Families that Make Art Together

1 BannerOn my final day in Toronto last Sunday–after the NXNE festival had waned to a grateful, glorious end after 4 days of good times and memorable music–I spent the morning with my dear relatives Marcy and Abe Fish (pictured below with me, in a picture taken June 2012), eating brunch at their house, and then in the evening going to a gallery opening put on by some friends in the local music and art community.1 Marcy & Abe Fish

For the latter, before I’d left NYC I wrote to Jenny Mecija, to let her know I would be in town. With her sister Casey, Jenny forms part of the chamber pop group, Ohbijou. Jenny replied and invited me to an opening on the Sunday night for an exhibit, My Father, Francis, the culmination of Casey’s Masters degree work at the University of Toronto, her subject being their father. I was eager to join Jenny and her family for the occasion, even before I learned that the gallery, in Toronto’s enviably authentic and still-bohemian Kensington Market neighborhood, was only a 10-minute walk from my hotel.

When I arrived I found a bright gallery space filled with warm evening light, a friendly crowd, and many useful steel and plastic objects and implements presented for viewing, all designed and fabricated by Mr. Mecija. I greeted Jenny and after a hug she explained that their father had over the years often worked odd shifts at the brewery where he was employed. With some free time, and access to found or discarded materials, he could freely repurpose them for projects of his own. The result is a fascinating collection of handsome and useful objects that concretize the elder Mecija’s affection for his family, and his desire that they have access to useful objects that will improve the quality of their daily lives.

Speaking of quality of life, the whole evening was put on in special fashion, with delicious food being served at the Filippino social hall Kapisaanan, a few doors down Augusta Street from the gallery, Videofag. During the evening I had enjoyable conversations with many people: Jenny, Casey, and guests: James Bunton, also a member of Ohbijou, and a record producer who did Loon Choir’s latest album; Heather Kirby, bassist in Ohbjou; Hannah Dyer, Casey’s companion, and the author of a perceptive essay (below) about being a daughter; Hannah’s sister, Monica, who works for the UN from Toronto, and is often in NYC; her companion, Drew, who works in alternative energy; Dina, Casey’s thesis advisor at University ot Toronto, who shared with me her impatience with people who actively disdain social media, refusing to see that for many people trying to forge ahead nowadays, creating and maintaining a socially networked presence is for them an imperative. In addition, a third Mecija sister was at the gallery with her childen, making this a proper three-generation affair.

I also met Francis, Casey’s father, and conmplimented him on his creative handiness. Mr. Mecija was cheerful the entire evening, and his wife, Casey and Jenny’s mom, was hospitable to everyone. Seeing my own relatives and then hanging at the gallery with the Mecija family was a great way to spend Father’s Day. Please click here to see all pictures.

An Exuberant “Ride” into the West with Marc Berger & Band

Marc BergerIf you enjoy acoustic and roots music drenched in the American West you ought to listen to Marc Berger’s recent album “Ride,” most of the songs from which he and his tight band played at the Living Room last night. I had happened on them by accident when they played the same venue in April, missing the start of their set, so this time I went to hear them deliberately.

I wrote about that earlier show, in this post, quoting first from Berger’s website: “Clouds that forever stampede the endless sky, shadows gliding over canyon walls–the West is a vast expanse of magic and mystery. American artists from John Ford to Frederick Remington to A.B. Guthrie have used film, canvas and the printed page to convey the essence of its unique landscape and mythology.” I added, “To those associations, I would add the 1962 Kirk Douglas film, ‘Lonely Are the Brave,‘ where he plays a latter day cowboy unable to conform to modern society. The movie was based on  Brave Cowboy, a novel by legendary iconoclast of the American West, Edward Abbey. Relatedly, Kirk Douglas also played the lead role in the 1952 adaptation of Guthrie’s novel, The Big Sky.

Last night, I met most of the members of Berger’s fine band: Deni Bonet, fiddle and accordion; Mike Ricciardi, drums; Jeff Eyrich, bass; and Rich DePaulo, lead guitar. They achieved a powerful yet restrained sound, a true ensemble. I also got the CD of “Ride” this time around. It’s pictured below, along with a shot of Bonet, Berger, and Eyrich. Please click here to see all pictures.

An Exciting Rebranding for One of My Favorite Clients

As readers of this blog may have noticed, for more than a year I have run a paid promotion at the upper right corner of this website for Speakerfile, a tech company based in Toronto. They operate a web platform with smart software that connects conference organizers and meeting planners to authors and experts who speak in public. The ingenious software ensures powerful search capabilities, so speakers and experts are found readily by people eager to discover them. I think they run a great service, and so have really been proud to feature them prominently on my website, while also representing them to the book industry–publishers, authors, publicists, and literary agents. Having long described themselves as an expert visibility platform, it is therefore a natural evolution that has now led the company to officially rename themselves as Expertfile. In an announcement on their website company CEO Peter Evans says,

Switching our brand to ExpertFile underscores how we are aligning with a larger shift in the market. In working with organizations such as Cleveland Clinic, ADP, Constant Contact, [and] the Word of Mouth Marketing Association (WOMMA) . . . we've seen first-hand how content marketing and thought leadership has become a major priority. While speaking at industry conferences is important to thought leadership programs, it is only one dimension of how organizations build visibility and authority. Driving online engagement with their experts is proving to be essential to thought leadership. But most marketing departments lack the tools to unify and publish a yard sale of expert content—assets that remain fragmented across a variety of social and rich-media channels.

In a company press release Evans added, In working with thousands of experts and Fortune 500 organizations, we are discovering a major unmet need among even the largest of enterprise customers. Our move to ExpertFile is a natural evolution to a full enterprise platform that helps organizations promote and manage their expert content—to build visibility and authority in their industries without the complexity and drama of building custom applications.

In keeping with the change, their Twitter handle has changed to @ExpertFile, and they have a new ExpertFile Facebook page, which I invite you to 'like.' If you're interested in learning more about how the company operates and how they work with individuals and organizations, you can sign up for free online demos via this link. Their new logo is now in the promo on this site, and clicking on it will lead you directly to the Expertfile website. I'm really excited to see this dynamic client of mine evolving in exciting new directions, and I look forward to continuing to introduce to my book business contacts, old and new. If you'd like to know more about Expertfile, please let me know.

 

Serendipity During Book Expo America

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One of the things I love about BEA is the prospect of serendipitous meetings. One spontaneous encounter I had during the convention at the beginning of June was when I bumped in to a friend, the literary agent Laura Nolan, who was on the floor at the Javits Center with her author client Dagmara Dominczyk, whose first novel, The Lullaby of Polish Girls, is out from Speigel & Grau this month. We got to talking, and soon Dagmara’s publicist from Random House took this picture of the three of us with my digital camera. Here Dagmara is in the center, between me and Laura.

Her novel has drawn lavish praise from fellow writers and Dominczyk was the subject of a NY Times Style section profile last Sunday, centered on her recent reading at WORD bookstore in Brooklyn’s Greenpoint neighborhood, an historically Polish enclave, an event that became a homecoming for the novelist.

When I read the Times story about the reading at WORD I was relieved to find one of the least snarky pieces I’ve read in the Style section. I find that part of the paper has a pronounced predilection for snark and sarcasm, and I often avoid it entirely.  (See the recent story on tech change agent Rachel Sklar, which framed her new entreprise that seeks to “change the ratio” of women in tech, as her “trying” to become an entrepreneur). Even while the article on Dagmara likened the attractive author and her sisters to the Gabor sisters of the 1960s, and highlighted her marriage to actor Patrick Wilson, it didn’t stint on informing readers that Dagmara, 36, had attended LaGuardia HS, the Manhattan high school of the performing arts, and moved to Greenpoint with her sister where she wrote her novel, after she got her first really good movie role.

LaGuardia happens to be where my teenage son Ewan will be a senior in the fall, also in the drama department, but that’s not the only coincidence I found in the story: Dagmara’s big break came when she got a lead role in the 2002 version of “The Count of Monte Cristo”  This is a genre–the swashbuckler–that I love.  Additionally, I  am about to begin offering to publishers a terrific proposal for a new anthology of swashbuckling fiction.  It will naturally include selections from Alexandre Dumas, whose own father is the subject of Tom Reiss’s 2012 Pulitzer-winning biography, Black Count: Glory, Revolution, Betrayal and the Real Count of Monte Cristo. It is kind of an eternally sturdy genre.  Cultural consumers always seem ready to take in and enjoy a new swashbuckling book or film.  In the proposed anthology, editor Lawrence Ellsworth will include a new Dumas translation of his own, along with pieces by Rafael Sabatini (author of Captain Blood and Scaramouche); Johnston McCulley (creator of Zorro), Anthony Hope (Prisoner of Zenda); Baroness Orczy (The Scarlet Pimpernel); Arthur Conan Doyle, and about 15 great and ripe-to-be remembered writers.

All that from a meeting on the convention floor! It’s things like this that keep the book business fun.

Here are the great advance comments that Dagmara’s book has received, from Emma Straub and Adriana Trigiani, who introduced Dagmara at WORD.

“The Lullaby of Polish Girls is a striking and vivid debut novel, absolutely buzzing with energy. Dagmara Dominczyk’s freshly observed story about the intertwined lives of three friends is both sexy and sensitive, with a raw, openhearted center. Dominczyk’s love for her complicated characters is apparent from the first page to the last, and by the novel’s end the reader cares for them just as deeply.”—Emma Straub, author of Laura Lamont’s Life in Pictures

“The Lullaby of Polish Girls will make you swoon. Dagmara Dominczyk has written a glorious debut novel inspired by her own emigration from Poland to Brooklyn with depth, intensity, humor, and grace. Dagmara is a natural-born storyteller. I’m crazy about this book, and I know you will be too.”—Adriana Trigiani, author of The Shoemaker’s Wife

I wish Laura and Dagmara much success with the book. imgres

Restoration of Charles Rennie Mackintosh’s Glasgow Masterpiece

 

 

Mackintosh bookOn Twitter today I learned that one of the greatest buildings in Europe–the Glasgow School of Art, designed by the brilliant Scottish architect Charles Rennie Mackintosh (1868-1928)–is undergoing a key restoration. The picture desk of the Glasgow Herald shared a story, Taking Great Panes, with photos of the process of restoring the windows in the building which first opened in 1899. Mackintosh was a pioneer of industrial design who placed delicate Art Deco motifs in such solid materials as steel and stone. He was also a notable typographer, furniture and fabric designer, and watercolorist. On the four separate trips I’ve made to Scotland over the years, I’ve visited the school several times and was always gobsmacked by the beauty and utility of the building. It was very impressive to see that Mackintosh’s creation is still in daily use by students and faculty. Consider that people in the building still enter the washrooms under the standard British signs for “Gents” and “Ladies,” which still sport the same lettering that Mackintosh created for them more than a century ago.

The windows are key to the building, as in the library where the glass rises from one story to the next, admitting the most light possible, so vital in Scotland where daylight fails early during many months of the year. It’s also a certainty that Scotland’s rugged climate has taken a toll on the hundreds of window panes that punctuate the stone facade.

I’m happy to say I have a personal connection to this building, and to Glasgow. A late friend, Isi Metzstein, whom I eulogized on this site when he died in January 2012, was a well-known architect and professor of architecture. His business partner and colleague for many years was Andrew Macmillan, one of the co-authors of the book I own on the Glasgow School of Art. It makes me happy to remember Isi when I think about the restoration of this handsome building, and to recall the many happy occasions I spent with him and the whole Metzstein family at their lovely home in Glasgow, which was designed with clear influences from the Mackintosh era. Below are photos I made from pages of the book, Mackintosh’s Masterwork: Charles Rennie Mackintosh and the Glasgow School of Art, and other sources. Please click here to see all pictures.

Recorded Music I’ve Collected at NXNE + CBC Radio 3 Picnic

Almost too busy to post or write about yesterday’s NXNE. This being Saturday it’s probably the fullest day of programming all week. But I’ll share something here, pics of the CDs I’ve gotten since arriving here on Wednesday. Some have been given to me, some I was glad to pay for. It’ll be great when I get back to NYC and unpackage them. Sunday should be quieter, so probably more coverage coming here.

Below is an EP and a full album by Crissi Cochrane, a friend from the CBC Radio 3 blog community, and an emerging artist in her own right. I had never met her before today at the annual CBC Radio 3 picnic, nor heard her sing. She has a beguiling voice and presence, as shown in the pic below her recorded music.

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As noted in my Day II post below, on Thursday night I heard Toronto band Inlet Sound at The Cameron House. I really enjoyed hearing them, and was glad CBC Radio 3 host Grant Lawrence also invited them to the picnic today. Like Crissi, they are also pictured below their album “The Romantics.” Alongside it is the album I picked up by Union Duke, also on Thursday night.

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Next are Loon Choir’s two albums. They became new favorites of mine when I heard them on Thursday night. Here’s my post that includes a write-up on that show.

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Also, here’s an album by The Darcys. They were the musical guests at CBC HQs last night where Grant Lawrence ended the 7000KM cross-country CBC Beetle Road Trip. Last is The Matinee‘s “We Swore We’d See the Sunrise.” They played last night at the Supermarket, after which I tweeted:

@philipsturner: The Matinee just played one of the best live sets ever. They owned the crowd&the stage. @NXNE @thematineemusic http://t.co/u2LJxEYREX