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313

RIP Saul Leiter, Important NYC Photographer Appreciated in the NY Times

Thanksgiving Afternoon Update: After tweeting and posting about Saul Leiter last night, I’ve seen a few more pieces on him today, and have had quite a wide reaction to what I’d shared. The best piece today is Teju Cole’s postscript on Leiter in The New Yorker. The Brooklyn writer, born to Nigerian parents in the US, was best known to me for his 2102 novel Open City, but now I see he’s also accomplished in photography, writing about it and taking pictures. This is from the end of his fine New Yorker appreciation:

“The content of Saul Leiter’s photographs arrives on a sort of delay: it takes a moment after the first glance to know what the picture is about. You don’t so much see the image as let it dissolve into your consciousness, like a tablet in a glass of water. One of the difficulties of photography is that it is much better at being explicit than at being reticent. Precisely how the hypnotic and dreamlike feeling is achieved in Leiter’s work is a mystery, even to their creator. As he said in “In No Great Hurry,” laughing, “If I’d only known which ones would be very good and liked, I wouldn’t have had to do all the thousands of others.”

 

 

Foot on ElSaul Leiter was an amazing photographic artist who I am only just learning about now, because of the obituary on him by Margalit Fox; the Lens blog post about him by friend Tony Cenicola, in today’s NY Times, and a Lens blog post by Cara Buckley from November 15 about a new film on Leiter, “In No Great Hurry: 13 Lessons in Life With Saul Leiter.” Much of his work is at the Howard Greenberg Gallery in NYC. I urge you to look at his work there. This is from Cara Buckley’s post:

“There is something so poignant about Saul Leiter’s work that looking at it can feel like taking a dart to the heart. Drenched in luxuriant, saturated colors, the images instantly transport the viewer into the photographer’s shoes: peeping from beneath an awning to a snow-swept street, or through a befogged cafe window, weeping with condensation, to a man taking pause on a wintry sidewalk. Intimate and empathetic, Mr. Leiter’s photographs relay what all New Yorkers know about their roaring, daunting home: that life in the city is filled with stolen glimpses and fleeting, quietly personal and often gorgeous moments.”

314

Loving “Bonfire Etiquette,” Amity Beach’s New Album

Bonfire EtiquetteAt Honourary Canadian, the sister blog to this one, I’ve written up a new  album by Amity Beach,  a young Ontario pop band that I discovered at NXNE in 2012. I really like their new songs a lot. This is my post where I’ve published a full report. And this is a link to the single, “Born in the Daylight” from their soundcloud.com page. I hope you like it, too. I recommend the whole album, which you can sample at their tumblr. Really gets better the more you listen to it. Highly recommended.

316

Ewan Munro Live on Jesse Krakow’s WFMU Show “Minor Music”

WFMU posterTonight, November 18, my son Ewan Munro performed his music live and was interviewed by musician, music teacher, and host Jesse Krakow on his program “Minor Music,” which is devoted entirely to showcasing musicians 18 years of age and younger. It was broadcast on the great indie radio station, WFMU. If you want to listen to the show, which has already been archived on the Internet, please follow this link. If you want to hear Ewan’s recorded songs you will find them at this web page of his on the music-sharing site soundcloud.com.

Krakow has done the program for four years and he will soon learn if he’s going to be renewed by the station for another year. His program is the only outlet of its kind in the New York metropolitan area, and I hope his worthy efforts will be rewarded with an extension. If you agree with me, you can let station manager Ken Freedman know via this contact page on the WFMU site. Here are some pictures from our night at WFMU 91.1/90.1 FM in downtown Jersey City, NJ. Please click here to see all photos.

318

Talking Transition–for Mayor de Blasio & NYC’s New Government–w/PEN America

Support the Book EconomyAs a member of PEN America, I was invited to participate in a PEN speak-out Tuesday night that was part of Talking Transition, an event going on all week and next in Soho, providing input on policy and priorities to NYC’s incoming mayor Bill de Blasio, all citywide officeholders, and the new members of our City Council. Talking Transition is taking place in a big heated tent that’s set up on the north side of Canal Street, along Sixth Avenue. Each day this week has been devoted to a different topic–Tuesday night had an emphasis on Arts & Culture. PEN chose to devote its 90-minute slot to “Keeping NYC a literary and cultural capital.” On Twitter, you can follow transition events @TalkNYC2013 and the hashtag #TalkingTransition.

Each member who chose to speak was given just a 3-minute slot, so we really had to trim our points down to the minimum. The group was comprised of almost two dozen speakers, including several poets, administrators of poetry and literary programs, and publishing colleagues. The evening moved along with alacrity in front of a pretty good-sized audience under the big tent. This was the preliminary list of speakers, which came off with only a few small changes.PEN Speakout roster I titled my own talk “Support the Book Economy, Foster Publishing Experiments.” The transcript of my remarks, delivered almost verbatim, is here, and below them is a key point I would’ve made if I’d had a bit more time.

Support the Book Economy, Foster Publishing Experiments. 

When the recession hit in September 2008, the book economy in New York, was already in a parlous state. To choose just two measures, the rate of closure among indie bookstores was rising and the income of mid-list authors was declining, along with their access to being published at all. A few months later, in January 2009, I was swept out of corporate publishing when the imprint where I’d been editorial director was shuttered. Much as I could talk about my experiences over the past five years, the new business I started, or my three decades in the book business, this talk is not about me, for I am only one among 100s of publishing professionals who lost full time jobs in the months and years since the economic collapse who have yet to again find full employment. To get at the scale of the problem, consider that in 2009 Publishers Weekly started a “Comings & Goings” feature that allowed folks to submit their contact info so that others who wanted to be in touch, to hire them, or just to network, could do so. It had over 200 names at one point. And then last month another book news outlet, Media Bistro’s galleycat, created a directory of just freelance editors, which after a few weeks already has nearly 300 people in it. Based on my observations of book industry layoffs, I’m sure that these figures of self-selecting people only hint at the total numbers.

Clearly, there is still a wealth of great publishing talent in the city. That’s good news. And yet while many of us are still working as editors, marketers, and publicists, or working in adjacent fields like online news, often we are not being paid adequately, and sometimes not at all, for time spent on publishing tasks we hope will one day turn in to full time jobs or paying assignments. Regrettably, this condition persists even while the book industry has experienced a boom from digital reading that’s given greater exposure to book culture, increased the engagement of many readers, and left thousand of readers more avid for books, print and digital.

Yet, even while the boom has grown, the benefits of it are not being felt by most of the under-employed full time publishing workers. This crisis offers the city an opportunity to capitalize on the talents of all these bookpeople with publishing incubators that would foster innovation, experiments, and new models to help business-savvy bookpeople turn their enterprises and current projects in to job-creating engines of the book and the New York City economy.

Therefore, I urge City Council, Mayor-elect de Blasio, and all citywide officeholders to establish public-private partnerships and other initiatives that would help make available low-cost or no-cost business enterprise advice (legal, accounting, financing); no-cost or low-cost workspaces where people could share cubicles, WiFi, and conference rooms. With philanthropic support, or venture capitalists with money looking to do good, a fund for experiments could be launched, with grants being provided to offer recognition, encouragement, and a stipend. I urge the tech community, really a first cousin to digital publishing, to work with bookpeople to create new initiatives that will elevate the entrepreneurial efforts of New York City’s publishing community.

My addendum to these comments is an explicitly political point. One of the reasons that the economy remains anemic in New York City and around the country–with a lack of full employment for millions of people, not just publishing professionals–is that obstructionists in Congress have imposed austerity on the country. Since 2010, right-wing politicians have thwarted any ongoing economic stimulus that would, if enacted, help prime the pump and accelerate demand.  This has been denied us, even at a time of very low interest rates. Now, with the victories of Mayor-elect de Blasio, many progressive citywide officeholders, including by far the most progressive City Council since I moved to New York in 1985, I hope that the city, and my own precious book industry, can have, courtesy of the new actors in city government, its own local and direct stimulus that will benefit publishing, readers, authors, and all of New York City.

Finally, here are pictures I took Monday and Tuesday night when I attending Talking Transition events. PEN Participants had been asked to submit favorite quotations, our own, or those of other writers, which you’ll see in a tweet cloud in many of the photos.Please click here to view them.

319

Eager to Read Peter Warner’s New Thriller “The Mole: The Cold War Memoir of Winston Bates”

 

The picture in the above tweet shows the present and former chiefs of Thames & Hudson, the publishing company that Will Balliett (r.) heads up nowadays, and which author Peter Warner–here mulling his inscription for Will’s copy of Peter’s new book–ran for many years prior. Will and I were colleagues from 2000-06, when we both worked at Avalon Publishing Group. I was glad I could attend Peter ‘s launch party last week, as he is also a publishing friend of many years. His new novel, his third, is The Mole: The Cold War Memoir of Winston Bates, published Oct 22 with Thomas Dunne Books at St. Martin’s Press. It’s already had an excellent review in Washingtonian magazine. Calling the book “crafty,” critic John Wilwol added, “Warner knows Washington intimately, and he particularly nails the way that the right social access can lead to professional success.”The Mole

Peter has established a Tumblr blog where he’s sharing the documentary underpinnings of his novel, with such artifacts as photos of CIA directors Allen Dulles and Richard Helms, a U-2 spy plane, and Senator Richard Russell, the politician on whose staff title character Winston Bates serves. Captions on the blog are cleverly written from the persona and in the voice of Bates, an expat Canadian now working for Russell, who was in real life one of the most powerful figures in the US senate. Though I haven’t begun reading it yet, this novel, like several I’ve read in recent months, especially Jayne Anne Phillips Quiet Dell, is part of a genre I’ve begun calling “documentary fiction,” with books that draw on events, artifacts, and figures from history. To show the other, more imaginative side of his enterprise, Peter Warner has created a Facebook author page with postings about the creative underpinnings of the book. This comment of his caught my eye, as the proprietor of a sister blog to The Great Gray Bridge called  Honourary Canadian.

My Personal Alternate History

In my last post I wrote about The Mole as a different take on the literary category of alternate history. But I think almost everyone has, in the back of his or her mind, an alternative life story that comes to mind on occasion: What if I had taken that job? What if I had made that investment? What if I had married that crazy person? In my case there is one alternate history that I share with almost every man of my generation: What if I had moved to Canada as a war resistor or to escape the draft during the Vietnam War era? There are also tens of thousands of American men, now Canadian citizens, who probably wonder: What if I hadn’t moved to Canada to avoid the draft? In my case, I was lucky to get a draft exemption after couple of years of anxiety. Subsequently, my publishing career took me to Canada at least twice a year for more than twenty years. I am sure having regular opportunities to imagine myself as a Canadian while in Canada played a part in the central plot of The Mole—that there might have been a Canadian “sleeper” at the heart of the American political establishment, doing his best (or worst) to undermine the so-called “American Century.” In Canada, I sometimes sensed in my friends a kind of ironic armor they had developed to accept (sometimes endure) that huge, well-intentioned, sometimes irrational, culturally inescapable, totally oblivious neighbor to the south. I hope Canadian readers will look at The Mole as a kind of delicious literary revenge.

I did not have quite the same experience of the Vietnam era as Peter, since I am a bit younger than him, but my brother Joel, almost four years older than me, certainly did sweat the draft lottery along with millions of other older teenage boys in the US. One more connection that I found I have to The Mole is through a history book I published at Carroll & Graf in 2006, How the Cold War Began: The Gouzenko Affair & the Hunt for Soviet Spies, by Canadian historian Amy Knight. She chronicles the strange events involving Igor Gouzenko, a Soviet cypher clerk who in 1945, while employed at the Soviet embassy in Ottawa, walked away from his desk and defected to the West with a trove of secrets and information that indicated a Soviet spy network was then operating in North America. It became an international cause celebre, lasting for several years, with Gouzenko seeking and receiving permission to live in Canada. It was, for its day, an Edward Snowden-type event.

The intense publicity did eventually subside and about 20 years after his defection, Gouzenko actually appeared on Canadian TV, disguised by a hooded mask that had eyeholes cut out for him to see. To Americans, it looks instantly like a KKK hood, though I’m pretty sure it wasn’t seen that way in Canada in 1965. Knight chronicles this as the all-too-amazing-to-be-true-but-is story that it was. Among the odd aspects of the incident was that Gouzenko, who somehow evaded the supervision at the embassy with his pregnant wife and their two-year old son, could not at first get any Canadian authorities to accept that he was an authentic defector. They ended up walking around Canada’s capitol city for more than 40 hours, finally being believed after first futilely visiting several Canadian government offices.* Occurring even before WWII had ended, the Gouzenko incident set off a cascade of frantic maneuvering among leaders of the USA, Canada, Soviet Union, and Britain, their intelligence services, and even our FBI. The countries were all nominally still allies, but this episode displayed the ill will and suspicion that would dominate the Cold War.Gouzenko photo

It is against that historical backdrop that a character like Peter Warner’s Winston Bates operates. All these personal connections to Peter Warner and The Mole have me eager and excited to begin reading his book.

*Via this link is a fascinating video of Gouzenko’s appearance on the CBC news program “Seven Days.” The first CBC host to speak is the great broadcaster Patrick Watson, later a novelist, who in 1979 visited Undercover Books, my bookstore, for a great in-store appearance promoting his novel Alter Ego, a kind of “Memento”–type story, written many years before that entertaining film was made.

320

Atmosphere and Color–Painter Greg Kwiatek’s Exhibit at Lynch Tham Gallery

2 GregOn Wednesday night Kyle and I went to the opening of a new exhibit of work by her longtime friend, painter Greg Kwiatek. It’s a gorgeous show, at Lynch Tham Gallery, 175 Rivington Street on the LES of Manhattan, where it will be up until December 22. As Kyle put it, Greg’s work “alludes to landscape painting, but they are also quite abstract.” Skyscape might be even more accurate, as there is little land in these pictures, instead they are atmospheric renderings of sky, cloud, and light, both from sun and moon.

On the Web page devoted to his exhibit Greg writes,

My recent work is a continuation of issues that have been of interest to me for many years – atmospheric light, tonal color, saturated color, and the moon as an icon. It is against my nature to simply be a painter of the moon, even though I’ve great respect for those who have done so. That said, I’ve attempted to employ the moon, and the sun in full form and circular abstraction as well. This gives me more latitude through the working process and prevents me from painting myself into a corner. It is my nature to drift with the sky, the ocean and sand. These forces are powerful springboards and they humble me. They are timeless and it is my mission to respond to them as best I can.

These are challenging paintings to photograph, especially in a crowded opening with an IPhone, but here are some pics I took. I recommend you see the show for yourself. It’s beautiful work.