#FridayReads, Aug. 30, Seamus Heaney’s “Death of a Naturalist”

Weekend Update: I’m glad to see that Andrew Sullivan’s site The Dish also eulogized Seamus Heaney in a post sharing the same video I posted below, with the reading of “Digging.” Author of the guest post, poetry editor Alice Quinn, has lovely things to say about Heaney’s affection for other poets–George Herbert, Gerard Manley Hopkins, Elizabeth Bishop, Emily Dickinson, Robert Frost, etc.

Heaney cover#FridayReads, Aug. 30, Seamus Heaney’s Death of a Naturalist, his debut poetry collection published in 1966, a copy of which I bought at a reading he gave in New York in the late 1980s, and which I’m dipping in to tonight. Heaney was a warm and personable reader who embodied his poems with great solidity and clear voice. The news of his death at age 74 was announced earlier today, with eulogies and obituaries appearing in many publications, including the New York Times, the New Yorker, the Irish Times, and the Boston Globe, where I found the video I’ve posted below of Heaney reading his poem “Digging,” which I recall he read at the event almost 25 years ago.Heaney back

Between my finger and my thumb
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down
Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.
The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.
By God, the old man could handle a spade.
Just like his old man.
My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.
The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.
Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

An Obit to Love–Louisa Jo Killen (1934-2013), Irish Folk Musician, Lived till Age 76 as Louis Killen

A truly fascinating NYTimes obituary announces the end of an amazing life–Louisa Jo Killen, tenor, member of the Clancy Brothers, song collector, performer on the important UK label, Topic Records, and charter member of the crew that took Pete Seeger’s Clearwater sloop on her maiden voyage, from Maine to Manhattan’s South Street Seaport. Known as Louis, Killen joined the Clancys after Tommy Makem left the quartet, appearing on the 1968 album “Songs of the Sea.” Times reporter Paul Vitello adds, “Folk archivists still consider the dozen recordings made by…Killen in the late 1950s and early ’60s for the British folk label Topic Records to be the definitive versions of traditional English songs like ‘The Shoals of Herring,’ ‘Black Leg Miners,’ ‘Pleasant and Delightful,’ ‘The Flying Cloud’ and ‘The Ship in Distress.’” At age 76, Killen took the step of becoming Louisa; Vitello reports other details of this change: “In 2010…Mr. Killen surprised his fans and many of his friends by resolving to give voice to another sort of lost life. He began living openly as a woman, performing in women’s clothing and a wig. In 2012, he underwent a sex-change operation.”

Here are some shots of Topic Records LPs I own, the sort to which Killen contributed. Topic Songs of WorkingmenTopic Records Child BalladsTopic Songs of Field and Fowl

As alluded to in my first tweet, this scenario from a real life folksinger put me in mind of the musician character Harry Shearer plays in A Mighty Wind, the 2003 faux folk scene documentary directed by Christopher Guest. Shearer’s character, Mark Shubb, is dressed like a woman and speaks of his gender switch in one of the movie’s final scenes. The obit has a photo of Louis from sometime in the 1960s or ’70s (courtesy of Brian Sheul/Redferns, via Getty Images) and of Louisa from 2010 (courtesy of Debra Cowan), both posted below.Louisa Killen photo:Debra CowanLouis Killen Brian Sheul:Redferns/Getty Images

How is the NFL like Big Tobacco?

 

I find the NFL’s conduct in this matter more and more like that of the Big Tobacco executives who in the 1990s lied to Congress and denied there had long been knowledge within their companies that nicotine in cigarettes was addictive. Among several issues that league execs should answer for is whether they have for many years known that injured players risked longterm disability and shortened life expectancy from competing too soon after having suffered concussions. I find their behavior obnoxious but unsurprising. But for ESPN, I have I think even more scorn. They’re happy to be thought of as an influential media player, committing journalism and keeping an eye on organized sports’ tendency toward corruption and malpractice when it serves their reputation-building purposes, but then they readily revert to being a commercial player, with Disney corporatism holding the whip hand once the league turns on the heat full blast.

Maybe the lesson is we should not show trust for the journalism put out by ESPN. A pity, because I know there are many capable reporters and correspondents working for the network, including the brother reporting team of Mark Fainaru-Wada and Steve Fainaru, authors of the forthcoming  League of Denial: The NFL, Concussions and the Battle for Truth, the book accompanying “League of Denial: The NFL’s Concussion Crisis,” the PBS Frontline documentary that the NY Times article suggests Disney forced ESPN to back out of sharing in ownership of and credit for, even after the network and the authors had spent months working on it alongside producers at Frontline.

Below is the trailer for the program that according to the Times became a major point of contention at the recent midtown Manhattan lunch meeting between NFL and ESPN execs. The book, with nearly the same title as the program, will go on sale a few days before it is first broadcast. Another item of interest is the online statement Frontline producers put out, regretting ESPN’s decision and promising their viewers “The two-hour documentary and accompanying digital reporting will honor FRONTLINE’s rigorous standards of fairness, accuracy, transparency and depth.”

Watch “League of Denial: The NFL’s Concussion Crisis” preview on PBS. See more from FRONTLINE.

#FridayReads, Aug. 23, John W. Pilley’s “Chaser: Unlocking the Genius of the Dog Who Knows 1000 Words”


#FridayReads, Aug. 23, John W. Pilley’s Chaser: Unlocking the Genius of the Dog Who Knows a Thousand Words I’m really enjoying dog owner and psychologist Pilley’s engaging book on his remarkable Border collie, Chaser. It could have also been subtitled, “Unlocking the Genius of a Dog Who Knows 1000 Words,” so smart is this dog. I’m reading a galley I got at Book Expo last June. The book will be published October 29th, according to the promotional copy on the back of the advance reader’Chaser back covers copy.

Fun Friday in Coney Island


RosettesKyle and I had a great time in Coney Island today. In addition to the photo I sent out with the above tweet, here are more highlights from my camera roll with about 20 shots of this supremely photogenic New York City attraction.

Summer Fun Cruising up the Hudson and Dining in Harlem

As I learned earlier in the summer when a painting of my wife’s was part of the Motown to Def Jam exhibit in Harlem, there’s a lot of exciting cultural activity and economic development taking place in upper Manhattan. The latest venture, which I discovered during a bike ride yesterday, is the West Harlem Gastro Cruise, in which a sunset cruise up the Hudson may be combined with a later stop-off and stroll to any one of ten Harlem-area restaurants. The cruises have been taking place each Monday in August, with one more left this month, on August 26. I learned about all this from two friendly local businesswomen I met, seated under a tent in the West Harlem Piers park at 125th Street.

Branded with the logo of Amalgamated Bank, under the red canopy were Bethlehem B. Belatchew–an Amalgamated VP and manager of their 564 W. 125th Street branch–and Savona Bailey-McClain, Curator of the West Harlem Food & Beverage Association, and former chair of Community Board 9’s Economic Development Committee. She explained to me that the association is a trade group focused on food, beverage, and nightlife in West Harlem. The cruises actually begin downtown at the World Financial Center Ferry Terminal, on the ship, Marco Polo, making a stop at the West Harlem Piers and then sailing up to the George Washington Bridge, aka the Great Gray Bridge, the namesake of this blog. Prices are quite reasonable: a $45 package price for the cruise and dinner at any of the participating restaurants; $20 per person for the cruise alone. Both options have reduced prices for children. More pricing info and sailing times are in the scanned brochure below with web link here, too.

Though I wasn’t able to join the cruise last night, I’m hoping I will have the chance next Monday night. It would be a great send-off to August! Here also are links to their Facebook and Twitter pages. Hudson cruise 1Hudson Cruise insideHudson Cruise back