Loving “Bonfire Etiquette,” Amity Beach’s New Album

Bonfire EtiquetteAt Honourary Canadian, the sister blog to this one, I’ve written up a new  album by Amity Beach,  a young Ontario pop band that I discovered at NXNE in 2012. I really like their new songs a lot. This is my post where I’ve published a full report. And this is a link to the single, “Born in the Daylight” from their soundcloud.com page. I hope you like it, too. I recommend the whole album, which you can sample at their tumblr. Really gets better the more you listen to it. Highly recommended.

Jeff Stein Visits Lara Logan’s Husband at Home

November 26 Update:

NPR media correspondent David Folkenflik just reported on their hourly news bulletin that Lara Logan and the producer of the botched “60 Minutes” segment on Benghazi have been put on a leave of absence for the many misjudgments they made in producing writing that piece for the show. More to come . . .

 

Kudos to Jeff Stein, veteran national security and intelligence reporter, for his important Newsweek story, “Lara Logan’s Mystery Man”. He explores what may have motivated Logan to so badly mis-report her “60 Minutes” story on Benghazi which was built upon the contributions of a source who claimed to be an eyewitness to events it is now understood he couldn’t have seen. Almost immediately after the October 27 airing of the segment, critics began questioning the CBS broadcast, but it took the network several days to even acknowledge any problems with the story, and then finally disown it, with a brief and unrevealing Logan apology on air two weeks later.

Most significantly, judging from Stein’s article, he managed to speak with Logan’s husband, the mystery man of Stein’s title, whose background includes a stint with the Lincoln Group, a company that the Pentagon, under Donald Rumsfeld, hired to supply fake positive news during the Iraq War. I relish the vision of Stein talking his way past Logan & Burkett’s front door, before, I assume, he was asked to leave. I recommend you read Stein’s whole story, but here’s the final portion as a sample:

“So why did Logan put that story on the air? Her pro-military bias is as well known, but so is her mettle – she’s worked in some of those most dangerous parts of war-ravaged Iraq, Afghanistan, and Egypt, where she was sexually assaulted by a mob. She won an Emmy for one of her Iraq reports. In other words, she’s a smart, tough, experienced reporter. And the producer and writers and reporters who helped her put this Benghazi story together are honored, respected professionals, many of whom have been covering the region for years. Whoever fooled them, whoever convinced them that al Qaeda orchestrated that attack on the U.S. embassy, had to be smart, incredibly persuasive and savvy about the media. And unquotable. In other words, an intelligence source. And the person closest to Logan with those credentials is her husband. But he’s not talking.”

Did Burkett have an uncredited role in producing Logan’s story? Stein’s story makes me wonder. That would be a big deal.

The contrast between CBS’s veritable stonewalling on Logan’s flawed report, and their total repudiation of Dan Rather’s “60 Minutes II” story on George W. Bush’s National Guard records–which despite errors, actually had many accurate elements–is striking. In 2004, the network appointed a blue-ribbon panel to study what went awry and fired producer Mary Mapes. In the current instance, there’s been no public airing of what wrong, and no one, least of all Logan, has been dismissed or publicly criticized. There’s also been no public admission that “60 Minutes” has a corporate sibling relationship with Threshold Editions, the conservative book imprint at fellow Viacom company Simon & Schuster, that published (and then withdrew) the fraudulent “witness’s” book. Did Logan allow her personal agenda, or that of her husband John Burkett, to color her reporting? We may never know, unless and until CBS becomes more transparent on this troubling incident.

A bit of humor to close . . .

On a lighter note, I also have to give props to Jeff Stein for a keen cinematic reference in his story, likening John Burkett as a “puffer” to Steve McQueen’s character in “Solider in the Rain” (1963), with Jackie Gleason, based on the fine novel by William Goldman.

#FridayReads, Nov 22–Patty Dann’s Novel “Starfish”

Starfish

Fifty Years Ago Today–Where I Was & What I Remember

Fifty years ago today–also a Friday–the principal at Mercer School in Shaker Hts. Ohio, Mrs Van Dusen, came in to my third grade classroom in the early afternoon and had a whispered and worried-looking conversation with my teacher, Mrs. Vaughan. A few minutes later Mrs Vaughan told us we were being excused early. Parents who normally picked us up at 3:15 would be coming for us soon. Elation I might’ve felt at getting out early was tempered by uncertainty at the earlier whispering and an unspoken urgency. I went out to the school oval and saw my mom in our car waiting to pick me up. I got in and before I could ask what was going on, she said, “The president’s been shot.” I think she didn’t want to tell me just yet that he was dead.

Thus beginning at age 9 was triggered in me a tragic period of my childhood, with violence and political killings that followed in the wake of JFK’s assassination, including events two days later, when, taking a break from a dolorous family meal, I got up from the table and walked in to the TV room. Within seconds I found myself watching a black&white TV picture as CBS broadcast the moment Jack Ruby shot Lee Harvey Oswald. What a weird sad time.

In the years that followed I observed the urban riots that afflicted many cities, including my hometown of Cleveland; deaths in Vietnam that numbered in the tens of thousands; the political murders of Martin Luther King and Bobby Kennedy; and the shootings at Kent State. In some ways, I feel like I’ve never really gotten over the shock of the weekend JFK was killed.

Ewan Munro Live on Jesse Krakow’s WFMU Show “Minor Music”

WFMU posterTonight, November 18, my son Ewan Munro performed his music live and was interviewed by musician, music teacher, and host Jesse Krakow on his program “Minor Music,” which is devoted entirely to showcasing musicians 18 years of age and younger. It was broadcast on the great indie radio station, WFMU. If you want to listen to the show, which has already been archived on the Internet, please follow this link. If you want to hear Ewan’s recorded songs you will find them at this web page of his on the music-sharing site soundcloud.com.

Krakow has done the program for four years and he will soon learn if he’s going to be renewed by the station for another year. His program is the only outlet of its kind in the New York metropolitan area, and I hope his worthy efforts will be rewarded with an extension. If you agree with me, you can let station manager Ken Freedman know via this contact page on the WFMU site. Here are some pictures from our night at WFMU 91.1/90.1 FM in downtown Jersey City, NJ. Please click here to see all photos.

#FridayReads, Nov 15–James Agee’s “Cotton Tenants: Three Families” & Patrick Watson’s “Alter Ego”

Cotton Tenants

Cotton Tenants backAlter Ego backAlter Ego

2 Good News Dog Stories Guaranteed to Help You Feel Good

2 tweets on 2 true good news dog stories:

 

1) A rescue dog at the roof of the world, healing its owner’s heart. Be sure to see all the great pics at the unsigned Huffington Post story. HuffPo gives a H/T the Daily Mail, whose story is also unsigned. Maybe the whole thing is sponsored content? The photos are credited to a Caters News Agency. I trust the story of Rupee is nonetheless true.

2) The banishment of a guide dog and its blind owner from a scheduled flight leads to a popular revolution on the aircraft, courtesy of Gothamist, with details and audio at TV station CBS 2 NY.

Talking Transition–for Mayor de Blasio & NYC’s New Government–w/PEN America

Support the Book EconomyAs a member of PEN America, I was invited to participate in a PEN speak-out Tuesday night that was part of Talking Transition, an event going on all week and next in Soho, providing input on policy and priorities to NYC’s incoming mayor Bill de Blasio, all citywide officeholders, and the new members of our City Council. Talking Transition is taking place in a big heated tent that’s set up on the north side of Canal Street, along Sixth Avenue. Each day this week has been devoted to a different topic–Tuesday night had an emphasis on Arts & Culture. PEN chose to devote its 90-minute slot to “Keeping NYC a literary and cultural capital.” On Twitter, you can follow transition events @TalkNYC2013 and the hashtag #TalkingTransition.

Each member who chose to speak was given just a 3-minute slot, so we really had to trim our points down to the minimum. The group was comprised of almost two dozen speakers, including several poets, administrators of poetry and literary programs, and publishing colleagues. The evening moved along with alacrity in front of a pretty good-sized audience under the big tent. This was the preliminary list of speakers, which came off with only a few small changes.PEN Speakout roster I titled my own talk “Support the Book Economy, Foster Publishing Experiments.” The transcript of my remarks, delivered almost verbatim, is here, and below them is a key point I would’ve made if I’d had a bit more time.

Support the Book Economy, Foster Publishing Experiments. 

When the recession hit in September 2008, the book economy in New York, was already in a parlous state. To choose just two measures, the rate of closure among indie bookstores was rising and the income of mid-list authors was declining, along with their access to being published at all. A few months later, in January 2009, I was swept out of corporate publishing when the imprint where I’d been editorial director was shuttered. Much as I could talk about my experiences over the past five years, the new business I started, or my three decades in the book business, this talk is not about me, for I am only one among 100s of publishing professionals who lost full time jobs in the months and years since the economic collapse who have yet to again find full employment. To get at the scale of the problem, consider that in 2009 Publishers Weekly started a “Comings & Goings” feature that allowed folks to submit their contact info so that others who wanted to be in touch, to hire them, or just to network, could do so. It had over 200 names at one point. And then last month another book news outlet, Media Bistro’s galleycat, created a directory of just freelance editors, which after a few weeks already has nearly 300 people in it. Based on my observations of book industry layoffs, I’m sure that these figures of self-selecting people only hint at the total numbers.

Clearly, there is still a wealth of great publishing talent in the city. That’s good news. And yet while many of us are still working as editors, marketers, and publicists, or working in adjacent fields like online news, often we are not being paid adequately, and sometimes not at all, for time spent on publishing tasks we hope will one day turn in to full time jobs or paying assignments. Regrettably, this condition persists even while the book industry has experienced a boom from digital reading that’s given greater exposure to book culture, increased the engagement of many readers, and left thousand of readers more avid for books, print and digital.

Yet, even while the boom has grown, the benefits of it are not being felt by most of the under-employed full time publishing workers. This crisis offers the city an opportunity to capitalize on the talents of all these bookpeople with publishing incubators that would foster innovation, experiments, and new models to help business-savvy bookpeople turn their enterprises and current projects in to job-creating engines of the book and the New York City economy.

Therefore, I urge City Council, Mayor-elect de Blasio, and all citywide officeholders to establish public-private partnerships and other initiatives that would help make available low-cost or no-cost business enterprise advice (legal, accounting, financing); no-cost or low-cost workspaces where people could share cubicles, WiFi, and conference rooms. With philanthropic support, or venture capitalists with money looking to do good, a fund for experiments could be launched, with grants being provided to offer recognition, encouragement, and a stipend. I urge the tech community, really a first cousin to digital publishing, to work with bookpeople to create new initiatives that will elevate the entrepreneurial efforts of New York City’s publishing community.

My addendum to these comments is an explicitly political point. One of the reasons that the economy remains anemic in New York City and around the country–with a lack of full employment for millions of people, not just publishing professionals–is that obstructionists in Congress have imposed austerity on the country. Since 2010, right-wing politicians have thwarted any ongoing economic stimulus that would, if enacted, help prime the pump and accelerate demand.  This has been denied us, even at a time of very low interest rates. Now, with the victories of Mayor-elect de Blasio, many progressive citywide officeholders, including by far the most progressive City Council since I moved to New York in 1985, I hope that the city, and my own precious book industry, can have, courtesy of the new actors in city government, its own local and direct stimulus that will benefit publishing, readers, authors, and all of New York City.

Finally, here are pictures I took Monday and Tuesday night when I attending Talking Transition events. PEN Participants had been asked to submit favorite quotations, our own, or those of other writers, which you’ll see in a tweet cloud in many of the photos.Please click here to view them.