What Mitt Romney Thinks of Obama Voters

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Late Monday Update: This link is to the entire Mother Jones piece by David Corn that unearthed the video of Mitt Romney disparaging Obama voters. Corn’s piece is excellent reporting, and goes well beyond the video that has so quickly become notorious, and emblematic of Romney’s disdain for close to half the country.
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This afternoon Taegan Goddard’s PoliticalWire.com has posted shocking audio and video of Mitt Romney, at a fundraiser, characterizing Obama voters in a most denigrating way. The whole clip runs about 2 minutes. Here’s an excerpt quote from PoliticalWire.com:

Said Romney: “There are 47 percent of the people who will vote for the president no matter what. All right, there are 47 percent who are with him, who are dependent upon government, who believe that they are victims, who believe the government has a responsibility to care for them, who believe that they are entitled to health care, to food, to housing, to you-name-it. That that’s an entitlement. And the government should give it to them. And they will vote for this president no matter what…These are people who pay no income tax.”

He adds: “My job is is not to worry about those people. I’ll never convince them they should take personal responsibility and care for their lives.”
Here’s the clip:

This feels like a kind of bombshell.

Sometime after it appeared on politicalwire.com, the Obama Campaign sent out these remarks:

STATEMENT ON ROMNEY’S BEHIND CLOSED DOORS REMARKS

CHICAGO – “It’s shocking that a candidate for President of the United States would go behind closed doors and declare to a group of wealthy donors that half the American people view themselves as ‘victims,’ entitled to handouts, and are unwilling to take ‘personal responsibility’ for their lives. It’s hard to serve as president for all Americans when you’ve disdainfully written off half the nation.” – Jim Messina, Obama for America Campaign Manager

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Reading along with Richard Ford

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Fascinating Q&A with novelist Richard Ford in the “Books” section of the Boston Globe over the weekend. I was mesmerized by his latest novel Canada, which I blogged about several times (1, 2, and 3) while caught up in the reading of it last May and June. These are two of the most interesting bits from Ford’s discussion with Amy Sutherland:

BOOKS: Are you a slow or fast reader?

FORD: Slow. I’m dyslexic. If you can reconcile yourself to not being able to burn through books, which you shouldn’t any way, you can slow the whole process down. Then, because of my disability, there is more for me in imaginative literature than there is for other people. . .

BOOKS: What was your reading like before this?

FORD: Dutiful. Remember when you were kid in school and the teacher was always telling you there’s more here than you see. There’s a line of Henry Moore’s, “Never think of the surface except as an extension of a volume.” I was thinking there was a volume but where the hell was it?

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#FridayReads, Sept. 14–“Rust Belt Chic” & “The Scarlet Ruse”

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My belated #FridayReads is for the new book, Rust Belt Chic: A Cleveland Anthology, edited by Richey Piiparinen and Anne Trubek, to which I’ve contributed “Remembering Mr. Stress, Live at the Euclid Tavern,” an essay on the bluesman I followed devotedly for the many years I lived in Cleveland. I just got my own copy of the book yesterday and have begun reading my way through the more than 50 other entries in it, with pieces on legendary rock n’ roll scribe Jane Scott, poet hart Crane, graphic novelist Harvey Pekar, urban decay and renewal, and many other topics. It’s a thrill to be in this book with so many other terrific writers.

Before Rust Belt Chic‘s arrival in the mail yesterday I was reading one of John D. MacDoanld’s gripping Travis McGee novel’s The Scarlet Ruse, which I’m continuing to enjoy this weekend. If you too enjoy MacDonald’s work, please note I’ve blogged about his novels a number of times, and I learned this week there’s a Facebook group page in his honor, which I invite you to check out and consider joining. It’s always fun to have such great nonfiction and fiction on the boil.

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“‘What is their Message? What is Going on Here?'”

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Surprisingly candid put downs of the Romney campaign and their day of campaigning on Friday, from named and unnamed Repubs in this Washington Post article headlined “Romney’s Campaign Day Lacks Focus,” by Philip Rucker and Karen Tumulty:

“Coming at a moment of international crisis, as U.S. embassies in the Middle East were being beset by anti-American protests, the interview [on “Live” with Kelly Ripa] brought shudders from some Republicans who fear the Romney campaign is running aground in its final stretch.

‘Deaver is turning over in his grave,’ said one prominent Republican strategist, referring to Michael Deaver, the late image-maker for Ronald Reagan. The Republican asked for anonymity, because he did not want to go public with his growing despair over the GOP ticket’s prospects for winning this fall.

‘I can’t get my head around this,’ said John Weaver, a former strategist on Republican John McCain’s presidential campaigns. ‘What is their message? What is going on here?'”

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A Glimmer of Hope in PA Voting Rights Case

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Helpful article by Dan Froomkin at HuffPost on the Pennsyvlania Supreme Court hearing today, about the state’s voter ID law. With a deadlocked head count of three Repubs and three DEMS, the fear has been that a tie vote will allow a lower court ruling to stand that upheld the onerous law (Froomkin points out that the lower court decision stood on racist precedent from the 19th century). However, he also reports there may be some hope for a bipartisan, fair judgment:

There are some hints that at least one Republican justice could break ranks. At the hearing, Justice Thomas Saylor, a Republican, asked the state’s lawyers whether the law guarantees every registered voter can cast a vote — a question they could only answer in the negative. The Philadelphia Inquirer editorial board raised the possibility that Pennsylvania Chief Justice Ron Castille might ultimately side with the Democrats on this issue.

“[W]hile his brethren might rule along party lines, Castille has a history of flexing his independence,” the paper wrote. “Just eight months ago, it was Castille who distinguished himself in an otherwise partisan 4-3 ruling when the state Supreme Court threw out a redistricted legislative map designed to benefit the GOP.”

I’ve picked up and shared Froomkin‘s excellent reporting before. As I wrote about him in July,

“Dan has long been one of my favorite news aggregators and commentators. I first got to know his work in the early 2000s, when he wrote and edited the must-read, “White House Watch” at washingtonpost.com. WHW was a daily news digest entirely made up of news about the Bush White House, with Dan’s pithy commentaries about the stories he selected for his readers. I used to wait avidly each day until mid-morning when each new column would appear online. If I had a lunch date I had run to, I would print out the pages and take them with me on the subway. This is Dan’s awesome archive of all the WHW columns he did, a valuable record for history in this age of amnesia–plus all the live chats he did–before his employment at the Post was ended in January 2009, one of the worst decisions, among many bad calls, that that newspaper made in the 2000s.

From the lede of Dan’s story today:

“The legal team fighting Pennsylvania’s restrictive new voter identification law asked the state’s Supreme Court on Thursday to at least postpone until after November the measure that could disenfranchise tens of thousands of voters, many of them minorities. ‘There’s too little time, there’s too many people affected and there’s no place in the statute that guarantees that qualified electors can get the ID they need to vote,’ said David P. Gersch, representing the American Civil Liberties Union and other public interest groups.”

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My Contribution to “Rust Belt Chic: A Cleveland Anthology”

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Rust Belt Chic: The Cleveland Anthology is officially published now and available for purchase, as a trade paperback and an ebook. This is the book readers and friends may have noticed me, and others, blogging about over the past couple months. I posted about it on July 13, just after I’d submitted my completed essay, “Remembering Mr. Stress, Live at the Euclid Tavern,” on a venerable Cleveland bluesman and the nightclub where he and his excellent band played for many years, both of which proved personal gateways to my lifelong enjoyment of live music.

Before making way for my piece, I want to add that Rust Belt Chic is a unique community publishing project, spearheaded by co-editors Anne Trubek and Richey Piiparinen, who pulled the whole project together, with more than 35 contributors, in under 3 months. It comes at a propitious moment, a time to appreciate and re-appreciate what weathered cities like Cleveland offer the country–creativity, resiliency, new hope, authenticity, and less bullshit than other environs. After seven years of running Undercover Books in Cleveland, I left my hometown, moving to New York City in 1985. Even here in the metropolis, I note the mall-ification and mass-ification of the city, where it seems every corner has a Duane Reade, CVS, Walgreen’s, TD Bank, HSBC, Chase, or Citibank. What ever happened to stores run by local owners? Well, they’re around, just a bit harder to find, in NYC, and many in Cleveland. This is the sort of new world that Rust Belt Chic explores and chronicles.

As a sign of just how community-oriented the book really is, editors Trubek and Piiparinen asked all the contributors, in the event that the book sells well enough to make back its expenses and reaches into profitability, would we want an honorarium payment, or would we choose to plow our earnings into another indie project to be chosen first from among book ideas presented by us contributors, with one (or if we’re really fortunate, more than one) project being chosen for funding. I have a ready book idea–a new volume to be culled from the Guinness Book of World Records-recognized diary of Edward Robb Ellis, whose A Diary of the Century: Tales from America’s Greatest Diarist, I edited and published in 1995. I was happy to choose the second option offered.

With all that said, I’ll close this preamble by saying I hope you buy the book as a print or a digital edition, or one of each, not because of charitable intentions (though that’s okay too) but because it offers thirty-five fine examples of narrative journalism, chronicling a distinctive part of the country that is too often overlooked on the literary and cultural map. I also urge you to follow the book’s Twitter feed, @rust-belt-chic. On my own Twitter feed, @philipsturner, I’ve started a hashtag, #MrStress. You may also ‘like’ the Rust Belt Chic Facebook page. Thank you in advance for supporting this exciting experiment in cultural urban renewal.

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Remembering Mr. Stress, Live at the Euclid Tavern 

Growing up in the hotbed of rock n’ roll that was Cleveland in the 60s and 70s, I began going out to hear live music even before I had turned fourteen. Music Hall, with its fixed rows of seats trimmed in maroon velvet was a regular venue for bills such as Cream with Canned Heat; the Grateful Dead with the New Riders of the Purple Sage; Traffic; John Mayall; the Allman Brothers; and The Band, among many other acts. In 1972, just after turning eighteen, then Ohio’s legal drinking age, I began to discover live music venues that were even more fun as a hang-out than Music Hall.

On the eastern edge of University Circle, near Euclid Avenue and Ford Road was a squat brick building known as the Brick Cottage, where I found that a venerable Cleveland bluesman, Mr. Stress and his band often performed. Stress dubbed this club the “sick brick,” a rueful yet fond homage to the many nights of alcoholic excess committed within its walls. Mr. Stress was the Paul Butterfield of Cleveland—a white bluesman who sang and played harmonica and led his band with an unerring sense of what made the blues so entertaining and so sustaining for live music lovers. He was always comfortable on stage with a cohort of diverse sidemen, young and old, black and white, tattooed players and professorial pianists.

In 1973, I went off to study at Franconia College in New Hampshire. By 1978, when I returned to Cleveland full-time, Stress and his band had moved down the block to the Euclid Tavern, at 116th Street where they would join forces every Wednesday and Saturday night for what became a long-running residency. This club, quite a bit larger than the “Brick,” included a central music room with a low stage for the band and a dance floor, an outdoor area in back, plus a basement bar. It was a veritable cruise ship of nightlife. During breaks between sets I often made new friends in my ambles around the lively deck. In the room opposite the stage was the main bar, a long hitching post of a drinks station where multiple bartenders pulled beer taps and poured liquor. Behind and above them was a sign that became a watchword in my life: “It’s hard to soar like an eagle when you’re on the ground with the turkeys.”

Mr. Stress—real name Bill Miller—was a TV repairman by day. “Stress,” as most people called him, was a big reader, a history buff who avidly consumed books, including many on the Vietnam War. In 1978, when my family and I began running Undercover Books, a bookstore in Shaker Hts., I’d order Nam books that Stress asked me about and bring them to the club for him. (Sometimes he paid for them, sometimes I just gave them to him—my personal payback to Stress for the generous enrichment he always lent to the Cleveland music scene.)

Like me, many Stress fans came to the Euclid Tavern every week. I was friends with Danny Palumbo, who got around in a wheelchair. Danny worked for the State of Ohio in workplace compliance for accommodating the disabled. Never hindered in his enjoyment of the fine blues that Mr. Stress and the band played, Danny would dance in his chair along with everyone else crowding the wooden dance floor, boogieing to up-tempo numbers like “Crosscut Saw” and “Firing Line,” or swaying to laments such as the mournful “Black Night,” when a guest sax player, Mal Barron, would sometimes sit in. Danny had a colorful way of talking about the female friends he’d meet each week at the bar, and I recall him once saying of a certain Tanya, a particularly cute and curvaceous regular, that given the chance he’d eagerly “drink her bathwater.”

Another Stress fan I saw just about every week was Michael Lloyd, an African-American friend who like me had for a time worked at Cleveland’s Municipal Stadium. We met when we were each vendors for Cleveland Indians baseball games. I sold beer, Michael sold hot dogs. I did it for only one summer, he did it for a few more and then moved in to the season ticket office. He was a tall, handsome fellow, with a smooth manner and sweet speaking voice. I thought of him as the the Euclid Tavern’s Smokey Robinson. He was a sharp dresser and a great dancer, and always drew to himself the prettiest, most statuesque new female visitors to the club. They would walk tentatively into the place, clearly wondering what this rough and raw place was all about; Michael would spot them and deftly take them under his wing for the night. 

Stress enjoyed bantering with his bandmates and regulars got to know his comic repertoire very well. As Stress would reach the punch line to one of his hoary gags, a bartender would chime the tip bell, a badda-boom underlining the corny humor. The exterior of the building that housed the Euclid Tavern was as weathered as the nearby streets. One of Stress’s favorite lines was, “The more you drink, the better we sound.” 

Sometime in the early 80s, Stress put out an album, “Mr. Stress Live at the Euclid Tavern.” I still treasure my vinyl LP, and listened to it while composing these recollections. After moving to New York City in 1985, I would sometimes return to the club when visiting family back home. Except for Stress, I never saw the old crew. As years passed, I occasionally wondered if he was still playing at the Euclid Tavern, or playing in Cleveland at all. I also wondered if the Euclid Tavern was still standing at 116th Street, even as the rest of University Circle underwent many makeovers and Cleveland picked itself up off the mat of urban decline time and again. My sister Pamela Turner still lives in Cleveland, and in July she found it for me, taking the photo of the sign posted here. While reporting this piece I found a phone number for the establishment and asked a bartender who answered if Mr. Stress still plays there. Sounding a bit surprised, he replied, “No, he hasn’t played here for a couple years.”

I later spoke with Plain Dealer reporter John Petkovic who’d written a 2011 story about Stress, reporting that in 1993 the musician had had a heart attack. In the story, Stress also told Petkovic, ““I woke up one morning and. . . I had lost a third of my vision. I’ve heard it comes from blowing so hard, you pop blood vessels. I can’t drive or get around as well. But it ain’t stopping me from playing the blues.”

Petkovic referred me to Alan Greene, a Cleveland musician who played gigs with Stress as late as 2010. Alan said Stress now considers himself in “semi-retirement.” Alan also mentioned that next New Year’s Day Stress will turn seventy, which brought back a flood of rich memories from great New Year’s Eve shows when Stress and revelers raucously marked a new year and Bill’s birthday. Alan also mentioned that when Stress was born a minute after midnight on New Year’s Day in 1943 he was feted as Cleveland’s firstborn of the new year—a fitting birth for a bluesman when you think of Muddy Waters singing about fabled characters who were ‘born the seventh son of the seventh mother on the seventh day.’ Clearly, Stress was born with an auspicious pedigree for what’s turned out to be a great life and musical career.

I will always fondly recall the many nights of fine blues and camaraderie I enjoyed thanks to Mr. Stress and the talented bandmates he played with. During the years I followed them at the Euclid Tavern his sidemen were Mike Sands, keyboard; Tim Matson, lead guitar; Ray DeForest, bass; and Nick Tranchito, drums, who Stress invariably introduced as “the Mediterranean metronome.” Living in New York City today I remain a devotee of going out to hear live music, a happy habit I began forty years ago listening to Mr. Stress. I must add that after RBC was published, Mr. Stress read my essay and we’ve been reunited via telephone and the Internet after more than 25 years being out of touch. Even with macular degeneration, he still reads voraciously with aid of voice-enabled software. We were in touch on his birthday New Year’s Day and he knows I’m presenting his story here tonight. He’s very glad to see his career remembered in Rust Belt Chic.

Philip Turner is a longtime bookseller, book editor and publisher. He lives in New York City and blogs daily at The Great Gray Bridge, where he writes about music, books, publishing, media, culture, and current affairs.

November 2012 Update: At the time I submitted the above essay for inclusion in Rust Belt Chic I had not spoken with Mr. Stress, the subject of the piece, for more than twenty-five years. Now that the book’s been published I’ve had the privilege of sharing the essay with him and being in touch once more. This has proved a real joy, truly the best benefit of having written the piece. Speaking with Stress, I learned I had made some errors in my first draft, for which I apologize. Stress has graciously helped me correct them, patching up some key gaps in my memory. One of these was the facts about the predecessor bar to the Euclid Tavern, the Brick Cottage, where Stress was regularly playing in 1972, when I first heard him. Also, I now liken him more accurately to Paul Butterfield, rather than Charlie Musselwhite, as I’d done earlier. As well, photographs not in the book are included here with the piece for the first time.

January 4 2013 Update: On January 3 in Brooklyn at a venue called Public Assembly, Rust Belt Chic was feted with readings by six contributors, and one Detroit-bred guest not in the Cleveland collection. The version of the essay posted above is pretty much as I read it last night, with some slight variations to the expanded version published on this blog in November. I’m hopeful that at some point the ebook edition of Rust Belt Chic will be updated so as to reflect the latest version of the essay. It is not dramatically different from the version published in the print edition of the book, just a bit longer. I’m grateful for your understanding.

Please click through to read the entire post and view all photos.
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Remembering 9/11/01–Running through a Dust Cloud in Lower Manhattan

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In May 2001, Avalon Publishing Group–the Berkeley, California company I worked for as an editorial executive with Carroll & Graf Publishers–moved all its New York employees to new offices on 161 William Street in lower Manhattan, near City Hall Park, behind Park Row and the J&R Music World stores, 2-3 blocks east of the World Trade Center. I had enjoyed our original space on W. 21st Street, and didn’t appreciate the longer commute from my apartment on the Upper West Side of Manhattan, but soon got used to the new neighborhood, new restaurants, new sights and sounds.

On the morning of September 11, 2001, I rode the #1 train downtown and emerged from the Fulton Street subway station, at the corner of William and Fulton, with a customary single earbud stuck in one ear, tuned in to local public radio station WNYC, alert to what might be going on at street level. I detected uncharacteristic alarm from the on-air voices of host Brian Lehrer and correspondent Beth Fertig. Before I could comprehend the source of their concern, my gaze turned west and up in to the air toward the World Trade Center towers, startled to see flames, smoke, and debris pouring from the structures, against a backdrop of a California-type deep blue sky. The air around me was palpably hot, a weird sensation I couldn’t account for, even after seeing the flames above me in the sky.

What in the world?

Turning the corner and hurrying toward my office building, I focused again on the radio voices, hearing something about an airplane having crashed into one of the towers, and then, that a second such crash had occurred, evidently only moments before I came out of the subway. Lehrer’s and Fertig’s alarm was in real time. Any idea I had momentarily entertained that associated this event with the incident in the 1940s when the Empire State Building was struck by a light plane, was dashed. I ran in to 161 William, took the elevator to our upper floor and found a handful of Avalon colleagues who’d arrived before me. I hustled over to the western side of the floor, joining them as we all took in a clear view of the twin towers, with a valley of lower buildings below and between us and the conflagration. The volume of flame, smoke, and debris were all much greater than when I’d first seen them from street level. The debris included a fluttering cascade of myriad loose sheets of white paper. Midway between our building and the two towers I noticed a lone man on a rooftop across the way and below our floor. The figure seemed to be in a prayerful pose, kneeling on a rug, wearing a white skullcap. I never learned what he was doing there, and have in the years since pondered it with colleagues such as Keith Wallman who saw the man with me that morning.

In those days, neither my wife nor I owned a cell phone. I rushed into my office, on the east side of the building, and used my phone there to call Kyle. The lines worked the first time I tried our home line. She’d just gotten in from taking our son Ewan to kindergarten, where he was in his first week as a student; on her way home she’d heard about the events downtown. I told her what I’d seen and she said she had the TV on and warned me to leave the office building right away. I said, yes, but I don’t know what’s going on at street level. What if the buildings fall, and topple in the easterly direction? What if people are panicked or trampling each other? Maybe I’d be safer upstairs.  These were some of my thoughts. Kyle said she was going to go out and get cash and drinking water for our apartment, then go back to school and bring Ewan home. We talked a few minutes more and I told her I was going to go back to the other side of the office, the west side of the floor, to see the latest developments. I stayed a few minutes and finally decided, yes, it’s time to leave. I tried my home line again but now couldn’t get a call through. I would’ve left a message, telling Kyle I was leaving and that I would try to call her again later, but couldn’t get through at all. A colleague and I decided to descend in the elevator together, and then make a run for it when we got out on William Street. My companion was my fellow editor Tina Pohlman. As we were rushing from the western windows in to the open elevator car—I know now it was at 9:59 AM—we heard one of the weirdest sounds I’ve ever experienced, made by what I learned later was the collapse of the first tower. First, came a deeply guttural bass sound, created probably by the tremendous downdraft of air from the vertical collapse—something almost felt more in my belly than heard in my ears. The next instant, I registered a high, trebly, tinkling noise made up, I think, of breaking glass and splintering metal.

Tina and I descended in the elevator without a problem, but outside the lobby’s revolving door saw hundreds of people running past our building front, engulfed in a dusty, smoky cloud. Without hesitating more than a few seconds, we pushed out the door and joined the massing throng pushing north and east, toward the Brooklyn Bridge. Tina hoped to head over to the lower East Side, where she lived, if permitted by police. My direction was uptown, all the way to West 102nd Street, my home block. We were immediately surrounded by the cloud, a murk that wasn’t pure gray or black, examples that TV footage would later show; this cloud actually had a few shafts of sunlight in it. It was more ochre than gray. Still, it was pretty opaque and a specific fear registered that if debris were flying in it, we might not even see it heading at us. We made a right turn on Beekman Street, past New York Downtown Hospital, then turned left on Pearl Street, running together for several blocks until we were actually under the Brooklyn Bridge.

Though still surrounded by the blanket of dust, and impelled to keep running till I was clear of it, I was beginning to fear that I couldn’t keep up the pace. I wasn’t so much out of breath, the problem was the shoes I had worn that morning—a pair of newish ankle-high boots. With the beautiful fall weather that morning, I had considered them appropriately autumnal and so decided to don them. But I hadn’t broken them in yet, and they proved terrible to try to run in, or even to try walking fast. I would regret my choice of footwear for many months that followed.

I tried to ignore the nascent pain and resumed my nervous, awkward jog, continually hitching and hauling up the tote bag slung over my shoulder. Surrounded by earnest and fearful strangers, all of us still shrouded by the murk, my route passed through unfamiliar parts of Chinatown. Approaching Canal Street the cloud began to thin a little. Finally, we crossed Canal and burst into patches of clear air. Tina and I said goodbye and wished each other well as we headed off in our separate directions. I was relieved to be in clearer air and thought, Now I just have to get home. Problem was, I still had a long way to go. Any city buses that passed were insanely overcrowded, and moving at a crawl anyway. Yellow cabs and livery taxis were also full and barely moving through the dense surface traffic. Continuing to listen to the radio, I learned that the second tower had fallen, at 10:28. With both towers down, I was now confirmed in my horror that thousands of people had already died this day. Meantime, the subways had been halted, and it was unknown when they would resume operation. I had no choice but to walk all the way home, about eight miles.

I pushed up Broadway, through Soho, past Union Square, the Flatiron Building, Madison Square, Times Square, the Theater District, Central Park, Columbus Circle, and Lincoln Center. Every now and then on this odyssey I’d stop and try Kyle on a pay phone. The lines were all dead. She didn’t know when or even for sure if I had left my office. At last, I hit 72nd Street and was on the Upper West Side. It felt good to be back uptown, but I still had thirty blocks to go. I kept pushing, increasingly hobbled, eventually ringing our bell and announcing I was home. It was around 3PM, about five hours since I’d left William Street. Kyle and Ewan were waiting for me and I collapsed into their open arms. I sat down and removed my shoes and socks. Both feet were raw and blistered, from ankles to toes. I tuned in to TV for the first time all day and saw with my own eyes the enormity of the loss that everyone else had been viewing all day via the visual medium. Not wanting to disturb Ewan any more than he might be already, we shut off the set until he went to bed.

Avalon’s offices would remain closed for about a week and a half. I tried to stay off my feet and let them heal, but the need to be ambulatory prevailed and I resumed walking around. Unfortunately, my gait was much altered by what I’d endured, which led to a series of foot, ankle, calf, hamstring, and leg injuries over the next couple years. Damage to the #1, 2, and 3 subway lines in lower Manhattan was so serious that my longer commute was lengthened further; a trip that used to take 30-40 minutes often ran to 90 minutes or longer, with a lot more walking required every day. It was a horrible burden every day to come to work in the same neighborhood with the toxic brew a few blocks west that was already making recovery workers on the pile ill. For some reason, cold air seemed to magnify the odor that drifted eastward in the neighborhood. On winter evenings, I would leave the office and rush down in to the subway station, covering my mouth with a handkerchief to cut the horrible, vile crippling smell that I knew contained a mix of plastics, circuit boards, burnt upholstery, carpets, and human remains.

A new normal kind of took over, but nothing really seemed normal anymore. I read about and followed the 9/11 Commission and was appalled at what had been the Bush administration’s failure to heed urgent warnings from counter-terrorism officials, as we were reminded again this morning with Kurt Eichenwald’s NY Times Op-Ed, The Deafness Before the Storm. I was deeply and personally offended when Bush held his 2004 convention in NYC, using the still-healing city as a backdrop for his bogus triumphalism. He and Dick Cheney claimed to have kept us safe–except I always hastened to add–when they had failed, “big time,” to borrow a phrase of Cheney’s. I was enormously relieved when Avalon moved offices again, back into Chelsea, a welcome removal from the still-stricken neighborhood downtown.

I didn’t suffer personal loss that day, but the mundane insults that many denizens of Gotham did endure—my leg injuries and lengthened commute standing for the ordinary pain of so many—were deeply hurtful, especially knowing that so many had lost so much more. Then came Bush’s invasion of Iraq, and the recession only seven years after 9/11—that’s some string of national bummers, as our politics became more and more corrosive. It’s hard to overcome feeling sad, but I do, mostly.

Each year on 9/11 our UWS neighborhood welcomes mourners, firefighters, police, and families to the Fireman’s Memorial on Riverside Drive at 100th Street, a civic monument originally erected in 1913. Last year, on the tenth anniversary of 9/11, the day’s observances drew firefighter crews from all over the U.S., anglophone and francophone Canada, Scotland, France, and Australia. I’ll conclude this personal remembrance of September 11, 2001, and its aftermath by sharing nine of the photographs Kyle and I took at the special day last year. I will close by saying I hope your 9/11 anniversary this year, 2012, has been a soothing day. Shalom.

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What Were Editors & Execs at Dutton & Penguin Thinking?/Part III

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A few new developments with No Easy Day, the book on the Bin Laden raid by the ex-Navy Seal, whose pseudonymous cover of Mark Owen was blown by FOX News in the early days of this controversy:

  • Owen will have his first, and maybe only, broadcast interview tonight, on 60 Minutes. According to the book’s publicist at Dutton “security concerns” will make it impossible for him to do more media, at least for now. (Though his real name is being used in most media, I will not name him on this blog.) Update: I watched the 60M interview and will write about it more length later on.
  • The NY Daily News reports that the Navy Seal foundation to which Mark Owen has claimed he’ll donate proceeds from his book has announced they will refuse any money from him.
  • The Pentagon pushed back against what seemed to me a ludicrous claim made by Owen’s attorney Robert Luskin, that the non-disclosure agreement (NDA) Owen signed with the Navy didn’t require him to have the manuscript vetted by the government, and that the NDA only “invited” him to do so. Reuters’ Mark Hosenball reports that a Pentagon spokesman told reporters the former Navy SEAL’s actions appear “to potentially violate his obligation not to disclose ‘the contents of such preparation to any person not authorized to have access to SCI (Sensitive Compartmented Information) until I have received written authorization from the Department or Agency that last authorized my access to SCI that such disclosure was permitted.'”

Hosenball adds that the spokesman said this was a passage from “a standard Pentagon secrecy agreement which . . . was ‘identical’ to one [the author] had signed.” The spokesman pointed out “a paragraph in the secrecy agreement in which the signer acknowledges that the purpose of a pre-publication review was ‘to give the United States a reasonable opportunity to determine’ if any manuscript contained any sensitive classified information.” He highlighted a third section paragraph “which said that if the person signing the agreement was “uncertain about the classification status of information” they were “required to confirm from an authorized official that the information is unclassified before disclos[ing] it.”

In earlier posts, here (1) and here (2), I had written that editors and executives at Dutton and Penguin messed up badly by seemingly just accepting the opinion of an attorney hired by the author, who said that the manuscript did not disclose classified information. This shortcut meant the book went to press without complete vetting.

Even though No Easy Day has been on sale since September 4, the Pentagon has since ruled that the author’s in “material breach and violation of the non-disclosure agreements,” and that his book contains “classified” information, and they may still take legal action against the author. They had earlier warned him about possible seizure of “royalties, remunerations, and emoluments.” Penguin could also suffer a loss to its reputation or even financially, having brought out a book deemed harmful to national security. As I wrote in my first post on this situation, Penguin already had plenty of trouble with the Department of Justice, in the ebook agency pricing lawsuit, they could’ve done without this additional legal problem.

Reuters concludes its report: “Dutton said the review by the ‘former special operations attorney’ concluded the contents of No Easy Day were ‘without risk to national security.’ The publisher has not released further details regarding who reviewed the manuscript.”

I find this statement hard to believe, and so have a handful of questions:

1) Was Dutton on such a crash production schedule that they failed to build in adequate time for government review, and so decided to wing it with the one attorney? 2) Or, were Owen’s editors inexperienced and incurious and so failed to ask him if he had signed an NDA? 3) Did they know he’d signed one, but never read it? 4) Did Owen’s reported animus toward the Navy over his discharge from the service motivate him to bypass the vetting, and leave them little time to review the book? 5) Was Dutton hopeful that the whole flap would draw the Pentagon’s condemnation and provide them with a lot of free publicity?

I will close by saying that if anyone reading this blog believes they know what happened in the editing of Owen’s manuscript–why vetting was limited to the lone attorney–or has other information relevant to this story, I would like to hear from you through the contact button at the top of this website.
//end//

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