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#FridayReads, May 31–“Canada” and “United Breaks Guitars”

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#FridayReads, May 31–Richard Ford’s mesmerizing Canada, which I blogged about earlier this week, and am savoring. The hapless bank robbers in it, teenage narrator Dell Parsons’ parents, remind me of the crooks played by Al Pacino and John Cazale that try to pull of the bank heist in Sidney Lumet’s great 1975 film, Dog Day Afternoon: utterly heedless of the consequences of their actions. I’ve also begun reading United Breaks Guitars: The Power of One Voice In the Age of Social Media, Canadian musician Dave Carroll’s good-humored personal account of how an airline manhandled his Taylor guitar, then refused to take responsibility for their bad conduct until he humiliated them with mocking videos which drew more than a million viewers on YouTube. Inspiring.

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Danger from NYC Trees, Part III

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Following three articles on this topic earlier in May, which I blogged about here, and an earlier piece I wrote after seeing tree pruners at work in Riverside Park, the NY Times has published another revealing article about tree care in New York City, or more accurately the decline of tree care in the city. While the Bloomberg administration has commendably pledged to plant one million trees before it leaves office at the end of 2013–and it claims to be halfway to that goal–the budget for maintaining and pruning the city’s existing trees has fallen drastically. Reporter Lisa W. Foderaro writes that the city’s tree-tending

“work force has shrunk, however, to 92 pruners and climbers today from 112 five years ago. The budget for street-tree care has fallen more sharply. The 600,000 trees on the city’s streets are largely maintained by outside tree-service contractors. Because of budget cuts, the pruning rotation has been stretched, to every 15 years from once every 7 years in 2008. During that time, the budget for street-tree pruning contracts fell to $1.4 million from $4.7 million.”

In the city’s parks, where hazards posed by untended trees often go undetected, she reports that

“Arborists and tree-care experts say that New York City could significantly improve public safety by ensuring that the workers who evaluate trees understand the warning signs of decay and failure.”

Despite the promise of greater safety such training offers, she reports on the decline of the tree care budget even while multi-million dollar damage awards continue to be paid to civil litigants, after fatalities and serious injuries occur. The city has a legal and moral responsibility to keep its inhabitants and visitors safe, within reasonable limits. While all urban hazard cannot be eliminated from our urban midst, the ones that are avoidable should be prevented to the maximum extent possible; when New York City fails to do so–even as reasonable safeguards are within reach–it is a moral and ethical failing. I cannot understand how the Mayor’s office allows this to continue. I will call my city councilperson to request that they restore the budget for tree care. Any other course is just stupid and negligent.

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Toronto’s NXNE Festival & Speakerfile, June 13-18

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In addition to covering Book Expo America (BEA) next week as a member of the press I will also be attending the North by Northeast Festival, aka NXNE, in official capacity as a blogger. This annual extravaganza–held in in Toronto each June since 1994–features music, film, and interactive/digital/publishing elements. Their website trumpets “650 bands and 40 films” over the week of activities. I attended last year and had a great time, discovering such bands and artists as Imaginary Cities, Gramercy Riffs, Harlan Pepper, Zeus, Mohawk Lodge, Carolyn Mark, Graham Wright, Wayne Petti of Cuff the Duke, Matthew Barber, and Brian Borcherdt. I also participated in a grand meet-up of many friends from the informal community that congregates on the CBC Radio 3 blog organized by host, friend, and author Grant Lawrence. So it’s a real treat to be going back this year, and this time as a blogger with full access to all festival events. Among the artists on this year’s NXNE schedule I most look forward to hearing live are Matt Mays (#1 on my personal bucket list of Canadian indie rockers I’m eager to see play), Andre Williams and The Sadies, Plants & Animals, and The Flaming Lips. And of course then there will be the serendipitous performances I can’t predict–new musical discoveries–the very thing that makes festival-going such a rich and exciting experience. I hope to be live-blogging and reporting from on the spot as much as possible.

While in Toronto I will also meet with book biz friends and contacts and a new company called Speakerfile that I’m representing to literary agents, authors, publicists, and publishers, in New York City, and elsewhere in North America. They’re building a great platform–think eHarmony®–for conference organizers and meeting planners on one side and experts and authors on the other. I will also be working with them at Book Expo America (BEA) next week, and again when I’m in Toronto the following week. If you are one of my friends in publishing or the media and are intrigued by Speakerfile’s model, please ask me to brief you on them. We also have meeting times still available for next week at the Javits Center, and I would be happy to introduce you to their CEO, Peter Evans. They have a great product and services that will be helpful to many in the publishing community who are eager to surmount the discoverability challenges that face us all nowadays. I’m really excited to be working with them.

It’s sure to be a great week, attending and covering NXNE, and working with Speakerfile.

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A Star for Dante’s Inferno

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I was delighted to see this new, modern translation of Dante’s Inferno received a starred review in Publishers Weekly. I had made the book one of my #FridayReads on April 27. PW writes, “This will be the Dante for the next generation.” Here’s the entire review:

♦Starred review♦

Inferno

Dante Alighieri, trans. from the Italian by Mary Jo Bang. Graywolf, $35 (352p) ISBN 978-1-55597-619-4

Bang has done for Dante’s most famous poem something akin to what Baz Luhrmann did for Shakespeare in his 1996 film of Romeo and Juliet: updated the presentation of a classic for a contemporary sensibility without sacrificing its timelessness. Bang (The Bride of E) has preserved the feel and tempo of the original—and the many English translations that readers will be familiar with: ”Stopped mid-motion in the middle/ Of what we call our life, I looked up and saw no sky—/ Only a dense cage of leaf, tree, and twig. I was lost,” she begins. She has, however, modernized the metaphors; where Dante looked to the politics and culture of his contemporary Italy for allusions to illustrate his sense of faith and morality, Bang mines American pop and high culture. Yes, traditionalists and scholars may shriek upon seeing Eric Cartman (of South Park fame), sculptures by Rodin, John Wayne Gacy, and many others make anachronistic cameos in Bang’s version of Hell, but this is still very much Dante’s underworld, updated so it pops on today’s page. The result is an epic both fresh and historical, scholarly and irreverent: “ ‘Pope Satan, Pope Satan, Alley Oop!’ ” begins Canto VII with a line in which Bang mines various previous translations of Dante and the roots of the phrase “Alley Oop” in French gymnastics and a newspaper comic about “a Stone Age traveling salesman from the kingdom of Moo who rode a dinosaur named Dinny,” according to Bang’s comprehensive notes. This will be the Dante for the next generation. Includes illustrations by artist Henrik Drescher. (Aug.)

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A “Model for Entrepreneurial Journalism”

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Interesting article by Jeff Sonderman at poynter.org, the journalism and media hub, about the model that forbes.com has created for itself, “’a full-fledged platform’ for 1,000 expert contributors and Forbes staff alike, and ‘a social media operating system’ to engage 30 million monthly unique visitors.” I know two of their thousand bloggers, friends Rick Ungar and Tom Watson–last month Tom invited me to cover the Hillman Awards as one of a posse of bloggers–and I’m definitely intrigued by the platform, what its originator Lewis DVorkin calls “our model of entrepreneurial journalism.” Unlike Huffington Post, to which it’s been compared, forbes.com pays many of its contributors, and seems to have developed reasonable metrics for rewarding writers based on their readership. They are also developing their own style of social media that their contributors can draft off of, what DVorkin calls the “FORBES Follow Bar,” making “it easier for our growing audience to follow and find all our staffers and subject experts.”

Importantly, given their connection to Forbes magazine, forbes.com goes well beyond just business and finance, and it is not in thrall to the conservative ideology identified with Steve Forbes. Ungar has a blog covering healthcare and politics, while Watson is a contributor commenting on “social ventures, media, and change.” Forbes.com’s audience doubled this year, from 15 million monthly visitors to 30 million. According to Sonderman, “Fifty-five writers have more than doubled their audience since last June, DVorkin recently wrote, and ‘a handful’ periodically draw more than 1 million readers a month.” Sonderman reports “that Forbes hires each contributor to write about a specific subject, and requires them to stay in their lanes.” Considering that I cover more than half a dozen subjects on this blog–city life, books, music, culture, media, current events, and city life–I wonder how writers do operating in a narrower silo like that. Of course, people like Tom don’t write only for forbes.com, as he also has a site and blog of his own.

I don’t hear too much about Forbes magazine nowadays, and wouldn’t be surprised to learn that forbes.com is increasingly important to the company’s

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Reading Richard Ford’s “Canada”

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I enjoyed reading Richard Ford’s first book Piece of my Heart, and then his breakout novel, The Sportswriter, and still own the copies I read in the 1980s. However, I missed several of the books that followed–this was during the long interregnum when as an in-house editor of topical nonfiction for several publishing companies, I rarely had a chance to read novels, or really anything for recreation. I noted Ford’s subsequent books as they came out, but never had a chance to pick up another one. Now that I’m running my own editorial services business and curating and writing this blog, my reading diet is as broad and nourishing as I can make it–as those who follow my weekly #FridayReads posts will have noticed–and I can make time to read books like Ford’s latest.

Ford changed publishers after Lay of the Land in 2006, leaving Knopf after many years there for Ecco Books, where Dan Halpern must have been eager to add him to his list, at least partially on the strength of this newest novel. As a confirmed Canuck-ophile and honorary Canadian, I was certainly intrigued when I saw the title of the new book–Canada. After about 150 pages into it, I  can totally see why Dan wrote this in a personal letter printed in the advance readers’ copy [Letter also pictured below–click on it for a larger view.] :

“The first thing you’re going to notice here is the voice, and the language that carries it from Montana to Saskatchewan. You’re not likely to read prose more arresting than this any time soon. Then there are the breathtaking sentences that present the prairies of  Saskatchewan, stark and moody, brooding and foreboding. . . . I understand that, as Richard’s publisher, my response to Canada may strike you as hyperbolic, as it should and rightly so. Until you read the book for yourself.”

I also admire the work of Saskatchewan native Guy Vanderhaeghe, especially his two novels set on the Canadian prairie, The Englishman’s Boy and The Last Crossing, and so, in addition to reacquainting myself with Ford’s work, I was eager to be snared by the locales of the new book, and that is just what’s happening. Ford renders a sense of place and an interior state of mind with strength and assurance. The narrator with the compelling voice one notices instantly is a teenage boy, Dell Parsons, who in the course of the narrative is swept up in a bizarre and destructive family breakdown. Dell’s modesty and manner of telling have bound me to his uncertain fate. And the sentence-making, as Dan promises, is full of constructions that are giving me joy in the reading of them, sentences to savor as they trip along the paragraphs and pages. As for the plot, it centers around an improbable bank robbery by Dell’s hapless parents, an escapade that evokes Sidney Lumet’s classic 1975 film with Al Pacino and John Cazale, “Dog Day Afternoon,” featuring another bank heist by two ill-prepared robbers.

This past Monday night, reading late in bed as is my wont, with my little bicycle light serving as my book light, I was at the same time listening to CBC Radio over the Internet, with my TuneIn Radio app on my IPod Touch. CBC Radio’s nightly news program “As It Happens” replays at midnight, and so that’s what I was listening to when I heard co-host Jeff Douglas introduce an upcoming segment,

“Richard Ford is one of the few living writers who can say he’s written the great American novel. Arguably he’s written three of them–they’re known collectively as the Sportswriter trilogy. The second of these books, Independence Day, won the Pulitzer Prize. Like his other work, his latest novel is sweeping, ambitious and touches on themes of American identity. But it has a very un-American name: it’s called Canada. Richard Ford joined Carol [Off] earlier today from a studio in Canada–Vancouver, Canada–to discuss his latest novel.”

That announcement was about the only thing that could make me put the book down, and so I listened for the next half-hour as Ms. Off led Ford through a deep conversation about fiction-writing, his own creative enterprise, and this new book. Following this link will allow you to listen to their conversation. It was after 1:00 AM by the time the program ended, but I couldn’t resist reading a couple more chapters, having gained new insight into this deeply satisfying book which I’m so eager to continue reading in upcoming days.
/ / more. . .  click through for all photos and for sharing.

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Hurt Feelings on Wall St.

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As he often does, Paul Krugman’s analysis in his NY Times column today totally captures the moment. He begins the piece, titled “Egos and Immortality,” like this:

“In the wake of a devastating financial crisis, President Obama has enacted some modest and obviously needed regulation; he has proposed closing a few outrageous tax loopholes; and he has suggested that Mitt Romney’s history of buying and selling companies, often firing workers and gutting their pensions along the way, doesn’t make him the right man to run America’s economy. Wall Street has responded — predictably, I suppose — by whining and throwing temper tantrums. And it has, in a way, been funny to see how childish and thin-skinned the Masters of the Universe turn out to be.”

This critique reminded me of the anecdote in a NY Times Sunday Magazine story from a few weeks ago that one denizen of Wall Street, in a meeting with an Obama emissary, urged that the president should give a major speech, similar to the one he gave on America and relations during the ’08 campaign, explaining why Americans should not revile the financial industry. I was struck then, and again in Krugman’s column, by the bloated self-importance that these folks assign to themselves and their industry. Many people, after causing a major debacle would be somewhat sheepish about insisting that one is entitled to regain a privileged place at the table, but not this crowd. I’d have imagined that crashing the economy would induce humility in those responsible, but clearly not so. And of course, the same is true for Republicans who act as if the 2000-2008 period never occurred.

Krugman ends his hard-hitting column this way:

“Think about where we are right now, in the fifth year of a slump brought on by irresponsible bankers. The bankers themselves have been bailed out, but the rest of the nation continues to suffer terribly, with long-term unemployment still at levels not seen since the Great Depression, with a whole cohort of young Americans graduating into an abysmal job market. And in the midst of this national nightmare, all too many members of the economic elite seem mainly concerned with the way the president apparently hurt their feelings. That isn’t funny. It’s shameful.”
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#FridayReads, May 25–“Bill Veeck” and “BEA Buzz Books”

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#FridayReads, May 25–Bill Veeck: Baseball’s Greatest Maverick, Paul Dickson’s superb life of the progressive-minded baseball team owner, filled with fascinating social history and baseball lore. Also dipping into BEA Buzz Books, the ebook collecting 30 top books to be featured at this year’s Book Expo America, with selections from Neil Young’s Waging Heavy Peace, Mark Helprin’s In Sunlight and In Shadow, and many others.