Righteous Words from Shakespeare, So Pertinent to Today’s Refugee Crisis—Read by Sir Ian McKellen

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In what appears to have been November 2010, at the Savannah Film Festival, Sir Ian McKellen had occasion to read lines of Shakespeare from a play called “The Book of Sir Thomas More,” words set in the voice of More, a councillor to King Henry VIII. Shakespeare didn’t write the original, but contributed to rewriting portions of the drama with other contributors some 400 years ago. It is not a well-known work, and McKellen says here that it may have never been performed for an audience until 1964. This 5-minute youtube clip is linchpin of a good Washington Post article published today by reporter Karla Adam, the headline for which opens this post, pretty well summing up the message of the words read by Sir Ian.

Adam also reports that the text of the passage, in Shakespeare’s own handwriting, has recently been digitized by the British Museum, and is featured in a new exhibit at the Folger Library in Washington, DC. McKellen explains that earlier, a year before his appearance at the Savannah Film Festival, in London at Trafalgar Square, or St Martin-in-the-Fields, as it would’ve been known in Shakespeare’s time, a man and his gay partner were set up on three hooligans, who killed him. The location is also where in the play More gives this speech. Below is a still from the very powerful video, and click here for the video itself. You may want to first read the Washington Post article for full context as I had done before I watched it.

I’ll add a New York City note to this post, about “a celebrity sighting.” Though they don’t occur all that often here, that’s what I dub them. On two occasions my wife and son and I have had occasion to meet and speak with Sir Ian McKellen. He is approachable, down-to-earth, and charming. The first time was in 2003, soon after “The Fellowship of the Ring,” the first of Peter Jackson’s Tolkien movies, had premiered. The three of us had just seen the movie a few days before, and we bumped in to him at the old Weber’s Odd-Lot discount store near W 72nd St and Broadway. He was in town doing a Strindberg play on Broadway with Dame Helen Mirren. With my son Ewan, then about seven years old, we found ourselves behind him in line, while my wife was elsewhere in the store for a moment. The wait in line was long enough for me to spot him, nudge my son, and whisper who was in front of us. I leaned in a bit toward the gentleman and without invading his space, said something like, “Sir Ian, congratulations on all the great roles you have this season.” Turning toward us with a warm smile we began conversing. I mentioned we’d only a couple days earlier seen the movie and had found it breathtaking. I added, “We miss Gandalf,” thinking of the fall in to the abyss he’d suffered fighting the Balrog. Sir Ian adopted the deep voice of the Grey Wizard, and addressing Ewan especially, he intoned reassuringly, “He’ll be changed, but he’ll be back. He’ll be changed, but he’ll be back.”

The other time was a few years later, at BAM where the three of us had just seen him perform as King Lear. We waited afterward at the stage door and came out to greet the handful of fans clustered there. He spoke to each group for a few minutes, for a warm and friendly chat. He is a good and decent man, and his humanity shines through in this remarkably fluent rendering of Shakespeare words about refugees, or “strangers” as they’re called here.
Sir Ian McKellen

Excited about Kyle Gallup’s New Line of Greeting Cards, IT’S A GIFT!

Happy to share word of IT’S A GIFT!, a line of new handmade greeting cards made by my wife, artist Kyle Gallup, including a batch of pretty valentines for the holiday next month. Here’s a link to the new Etsy page for her line—the name was inspired by the title of one our favorite movies, W.C. Fields’ 1934 comedy classic, “It’s a Gift.” its-a-gift-title-still

On the Etsy page, Kyle wrote this about herself and her work:

I’m a painter and I love making cards. For many years I have collected paper ephemera from Victorian scrap, bookend papers, maps, paper lace, and gold and silver embellishments, to name a few pieces in my collection. I’ve also collected cards from other artists and vintage ones, too. I find inspiration in what other artists make, present & past. Making cards is a way for me to share my enthusiasm with other people who enjoy giving and receiving cards as a way to show one’s affection in a personal and intimate way. My cards are made with love and are a gift from the sender to the receiver. Most of my handmade cards are 5″ x 6 1/2″ and all are collaged, painted, drawn and assembled by me. Each blank card is individual and one-of-a-kind. Tiny imperfections are the cards’ distinguishing mark, indicating they are handcrafted, and show the recipient that they are receiving a very special gift, something to be treasured. I’ve been a freelance decorative painter in the visual art department for the NYC home design company ABC Carpet & Home since 1988, and studied decorative finishes with Leonard Pardon in NYC.

Kyle also works in collage, so these are one-of-a-kind ‘artist’s cards,’ made using papers from her vintage collection of ephemera, plus paint, colored pencil, and ink. Each card is signed on the back and stamped with a logo she designed. Here are three of Kyle’s cards; each is $10 plus shipping, for sale at the Etsy page.
Heart card with tags

Reflections in an Art Nouveau Mirror—a #TBT Selfie from Scotland, 1986

On my first trip to Scotland, in 1986, I visited the sublime Hill House near Glasgow, in Helensburgh, Scotland, designed by the visionary architect and designer Charles Rennie Mackintosh (1868-1928). Glad I was able to snap this picture of myself enjoying the furnishings and surroundings. In a second picture here, you can see what Hill House looks like from the outside. 

Installation Day for “Money, Wheels and Random Legs” at Chicago’s Firecat Projects, Sept 25-Oct 17

Photos of Installation Day at Firecat Proects. Opening night for “Money, Wheels and Random Legs”—with work by artists Oriane Stender, Kyle Gallup and Melissa Stern—Friday Sept 25, 7-10pm, Firecat Projects, 2124 N Damen Street.

 

 

 

Distributed Art Publishers (D.A.P.), Great Resource for Art Books at Book Expo America

Hopping to Brooklyn Galleries on a Friday Night

Gallivanting to galleries with Kyle on a Friday night in Brooklyn. First went to Janet Kurnatowski’s gallery in Greenpoint for group show called Paperazzi w/a Wonder Wheel drawing variation of Kyle’s. Lots of great works on paper. Enjoyed chatting with David Ambrose whose mosaic-like painting mesmerizes. Then to spacious Life on Mars in Bushwick for show of lush paintings by Fran O’Neill w/work by Ben Pritchard in project room. Enjoyed the genial vibe in the busy borough.

Glad for Revival of THE REVENANT, a Great Adventure Novel

JANUARY 2016 UPDATE: Readers of this blog may recall my connection to The Revenant: A Novel of Revenge, mentioned on this site a year ago in the post below, after I learned the book, originally published in 2002, was about to be reissued by a new publisher, the basis of a major motion picture. I saw the movie last weekend, and found it quite engrossing, even at more than 2 1/2 hours duration. The cinematography is exceptional, the acting quite believable, and the storytelling very powerful. I recall that author Michael Punke was already then having discussions about possible film adaptations, since the Glass story had already once been filmed, as “Man in the Wilderness,” with Richard Harris  and John Huston in 1971. Even so, over the years no film resulted, that until word came last year of the cinematic collaboration between Alejandro Gonzalez Inarritu’s and Leonardo DiCaprio’s. As the credits rolled following the film last weekend, I saw that the production of course credited the book, though with a proviso I’d not seen before, stating that the movie was “Based in Part on the Novel by Michael Punke.” I imagine the wording was mutually agreed to between the author’s agent and the producers, because the two works do diverge. But I don’t criticize the filmmakers on that score, for as Punke himself wrote in an Historical Note at the end of the novel, the confirmed history surrounding Hugh Glass’s life is scant—little more is known for certain beyond the fact he lived, was a skilled tracker, was mauled by a grizzly bear during an 1823 expedition with the Rocky Mountain Fur Trading Company, following which he was left for dead by two of his likely companions, a miscreant named John Fitzgerald and a teenaged Jim Bridger; Bridger ultimately became a much more famous mountain man than Glass, with modern tourist sites in the Mountain West named after him. I’m pleased to see the movie is bringing more attention to the gripping novel, which is a bestseller in the Picador reissue. I’m also pleased to remind people about the book, since as the Obama administration’s Deputy Trade Representative to the WTO in Geneva, Switzerland, Michael Punke is not permitted to directly promote his own commercial interests. I’m happy to stand in for him, then, as relatives of his have been doing at premieres of the movie, which has now garnered many Academy Award nominations.

When I was a retail bookseller with Undercover Books, this is exactly the sort of novel that we would read in advance galleys from the publisher, then order 50 copies, and sell them all in the book’s first month on sale. If you enjoy adventure tales, I recommend you read this one, a gripping survival story based on the life of a real American who traverses a great swath of the inter-mountain west in a quest for justice, less than 20 years after the Lewis and Clark Expedition had opened the region to exploration.


January 2015nant-front.jpg”>Revenant frontthe BN Review recently I was delighted to discover that one of the most engrossing novels I ever edited and published—The Revenant: A Novel of Revengehas been reissued and is being made in to a major movie starring Leonardo DiCaprio, directed by Alejandro Gonzalez Inarritu, who recently directed “Birdman.” The novel, by Michael Punke, was published in 2002, when I was an editorial executive at Carroll & Graf. It’s inspired by the epic life and adventures of a historical figure, Hugh Glass. He was a frontiersman and fur trapper who in 1823 was part of a westward expedition spanning what is today Nebraska, the Dakotas, Montana, and Wyoming. While foraging for game, away from the troop, Glass was attacked and severely mauled by a grizzly bear. Grievously wounded and bleeding, with the skin on his back nearly flayed off his torso, Glass was still conscious when his comrades found him. Believing that Glass would surely die soon, the leader of the troop ordered two men to stay with him until he expired, then bury him and catch up to the group. In the midst of this death watch, a band of Indians approached the camp, panicking the two men: they grabbed Glass’s rifle and hunting knife and fled. Deserted, defenseless, and enraged at being abandoned, Glass refuses to succumb to his wounds; he survives, determined to recover his weapons, vowing revenge on the men who left him to die. The novel is beautifully written and reads like a timeless adventure story. Talk about a film adaptation of the novel began years ago, and I’m delighted to see now it’s really happening, and with such a high profile team. Hugh Glass did inspire one earlier film, in 1971, when actor Richard Harris was cast as the Glass figure in “Man in the Wilderness,” a rather lurid and unexceptional movie. Punke’s telling of this epic saga, with Glass crawling and dragging himself across wild terrain until he was again able to walk, has all the elements for a great movie and I’m hopeful that is what the production will lead to.

Punke’s agent Tina Bennett submitted the manuscript to me soon after 9/11, an event and aftermath that I was close to, as the offices of Carroll & Graf and Avalon Publishing Group were only a few blocks from the World Trade Center. As I chronicled on this blog on Sept 11, 2012, in a post titled Remembering 9/11/01—Running Through a Dust Cloud in Lower Manhattan, the exertions of that day left me with nagging leg injuries that persisted for most of the year that followed. In fact, when I attended the book launch for The Revenant, held in Washington, DC, in the summer of 2002, I took the train from NYC using a cane to help me walk on a still-tender ankle.

Though novels don’t often have subtitles or reading lines, I suggested to the author that we use one here. We had quite an evocative title, though the word ‘revenant’ (a being that returns from the dead) was not then and still isn’t a widely familiar term. Glass’s odyssey seeking revenge and justice resonated powerfully with the spirit of the time, so “A Novel of Revenge” seemed the right way to position the book for readers. The publisher reissuing the book now is Picador, part of Macmillan, and I’m glad to see in online listings they’ve chosen to retain the reading line. Interestingly, they’ve reissued the novel in hardcover, not paperback, a somewhat unusual choice for a book published more than a decade ago, though perhaps a sign of the publisher’s confidence in its continuing relevance.

Michael Punke has written two nonfiction books in the years since 2002, both in Western history, Fire and Brimstone: The North Butte Mining Disaster of 1917 and Last Stand: George Bird Grinnell, the Battle to Save the Buffalo, and the Birth of the New West. The book launch for The Revenant was in DC because Punke worked for a law firm there. Among the hosts at the party was a mentor and colleague to Punke, Mickey Kantor, a lawyer involved in international trade who’d served as chair of the Clinton campaign for president in 1992. Punke now works as President Obama’s Deputy United States Trade Representative and US Ambassador to the World Trade Organization in Geneva, Switzerland. According to this article in Maxim, his ability to engage in promoting his books is very limited by his sensitive position in the federal government. I’m very glad to know that Michael Punke’s first book is coming back in to print, and that a movie is in the works. We have been in touch occasionally over the past decade, and I’m pleased that I have so much good news to congratulate him about when we’re next in touch. Above is the front and below the back cover of the paperback edition of The Revenant from 2003.Revenant back

 

Katherine Bradford, “Shelf Paintings” at Arts + Leisure, till Dec 14

Katherine Bradford, "Shelf Paintings" catalogKyle and I had lots of fun amid the lively crowd that gathered at Arts + Leisure gallery for the opening of  “Shelf Paintings,” an exhibit of new work by one of our favorite painters, Katherine Bradford. These are colorful object paintings that employ dimensionality with a shelf projecting out at the bottom, with other structural elements arrayed in them. Kyle and I had earlier seen Bradford’s 2012 exhibit at Edward Thorp Gallery, which was also full of terrific paintings. Kyle wrote about that show for the Left Bank Art blog and over the past couple years we have continued to find her work irresistible and enjoyable, not missing a chance to see her work. Below are pictures from last night’s reception at the very convivial Arts & Leisure, located along Lexington Avenue at 101st St, on Carnegie Hill, on the southern edge of El Barrio. It was a pleasure meeting and making many old and new friends, including Shari Mendelson, Rick Briggs, JJ Manford, Elisa Soliven, and David Rich; Donald Cameron and Nick Lawrence of Arts & Leisure; and of course, Katherine Bradford herself, who inscribed a copy of the full-color catalog for Kyle. If you like what you see here of Bradford’s work, go to Arts & Leisure where the exhibit will be up until Dec 14. Also, you can read Kyle’s essay on the 2012 exhibit, and the informative release/essay posted on Arts & Leisure’s site, accompanying “Shelf Paintings.”