Senator Sherrod Brown ♥s “Rust Belt Chic”

So glad to be one of the 35 contributors to Rust Belt Chic: A Cleveland Anthology, with my essay, “Remembering Mr. Stress, Live at the Euclid Tavern,” on a venerable bluesman I followed avidly for years when I lived in Cleveland. Among the writers in the book is Connie Schultz, the Pulitzer Prize-winning columnist who for many years worked at the Cleveland Plain Dealer. She has recently left the paper while her husband, Sherrod Brown, runs for re-election to the US Senate from the State of Ohio. Today, on the Rust Belt Chic Facebook page, I saw this, a note from Ms. Schultz:

“Sherrod didn’t get home until after midnight last night, but as soon as he saw my newly arrived stack of ‘Rust Belt Chic: The Cleveland Anthology,’ he had to pick up a book and take a look. ‘Wow,’ he said, over and over, as he recognized one writer’s name after another, read aloud some of the titles and marveled at the photos.”

Nice, huh?
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At the time of Rust Belt Chic’s publication earlier this month, I cross-posted my essay on Mr. Stress and wrote these paragraphs to introduce the book to readers. Allow me to quote myself:

As a sign of just how community-oriented the book really is, editors Trubek and Piiparinen asked all the contributors, in the event that the book sells well enough to make back its expenses and reaches into profitability, would we want an honorarium payment, or would we choose to plow our earnings into another indie project to be chosen first from among book ideas presented by us contributors, with one (or if we’re really fortunate, more than one) project being chosen for funding. I have a ready book idea–a new volume to be culled from the Guinness Book of World Records-recognized diary of Edward Robb Ellis, whose A Diary of the Century: Tales from America’s Greatest Diarist, I edited and published in 1995. I was happy to choose the second option offered.

With all that said, I’ll continue this preamble by saying I hope you buy the book as a print or a digital edition, or one of each, not because of charitable intentions (though that’s okay too) but because it offers more than fifty fine examples of narrative journalism, chronicling a distinctive part of the country that is too often overlooked on the literary and cultural map. I also urge you to follow the book’s Twitter feed, @rust-belt-chic. On my own Twitter feed, @philipsturner, I’ve started a hashtag, #MrStress. You may also ‘like’ the Rust Belt Chic Facebook page. Thank you in advance for supporting this exciting experiment in cultural urban renewal.
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Thanks for your support of Rust Belt Chic: A Cleveland Anthology, and I hope you enjoy reading my essay on Mr. Stress, cross-posted here on The Great Gray Bridge.

 

Metric Storms the Stage at Radio City Music Hall

Had a great time Sunday night at Radio City Music Hall, where I was the guest of Steve Conte, a friend I’ve made through CBCRadio 3, the great Internet radio station that plays indie rock n’ roll by Canadian bands, some of the best contemporary music being played and recorded nowadays. Steve, who is a comic book artist and writer who also operates FunnyBooks, a comics shop in Lake Hiawatha, NJ, had tickets for a bill headlined by Metric, a Montreal quartet fronted by fabulous lead singer Emily Haines. They play a high energy kind of doomsday pop–big chords and heavy sounds, veering toward the apocalyptic, yet infused with plenty of tuneful hooks that keep you remembering their melodies. Haynes sings fiercely, moving, prancing, and running around the stage like a big, lithe cat.

Having been to many club shows at small venues on the Lower East Side over the past couple years, I was unprepared for how comfortable, even opulent it felt to take in a rock show at Radio City. Art Deco splendor everywhere your eye falls, both in the auditorium and out in the lobby; suited and uniformed staff serving at a nice bar, where I bought us each a pre-show Johnny Walker cocktail; and superb acoustics with great lighting effects.

The opening act was Half Moon Run, also from Montreal, and they also played a beautiful set, later making a return to the stage at the end of Metric’s 90-minute set. Before that event, we were startled to hear Emily Haines welcome to the stage one of her musical heroes, Lou Reed. He came out for two songs, standing side by side with Haines.

If you don’t know Metric at all, here’s one of their band videos, the song “Gimme Sympathy.”

Here are photos I took from the terrific mezzanine seats Steve had gotten, which gave us a great view of the wide stage and handsome auditorium. I hope to go back to Radio City for another rock show–this one was excellent in every department. Thanks, Steve, for reminding me what a great venue it is! Please click through to see more than 20 photos from Metric’s performance.

“Life is a Carnival”*

The Bard Graduate Center on West 86th Street is a gem of a small New York museum. On my birthday last Saturday, Kyle asked me what I wanted to do for fun. I suggested we go view Bard’s current exhibit, “Circus and the City: New York, 1793-2010.”

I’ve loved the circus for years, and have even collected artwork on it, like the print below of high-wire artists on a bike, by Dame Laura Knight. I bought it  in 1987 from my late art dealer friend Robert Henry Adams when I was editing and publishing the splendid circus novel, Suite for Calliope: A Novel of Music and the Circus, by Ellen Hunnicutt, who won the Dru Heinz Literature Prize that same year for her short fiction collection, In the Music Library. Ellen’s novel centers around a young female protagonist who’s a runaway from a bizarre custody battle in her family. Holed up in the safe harbor of the Florida winter quarters of a circus troupe, throughout the novel she’s using their calliope to compose a musical work in memory of her late mother. The novel’s theme is how we may turn our mourning and loss to the service of art and creativity. For the record, Ellen passed away in 2005. I hope some day to republish her novel.

Much as I’ve read about circus lore, I had not understood a key aspect of the historical record as documented by the exhibit: the central role that NYC played in the growth and development of the circus throughout North America. Many of the biggest promoters were headquartered in Manhattan, the continent’s entertainment capitol. Once the circus began moving from town to town via train cars, Gotham’s status as a rail hub, as well as its large, diverse population, made it the essential city for promoters and performers alike.

The 20th century was covered on the third floor of the exhibit, with great photographs by Weegee, best known for his lurid crime scene photography, here depicting circus audiences enthralled by performances. There was also a video monitor showing a film of female stunt artist Tiny Kline performing the “Slide for Life,” in which she clamped down on a kind of leather bit she’d placed in her mouth, then slid on a cable for a 1,000 feet hanging above Times Square.

Along with the exhibit, which comprises more than 200 works displayed on three floors of the museum, there will be nine public talks given beginning October 11 and stretching into 2013, ending on January 31, discussing female equestrians; performance photography; the design and typography of circus posters; P.T. Barnum and Ralph Waldo Emerson; Alexander Calder; clowning; and the circus of the future. I hope to be there for one or more of these presentations. Meantime, here is a gallery of images from the exhibit. Please click through to view art and images from the exhibit.

*Thanks to The Band, for use of the title of their song, “Life is a Carnival, written by Rick Danko, Levon Helm, and J.R.R. Robertson, from their 1971 album, “Cahoots.”

Best Feel-Good Story in Ages

Lovely story here: Kris Doubledee is a bus driver in Winnipeg, Canada. This past Tuesday, just a day after he’d seen a desolate man in bare feet along his route, saw the man again. This time he stopped his vehicle, got out from behind the wheel and approached the stranger. According to an interview Doubledee did with CBC TV, the two had an exchange that went like this:

“‘I said to him, ‘Do you have any shoes?’

The man answered, ‘No, I don’t.’

‘If I give you a pair of shoes [will] you keep ’em?

He said, ‘Yeah.’

‘I took off my shoes and gave ’em to him.'”

Doubledee got back on the bus and continued driving down Portage Avenue, now in his stocking feet. Later that day, Denise Campbell, a passenger of Doubledee’s who’d observed the exchange between the two men, began telling her office colleagues about this unusual act of kindness. Later, she posted an account of what she’d seen on a community news site, under the headline, Winnipeg Transit Driver’s Act of Kindness Stuns Passengers. She wrote,

“I realized that the man the driver was chatting with was barefoot.  The bus was dead silent.  I think we were all stunned and speechless.  As we proceeded to our next stop, one of the passengers got up and said to the driver, that was the most amazing thing she had ever seen; and then she asked him, why did he do that?
 
The bus driver answered[,] because he couldn’t stand the thought of that poor man walking without shoes.   Wow!  No judgement; it was just, ‘Here buddy you need these more than I do.’ There wasn’t a dry eye on the bus. All the passengers were moved by this bold and selfless gesture. Now, a homeless man will have shoes for his feet because of a bus driver’s random act of kindness. Not bad for a Tuesday morning in downtown Winnipeg.”

Campbell’s blog went viral and soon news crews were looking to interview Doubledee. Eventually he was located and just below is one of the interviews he gave. (He was also contacted by CBS News in New York and he appeared on their morning show today with Mayor Sam Katz of Winnipeg–when I find that link I’ll share it, as well.)

Doubledee’s fateful stop came at the corner of Portage and Main. It so happens that one of the Canadian indie music groups that I heard this summer during the North by Northeast Festival (NXNE) is called Portage & Main, so here is a link that includes their song, “What Have I Done,” a moving ballad about trying to do better in one’s life. I offer it here as a feel-good bonus for all my kind readers. You’ll find it at the top-right corner of their band page at CBC Radio 3.

#FridayReads, Sept. 21–“500 Days” and “Night Strangers”

#FridayReads, Sept. 21–500 Days: Secrets and Lies in the Terror Wars by Kurt Eichenwald, a carefully researched and meticulously documented narrative history, encompassing much new information about the events of September 11, 2001, going well beyond what has been known before in many areas. Eichenwald made news when on September 10, he published a NY Times Op-Ed, The Deafness Before the Storm, detailing with unprecedented specificity the degree to which the Bush Administration failed to heed numerous warnings from intelligence officials about signs of an imminent attack, a column drawn from this book. This is all personal to me, since I was a lower Manhattan office worker on the day of 9/11, and have recently written, Remembering 9/11/01–Running Through a Dust Cloud in Lower Manhattan, about my own experiences that day, but even if it weren’t I would want to be reading 500 Days, the sort of book that people eager to understand the early days of the 21st century will be reading 100 years from now.

The fiction I’m just picking up, a kind of counterbalance, is Chris Bohjalian’s Night Strangers, a New England haunted house novel. The author comes from the North Country, near where I went to college in Franconia, NH. I’ve been hearing about Bohjalian for years, and am excited to finally read him.

Oh, No, Not Back to the Giuliani Years!

This bit of toxic subway advertising takes me back uncomfortably, unwillingly, to the Giuliani years in New York City. Via @mondoweiss, at this link of theirs. The ad campaign, which the MTA was forced to accept after a court’s free speech ruling, is being arranged by the obnoxious Pam Geller.

Remembering 9/11/01–Running through a Dust Cloud in Lower Manhattan

In May 2001, Avalon Publishing Group–the Berkeley, California company I worked for as an editorial executive with Carroll & Graf Publishers–moved all its New York employees to new offices on 161 William Street in lower Manhattan, near City Hall Park, behind Park Row and the J&R Music World stores, 2-3 blocks east of the World Trade Center. I had enjoyed our original space on W. 21st Street, and didn’t appreciate the longer commute from my apartment on the Upper West Side of Manhattan, but soon got used to the new neighborhood, new restaurants, new sights and sounds.

On the morning of September 11, 2001, I rode the #1 train downtown and emerged from the Fulton Street subway station, at the corner of William and Fulton, with a customary single earbud stuck in one ear, tuned in to local public radio station WNYC, alert to what might be going on at street level. I detected uncharacteristic alarm from the on-air voices of host Brian Lehrer and correspondent Beth Fertig. Before I could comprehend the source of their concern, my gaze turned west and up in to the air toward the World Trade Center towers, startled to see flames, smoke, and debris pouring from the structures, against a backdrop of a California-type deep blue sky. The air around me was palpably hot, a weird sensation I couldn’t account for, even after seeing the flames above me in the sky.

What in the world?

Turning the corner and hurrying toward my office building, I focused again on the radio voices, hearing something about an airplane having crashed into one of the towers, and then, that a second such crash had occurred, evidently only moments before I came out of the subway. Lehrer’s and Fertig’s alarm was in real time. Any idea I had momentarily entertained that associated this event with the incident in the 1940s when the Empire State Building was struck by a light plane, was dashed. I ran in to 161 William, took the elevator to our upper floor and found a handful of Avalon colleagues who’d arrived before me. I hustled over to the western side of the floor, joining them as we all took in a clear view of the twin towers, with a valley of lower buildings below and between us and the conflagration. The volume of flame, smoke, and debris were all much greater than when I’d first seen them from street level. The debris included a fluttering cascade of myriad loose sheets of white paper. Midway between our building and the two towers I noticed a lone man on a rooftop across the way and below our floor. The figure seemed to be in a prayerful pose, kneeling on a rug, wearing a white skullcap. I never learned what he was doing there, and have in the years since pondered it with colleagues such as Keith Wallman who saw the man with me that morning.

In those days, neither my wife nor I owned a cell phone. I rushed into my office, on the east side of the building, and used my phone there to call Kyle. The lines worked the first time I tried our home line. She’d just gotten in from taking our son Ewan to kindergarten, where he was in his first week as a student; on her way home she’d heard about the events downtown. I told her what I’d seen and she said she had the TV on and warned me to leave the office building right away. I said, yes, but I don’t know what’s going on at street level. What if the buildings fall, and topple in the easterly direction? What if people are panicked or trampling each other? Maybe I’d be safer upstairs.  These were some of my thoughts. Kyle said she was going to go out and get cash and drinking water for our apartment, then go back to school and bring Ewan home. We talked a few minutes more and I told her I was going to go back to the other side of the office, the west side of the floor, to see the latest developments. I stayed a few minutes and finally decided, yes, it’s time to leave. I tried my home line again but now couldn’t get a call through. I would’ve left a message, telling Kyle I was leaving and that I would try to call her again later, but couldn’t get through at all. A colleague and I decided to descend in the elevator together, and then make a run for it when we got out on William Street. My companion was my fellow editor Tina Pohlman. As we were rushing from the western windows in to the open elevator car—I know now it was at 9:59 AM—we heard one of the weirdest sounds I’ve ever experienced, made by what I learned later was the collapse of the first tower. First, came a deeply guttural bass sound, created probably by the tremendous downdraft of air from the vertical collapse—something almost felt more in my belly than heard in my ears. The next instant, I registered a high, trebly, tinkling noise made up, I think, of breaking glass and splintering metal.

Tina and I descended in the elevator without a problem, but outside the lobby’s revolving door saw hundreds of people running past our building front, engulfed in a dusty, smoky cloud. Without hesitating more than a few seconds, we pushed out the door and joined the massing throng pushing north and east, toward the Brooklyn Bridge. Tina hoped to head over to the lower East Side, where she lived, if permitted by police. My direction was uptown, all the way to West 102nd Street, my home block. We were immediately surrounded by the cloud, a murk that wasn’t pure gray or black, examples that TV footage would later show; this cloud actually had a few shafts of sunlight in it. It was more ochre than gray. Still, it was pretty opaque and a specific fear registered that if debris were flying in it, we might not even see it heading at us. We made a right turn on Beekman Street, past New York Downtown Hospital, then turned left on Pearl Street, running together for several blocks until we were actually under the Brooklyn Bridge.

Though still surrounded by the blanket of dust, and impelled to keep running till I was clear of it, I was beginning to fear that I couldn’t keep up the pace. I wasn’t so much out of breath, the problem was the shoes I had worn that morning—a pair of newish ankle-high boots. With the beautiful fall weather that morning, I had considered them appropriately autumnal and so decided to don them. But I hadn’t broken them in yet, and they proved terrible to try to run in, or even to try walking fast. I would regret my choice of footwear for many months that followed.

I tried to ignore the nascent pain and resumed my nervous, awkward jog, continually hitching and hauling up the tote bag slung over my shoulder. Surrounded by earnest and fearful strangers, all of us still shrouded by the murk, my route passed through unfamiliar parts of Chinatown. Approaching Canal Street the cloud began to thin a little. Finally, we crossed Canal and burst into patches of clear air. Tina and I said goodbye and wished each other well as we headed off in our separate directions. I was relieved to be in clearer air and thought, Now I just have to get home. Problem was, I still had a long way to go. Any city buses that passed were insanely overcrowded, and moving at a crawl anyway. Yellow cabs and livery taxis were also full and barely moving through the dense surface traffic. Continuing to listen to the radio, I learned that the second tower had fallen, at 10:28. With both towers down, I was now confirmed in my horror that thousands of people had already died this day. Meantime, the subways had been halted, and it was unknown when they would resume operation. I had no choice but to walk all the way home, about eight miles.

I pushed up Broadway, through Soho, past Union Square, the Flatiron Building, Madison Square, Times Square, the Theater District, Central Park, Columbus Circle, and Lincoln Center. Every now and then on this odyssey I’d stop and try Kyle on a pay phone. The lines were all dead. She didn’t know when or even for sure if I had left my office. At last, I hit 72nd Street and was on the Upper West Side. It felt good to be back uptown, but I still had thirty blocks to go. I kept pushing, increasingly hobbled, eventually ringing our bell and announcing I was home. It was around 3PM, about five hours since I’d left William Street. Kyle and Ewan were waiting for me and I collapsed into their open arms. I sat down and removed my shoes and socks. Both feet were raw and blistered, from ankles to toes. I tuned in to TV for the first time all day and saw with my own eyes the enormity of the loss that everyone else had been viewing all day via the visual medium. Not wanting to disturb Ewan any more than he might be already, we shut off the set until he went to bed.

Avalon’s offices would remain closed for about a week and a half. I tried to stay off my feet and let them heal, but the need to be ambulatory prevailed and I resumed walking around. Unfortunately, my gait was much altered by what I’d endured, which led to a series of foot, ankle, calf, hamstring, and leg injuries over the next couple years. Damage to the #1, 2, and 3 subway lines in lower Manhattan was so serious that my longer commute was lengthened further; a trip that used to take 30-40 minutes often ran to 90 minutes or longer, with a lot more walking required every day. It was a horrible burden every day to come to work in the same neighborhood with the toxic brew a few blocks west that was already making recovery workers on the pile ill. For some reason, cold air seemed to magnify the odor that drifted eastward in the neighborhood. On winter evenings, I would leave the office and rush down in to the subway station, covering my mouth with a handkerchief to cut the horrible, vile crippling smell that I knew contained a mix of plastics, circuit boards, burnt upholstery, carpets, and human remains.

A new normal kind of took over, but nothing really seemed normal anymore. I read about and followed the 9/11 Commission and was appalled at what had been the Bush administration’s failure to heed urgent warnings from counter-terrorism officials, as we were reminded again this morning with Kurt Eichenwald’s NY Times Op-Ed, The Deafness Before the Storm. I was deeply and personally offended when Bush held his 2004 convention in NYC, using the still-healing city as a backdrop for his bogus triumphalism. He and Dick Cheney claimed to have kept us safe–except I always hastened to add–when they had failed, “big time,” to borrow a phrase of Cheney’s. I was enormously relieved when Avalon moved offices again, back into Chelsea, a welcome removal from the still-stricken neighborhood downtown.

I didn’t suffer personal loss that day, but the mundane insults that many denizens of Gotham did endure—my leg injuries and lengthened commute standing for the ordinary pain of so many—were deeply hurtful, especially knowing that so many had lost so much more. Then came Bush’s invasion of Iraq, and the recession only seven years after 9/11—that’s some string of national bummers, as our politics became more and more corrosive. It’s hard to overcome feeling sad, but I do, mostly.

Each year on 9/11 our UWS neighborhood welcomes mourners, firefighters, police, and families to the Fireman’s Memorial on Riverside Drive at 100th Street, a civic monument originally erected in 1913. Last year, on the tenth anniversary of 9/11, the day’s observances drew firefighter crews from all over the U.S., anglophone and francophone Canada, Scotland, France, and Australia. I’ll conclude this personal remembrance of September 11, 2001, and its aftermath by sharing nine of the photographs Kyle and I took at the special day last year. I will close by saying I hope your 9/11 anniversary this year, 2012, has been a soothing day. Shalom.

NOIR, a New Magazine

Now here’s a new magazine I can really get behind. According to Lori Kozlowski in Forbes, it’ll be a tablet-only publication called Noir, devoted to the nether world of mysteries, crime fiction, and tough-guy movies. While they have no issue ready yet, you can ‘like’ their Facebook fan page, which I have done. Co-founder Nancie Clare, an ex-LA Times Magazine editor, says that she and her partner in the venture, Rip Georges, “were. . .obsessed with the mystery genre. In the past, there were a couple of magazines I worked on, and I would always try to figure out a way to do a special issue that would be their Raymond Chandler-driven or their mystery-driven issue. It’s been a recurring theme throughout our careers.”

Adding more specifics, and suggesting they may be publishing original mystery fiction, Clare and Georges continued,

“When we say Noir, there’s definitely a genre of literature you think about. But what’s extraordinary is back from Sherlock Holmes and Edgar Allan Poe, it has evolved. We will certainly respect the history, but some of the best hard-boiled fiction is being written today. The idea is to be respectful of the past, but focus on where this is going. . . Crime fiction is more passionate, sexier, more hard-boiled, more violent, and more exciting than ever.”

A Kickstarter campaign for the publication is starting soon, and I’ll look to share the link and donate when it’s up. The irresistible detective magazine covers shown below were part of the Forbes story, used by permission of the LA Times.