Link to my full essay “Remembering Mr Stress, Live at the Euclid Tavern.”
I’m pleased to have been invited to submit a contribution to the upcoming Rust Belt Chic: The Cleveland Anthology, a book that is being assembled and edited by Anne Trubek and Richey Piiparinen. With several dozen contributors, it will be published in September as a trade paperback and an ebook. I completed my piece and submitted it yesterday, a personal essay titled “Remembering Mr. Stress, Live at the Euclid Tavern,” on a venerable Cleveland bluesman and the venue where he played for many years, which proved personal gateways to my lifelong enjoyment of live music. A bit closer to publication I will cross-post the entire essay here on this blog. For now, here are some lines from it.
“The club included a central music room with a low stage for the band and a dance floor, an outdoor area in back, plus a basement bar. It was a veritable cruise ship of nightlife. During breaks between sets I often made new friends in my ambles around the lively deck. In the room opposite the stage was the main bar, a long hitching post of a drinks station where multiple bartenders pulled beer taps and poured liquor. Behind and above them was a sign that became a watchword in my life: “It’s hard to soar like an eagle when you’re on the ground with the turkeys.”
Clevelander or not, if you’re eager to support this exciting self-publishing initiative in cultural urban renewal, you can pre-order copies of the book via this link. You can also support the effort by
–Following us on twitter at @rust_belt_chic
–Liking the Facebook page: http://www.facebook.com/pages/Rust-Belt-Chic-The-Cleveland-Anthology/385206038193184
–Bookmarking the website: http://www.rustbeltchic.com. The site will be updated frequently.
Please help us spread the word.
In the weeks to come I will post more information and additional links related to the anthology and its contributors. For now, here’s a current photo of the Euclid Tavern taken by my sister Pamela Turner along with shots of the artwork and sleeve from the LP that Mr. Stress released in the early 1980s, the period covered in the piece.