondering which ones they might use. Much time passed, but Buz kept in touch, and I had faith that the design and production of the book, and all that was necessary to make what would ultimately be a 576-page tome—the impressive volume is 9 inches wide, 11 inches tall, with a 3-inch thick spine, and weighs about nine pounds, with dozens of photos and illustrations and essays by more than 100 contributors (many of whom are bookpeople I know)—was well in hand. My confidence wasn’t misplaced—after all, Buz and his late brother Lawrence had co-founded the indie publisher Running Press back in the day.

Contributors were not being offered money as payment, but Buz promised us all a finished copy of the book, which I’m thrilled to say arrived today. This is the book’s website, where there’s a two-minute video trailer. The official publication date is in two days, September 23rd. They edited my piece lightly**, and split it into into two sections; one, headed Independent Booksellers: All in the Family, is devoted to my years as a bookseller with Undercover Books, the bookstore I founded and ran in Cleveland from 1978-85 with my siblings Joel and Pamela, and our parents, Sylvia and Earl; the second, called Literary Independents: Making a Difference, covers roughly my first two decades as an in-house editor and publisher.

As the book copy puts it,

“In lively personal essays about the people, companies, and books that helped shape our culture, more than 100 prominent figures and publishing and bookselling recall their careers during a time of extraordinary growth, from the postwar period through the revolutions of the 1960s and ’70s to the new millennium. Illustrated with original photography of vintage book jackets, period graphics form Publishers Weekly and archival photos, Among Friends reveals how the book industry both reflected and responded to societal changes. This deluxe limited edition pays homage to the creative and entrepreneurial spirt of that time.”

If you’re a bibliophile or if you have a book collector on your holiday gift list, I suggest you consider buying this very special book for them. They only printed around 1600 copies, so if this is a book for you, or someone you love, I suggest you not wait to buy it, because it could sell out, and the price of it in future resale is in my opinion likely to rise in years to come beyond it’s published list price of $200.

Below is the complete essay I wrote in 2021, and below it are photos of the handsome book and the hinged box and my contributions to it. It is really a stunning book.
—

The Education of a Bookselling Editor

Founding Undercover Books

In 1977, while finishing my last year as an undergraduate at Franconia College, an experimental institution in the White Mountains of New Hampshire, I had intended with my bachelor’s degree in history of religion and philosophy of education, to seek a professional niche for myself promoting interfaith dialogue among Jews and gentiles. I hoped to work for an organization with a mission to combat bigotry, anti-Semitism, injustice, and intolerance. After returning to Cleveland, my hometown, I began looking in this direction, but quickly learned that, lacking an advanced degree, I was unlikely to have a chance of getting anywhere in the field. What’s more, as an émigré from traditional education—I had also attended an alternative high school, my first happy immersion in the educational ferment of the times—graduate school was the last thing I wanted to do! I may have only known it inchoately, but I sought a field in which my nontraditional education and interests would not hold me back, and might even propel me forward.

At roughly the same time, my elder siblings, out in the work world longer than I, were already plotting exits of their own from any chance they’d be relegated to humdrum working lives.

Pamela, the eldest of us three, had worked in Cleveland’s grand department stores, which had bustling book departments, and middle sibling Joel (d. 2009) had worked at Kay’s Bookstore, in downtown Cleveland, a venerable book emporium whose truculent owner Rachel Kowan kept her employees on their toes by challenging them to answer exactly where certain titles in the rambling three-floor store were shelved, along with other tests of arcane bookselling knowledge, such as which edition of Goethe’s Faust contained Parts I and II of the frequently abridged work.

Pam and Joel’s smart idea was to open, with our book-loving parents Earl and Sylvia, a new bookstore in Shaker Heights, the suburb where we’d grown up. I quickly tossed my lot in with them, at least to get the store opened, then soon found myself more involved and engaged by bookselling and the book business than I’d anticipated. We chose the name Undercover Books—invoking our passion for reading under the covers as kids, and for mystery fiction—and on May 4, 1978 opened the first of what would ultimately be three locations.

In this collection of essays about bookselling and publishing in the second half of the twentieth century, it is noteworthy that Undercover Books joined the wave of a building trend in the 1970s-80s in which retail bookselling was migrating from department stores and big downtown bookstores to indie bookstores in the suburbs of a number of cities—Pittsburgh, Detroit, Atlanta, St. Louis, Kansas City, as well as in our own downtown, where many local readers had long shopped at Publix Book Mart, run for decades by the eminent Anne and Bob Levine. However, suburbanites with readerly interests not inclined to visit downtown were under-booked, it could be said.

The space we leased in an outdoor strip shopping center—deliberately not an indoor mall—had formerly housed a shoe store where we’d shopped as kids, and was large at 2700 square feet, but the shape itself was that of a shoebox, and could’ve made for a very dull bookstore layout. Smartly though, a store designer showed us how to address this problem: beyond the front section of the store, where the cash counter and walls of bookcases displaying lots of frontlist fiction and nonfiction were displayed face-out, we could cut into the rectangular space with wooden bookcases built at 30-degree angles, lending an intimate, library-like feel to the store. With that, the Travel, Reference, Literature, Poetry, Art & Photography, Children’s, Health & Parenting, and Cookbook sections became their own quiet spaces. The opening of this attractively designed bookstore, in a suburb with a well-educated populace that had never had a bookstore within its city limits, quickly attracted the trade and appreciation of lots and lots of people locally and in the city more widely.

I enjoyed working on in-store displays, and grew adept at fashioning arrangements of books that encouraged browsers to make connections among titles, subjects, authors, and ideas, while also managing to shelve the greatest number of titles possible in finite spaces. As adult book buyer, I ordered books that led to annual sales exceeding $1,000,000, at a time when that level of sales was not common among independent bookstores. Regularly called upon by sales reps, and pitched specific titles by sales management, Undercover Books became a go-to store for publishers eager to break out books nationally. Notable fiction writers who launched books with us included Mark Helprin (A Dove of the East, and Other Stories, Seymour Lawrence/Delacorte Press), Richard North Patterson (The Lasko Tangent, W.W. Norton), and Walter Tevis (Queen’s Gambit, Random House). We also held salon-like evenings, as when George Gibson of David R. Godine, Publisher, discussed the Godine list and fine printing with our customers.

We’d look for books we had already read and enjoyed, new or backlist, on which we would take aggressive ordering positions, then sell 300-400 copies of these titles in a two- or three-month stretch. This happened with Simon & Schuster’s trade paperback reissue of Jack Finney’s classic time travel novel Time & Again, as it did with the travelogue Blue Highways, when author William Least Moon was brought in by our Little, Brown rep to meet us and sign stacks of the hardcover we had ordered. Our parents were also avid readers, Sylvia of commercial fiction and cookbooks, Earl of biography, sports and business, and their enthusiasms meant our in-store selection appealed to a wide age range of readers. Our parents also opened their home for meals and convivial time with sales reps and authors.

Cleveland was the home of many Fortune 500 companies, and most had corporate libraries in their home offices, where professional books were often required, likewise true of partners in remote offices who also needed books for their work. We worked with staff librarians who got requests for books for the home office and from distant branches, all of which business we’d fulfill. We made rapid delivery of special orders and prompt service on bulk orders of business books, reference titles, and professional manuals a priority. Innovations we made in book ordering and inventory management, in conjunction with book industry expert Leonard Shatzkin and his son Mike, a publishing consultant, made Undercover Books the subject of a chapter in Leonard’s diagnosis of the book business, In Cold Type: Overcoming the Book Crisis (Houghton Mifflin, 1982) and of articles in Publishers Weekly.

In this period, Joel became a board member of the American Booksellers Association (ABA), which gave us a voice in independent bookselling’s response to the growing influence of corporate chain bookselling. Able to start a conversation with just about anyone, Joel enjoyed public organizing and in 2000 ran for the House of Representatives in Ohio’s 11th congressional district. That same year, Pamela was hired by Overdrive, an early distributor of ebooks. With responsibility to uphold copyright, publishers wanted assurance that their titles would be secure on the emerging platforms. As director of content, she worked to gain the confidence of sales and marketing departments, holding that position till 2004, a key period in the digital transition.

During my time in bookselling I read avidly in all genres of fiction, especially many detective series and spy fiction, enjoying and recommending books by George Chesbro, James Crumley, Earl W. Emerson, Dorothy Hughes, Margaret Millar, Russell Greenan, John Le Carré, Tony Hillerman, Ross Macdonald and John D. Macdonald. We also had great clientele for new literary fiction, selling many copies of books by Robert Stone, Brian Moore, Peter De Vries, Anne Tyler, Barbara Pym, Margery Sharp, Margaret Atwood, Laurie Colwin, Howard Frank Mosher, Ernest Hebert, and Susan Richards Shreve.

It should be noted too that we opened just as a new generation of Canadian authors was bursting in to print, and I had an instant affinity for Canadian literature. Though trade rules at the time discouraged importation of Canadian titles, I found a way to work around them. Seal Books was Bantam Books’ Canadian division; their titles resided ostensibly off-limits to us on an out-of-the-way corner of the Bantam order form. Our Bantam rep instructed me if I ordered any Seal Books titles the order wouldn’t be filled, but I penciled in some quantities to see what would happen, and they were shipped to us! We began introducing our customers to books by Margaret Atwood, Mordecai Richler, Margaret Laurence, Marian Engel, Antonine Maillet, Alice Munro, Guy Vanderhaeghe, Timothy Findley, Farley Mowat, Pierre Berton, the longtime CBC broadcaster Patrick Watson, who visited our store to launch his suspense novel, Alter Ego (Viking, 1979), and Robertson Davies.

We were ordering Davies’ Deptford Trilogy (Fifth Business, Manticore, World of Wonders) by the carton from Penguin, stacking them up and selling them in large quantities. In my enthusiasm, I wrote Davies a letter c/o of Penguin to explain this and let him know about our stores. A pleasant correspondence ensued between us, his letters from which are reproduced in facsimile form here.

In 1982 Davies’ editor at Viking, Elisabeth Sifton, invited me to write a letter to U.S. booksellers extolling his work and pitching them on his new novel, The Rebel Angels, which became the Canadian author’s first U.S. hardcover bestseller.

The bookstore was graduate school for me. After seven years, I felt the proverbial itch and decided I’d like to try working in publishing, preferably as an editor. I was keen to originate books, not just sell them as finished products, and with the bookstore experience, I was hopeful I could get a job and do meaningful work. In 1985, I embarked for New York City and bearing in mind E.B. White’s observation in his essay “Here is New York” that, “No one should come to New York to live unless he is willing to be lucky,” I found an apartment in Washington Heights, the hilliest section of Manhattan with its bike-able hills and steep stairways, and the dramatic George Washington Bridge in view from many vantage points, endowing me with a fondness for bridges that lasts to this day as evidenced by the name of my book-focused blog, The Great Gray Bridge, an homage to the 1942 childrens classic The Little Red Lighthouse and The Great Gray Bridge.
Following my departure from Cleveland, the family continued operating from the original location, and then in 1992, to capitalize on the strong B2B elements in the business, Joel re-envisioned the business as Undercover Book Service, supplying books to individuals and corporations all over the country and abroad. With the emergence of the Internet in 1993, the family transformed the stores into an online book-ordering service powered by a website they created some months before Amazon got underway.

Turning 7 Years of Bookstore Experience into a Publishing Career 

One of the first publishing houses I applied to was Charles Scribner’s Sons, as the firm now called Scribner was then known. A contributor to this volume, Mildred Marmur, was its president then, the first female head of a major house. Though we’d never met, she saw me in her office. Intrigued by my background, she explained she had nothing full-time to offer me, but added that the company was sponsoring a first novel contest named after Maxwell Perkins, the legendary Scribner editor who’d nurtured the talents of F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, Marjorie Kinnan Rawlings, and James Jones. She asked if I’d want to work as the contest’s first reader. I told her that at Undercover Books we’d sold A. Scott Berg’s biography, Maxwell Perkins: Editor of Genius (Dutton, 1978), so would be pleased with the opportunity to tap into Perkins’ literary legacy.

More recently, it must be said that as I’ve been preparing this essay for print, I’ve learned about a different legacy of Perkins’ that does not shine favorably on him or Scribner: his shameful elevation of eugenics through their book list, a revelation from author Daniel Okrent that has led to an overdue re-assessment of the Scribner editor’s reputation by many, including the editor of Penguin Random House’s One World book imprint, Chris Jackson, the 2020 recipient of an award formerly given in Perkins’ name. To me, this shows that our business should never be satisfied with its past, but in concert with the wider society, must always work toward a better future for all.

Working three days per week in what ended up as a two-month stint in the winter of 1986, I ensconced myself in Scribner’s conference room with unopened jiffy bags and manuscripts stacked up around me like so much drying cordwood. Think John Updike’s classic sketch “Invasion of the Book Envelopes.” My assignment was to unpack the mailers and read between 5-50 pages of each manuscript of what turned out to be more than 700 contest entries. I also filled out a brief questionnaire, signaling a thumbs-down or -up for a second reading by senior editors. Coincidentally, I recommended seventy entries, or almost exactly 10%, for second readings. There was one entry I really loved, by an E.M. Hunnicutt, which I read avidly beyond the allotted limit. My recommendation of it was more enthusiastic than for any other candidate, but before I’d finished plowing through all the entries, I saw that it wasn’t going to win the prize. I noted the author’s phone number and address and photocopied the manuscript, hoping I might contact “Hunnicutt” soon, once I was hired somewhere as a full-fledged editor.

My good luck held and soon, after a reference from literary agent Ruth Nathan (wife of longtime Publishers Weekly subsidiary rights reporter Paul Nathan), I was offered a job as an acquiring editor at Walker & Company, a somewhat sleepy publisher of young adult non-fiction and genre adult fiction (Westerns, mysteries, Regency romances, etc.), published mostly for libraries. Walker had terraced offices with scenic views twelve storeys above Fifth Avenue at 56th Street; on St. Patrick’s Day the company threw parties as the annual parade streamed past below, attended by house authors such as Isaac Asimov. I was assigned the genre that founder and publisher Sam Walker called “men’s adventure”–thrillers, swashbucklers, seafaring novels, spy books, a genre I still enjoy. Walker had in its early years published books by John Le Carré and Flann O’Brien, so I was hopeful that my mandate might extend to other areas of publishing, even literary fiction. My first week at Walker I called E.M. Hunnicutt—whose initials made me think of E.M. Forster—and learned that E.M.’s first name was “Ellen.” She explained that because she sold many stories to Boys’ Life, the magazine of Boy Scouts of America, she’d long used the initials to disguise her gender,

Ellen and I hit it off beautifully and for an advance of $750 I acquired rights to her novel, the first novel I line-edited. Our relationship established a high benchmark in my relationships with authors that I’ve always sought out since. Ellen and I engaged in a vigorous dialogue about her work and its dominant theme—the creative purposes to which suffering and mourning may be put. The protagonist of the novel was Ada Cunningham a young teenage girl and musical prodigy who’d fled a destructive custody battle that engulfed her family in the wake of her mother’s death. She narrates her story from a safe haven she’s found with a circus troupe that’s wintering over in a quiet Florida camp where she finds solace in composing a requiem for her late mom on the troupe’s calliope.

When Suite for Calliope: A Novel of Music and the Circus, was published in the spring of 1987, it received a starred review in Kirkus, Dell bought paperback rights, and Walker sold out its hardcover first printing. The starred Kirkus happened to land on my desk on May 4, long a fateful date on my personal calendar for the opening of Undercover Books and other milestones. I phoned Ellen to give her the good news and read the review to her, learning only then that that day was her birthday. Suffice it to say, it was one of the happiest birthday calls I’ve ever made. Ellen’s run of good fortune wasn’t finished yet: Before her novel went to the printer, she learned that for her short fiction she’d won the Drue Heinz Literature Prize. This was an award associated with the literary journal Antaeus, which editor Daniel Halpern co-founded with Paul Bowles, a laurel we were able to print on the book jacket; the senior judge of the Heinz Prize that year was Nadine Gordimer. Her winning collection, In the Music Library, was also published in 1987, by Pittsburgh University Press. Quite a year for Ellen. Working with her was a great privilege and cemented my ardent interest in modern nomads and circus stories.

I’ll add that Ellen Hunnicutt’s novel played a role in cementing my relationship with my wife, artist Kyle Gallup, whom I would meet and marry in 1990-91, only a few years after the novel had come out.

Another novelist of Ellen’s period, Mark Dintenfass, praised her novel in a blurb he gave me for the jacket, commenting that the novel “teaches the reader how to read it, with its discussions of art, psychology, and philosophy being clues to its own design.” When Kyle and I met our conversations quickly took on an aesthetic and literary dimension, and I hoped she might appreciate the book as I had. I sent her a copy. When we discussed it she told me that she really liked the narrator Ada—and her friend in the story, a female painter named Kyle—and I knew for sure we could share many things.

Eyewitnesses to History

While Senior Editor and Editor-in-Chief of Kodansha America from 1992-97, I endorsed the recommendation of editorial colleague Deborah Baker who proposed we acquire trade paperback rights from Times Books/Random House to then-Illinois State Senator Barack Obama’s family memoir Dreams From My Father: A Story of Race and Inheritance, which we published in 1996 as a title in the Kodansha Globe series, a nonfiction trade paperback program that paved the way for such successful series as NYRB Classics. At Kodansha I also worked with the prolific diarist and octogenarian Edward Robb Ellis, establishing an affinity in me for editing epistolary works. When his magnum opus, A Diary of the Century: Tales from America’s Greatest Diarist, was published in October 1995, though exclusive arrangements usually applied with the TV network morning shows, Ellis achieved the rare hat trick of being interviewed by Cokie Roberts on ABC, Katie Couric on NBC, and Harry Smith on CBS on their respective morning shows.

By coincidence, my next job was Executive Editor for Times Books/Random House, from 1997-2000. Newly ensconced there, I was submitted a manuscript that I knew would shock the conscience of readers, the true story of an innocent man on Virginia’s Death Row. The heart of the book was the diary of the inmate, which co-authors Joe Jackson and William Burke used skillfully in building their powerful narrative, with first-person diary entries laced through their prose. It was submitted to me during a hot summer, and when the authors chronicled the suffocatingly sultry conditions in the prison, it all but sparked a raging fever in me. With my reaction, it struck me that William Styron, a son of Virginia whose social justice advocacy included vocal opposition to capital punishment, would be outraged at the rank injustice. Through Styron’s Random House editor Robert Loomis, I got the manuscript to “Bill,” as Loomis called him, and began a dialogue with the novelist who offered to write an Introduction to the book, DEAD RUN: The Shocking Story of Dennis Stockton and Life on Death Row in America. 

When I received the draft of his essay, I noted that it revealed the ultimate fate of the inmate Stockton, something I had thought we might not let slip. I called Styron, and suggested that we might refrain from doing this, to which he responded, “The specter of doom hangs over Mr. Stockton from the manuscript’s first page.” I realized he was correct, and forswore my original intention. Styron’s eloquent Introduction shone a bright light on the miscarriage of justice in the book.

As a person, I am not overly concerned about what people seem to think of me, nor do I crave lots of personal validation from others. Yet it’s an occupational hazard of the book business; as an editor and advocate for books, one is invariably focused on what people think of your titles—by publishing house colleagues, and among booksellers, sales reps, agents, foreign scouts, critics, and readers. My aspirations for my books are often sustained by blurbs, reviews, and word-of-mouth, or deflated by the lack of them. In the case of Dead Run, I was blessed by the enthusiasm of Loomis and Styron, which nourished my hopes for the book with such ardency that I was inspired to mint a quip I’m still fond of sharing about my profession: “Being an editor allows me to express my latent religiosity, since I spend so much time praying for my books.”

 At Times Books, I continued working with authors of advanced age, publishing EXODUS 1947: The Ship that Launched a Nation by the trailblazing photojournalist Ruth Gruber (1911-2016), who following the Holocaust had covered the voyage of the real-life Exodus ship and became the foremost chronicler of displaced persons (DPs) in Europe during the postwar years.

As Editor-in-Chief with Carroll & Graf from 2000-2006, I edited and published THE REVENANT, an historical novel and wilderness survival tale that was the first book I acquired after the terrorist attacks of September 11, 2001, when colleagues and I fled from our offices just blocks from the World Trade Center; though novels don’t usually carry subtitles, I suggested to author Michael Punke that he append a tag line to his book which to this day is known as A Novel of Revenge. Other books of mine during this period included national bestseller THE POLITICS OF TRUTH: Inside the Lies that Put the White House on Trial and Betrayed My Wife’s CIA Identity (2004) by Ambassador Joseph Wilson, who upon his death in 2019 was still a hero to many for his vocal opposition to the 2003 invasion of Iraq; THE BABY THIEF: The Untold Story of Georgia Tann, the Baby Seller Who Corrupted Adoption (2007) by Barbara Bisantz Raymond, an exposé of a nefarious baby broker, a Publishers Weekly Best Book of the Year; and the cri-de-coeur SHAKE HANDS WITH THE DEVIL: The Failure of Humanity in Rwanda by Lt. Gen. Roméo Dallaire, commander of the U.N. peacekeeping force during the genocide in Rwanda. As Editorial Director of Union Square Press at Sterling Publishing, in 2008 I published COVERT: My Years Infiltrating the Mob by NBA referee Bob Delaney with Dave Scheiber, a USA TODAY Best Book of the Year, a memoir of the author’s three-year high-wire undercover stint investigating organized crime.

The above books all shared a common feature: They were written by and/or about singular witnesses to history–insiders, whistleblowers, truthtellers, muckrakers, revisionist historians–people who’d passed through a crucible of experience that left them with elevated author–ity in the eyes of the reading public, and the only person who could write the book in question, or about whom it could be written. Whether told in the first person by an author whose personal experience leaves them uniquely qualified to tell the tale, or in the third person by a reporter or scholar who has pursued a story or historical episode with single-minded passion, I remain devoted to working with authors like these, publishing imperative books that really matter in people’s lives.

I am enormously grateful for the opportunity to have worked in my family’s bookstores, and in publishing with eight different in-house jobs, and still be working in the book business, now independently for more than a decade. My experimental education turned out to be no hindrance at all, but an ideal prelude. The work has rarely been humdrum, but instead a continually stimulating, collegial, and rewarding field. While not working in the profession I had in college imagined for myself, many of the books I’ve worked on have been expressions of the search for social justice that fueled my education. I’m happy to close by noting that the familial nature of my endeavors continues with the advent in January 2020 of my adult son Ewan Turner as Executive Editor of the editorial consultancy and literary agency I now operate.

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**Alas, the light editing that was done seems to have led to the excision of the lines just above, “I’m happy to close by noting that the familial nature of my endeavors continues with the advent in January 2020 of my adult son Ewan Turner working as Executive Editor of the editorial consultancy and literary agency I now operate.” I suppose this was because it was the last line in the whole piece and the layout was bumping up against the bottom of the page. That’s why I’m happy that I have this website, so I can run every word of the original text here, and with all the Internet links I had included in it, anticipating some day publishing the entire essay on this blog (and in the event there was a digital edition of the book). It’s also given me the opportunity to write the Introduction to it above, and offer all the context that I have above in the “The Story Behind a Handsome New Book on Books.”

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15

Listening to and Learning from the Publishing Greats—”A Constant Education”

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June 17 update: The organization that sponsored the event below, NY Book Forum, has posted a video of the May 24th program on youtube, linked to here.
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Listening to tales of the career experiences of successful professionals in publishing is always inspiring, and I felt that in spades about last night’s event put on by the New York Book Forum, held in Hachette’s sleek offices in Midtown Manhattan. The event was a shared conversation between two major figures in the book business, Victoria Wilson, an editor at Knopf for five decades, and Jane Friedman, publishing and marketing maestra who was with Knopf for twenty-nine years, then CEO of HarperCollins, and was more recently the founder of Open Road Media. Between them, they embody a combined century of publishing experience.

The evening got off to a convivial start with an unexpectedly lengthy cocktail hour that nearly stretched to an hour. I had taken a chair, but took part and made the rounds, too. Post-pandemic, I think people are so pleased to be in social settings that no one was in a hurry to start the program, even though we were also all eager for it to begin.

[caption id="attachment_18068" align="alignright" width="200"] Vicky Wilson (l.) and Jane Friedman[/caption]

Once everyone was settled, Vicky Wilson began by talking about her father, who was a writer, and she said among her family’s circle of acquaintances were family names like Boni and Liveright who operated the Boni & Liveright company, a publisher of some distinction. She was hired at Knopf in 1972 or ’73, in the editorial department, soon became a full-fledged editor, and never went elsewhere. At one point, she sought permission from her boss, Bob Gottlieb, to attend a writer’s conference out west in Squaw Valley, Idaho. Gottlieb agreed, though he told her he doubted she’d find any writers there to publish. In fact, that’s where she met Anne Rice, whose debut novel, Interview With A Vampire, she would then edit and publish. Among other things, the book became a bestseller in hardcover, and the paperback rights were sold in an auction among mass-market publishers for more money than any novel to that point. Wilson recounted sitting on a couch in Gottlieb’s office as the paperback bids ascended, astonished at all that was happening. Among Wilson’s authors is one we have in common, humanitarian and photojournalist Ruth Gruber  (1911-2016). Wilson described her career as “a constant education” in life and in business. Life, because as an editor you’re always encountering some new thing you were not apt to have known about before, and business, because you need to have at least a modicum of business sense, even though you may be more passionately interested in content and writing than the nuts & bolts of the operation.

Jane Friedman related how she came to Random House for an interview with the personnel director where, without blushing, she stated that she wanted to be in charge of something at the company.  She started working with the longtime head of Publicity, Bill Loverd, and not too long after that became head of what was then known as the Promotion department. In that role, she inaugurated—with Julia Child as the author—the first city-to-city author tour to promote a new book. The tour for Mastering the Art of French Cooking visited many major cities, supported by local morning show TV spots and well-attended signings in the book departments of major department stores, where the inimitable Julia would do a cooking demonstration. Friedman later started Random House Audio, the first audio division at a major book publisher.

Their personal monologues very quickly evolved into a stimulating back & forth, with some ribbing and joking about each other’s exploits, achievements, and work styles. It made for a delightful conversation. And everyone who came to see and hear them had a chance to engage and ask questions. I was especially pleased that many Knopf veterans were on hand, including Kathy Hourigan, Martha Kaplan, Andy Hughes, Vicky Wilson’s assistant Melinda, and Nicholas Latimer, who is Knopf’s head of publicity.

During the extended cocktail hour that kicked off the event, I was excited to learn from Latimer that Knopf is bringing out a memoir by Rose Styron, pub date June 13. Nodding toward the front of the conference room, he added that in fact Jane introduced Rose Styron to Vicky, who acquired the rights and edited the manuscript. I am eager to read it, as she has been involved throughout her life with many important humanitarian causes and human rights issues, advocating for social justice with her husband the late novelist William Styron (1925-2006). I see now that the new book is titled Beyond the Harbor: Adventurous Tales of the Heart. Almost twenty-five years ago, I had a meaningful professional encounter with her husband, and later had occasion to meet Rose, too.

It all began when I read in a biography of William Styron that the first piece of nonfiction he ever published was a critique of capitol punishment in Esquire magazine. I was working as an editor at Times Books/Random House, where I had just acquired a powerful nonfiction book about an innocent man on Death Row in Virginia. With that in mind I contacted him through his editor at Random House, and asked if he would write an Introduction to the book. It was titled Dead Run: The Shocking Story of Dennis Stockton and Life on Death Row. As a son of Virginia himself, it roused him to write a powerful essay that opened the book. After his death, I attended the public memorial held for him at a Manhattan cathedral. Afterward, I introduced myself to Rose Styron, expressed my condolences, and explained my connection to her husband, whereupon she embraced me spontaneously and said, “Oh, Bill loved that Death Row book!” I write more about Dead Run and William Styron in an essay that ran in the BN Review some years ago.

For readers of this blog who may be interested, Bob Gottlieb, head of Knopf for many of the years that Wilson and Friedman, is the author of a delightful memoir chronicling his years in publishing, a Avid Reader. Last fall, before Lizzie Gottlieb’s documentary Turn Every Page was released, about her father and Robert Caro, I wrote an appreciative essay about the memoir, published here on The Great Gray Bridge, “Avidly Reading Bob Gottlieb’s Avid Reader.”

I’ll watch for other events put on by New York Book Forum, whose president, Peggy Samedi, spoke at the beginning of the program. She said they want to bring back events like this for publishing people to take part in, now that we’ve finally all emerged from Covid isolation. I say, three cheers for that!

16

Looking Back on 2022, Another Good Year in Editing and Agenting

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Yesterday I began totaling up the volume of business for Philip Turner Book Productions in 2022, to prepare to send agency clients full accounting of monies we received from publishers for them in 2022, and to write an annual year-end blog post. I’m pleased to note the figures confirm how it felt while we working at it—2022 was a very productive year for the company I founded in 2009, which I began operating with my adult son Ewan three years ago.

It’s fun and rewarding to have such a knowledgeable colleague and partner whose instincts and judgment I trust completely. When the year began he was our Managing Editor, and then mid-year I promoted him to Executive Editor and Literary Agent, which was announced in the Publishing Trends newsletter in July. The dual role is emblematic of our makeup as a joint editorial services consultancy and literary agency. He’s heading our New Stories division, devoted to cultivating new work in fiction, narrative nonfiction, and memoir.

Looking back on the year that ends this week, I see that

• On the editorial side, we edited manuscripts and book proposals from 15 different authors;
• On the agency side, we made seven new deals with book publishers and audiobook publishers for titles that will be published in 2023 and beyond;
• With a backlist of author clients and their books that have now been published and selling for a decade or more, we also paid out advances and royalties from various publishers to seventeen different authors and rights holders.

Some of our sales in 2022:

• PUBLIC/PRIVATE: My Years with Joe Papp at the Public Theater by Gail Merrifield Papp to Applause Theater and Cinema Books; audiobook rights sold to Audible who is working with the author to recruit an A-list actor to provide the narration. Told in an entertaining way, the book blends an affecting memoir of the author’s life and work alongside the founder of the Public Theater, Joe Papp, with a behind-the-scenes portrait of the influential theater’s dazzling history. News of the book deal appeared first in Publishers Weekly’s Deals column. The book will be published in October 2023.

• MOLYVOS: A Greek Village’s Heroic Response to the Global Refugee Crisis by educator and humanitarian John Webb, sold to Potomac Books, for publication in 2023. Webb’s book tells the little-known story of the intrepid Greek villagers, who in the early months of 2015-16 bootstrapped an effective humanitarian response to aid the tens of thousands of Syrians, Afghans, Ethiopians who’d launched themselves in flimsy vessels across the Mediterranean and the Adriatic seeking safety and succor in Europe, before well-known NGOs were on the ground, months before those vaunted organizations mounted no response at all, while people of Molyvos did heroic work.

• In the popular POT THIEF mystery series—whose author J. Michael Orenduff we’ve been representing since 2010—we placed his tenth title, THE POT THIEF WHO STUDIED CALVIN, to be published by Open Road Media in coming months. Orenduff will also be publishing a nonfiction book with Open Road in coming months, details to come.

• We arranged for the writing of a history of a regional American theater by a prominent arts critic whom I represent, and engaged the participation of a theater benefactor in the project, details to come.

Books we had sold in earlier years, set to be published in 2023:

• THE NEEDLE AND THE LENS, on the interplay between music and storytelling in movies, by Nate Patrin, author of Bring that Beat Back: How Sampling Built Hip-Hop, University of Minnesota Press, May 2020; Nate’s second book will also be published by UMP.

• CINEMA OF SWORDS: A Popular Guide to Movies & TV Shows About Knights, Pirates, and Vikings (Plus Samurai and Musketeers) by Lawrence Ellsworth, translator of four Alexandre Dumas novels we’ve sold to Pegasus Books; we sold Lawrence’s new book to Applause Theater and Cinema Books.

• THE ULTIMATE PROTEST: Malcolm W. Browne, Vietnam, and the Photo that Stunned the World by Ray E. Boomhower (author of Richard Tregaskis: Reporting under Fire from Guadalcanal to Vietnam, University of New Mexico Press, 2022); Ray’s new book on Malcolm Browne will also be published by UNMP.

• THE KREMLIN’S NOOSE: Vladimir Putin’s Blood Feud with the Oligarch Who Made Him Ruler of Russia by Amy Knight, author of Orders to Kill: The Putin Regime and Political Murder (St Martin’s Press, 2017). We sold Knight’s new book to Northern Illinois University Press distributed by Cornell University Press. Amy’s new book is a dual portrait that documents the rise of Putin and the mogul Boris Berezovsky, who helped make Putin ruler, then feuded with him till his death in London, which like so many Kremlin critics, occurred under unexplained circumstances.

Books we had sold in earlier years, published in 2022:

[av_one_half first av_uid='av-2gxgfuj']THE BARRENS: A Novel of Love & Death in the Canadian Arctic by Kurt Johnson and Ellie Johnson (Arcade Publishing, May 2022), sold under our New Stories rubric. Chosen by the Women’s National Book Association for their annual Great Group Reads program, attesting to its suitability as a novel for book clubs. “Two young college women embark on a canoe trip down the Thelon River in Canada’s Barren Lands when a tragic accident turns a wilderness adventure into a battle for survival in this debut novel…A poignant and engaging thriller with a formidable lead character.”—Kirkus[/av_one_half][av_one_half av_uid='av-29t36rf']ROOSEVELT SWEEPS NATION: FDR’s 1936 Landslide and the Triumph of the Liberal Ideal by David Pietrusza (Diversion Books, August 2022; Blackstone Audio). “Historian Pietrusza creates a brisk, spirited narrative, abundantly populated and bursting with anecdotes, revealing the president’s trials and turmoil as he faced reelection….Prodigiously researched and exuberantly told.”—Kirkus, starred review[/av_one_half]

[av_one_third first av_uid='av-1tubbcr'] HEROES ARE HUMAN: Lessons in Resiliency, Courage and Wisdom from the COVID Front Lines by Bob Delaney with Dave Scheiber (City Point Press, September 2022; audiobook, Tantor Media). “Offers insights into life on the front lines during the early days of the Covid-19 pandemic…An eye-opening work about health care workers’ sacrifices and burdens.”—Kirkus[/av_one_third][av_one_third av_uid='av-195qm7v']LURKING UNDER THE SURFACE: Horror, Religion, and the Questions that Haunt Us by Brandon Grafius (Broadleaf Books, October 2022; audiobook, Tantor Media). “Grafius teaches us how to welcome horror as a constant companion in a world plagued by real evil.”—Sojourners[/av_one_third][av_one_third av_uid='av-rrcgnv']LAST CIRCLE OF LOVE, a novel by Lorna Landvik (Lake Union, Amazon Publishing, December 2022; audiobook narrated by the author, Brilliance). “This warm and funny book is vintage Landvik, with an ensemble cast of salt-of-the-earth women with names like Marlys and Charlene who tiptoe into the world of lust and examine what, as they say, turns them on. None of it is really erotica, of course, but more practical things like gallantry, compliments, understanding and forgiveness.”—Laurie Hertzel, Minneapolis Star-Tribune[/av_one_third]

After 2023, we eagerly anticipate publication of DEVOURING TIME: Jim Harrison, a Life by Todd Goddard, the first biography of the acclaimed master of the novella, gourmand, ardent friend, hunter and fisher, which will be published by Blackstone Publishing.

Major thanks to all the authors who entrusted us with editing and representing their work in the past year. We really appreciate it.

Also doing our own creative work in 2022:

Under Ewan’s pen name, M.G. Turner, he published essays on this website about Ernest Hemingway; photojournalist Ruth Gruber; and special effects film pioneer Ray Harryhausen, and continued developing his fiction, with a completed short story collection and novel which we’ll be circulating in 2023. He also assisted children’s book scholar Michael Patrick  Hearn in lectures for the Grolier Club.

I published a review/essay on a formidable nonfiction trilogy about Canadian indie rock n’ roll by Michael Barclay and other authors, highlighted by Barclay’s book, HEARTS ON FIRE: Six Years that Changed Canadian Music, 2000-2005 (ECW Press, 2022), and a review/essay on Robert Gottlieb’s enjoyable publishing memoir, AVID READER. I also contributed an essay, “The Education of a Bookselling Editor,” to AMONG FRIENDS: An Illustrated Oral History of 20th Century Publishing and Bookselling, to be published by the University of Pennsylvania Press in 2023.

We’re each looking forward to a great year in 2023. As always, please get in touch if you or someone you know is seeking guidance about publishing. Ewan can be reached at ewanmturner [@] gmail [.] com, while my contact info is philipsturner [@] gmail [.] com. Our company email is ptbookproductions [@] gmail [.] com.