CBO Report on Obamacare Points to More Economic Justice Over Next Decade

Republicans have seized on news reports of the new Congressional Budget Office (CBO) forecast about ObamaCare’s impact on the country over the next decade. The righties instantly and loudly pointed to what they claim is a finding that more than 2,000,000 jobs will be lost between now and 2024. Unfortunately, so far the media is playing along with their false reading of the study.  On his Plum Line blog Greg Sargent has a corrective commentary with an actual quote from the report, followed by a summation of his own:

“‘The estimated reduction stems almost entirely from a net decline in the amount of labor that workers choose to supply, rather than from a net drop in business’ demand for labor, so it will appear almost entirely as a reduction in labor force participation and in hours worked relative to what have occurred otherwise rather than as an increase in unemployment (that is, more workers seeking, but not finding jobs) or underemployment (such as part-time workers who would prefer to work more hours per week).’

The CBO report actually says that the impact of the ACA will be ‘almost entirely’ due to a decline in labor that ‘workers choose to supply.’ It says explicitly that the ACA’s impact will not be felt as an ‘increase in unemployment’ or ‘underemployment.’”

Useful and necessary as Sargent’s correction is, I’ll  add an interpretation of mine, based on my own experience working in the freelance economy since 2009. That’s when a corporate publishing layoff cost me a full-time job, and my family what had been our employer-based health insurance. For five years–until this month, when we could finally get affordable coverage under the new law–the cost of private health insurance premiums has been an onerous burden on our household economy.

I interpret the CBO forecast as pointing to the likelihood that in future there will be fewer Americans working full-time jobs at major corporations with health insurance attached, as was our national norm in the 20th century. This was an American anomaly, not an historical inevitability, one of those times when our vaunted “exceptionalism” didn’t serve the national interest. This benefit offered people security, but only if you had a full-time job. It also shackled people to jobs they might not have otherwise continued working at. I anticipate that with health insurance reform, many more people will be able to be self-employed while finally enjoying reliable and affordable coverage. The CBO report suggests my hope could become reality.

Since President Obama’s election in 2008, when health insurance reform came back on the national agenda for the first time since the Clinton years, I’ve hoped that reform might unleash many enterprising solo and small shop operators. No longer tethered to corporate jobs, people would be able to take reasonable risk to start a business on their own or with a couple partners, confident that even if their new idea fails, they won’t have to spend down their security to keep themselves from being exposed to the truly terrible risk of illness without insurance. With many more people working for their dreams, we could become to a greater extent, a nation of entrepreneurs, business-builders, and job creators. This is something that pro-market conservatives always tout, so they ought to cheer for health reform that unleashes a new era of entrepreneurial energy.

I miss certain aspects of big-company employment, and continue to apply for full-time jobs as appropriate, and might be glad to take one, but my larger preference is that the economy just begin to grow again with many millions of flowers blooming.  I will add that if the country had not been forced to endure unwarranted austerity through Republican obstructionism the past five years, the editorial & publishing services consultancy I started in 2009 would’ve grown much faster. As to the CBO’s point that people will choose to work fewer hours, I see nothing wrong with people spending more time with their families, traveling, and enjoying new recreational pursuits. With so many of us having suffered financial pain since 2008 it would be economic justice indeed if by 2024 we’re all doing so well that people can work less while enjoying it more.

Lovely Snow Day in NYC


The snowy winter of 2013-14 continued yesterday with an all-day storm. By late in the afternoon Kyle and I got out for a walk and found that a beautiful and unfamiliar landscape had been created by the snowfall. The snow defined the contours of tree limbs, rocks, paths, and walls. Please click here to see more photos.

#FridayReads–Barry Lancet’s Thriller, “Japantown” & Dan Richter’s “The Dream is Over,” Memoir of the 60s

Japantown#FridayReads, Jan 31–Barry Lancet’s thriller, Japantown and Dan Richter’s The Dream is Over, a memoir of the 60s.

I’d made Japantown my #FridayReads last weekend, when I had read only about 140 pages of the nearly 400-page fast-paced international thriller. The rest of the book was every bit as riveting, and overall, hugely enjoyable. I liked it so much that, on Wednesday night, heading out to hear live music–I stowed the hardcover book in my knapsack, along with my handy bike flashlight–and read deep in to its last chapters between sets in the dimly lit music room at Pianos, inching toward the suspenseful climax which I reached the following morning. Here’s an abbreviated version of the plot rundown from my post last week:

“The book is at first set in San Francisco where protagonist Jim Brodie works as a dealer in Asian antiquities, while also maintaining connections with the private detective agency his late father founded and ran in Tokyo. Brodie’s widowed, a single dad living with his grade school-age daughter, Jenny. Brodie is the new go-to-guy when the San Francisco Police Department find itself investigating a grisly mass murder with Japanese victims and Japanese cultural characteristics. At the crime scene, Brodie finds only one clue, a paper artifact emblazoned with an obscure written character (kanji in Japanese). Brodie doesn’t realize, though the reader sees, that even as he surveys the scene of the brutal killing he and his Homicide Dept confidant are being surveilled with lenses and cameras by unknown agents. Though not understanding the full extent of the danger he’s in, Brodie senses he’s being watched, at his gallery and even at home with Jenny. With the obscure kanji in hand, Brodie undertakes an investigative trip to Japan, first putting Jenny in to the protective embrace of a police safe house. Once in Japan, the malign forces behind the killings begin taking aim at Brodie and his trusted Japanese colleagues.”

Good set-up, huh? Trust me, it’s much more exciting than my synopsis. After finishing Lancet’s totally satisfying thriller, I’m really excited he’s working on another book set in Jim Brodie’s world.

After finishing Japantown, I needed a nonfiction tonic and so picked up  The Dream is Over, Dan Richter’s personal account of London in the ’60s, his friendship with Yoko Ono and John Lennon, and his struggles with addiction. Richter’s book, released in hardcover in Britain in 2012, carries a Foreword by Yoko. I met Dan in the early 2000s, when I edited and published his first book Moonwatcher’s Memoir–A Diary of 2001: A Space Odyssey. Dan was in his twenties, working as a mime actor, when Stanley Kubrick–searching for the right sort of performer to play the role of the marauding ape wielding a club in the opening scene of the 1968 intergalactic time travel epic–met Dan and cast him in the part. Working with Dan, I learned that he’d met Yoko in the ’60s through his theater work and her early works of performance art. Later, he would meet John Lennon through Yoko. His verbal accounts of those years were fascinating to hear about, so I’m delighted he’s written this second memoir. It focuses on 1969-73, when he was living in London, putting on poetry readings at the Albert Hall, and running with a literary set that included Alan Ginsberg, during his frequent visits to London, and Beat writer Alexander Trocchi, a bad-boy Scotsman who wrote Cain’s Book, a notorious and transgressive book in its time. Dan recently got in touch and asked if I might be able to help him find a US publisher for The Dream is Over, so I’m reading it as work and for the welcome evocation of a rich era that it paints. Characters who walk in and out of the narrative include Eric Clapton, Andy Warhol, Bob Dylan, the rebel psychiatrist R.D. Laing, members of the Beatles and the Rolling Stones. I don’t know yet about the prospects for finding a US publisher, but I’m glad to be reading the book. I’ll try to post more about it once I’ve read more. The flap copy promises an intimate account of the making of the album “Imagine.”Moonwatcher's Memoir
Dream is Over

J. Michael Orenduff’s POT THIEF Mysteries on Sale Today from Open Road

J. Michael OrenduffReaders of this blog may recall that I’ve posted about author J. Michael Orenduff (l.), whom I represent as his literary agent. He’s written the delightful POT THIEF mystery series, which were an indie- and self-publishing success beginning in 2009. Last year I licensed the six-book series to Open Road Integrated Media for new ebook and paperback editions. I’m happy to post today that the new POT THIEF editions have just gone on sale from Open Road, whose site leads to all the major ebook and brick & mortar booksellers, such as  OverdriveGooglePlay; Indiebound and Amazon.

As a devoted mystery reader myself, I adored these books when I first read them in 2011. They’re set in and around Albuquerque, New Mexico, featuring dealer in Native America pottery Hubie Schutz and his sidekick in sleuthing, wise-cracking Susannah Inchaustigui, a descendant of one of the region’s old-line Basque ranching families. They meet most afternoons at Hermanas Tortilleria, to sip margaritas and discuss their latest puzzler. After years running Undercover Books, a bookstore where I sold lots of mysteries, and as an editor publishing mysteries, I am especially excited that the many readers of Tony Hillerman’s Jim Chee and Joe Leaphorn mysteries, also set in the American Southwest, will now also be able to discover the POT THIEF books. In their earlier editions the POT THIEF books won numerous awards and raves from mystery readers, including Anne Hillerman, the late mystery master’s daughter who’s recently revived the bestsellerdom of her father’s series with her own book, Spider Woman’s Daughter, featuring Navajo Nation Police Officer Bernadette Manuelito. Hillerman said this about the sixth POT THIEF book:

“I inhaled this book. Witty, well-crafted and filled with unexpected plot turns, The Pot Thief Who Studied Billy the Kid will delight J. Michael Orenduff’s many fans—and win him new ones.”

If you haven’t yet heard of Open Road, please note they have more than 3000 active titles, including five books by my longtime author Ruth Gruber, as well as titles by dozens of important authors such as William Styron, Rachel Carson, Andre Dubus, Sherman Alexie, and Mary Glickman, always in digital editions, and sometimes in print editions, too. They’ve been operating for about five years, innovating and growing along with the emerging ebook market. The company was profiled last year in a profile at paidcontent.org.

If I were still running a bookstore, I would urge all my mystery-loving customers to read the POT THIEF books. Please click here to see Open Road’s new covers with their uniform look.Enjoy!

What My Neighborhood Park Looks Like This Week

With so much snow on the ground, I’ve had to sideline my usual bike-riding routine, but I am getting around on foot. Here’s what Riverside Park and the Hudson River look like this weekend. Now if I could just figure out how to handle my camera and IPhone and keep my gloves on at the same time…Riverside Park & Hudson RiverRiverside Park & Hudson RiverRiverside Park & Hudson RiverRiverside Park & Hudson River

#FridayReads, Jan 24–Barry Lancet’s Gripping Thriller “Japantown”


From 1992-97, when I worked for Kodansha America, the US division of the major Japanese publisher, I had many interesting and talented colleagues, some of whom worked in New York, and others at the home office in Tokyo. My colleagues included both Westerners and Japanese. I didn’t often meet the ones who worked in Japan, but would occasionally see their names on inter-office memos and catalog materials. Among this group was Les Pockell, a lithe and witty fellow who after many years with the company in Tokyo came back to New York, working for Warner Books, later called Grand Central. He was also an anthologist of poetry and story collections. Sadly, Les died in 2010 at age 68. A Japanese colleague working in New York those years was my boss, Minato Asakawa, whose idea it was to publish Having Our Say: The Delany Sisters’ First 100 Years, the autobiography of two African-American sisters, Sadie and Elizabeth Delany, then both more than 100 years old. It became a huge bestseller in hardcover and paperback, and was adapted into a Broadway play. Under Asakawa, I had the opportunity to acquire and publish many terrific books, such as A Diary of the Century: Tales from American’s Greatest Diarist by Edward Robb Ellis, and his one-volume hsitory, The Epic of New York City. Together, Asakawa and I published the Kodansha Globe series, which in many ways anticipated the fine list published nowadays by the New York Review of Books Classics imprint. Kodansha Globe combined titles in cross-cultural studies, anthropology, natural history, adventure, narrative travel and belle lettres. By the time I left Kodansha in 1997 we had published more than ninety Globe titles, including the first paperback edition of Barack Obama’s first book Dreams From My Father.

Another Westerner in the Tokyo contingent, though one I never met face-to-face was editor Barry Lancet. Last year, I read in PublishersMarketplace.com that Barry was going to debut as an author, publishing his first novel, a thriller. I made a mental note of that good news, and before I could get in touch with Barry to renew our old acquaintanceship, a mutual friend in the book business, publicity professional Jeff Rutherford, put Barry in touch with me. We exchanged personal and professional news and I congratulated him on publication of his first book. I was pleased then when in December I got a copy of Japantown from his editor at Simon & Schuster. After working through a lot of reading that piled up during the holidays, I started Japantown this week, and am totally engrossed by it. Here’s a rundown with no plot points you wouldn’t pick up in the first quarter of the novel.

The book is at first set in San Francisco where protagonist Jim Brodie works as a dealer in Asian antiquities** at the same time maintaining connection with the private detective agency his late father founded and ran in Tokyo, with many local employees. In the wake of the death of the younger Brodie’s wife Mieko in a mysterious and unsolved fire, Brodie’s a single dad living with his grade school age daughter, Jenny. Combining his two areas of expertise, Brodie is the new go-to-guy when the San Francisco Police Department find itself investigating a grisly mass murder with Japanese victims and characteristics: A Japanese family of five has been gunned down after dark in a public park. At the scene, Brodie finds only one clue, a paper artifact emblazoned with the same written character (kanji in Japanese) as was found at the scene of his wife’s death. Brodie doesn’t realize, though the reader knows, that even as he surveys the scene of the brutal killing he and Renna are being surveilled with lenses and cameras by unknown agents. Though not knowing the extent of the surveillance he’s under, he senses someone’s watching him, at his gallery and even at home with Jenny. With the obscure kanji in hand, Brodie undertakes an investigative trip to Japan, first putting Jenny in to the protective embrace of a police safe house. Once in Japan, the malign forces behind the killings begin taking aim at Brodie and one of his most trusted colleagues, Noda.

All the past work week I was looking for more time to read Japantown, and I’m glad it’s now the weekend, with some uninterrupted time for reading. Lancet’s writing is vivid and economical and the plotting assured. If you want to learn more about Lancet and his background, including some very good advice for aspiring writers, I suggest you visit his website or follow him on twitter @BarryLancet. I’ll post more about his book later, but for now I want to say I recommend it highly.
WEDNESDAY JAN 29 UPDATE I finished Japantown the other day and it was great to the last page! A totally gripping international thriller. I’ll post more about it later. Best thing is, I believe Barry Lancet’s already working on Book II.

** Antiquities dealer is a profession I’m partial to in mysteries, like the POT THIEF series for which I’m the agent, with J. Michael Orenduff’s six books which went on sale this week from Open Road. In the POT THIEF books, set in an Albuquerque, main character Hubie Schuze is a dealer in Native American ceramics, and a capable ceramicist himself. The books are memorably titled:  The Pot Thief Who Studied Pythagoras,The Pot Thief Who Studied Ptolemy,The Pot Thief Who Studied Einstein,The Pot Thief Who Studied Escoffier,The Pot Thief Who Studied D. H. Lawrence, and The Pot Thief Who Studied Billy the Kid. As the titles suggest, Hubie’s reading and appreciation of classic texts by, and the venerable lives of scientists, writers, a chef and an outlaw, make for enjoyable mystery fiction.

Rural Alberta Advantage, Another Great Indie Band from Canada

Had a great time last night at a live music show put on by the Toronto trio, The Rural Alberta Advantage, my first time hearing them live after enjoying them the past few years on CBC Radio 3. They played a sold-out show in front of a boisterously appreciative full house at the Mercury Lounge on the lower east side of Manhattan. I have a full post with pictures at my other blog Honourary Canadian. Here are shots showing all three band members, first Amy Cole, keys with Nils Edenloff, guitar and lead vocals, then Paul Banwatt, drums. I hope you enjoy the rest of the post over there.Mercury Lounge Jan 24 2014Mercury Lounge Jan 24 2014

Forthcoming in March: Album of “Rediscovered” Neil Young Treasures

Announced at the website of Third Man Recordson Exclaim.ca

Third Man Records unearths NEIL YOUNG’s “A LETTER HOME”

An unheard collection of rediscovered songs from the past recorded on ancient electro-mechanical technology captures and unleashes the essence of something that could have been gone forever. — Homer Grosvenor

And Rolling Stone provides a brief Q&A with Neil himself in which he discusses his fondness for old microphones, his belief that “We’re entering a very good period for recorded sound” and calls the new album, due out in March, “one of the most low tech experiences I’ve ever had.”

Cross-posted at Honourary Canadian