A Hot & Sunny Day in Manhattan, 1939

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On Facebook longtime friend Martha Moran has shared this timeless film of a Manhattan tour from 1939, remastered in bright, vibrant color by the excellent Romano-Archives. You can view the 3-minute film below, or via this link posted by Eric Larson at mashable.com, @_ericlarson on Twitter. For this post I’ve made two screenshots of favorite images from it. One shows a theater marquee in Harlem where they were evidently screening W.C. Fields’ “You Can’t Cheat an Honest Man,” my favorite movie comic. Oddly, it anticipates the compressed spellings mandated by today’s social media, as the narrow marquee reads, “U Can’t Cheat a Honest Man.” It reads like a tweet. The second screenshot is of the #5 bus, a route I still use regularly in Manhattan. I consider it my personal “scenic drive” as for part of its route it cruises along Riverside Drive, affording splendid views of the Hudson River. It must have been glorious in 1939, when it was a double-decker bus with an elegant curving stairway that conveyed passengers to the upper deck!I suggest that at the very end you notice all the big ships docked at piers on the west side of Manhattan. This reminds me of a line in one of my favorite S.J. Perelman humor sketches, where a woman tells the narrator she’s waiting to pay him a debt “until my ship comes in,” whereupon he retorts with, “I’ll be watching the shipping news,” a reference to the ubiquitous maritime tables that newspapers used to print every day. Thanks for this to Martha Moran.
Fields film# 5 bus

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One More BEA In the Books

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It was not the most energetic Book Expo America (BEA) I’ve ever attended, but it was still a good show for me. Wednesday–when the Buzz panel was held, before the Exhibit Hall officially opened–was a good day. And then the next 3 days (Thursday-Saturday) were a roller coaster with busy, agitated activity to slow times when one could imagine the proverbial bowling balls rolling down the carpeted aisles. On Friday afternoon, there were so many publishing executives off the main part of the floor–I surmised many of them were in meetings, closeted behind the black curtains I saw that shrouded makeshift conference rooms at a distance from the publishers’ stands–that there was a palpable deflation of activity out on the floor. And yet, over all, I picked up many galleys and download cards of important forthcoming books. It took three jumbo zippered red totes that I’d kept picking up at the McGraw-Hill stand to drag it all home, which I did by myself. 

On Saturday, BEA for the first time ever opened itself to members of the reading public, not just book industry professionals. I saw many well-organized groups of fans and other readers powering around the floor, often under the concierge-like care of publicists who brought them en masse to signings with authors like Sylvia Day (at Harlequin), and Jami Attenberg and Jeffrey Deaver (at Hachette). There must have been at least 20 lines I saw like that today. I also saw smaller groups of two or three Power Readers, as the BEA dubbed them, eagerly snapping up galleys and stuff. I know there were some book industry people who, when the announcement of this innovation was made, were skeptical it would be a good thing, but I’d say that this not so daring–and to me, welcome–experiment went very well, indeed.

I took a pic of the jacket of David Folkenflik’s forthcoming Murdoch’s World: The Last of Old Media Empires, a book I’m very eager to read, having in 2008 edited and published a book on Roger Ailes, Dark Genius: The Influential Career of Legendary Political Operative and Fox News Founder Roger Ailes by Kerwin Swint.Murdoch book

I’ll have more to write and share about the book convention over the next few days and weeks, with photos and reporting. Meantime, glad to get a post up today, even though I’m exhausted from the four days of the show.

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