Album Covers as Art, or How Jazz LPs Changed Our World

IMG_0442Thursday night my wife and I greatly enjoyed the reception and opening for the new exhibit, “Jazz. Covers. Politics–Album Art in an Age of Activism.” We had been invited by Elisa Pritzker, artist and art curator, who assisted Nathan Cummings Foundation and Romare Bearden Foundation staff in mounting and hanging the show. They’ve assembled over 150 album covers as examples of social activism from America’s civil rights struggle, the opposition to the Vietnam War, and the campaign to end apartheid, among many other historic milestones shown.Brochure cover

The musicians and albums on display constitute a veritable hall of fame of jazz recordings, including Max Roach’s “We Insist!,” the signature piece for the whole exhibit, that used for its cover a news photograph of three African-American activists sitting in at a segregated southern lunch counter, as they and the white-uniformed counterman, all eye the camera challengingly; Nina Simone’s “Emergency Ward!,” with its backdrop of war headlines from daily newspapers; and Duke Ellington’s “Liberian Suite,” with its red masks, and his “Afro-Eurasian Eclipse,” with a tableau showing dozens of faces from the human family. The artists whose work is found on these covers are equally important, from Jacob Lawrence’s painting decorating a Jelly Roll Morton LP to several Romare Bearden works, on Wynton Marsalis, Billie Holiday, and Ricky Ford covers. There’s so much more on these walls: Miles Davis’s “Bitches Brew,” Paul Robeson’s “Songs of Free Men,” Marvin Gaye’s “What’s Going On,” and dozens more.

The spacious quarters of the Nathan Cummings offices on Tenth Avenue were ingeniously used to hang the album covers, as each time we turned a corner there was something new and splendid to see and read about, with insightful text alongside the images. In addition, a room was set aside for a listening booth where we sampled the music from the albums on display, and another room was reserved for a video about the album covers, musicians, and artists. The exhibit can be seen Monday-Friday, by appointment via email to exhibits@nathancummings.org. It will be up through August 23, so if you’re in NYC I urge you to make plans to see it. As an indication of the wealth of material on display, here are some pictures I took during our tour of the exhibit last week. Click here to see all photos

Francine & David Wheeler–Good Parents Fighting for a Safer America–Give Weekly White House Address

Wheeler-funeral-300x222Readers of this blog may recall earlier posts in which I explained that in the mid-2000s I was a colleague for several years at Avalon Publishing Group with David Wheeler, whose 6-year old son Ben was a first-grade student at Sandy Hook Elementary School, one of the twenty children murdered in Newtown, CT, last Dec. 14. With heavy heart but much pride and encouragement I’ve watched over the past four months as David and his wife Francine, along with other Sandy Hook parents, have become activists for new laws that will diminish the likelihood of other similar tragedies occuring in the future. They and the other parents have met several times with President Obama and this week Francine was invited to deliver the administration’s weekly address. This would be the only time that someone other than the president or vice-president gave the weekly address. Last night NPR reported that Francine wrote the address with the help of David, and together they recorded it in the WH library.  The Wheeler’s have vowed that their son’s life and death will have import and meaning, and they are working with great dedication to ensure this. I admire them and their older son Nate, and share their grief for Ben.

This morning the White House emailed this message from President Obama, explaining why he asked the Wheelers to take his place today.
WH email To lend your voice to this effort, here’s the fact page the president mentions in his email.
Here is the White House video of Francine’s talk:

#FridayReads, April 12–“The Barber’s Conundrum,” Essays by John Hartnett + Richard Nash, On the Business of Literature

bc-goodreads-cover1#FridayReads, April 12–The Barber’s Conundrum–And Other Stories: Observations from Life in the Cheap Seats by John Hartnett. A while back, the author, whom I know a bit as a publishing industry contact, asked if I’d like to see a copy of his book of humorous essays, which he’d recently published himself. I like the genre of the humor essay, going back to E.B. White, Stephen Leacock, and in our era with writers like Roy Blount, Jr., and Nora Ephron, and so asked him to send me a copy. I had dipped in to the book a bit before this week, but only in the past few days have I made a point of making sure to read all 35 + pieces in the collection, and gain a sense of the whole. Now I realize how much I really like this charming book. The title piece, on the futility of trying to get a decent haircut, is full of wry observations and delicate exaggeration:

“I’m a barber’s worst nightmare because I’m not a crew cut guy. They enjoy giving crew cuts because all they need is a pair of clippers and a little conversation. There’s no finesse in crew cuts, no risks. Whenever I sink into the chair, they automatically reach for the clippers and when I tell them I just want a trim, they start looking at my head like it’ the Manhattan Project. It’s not uncommon to have three barbers looking at my head at the same time, like baseball managers standing around the pitcher’s mound deciding whether to try a little pep talk or send for the reliever. I’ve had barbers spontaneously retire while I sat in their chairs. One even tried to convince me that I’d be better off cutting it myself.”

Equally amusing are such pieces as “The Catalog: A Modern Fairy Tale,” about the insidious temptations of mail order shopping, and “Surviving Your First Trade Show,” on the rituals of being an exhibitor at a convention.

Hartnett’s been a gag writer, so he’s got the knack for inducing a chuckle, and nowadays also writes a humor blog, The Monkey Bellhop. I’ve found this an ideal book for the subway, where I can actually start a piece boarding a train, and finish it before reaching my destination. I recommend it if you’re looking for some painless laughs, something to lighten whatever load of worry might be a part of your day. While self-published, it’s nonetheless attracted 55 customer reviews on Amazon. I know of many commercially published books that don’t manage even half as many comments.

I’ve also read and will be mulling for days, Richard Nash’s deepthink essay on the future and purpose of publishing, “What is the Business of Literature? published in the Virginia Quarterly Review. Nash is with Small Demons, an innovator in mapping and indexing content from books in creative ways. I also recommend this essay highly, which carries the reading line, “As technology disrupts the business model of traditional publishers, the industry must imagine new ways of capturing the value of a book.” I was happy to be reminded of Nash’s piece–which first landed with a flurry a few weeks ago–by publishing thinker Brian O’Leary of Magellan Media, who wrote about it on his blog earlier this week. H/t Brian. Nash VQR

I didn’t plan ahead on sharing this medley of readings–but sort of like cooking a meal with an unlikely set of ingredients and discovering how well they work together–now that I’ve done so I’m intrigued to see there’s a kind of congruity about them. From a self-published book of essays that’s making its way in the emerging publishing ecosphere to an essay considering that ecosphere and even what makes a book, I think the combination suggests something more than just my reading taste. Not sure I can say yet that is, but it’s what I’ll be mulling this weekend.

Devastating Satire Aimed at Exxon and Big Oil

This satire on Exxon’s nasty oil spill in Arkansas was aired on the Rachel Maddow Show last night. It imagines a world where oil is conveniently brought right to your door, by letting it burble right up through your lawn. Sad to think this is what’s happened over the past two weeks in Mayflower, AR, as chronicled in stories like this NY Times article by reporter Michael Schwirtz. It must be noted that the material from this spill is a form of tar sands oil, similar to what’s being mined and extracted in Alberta, Canada, and possibly being brought in to the US if the Keystone Excel pipeline is given a green light. This dark devastating spoof, under a minute long, was produced by Heavy Crude Video with Andy Cobb appearing as the unhinged narrator. Watch it and weep.

Psychedelic Bands Blowing Minds & Rockin’ Out at Brooklyn’s Bell House

Rishi DhirI had fun Wednesday night at a live rock show with three self-described psychedelic bands, one of whose music, Montreal’s Elephant Stone, I already knew well and whom I had written about last year. The other two groups–Allah-las from Los Angeles, and The Black Angels from Austin–also on the bill, were new to me. I was probably the only fan in the house who was more familiar with Elephant Stone than the others. Still, I was glad to see many in the crowd had arrived early enough to hear the opening act. Beforehand, I chatted with a couple who didn’t know anything about Elephant Stone, and said to them that they sound like “the Byrds with an Indian influence.” For his part, frontman Rishi Dhir has playfully dubbed their sound ‘Hindi rock.’ The quartet’s mind-blowing sound collage is driven by bright and jangly twelve-string guitar, sitar, and thumping bass, the latter two instruments played by Dhir (pictured at the left). They’ve recently released a new self-titled album (shown at right), released by Hidden Pony Records, a label that also features the great band, Rah Rah, another favorite act of mine. Elephant Stone lp

I’m pasting in a video below of Elephant Stone playing the Osheaga festival live in 2011. Some of their personnel have changed since then, but this video is still a good indication of what they’re like to hear live. The sitar kicks in at around 4:30 of the seven-minute clip.

I enjoyed hearing Allah-Las and The Black Angels for the first time, but the real highlight of the night for me was listening to Elephant Stone once again. Dhir bantered from the stage about how pleased he was that local radio station WFMU is playing songs from their new album, so I’m hopeful that over the past week–when Elephant Stone played a total of three live dates at NYC venues–they will have gained a much larger audience for their dynamic sound.

Peter Workman, Successful Independent Publisher, Gone at 74

I knew Peter Workman, founder of Workman Publishing, who died last Sunday at age 74. I started ordering Workman titles from him and his sales reps in 1978, when I opened a bookstore. The past 5 years Peter and I were fellow members of the same monthly lunch club. He last attended one of our luncheons last November, after which he missed the next month and we learned he’d become ill. He never rejoined us. Peter’s company was one of the most successful independently owned publishers of our time.I’ve been tweeting and sharing about him since Sunday. Here’s a selection of my timeline since then.

A Belated #FridayReads–for April 5

I’ve had such a busy couple days that I neglected to post a #FridayReads this week as is my usual custom. Still, I’ve been reading some good things, so here’s a belated rundown on them.

“The Meaning of White,” a personal essay by Emily Urquhart on her young daughter’s albino condition published in the April issue of The Walrus magazine, an excerpt from her forthcoming memoir, Beyond the Pale.

Siege 13 by Tama Dobozy, an amazing collection of interlinked short stories revolving around Hungary, its history, and its far-flung tribe. I’d made this a #FridayReads back on February 22, and am still savoring the stories, such as “The Atlas of B. Gorbe,” about a legendary childrens’ book illustrator living in NYC, and a sulking narrator who tries to befriend him. After posting about it in February, I heard from my friend, designer Michel Vrana, that he’d designed the evocative jacket, which I’m glad to show again here. siege13-web

Also reading a couple of promising manuscripts submitted to me for consideration from possible author clients–a novel for middle grade students with a funny, gross-out plot, and a novel by a South Asian writer.

Emily Bazelon & Dave Cullen Talk Bullying, Meanness & Peer Pressure

ProgramEmily Bazelon’s new book Sticks and Stones: Defeating the Culture of Bullying and Rediscovering the Power of Character and Empathy has been a lightning rod for criticism among educators and parents who believe the author shows too much understanding for all parties in the social equation, the bullies and the bullied, even while it has won much praise among readers who praise its comprehensive and nuanced examination of these very complex issues. Last night at one of the New America Foundation’s excellent programs, Bazelon was interviewed by journalist Dave Cullen, author of Columbine, published in 2009. The two conducted quite a probing conversation, in which the tension of the reception over Bazelon’s book was played out for an audience of about forty people.Bazelon & Cullen

Cullen was an occasionally rambling but very animated moderator. His odd style fueled the conversation, lending it an unpredictable air and keeping everyone a bit off balance. He disclosed that as a teenager, one who only would later realize he was gay, he’d endured a lot of ridicule and meanness. One time the conflict escalated in to a fistfight with an antagonist. Cullen added that after this the two of them got along better. While Bazelon did not of course endorse fighting, she did remind the audience that aggression is an unavoidable part of adolescence, and we ought not be so delusional as to believe it can be programmed out of teenage behavior. The Q&A with the audience continued in the same provocative vein.

Right off the bat, an African-American woman asserted that much bullying has a racist impulse–a useful point to hear since it seems nowadays much of the bullying reported in mass media lately is over gender and sexual identity issues; a gentleman asked about bullying in the workplace, citing a recent instance where as a manager he’d had to handle a complaint by one female  employee about another who had been critical of her performance. He didn’t think there’d been bullying, or anything improper, but he couldn’t be sure. A third audience member told Cullen how much he’d appreciated his sensitive interview with Rachel Maddow on the night of the Newtown shootings, and then asked him to weigh on the gun safety debate. Cullen made a remark I tweeted about. He rapped the pro-gun crowd’s axiom, “Guns don’t kill people, people kill people,” with an alternate spin: “Guns and people kill people.”

When I was called on, I used my moment to say  that as a young person the only fights I ever got in occurred when I was defending someone being picked on. I remarked that by definition, most bullying incidents occur when adults are not around, then asked whether adult mediation efforts in schools can be helpful. Bazelon responded by citing statistics that show kids intervene when someone’s being picked on only 20% of the time, though that helps reduce the bullying in more than half the cases. Still, people are hesitant, lest they be the next one targeted. She told a story about a recent incident in the NYC subway, when she defended an older man who was being hassled by a group of kids.  As she put it, she thought, “I’m writing a book about bullying, I have to do something about this.” Turned out the kids left the man and turned on her with scary intensity, calling her names and following her out of the subway system at her stop. She said that too often an attempted mediation–one with an implicit “Can’t we all just get along” subtext–will put the bully and the victim on the same level of responsibility, which takes the former off the hook for his abusive conduct, and makes the latter feel worse than before the intervention. Another member of the audience asked about resiliency among young people, a topic that Bazelon eagerly grasped, saying that it is really the theme of much of her work–our capacity to endure mistreatment, slough off hurt and rise to a new level of maturity. She published a NY Times Op-Ed in March headed, Defining Bullying Down, which advances many of the ideas in her book.

Through it all, Bazelon insisted on a key distinction that not all mean behavior is bullying–defined as harassment of a victim conducted in view of others, persisting over a length of time, often involving physical abuse. She didn’t diminish the merely mean, but said not all bad conduct is on the same level. It is this part of her thesis that has drawn fire from critics who believe, I guess, that she doesn’t sufficiently condemn all bad actors. Bazelon and Cullen agreed that mass media often sensationalizes reporting on this topic, often escalating situations beyond where they were before the coverage. Cullen added that in doing the reporting for Columbine, he discovered many myths about the incident, stories that had become sturdy urban legends–he learned that the Columbine killers hadn’t really been bullied, and were never members of the so-called ‘trenchcoat mafia” in their high school. Bazelon said that both she and Cullen have been called “bullying denialists,” and is resigned to be judged that way. She published a NY Times Op-Ed in March headed, Defining Bullying Down, which advances many of these nuances.

I tweeted throughout the discussion and you can go back and follow the timeline at this link, under the hashtag #NANYC. Even after an hour covering this topic, most of the audience felt there was much more to discuss, and many people stayed around to talk further. While Bazelon signed books, I mingled and met several fellow members of the audience. I had been seated near journalist Jon Ronson, whom I recognized from social networks we both occupy. He’s the author of several books I’ve enjoyed and have written about it hereThe Men Who Stare at Goats; The Psychopath Test: A Journey Through the Madness Industry; and Them: Adventures With Extremists. We talked about a new film he’s written on, a feature called “Frank.” He’d come with his teenage son whom I also met, the only young person I noticed in the group.

I also met and spoke with Harsha Murthy, a congenial man who works in the pharmaceutical industry. He was there with three attorney friends. Two of them, Jennifer Freeman and Robert Lewis, have their own firm, Freeman Lewis, whose Twitter page explains they “represent victims of child trafficking, child sex abuse, online child sexual exploitation, and child pornography.” Harsha introduced me to Jennifer and Robert, and a third attorney, James Marsh, who coincidentally knew the work of an author of mine, Montreal reporter Julian Sher, whose book Caught in the Web: Inside the Police Hunt to Rescue Children from Online Predators I published in 2007. They had all come this night because in January Emily Bazelon profiled pathbreaking legal work in a lengthy cover story for the New York Times Magazine, The Price of a Stolen Childhood. Bazelon’s story focused on novel legal strategies undertaken by James Marsh seeking financial restitution for victims of child pornography. At the time of Bazelon’s article early this year, the Times did a blog interview with her. At the end, Times reporter Rachel Nolan asked a question that elicited a fulsome reply which I will allow to close this report.

“You’ve done past reporting on bullying and have just finished a book on the topic. Is there some connection between this piece [on child pornography] and that work?”

“Working on this article alongside the book made me think about all the different ways of being a victim, and how you can both reckon with that identity and not let it overwhelm you. Some targets of bullying recover, and others don’t. One of the things I have been most interested in all of my work is human resilience. Recovering from trauma is not easy, nor does it come naturally, nor does it always happen. It’s unimaginable what Amy and Nicole went through, truly. I do want readers to feel what it is like to be these women, even if just for a moment. But I also wanted to show the benefit of the legal process for Amy and Nicole and that it has helped foster their resilience.”