Sold: “Devouring Time: Jim Harrison, a Life” by Todd Goddard

I’m very excited to announce that under the banner of my literary agency Philip Turner Book Productions I’ve sold Devouring Time: Jim Harrison, a Life to Blackstone Publishing in print, ebook, and audiobook, on behalf of my author client Todd Goddard, associate professor of literary studies at Utah Valley University.  This will be the first biography to chronicle the fascinating, large life of the acclaimed poet and fiction writer (1937-2016). Goddard will examine all aspects of Harrison’s creative life, and how he incorporated major life milestones in to his work. Among those momentous events:

  •  The fatal car wreck that killed Jim’s father and sister when he was twenty-four; he blamed himself as they were heading to a weekend stay at a family cabin for which Jim had intended to join them until his last-minute cancellation delayed their departure. The tragedy spiraled Jim in to a deep depression, while also spurring his dedication to writing, as he soon after published his earliest poems and met Denise Levertov who shepherded his first book to publication, a poetry collection from Norton.
  • Jim received an introduction to Jack Nicholson who became a patron, supporting him financially through the completion of the three novellas that would become the collection,  Legends of the Fall; this relationship led to work on film projects and relief from the money woes that had long burdened him. Through this he also formed associations with many Hollywood figures including Anjelica Huston, John Huston, John Belushi, director Bob Rafelson and his wife Toby, who had made the match with Nicholson, and Stanley Kubrick, with whom Jim played chess.
  • Working with publisher Seymour Lawrence, who embraced the idea of publishing a collection of novellas, an unorthodox experiment that other publishers of the day were not eager to take on. Interviews by the biographer with Harrison’s longtime agent Bob Datilla explore the relationship between the writer and publisher.

Harrison’s sense of place will also be key to the narrative, as Goddard explores the importance of landscape in Jim’s poetry and fiction, mapping his life and situating him topographically. This process will unfold throughout the book in a number of important locales, from the lakes and forests of Michigan, to the crashing surf of the Florida Keys, to Greenwich Village where he drank with Jack Kerouac at the Five Spot bar, to hardscrabble Durango, Mexico, as well as Montana, Hollywood, Arizona, and Provence, France.

Todd Goddard regularly teaches Harrison’s fiction and poetry, and has presented research on Harrison’s works for the Jim Harrison Society at the American Literature Association’s annual conference. His research is well underway, already taking him in to the Harrison archive courtesy of the late author’s estate, thanks to an introduction by generous executives at Grove Atlantic. The archive includes correspondence with Raymond Carver, Francis Ford Coppola, Annie Dillard, Louise Erdrich, Allen Ginsberg, Barry Lopez, Peter Matthiessen, Norman Mailer, Gary Snyder, David Foster Wallace, Terry Tempest Williams, and Tom McGuane.

Goddard is also in touch with the The Jim Harrison Author Page on Facebook, where more than 10,000 fans celebrate the writer’s life, from preparing a special cassoulet to arranging bookstore discussions of Harrison’s work.

In Harrison’s later years, he was twice a featured guest on Anthony Bourdain’s TV shows, gaining a status as an elder statesman of American letters and enlightened living. With such biographies as Madison Smartt Bell’s work on Robert Stone (Doubleday, published this month), it’s a propitious time for this biography of Jim Harrison.

 

Sold: “WAR DIARIST: The Many Battles of Richard Tregaskis” by Ray E. Boomhower

January 2021 update: The book on Richard Tregaskis will be published in Fall 2021. The author and University of New Mexico Press have settled on a final title: Richard Tregaskis: Reporting under Fire from Guadalcanal to Vietnam.
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Delighted that I’ve sold Ray E. Boomhower’s WAR DIARIST: The Many Battles of Richard Tregaskis by independent scholar Ray E. Boomhower to University of New Mexico Press (UNMP) for publication in fall 2021. In 1943, combat reporter Tregaskis published GUADALCANAL DIARY, acquired by Bennett Cerf at Random House, which became an instant bestseller and the first book to emerge from the Pacific theater, when Americans had had little chance to read about the fighting there. Here are some grafs from the pitch letter I sent to the editor at UNMP, and photos that will be in the book, including one of the lanky reporter.

In 1942-43, Tregaskis (1916-73) was one of just two reporters “embedded” with US forces in the Pacific, before the specialized use of that term existed. He observed the fierce fighting between the Americans and Japanese, sending daily dispatches that had to be cleared by military censors before they could go to his editors at the International News Service. Some things he did not share with any editors or readers, as Boomhower writes:

“During his time on Guadalcanal, Tregaskis and United Press International reporter Bob Miller armed themselves with Colt 1911A1 pistols in direct contravention of U.S. War Department regulations prohibiting correspondents from using weapons. “We knew and the Marines knew that if we ran up against Jap[anese] snipers, they weren’t going to ask for our credentials.” Upon leaving Guadalcanal on a B-17 bomber, Tregaskis also helped man one of the plane’s .50-caliber machine guns and fired on an attacking Japanese Zero fighter.”

While breaking the mold for a war reporter, Boomhower notes that Tregaskis also harbored a distressing medical secret:

“Neither his colleagues in the field or his superiors at the International News Service knew that when he began his work in the Pacific Tregaskis had to contend with a recently diagnosed condition—diabetes, a debilitating disease that plagued his family.”

At one point, while briefly laid over in Pearl Harbor, he sent an expanded collection of his combat dispatches to a wire service editor who shopped the manuscript to more than a half dozen book publishers in NY. Bennett Cerf read it overnight and acquired the rights the next day. This became Guadalcanal Diary, an early example of “an instant book”; it was an immediate bestseller for Random House, and before WWII had ended, a Hollywood movie with Anthony Quinn, William Bendix, and Richard Conte.

At another point during Tregaskis’s reporting career, while covering combat action in Italy, the 6-foot, 5-inch tall reporter was struck by an artillery shell that punctured his helmet and nearly killed him. Following brain surgery—when a metal plate was inserted into his skull—and a difficult five-month recuperation back in the States, he learned to speak again by reciting poetry, and in June 1944 resumed work, reporting from the Normandy beachhead established on D-Day.

Boomhower’s book will chronicle Tregaskis’s whole story from before the war, and beyond. He was a Harvard grad, Class of ’38, whose classmates included Kermit Roosevelt, Joseph Kennedy, Jr., and the historian Theodore White. Tregaskis knew Ernie Pyle and the photographer Robert Capa.

I’ve found Boomhower’s writing in the sample chapters as alive and vivid about reporting under extreme and dangerous challenges as Tregaskis’s own indelible war reporting. By the late 1960s, more than three million copies of Guadalcanal Diary had been sold and it had been translated into twelve languages, including Japanese, Chinese, Spanish, French, and Danish. The book is in print as a Modern Library edition with an Introduction by Mark Bowden, while many of Tregaskis’s wartime dispatches are included in volume 1 of the Library of America’s book Reporting World War II. Ray E. Boomhower is senior editor at the Indiana Historical Society Press. He is the author of more than ten books including Robert F. Kennedy and the 1968 Indiana Democratic Primary (2008, Indiana University Press), which won the Indiana Center for the Book’s 2009 award in nonfiction.

Sold: Audio book rights for “Bring That Beat Back: How Sampling Built Hip-Hop” by Nate Patrin

Excited to announce that I’ve sold audio rights to editor Madeleine Collins at Tantor Media for BRING THAT BEAT BACK: How Sampling Built Hip-Hop by my agency client, and contributor to Stereogum, Nate Patrin. The book is a close analysis of four creators—pioneering DJ Grandmaster Flash; sampling innovator Prince Paul; superstar mogul Dr. Dre and left-field curator Madlib—who’ve helped shape the sounds of what’s become one of the world’s most popular art forms, one beat at a time. I earlier sold print rights to Erik Anderson, editor at University of Minnesota Press, who will publish their edition in April 2020. #books #hiphop #sampling #audiobooks #publishing #criticism

“J.M.W. Turner: The Majesty of Vision” by Kyle Gallup

[caption id="attachment_16308" align="alignleft" width="225"] “J.M.W. Turner: Watercolors from Tate at the Mystic Seaport Museum” through Feb 23, 2020[/caption]

“J.M.W. Turner: Watercolors from Tate at the Mystic Seaport Museum”

Painting as an Aide-Memoire

Stormy seas as atmospheric notations; sheer, floating sunsets; a bright-white moonrise over a glassy body of water; imaginary, architectural views of early nineteenth-century buildings; and a pastoral River Thames on a cloudy summer day. These paintings comprise five of the ninety-two watercolors, four oil paintings, and one of Joseph Mallord William Turner’s last sketchbooks that are on view in a current exhibition, “J.M.W. Turner: Watercolors from Tate,” at the Mystic Seaport Museum, Mystic, Connecticut, through February 23, 2020.

The watercolors are thoughtfully selected from the Turner Bequest, which contains 30,000 works on paper left to Great Britain and housed by the Tate since 1856, five years after the artist’s death. The show is curated by Dr. David Blayney Brown,Tate’s Manton Senior Curator of Nineteenth Century British Art, and organized chronologically with informative title cards that provide important context for these visionary works within the larger arc of Turner’s long public career.

As you enter the gallery, the first dark, silvery watercolors were done when Turner (1775-1851) was in his early twenties and one, “View in the Avon Gorge,” was painted when Turner was only a precocious sixteen-year-old. In it we see a gorge and river view with an overhanging tree, rock cliffs in powdery blues, and silvery-green leafed trees, delicately painted and already masterfully detailed. These early works, along with the thousands of others on paper, filled his residence after his death. The majority of the bequest was part of Turner’s private collection, made for himself, and not intended for public viewing.

Watercolors—a fragile, fugitive medium—are seldom displayed in public. They are loaned, transported, and exhibited even less often, so it’s very special to have the works on display in the United States at all, and an opportunity to see Turner in an intimate light, not as Royal Academician and renowned artist of dramatic oil paintings, but as a far-seeing, romantic, and hard working painter.

The exhibition has many watercolors with atmospheric notes; dashes and washes of buoyant color; sight and thought as one. I can imagine that Turner used these simple landscapes for reference, and as aide-mémoire when painting other works.

“A Wreck Possibly Related to ‘Longships Lighthouse, Land’s End’ (1834),” “Sunset Across from the Terrace of Petworth House (1827),” and “Coastal Terrain (1830-45),” give the viewer a sense of the weather conditions, movement, and hour of the day. They are Turner’s visual shorthand—pared down, yet still encompassing a larger sense of what Turner was looking at and thinking about at particular moments in time.

For the full essay with all illustrations, please click here.

[caption id="attachment_16309" align="alignleft" width="190"] “A Wreck, Possibly Related to ‘Longships Lighthouse, Land’s End (1834)”. Turner Bequest 1856 © Tate 2019[/caption] [caption id="attachment_16310" align="alignleft" width="183"] “Coastal Terrain (1830-45)”. Turner Bequest 1856 © Tate 2019[/caption] [caption id="attachment_16311" align="alignleft" width="190"] “Sunset Across from the Terrace of Petworth House (1827)”. Turner Bequest 1856 © Tate 2019[/caption]

Another Good “Ride” with Marc Berger & Band

Marc Berger, 11th St BarMore than six years ago, at a now-shuttered music venue called The Living Room on Manhattan’s Lower East Side, I was lucky to hear singer/songwriter Marc Berger for the first time, a live show that I wrote about then for this blog. I made friends with Marc and have stayed on his email list so earlier this week was delighted to see that he’d be playing at another LES venue, 11th St Bar, with no cover charge on Thursday night. I made a point of turning up.

Marc always assembles a good band. On acoustic guitar and vocals, he was flanked by four good players, mandolin, electric bass, drums, and electric guitar—the bass and mandolin players had been on hand earlier occasions. They played two full sets in the intimate room—a donation bucket was passed around twice among the appreciative audience—and a piano player came on for the late set when Marc switched from acoustic guitar to an electric of his own.

I believe the songs were all his compositions, several coming from his 2013 album “Ride,” along with some newer numbers. If you enjoy acoustic and roots music drenched in the American West, and artists like Ian Tyson and Tom Russell, you ought to listen to Berger and his richly themed album. On Berger’s website, he writes about the setting that inspired the music: “Clouds that forever stampede the endless sky, shadows gliding over canyon walls–the West is a vast expanse of magic and mystery. American artists from John Ford to Frederick Remington to A.B. Guthrie have used film, canvas and the printed page to convey the essence of its unique landscape and mythology.” To those visual associations, I’ll add the 1962 black & white Kirk Douglas film, ‘Lonely Are the Brave,‘ where he plays a latter day cowboy unable to conform to modern society. The movie was based on a novel, Brave Cowboy,  by legendary iconoclast of the American West Edward Abbey. Relatedly, Kirk Douglas also played the lead role in the 1952 adaptation of the aforementioned Guthrie’s modern classic about the frontier west, The Big Sky.

Here’s an old video of Berger and band playing his song “The Devil Came Down from Idaho” at the much-missed Living Room. Jeff Eyrich, here on acoustic bass, also played at the 11th St Bar gig, with nice chunky bass parts. Berger definitely keeps good musicians around him. Rob Meador, the mandolin player, is a rhythmic rock. And Berger’s a good performer, with lots of energy and easy banter between songs.

https://youtu.be/Zb8z_8HlVQ4

Marc Berger and band

Among the sideplayers at 11th St Bar was a well known music producer, Steve Addabbo, who played tasty lead guitar throughout the evening. That’s him in my photos with the halo of white hair. During the break between sets I saw him talking with another member of the audience, a woman who had a friendly dog with her. We began conversing and when Steve went back to play the next set, I properly met the sweet coffee-colored Labradoodle, Bertie, and his audience member owner. Turns out she is a gifted musician herself, the singer/songwriter Diana Jones, whose catalog I’m now exploring. That’s New York for you—you really never know who you might meet when you walk out your door. Her songs are Appalachian-infused ballads with a strong social conscience. She told me of a song of hers performed by Ana Egge and Iris Dement, “Ballad of a Poor Child.” Here’s a video of Jones singing her poignant song, “Pony.”

https://youtu.be/eilcel_OzHk

It was a treat hearing Marc Berger’s songs inspired by the American West and his lifetime of experiences on our vast continent, and meeting Diana Jones and discovering her soulful music. 11th St Bar is a comfortable venue that I hope to return to soon. They have a traditional Irish music session on Sunday nights that runs from 10pm-2pm, which must be lots of fun.

Excited for Publication Day of “The Twenty-Ninth Day: Surviving a Grizzly Attack on the Canadian Tundra”

I’m thrilled that Alex Messenger’s book The Twenty-Ninth Day: Surviving a Grizzly Attack in the Canadian Tundra will officially be published tomorrow, November 12 by Blackstone Publishing, in hardcover, ebook, and in an audiobook edition read by the author. I’ve been working with Alex since 2016, so it’s very heartening to know that his book is about to reach the reading public.

As editor and publisher in 2002 of the superb historical novel The Revenant: A Novel of Revenge by Michael Punke, later adapted for a Hollywood movie, it’s a happy coincidence for me to be involved with another book featuring the survivor of a near-lethal encounter with a grizzly bear. If you’ve enjoyed such books as Into the Wild by Jon Krakauer (where by contrast the young protagonist did not survive his wilderness ordeal), Admiral Richard Byrd’s Alone, and Great Heart: The History of a Labrador Adventure by James West Davidson and John Rugge, you’ll definitely enjoy Alex’s first-person chronicle.

The Twenty-Ninth Day is also a featured pick of the Midwest Booksellers Association.

For updates on Alex’s book tour, you can follow him on Twitter and Instagram @AMessengerPhoto and at The Twenty-Ninth Day website.

If you’re in Minnesota, there’s a full line-up of author events coming up:

11/12/19, 6pm, Bookstore at Fitger’s, Duluth.MN

11/23/19 Author signing at Midwest Mountaineering Outdoor Adventure Expo, Minneapolis, MN

11/23 6pm Excelsior Bay Books, Excelsior, MN

11/30/19 Author signing at Frost River, Duluth, for Small Business Saturday

12/7/19 Scout & Morgan Books, Cambridge, MN

12/8/19 Holiday Signing at Next Chapter Bookstore 11-1pm, St Paul, MN

12/14/19 Zenith Bookstore, Duluth, MN, with two other authors

Also, here are some excellent publicity hits and below them the video trailer Blackstone Publishing did to promote the book.

Duluth News Tribune, feature article 

Minnesota Public Radio, interview with the author

https://youtu.be/6Mb4NJcPtiI