Readings from “A Diary of the Century” by Edward Robb Ellis

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[Editor’s Note, Feb. 22, 2013: The post below is a revised version of a piece I published on Feb. 22, 2012, the last anniversary of Edward Robb Ellis’s birthday.]
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Entries from A Diary of the Century by Edward Robb Ellis, about whom I blogged earlier today, on the occasion of what would have been his 102nd birthday, February 22.

Monday, October 5, 1931 This morning I got a letter from Mother saying that the First National Bank of Kewanee has closed. That’s the bank that has every cent I own. Mother also said that Grandpa Robb had all of his money there, and now Grandma is worried to death. Many of the people in Kewanee stood in front of the closed doors of the bank, weeping and cursing. One of Mother’s women friends ran up and down our street, bewailing the fact that her family has lost everything. . . . Here I am at age 20–absolutely penniless.

University of Missouri, Sunday, January 3, 1932 Today I saw my first bread line–200 starving men forming a gray line as they waited for food. The sight of them disturbed me.

Saturday, January 9. 1932 Nace Strickland is the best room mate one could have. Today he told me something that happened when he was a child. Raised in St. Louis, he didn’t know much about country life, so he was excited when two of his aunts took him for a drive on back roads. In one pasture he saw a bull mounting a cow, whereupon Nace exclaimed: “Hey, I didn’t know those things could milk themselves.”

Kewanee, Illinois, Saturday, June 11, 1932 Last night I dreamed I held my diary under a shower and was delighted when the words did not wash off. Does this mean I think my diary may make me “immortal?”

Monday, February 19, 1934 Some of my favorite songs: My Silent Love . . . Lullaby of the Leaves . . . I’ve Got the South in My Soul . . . Time on My Hands . . . Old Rockin’ Chair . . . Piccalo Pete . . . Harmonica Harry . . . I Kiss Your Hand, Madame . . . Somebody Loves Me . . . I Surrender, Dear . . . Body and Soul . . . All of Me . . . You’re My Everything . . . Mona Lisa . . . The Man I Love . . . What Wouldn’t I Do That for Man . . . Mood Indigo. / / more . . .

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“Hubris”–10 Years Later, Run-up to the Iraq War Still Shadows the Media & the U.S.

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Tonight MSNBC will broadcast “Hubris: Selling the Iraq War,” narrated by Rachel Maddow, based on the 2006 book of the same name by Michael Isikoff and David Corn. Coming nearly ten years after the US invaded Iraq, on March 19, 2003, I’ll be watching with great interest.

Politics of TruthI retain vivid recall of how the Bush administration pushed the country, and as much of the world as it could hector along with them, into invading that country. It was a mad, misguided rush, one that I was upset about at the time, and soon after became involved with personally and professionally. In July 2003, after Valerie Plame’s role as a CIA official was revealed in a notorious column by Robert Novak, I contacted Ambassador Joseph C. Wilson IV, Plame’s husband. In the months before the invasion of Iraq, he had become a vocal critic of the rush to war, publishing a number of Op-Ed columns that drew on his experience of twenty-five years as an American diplomat, including his service as the last American official to meet with Saddam Hussein before the beginning of the Gulf War in 1991. In my role as an editorial executive with Carroll & Graf Publishers I was referred to Wilson by publishing friend, Barbara Monteiro. I contacted Joe and found he was interested in writing a book that would chronicle his years as an American foreign service officer; more recent events involving his trip to Niger, where he was sent by the CIA to investigate the claim that Iraq had sought yellowcake from that African country; and the unprecedented exposure of his wife’s CIA employment. Joe, as I soon came to know him, agreed to the offer I made, a contract was quickly signed, and he began diligently working on the manuscript.

Fortunately, when Joe retired from the State Department a few years before the war fever he had sat for a series of lengthy interviews with an interlocutor from State–a good custom at the agency–setting his memories down in a proper oral history. He drew on this aide-memoir as he composed the diplomatic memoir that made up about 1/3 of the final manuscript. As for his trip to Niger, the positions he took in opposition to the Bush administration while they were twisting intelligence and co-opting media during he run-up to the war,  and events after the invasion, including the outing of his wife, he had little need of reminders. Joe delivered a very readable manuscript, and with a team of colleagues at Carroll & Graf I edited this draft, and Joe made key revisions to it. Meantime, we also kept a keen eye on breaking developments in the investigation in to how and why Valerie’s CIA employment had become a subject that administration officials felt free to discuss openly with reporters. Getting the manuscript ready for the printer was like aiming an arrow at a moving target.

The launch for the book, The Politics of Truth–A Diplomat’s Memoir: Inside the Lies that Led to War and Betrayed My Wife’s CIA Identity, was in early May 2004, less than a year after Novak’s fateful column. Joe went on the TODAY show, Charlie Rose, and he did a ton of public radio shows. I went with him to many of those interviews, sat in green rooms with him, fancy and plain. It was as cool when he did Democracy Now with Amy Goodman, as when we went to Rockefeller Center one morning before 7 AM, to do TODAY . His most interesting TV appearance was on “Countdown with Keith Olbermann,” when KO shared with Joe and the audience White House talking points supposedly rebutting the book. These had been sent to virtually all news outlets, including even to programs like Countdown, ones that weren’t having any of the BS from the administration. Olbermann brandished the sheaf of talking points, like a sword. With Joe’s opposition to the war, and most of all the fact he’d been to Niger and vigorously debunked the fraudulent yellowcake claim, Joe had stepped across a tripwire that loosed Dick Cheney and Scooter Libby like a pack of dogs, with Karl Rove and Ari Fleischer chasing close behind. None of their talking points refuted Joe’s claims. John Dean gave the book a great review in the New York Times Book Review and it became a national hardcover bestseller in the Times and Publishers Weekly for about six weeks. This was Dean’s opening paragraph:

“THIS is a riveting and all-engaging book. Not only does it provide context to yesterday’s headlines, and perhaps tomorrow’s, about the Iraq war and about our politics of personal destruction, but former Ambassador Joseph Wilson also tells captivating stories from his life as a foreign service officer with a long career fostering the development of African democracies, and gives us a behind-the-scenes blow-by-blow of the run-up to the 1991 Persian Gulf war. As the top American diplomat in Baghdad, Wilson was responsible for the embassy, its staff and the lives of other Americans in the region – not to mention the freeing of hostages in Kuwait. He goes on to relate his eye-to-eye encounter with the wily sociopath Saddam Hussein; his return home to be greeted as a ‘true American hero’ by President George H. W. Bush; his stint advising America’s top military commander in Europe; and his time as head of the African affairs desk of Bill Clinton’s National Security Council, where he assembled the president’s historic trip to Africa while the ”Starr inquisition” into the Monica Lewinsky affair developed. Along the way he fell in love with and married a C.I.A. covert operative – a ”’willowy blonde, resembling a young Grace Kelly.”’

I should add the book was also a plea for Americans to be actively engaged in their citizenship, and to be unafraid if it became necessary to call one’s government to account. In 2010 The Politics of  Truth and Valerie’s 2008 book Fair Game: How a Top CIA Agent was Betrayed by Her Own Government, were jointly adapted for the feature film, “Fair Game,” with Sean Penn and Naomi Watts. I saw Joe and Valerie in NYC for a premiere reception and we have remained friends, more so than other authors I’ve published over the years. I just heard from Joe today. He and Valerie sat for interviews with the MSNBC producers and they will also be watching “Hubris” tonight. I hope you will be, too. Please feel free to leave comments here about the program, this post, and this period in our recent history. Joe and Valerie played a significant role in these events, bringing the Bush administration before the judgment of history for its deceptions. I am proud of the role I had in bringing their story before the public. To read about other aspects of this case, especially the federal trial of Scooter Libby for his obstruction of justice, and the book I brought out in 2008, The United States v. I. Lewis Libby, along with Patrick Fitzgerald’s legacy as a federal prosecutor, please see this post.

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#FridayReads, Feb 15, “Worth Dying For,” a Jack Reacher novel by Lee Child

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#FridayReads, Feb 15, “Worth Dying For,” a Jack Reacher novel by Lee Child. I’ve been hearing about Child for quite a while, and now have finally picked up one of his books.  It’s a corker, I can see why they’re so popular. Reacher is a marauding justice-seeker who knows no limits, physical or psychological, in avenging those who’ve been wronged. In this case, it’s about justice for an 8-year old girl who went missing 25 years before the primary events in this story, with her disappearance having gone unsolved all this time. Reacher shows up in a desolate Nebraska county unsuspectingly, and soon gets drawn in to a tangled web with the corrupt Duncan family at the center of it all. The violence–and there’s quite a bit of it with Reacher being one of the toughest badasses I’ve ever come across in suspense fiction–is thick and visceral, and though very realistic, somehow hasn’t made me avert my eyes, figuratively or literally. It’s a bit like the mayhem in a comic book–thunderous and full of punch. Still, unlike the Road Runner, who always gets up again after having an anvil land on him, the blows sustained by Reacher’s opponents leave them down for the count.Reacher backReacher front

As usual, also reading book proposals from prospective author clients, in this case, a manuscript about the recently excavated Richard the III, translated into English from Dutch. Timely, and if good enough, could be something publishable here in North America, and perhaps in other English-speaking countries.

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Is There a Re-Sale Market for Ebooks? Should There Be One?

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Before you rush to answer “no” to the first question, consider that Amazon.com recently applied for a patent in this corner of the emerging digital marketplace. That development was covered by the publication Motherboard, in a piece headlined, “Used Ebooks, the Ridiculous Idea that Could Also Destroy the Publishing Industry,” and in a sign this may have the potential to catch the reading public’s eye, that story was quickly linked to by the Huffington Post Books section. There are many people in book publishing who believe that if a resale market for ebooks is established it will unavoidably engender a race to the bottom in ebook pricing, causing not just disruption but real damage in the entire book world, digital and print. And, yet, notwithstanding the impulse to make wry jokes about somehow shopworn ebooks with torn covers, or the resale condition of dog-eared ebooks, a company exists called ReDigi that is trying to create what it calls “the world’s first pre-owned digital marketplace.” They say they are working to enable readers of ebooks and consumers of digital music to resell books and music they choose to no longer own.

Today, Publishers Weekly, in one of the Executive Roundtable forums they hold every few months, provided their podium to John Ossenmacher, CEO of ReDigi. We were told early on by moderator Joe Wikert that several journalists were in the room, and that the day’s conversation would be on the record. I was glad about this since I’m a blogger and I report on these issues too. Thing is, I would hardly have been willing to consider it off the record had Ossenmacher insisted on that. Though he came equipped with a deck filled with many slides, his presentation quickly turned away from the screen at the front of the room toward the audience in front of him. The result was a spirited Q&A between Ossenmacher, a self-described “engineer who likes to get his hands dirty,” with a rather skeptical book business and media-centric audience.

Ossenmacher said they began engineering the software for their platform in 2008, and went live to users and consumers in October 2011. He added that shortly after that Capitol Records filed suit against ReDigi, on the assumption they were an illegal file-sharing site. Capitol claimed infringement of copyright on their intellectual property was being committed by ReDigi. The court didn’t see it that way, and Capitol’s plea for an injunction against ReDigi has so far been unavailing. Ostensibly because of the litigation history, Ossenmacher was guarded in his statements, though I thought he could have been more open in answering how many people they already have on the platform. Still, he was not so careful that I couldn’t follow what they’re trying to do. Among the intriguing things he said was that ReDigi is striving to lend some element of “physicality to a digital entity.” Counter-intuitive though this may seem, it is also an issue publishers are facing in a related context, where they’re challenged to create an analog to the experience of print book buyers, who meet an author and eagerly purchase an autographed and inscribed copy of a book.* He claimed that rather than enabling theft of IP, ReDigi within its domain monitors resellers’/relicensors’ accounts and requests that they delete an efile of a book that’s been sold on to a new user, thus he said, preventing multiple copies from being owned improperly. He added they will terminate the accounts of users who don’t comply. Ossenmacher claimed their business practice will actually serve to reduce piracy, not enable it. One neat piece of tech he mentioned is what he called “digital sonar,” which allows them potentially to locate and find a digital file that has somehow gone missing in the vast digital ecosystem–it emits a kind of “ping” that allows a stray file to be recovered and reassigned to whoever is its rightful owner.

Ossenmacher repeatedly asserted that “publishers are currently leaving digital dollars on the table,” by not accommodating readers and customers who enjoy the ebooks they buy, but then don’t want to retain them for perpetuity. He claimed that by design ReDigi is sharing revenue with publishers, who he added, can in turn, share that revenue with authors. I tweeted my concern though that many corporate and some indie publishers are still offering the frequently contested royalty of 25% of net for ebooks, half of what many authors and agents claim would be equitable. It must be pointed out that publishers and authors currently enjoy no monetary benefit from the market for used print books. Somewhat relatedly, with my publishing friend David Wilk, I am an advocate for what in the UK and Canada is called a “public lending right.” The term is a bit arcane, and it’s meaning isn’t obvious here in the U.S. In those countries, each time a book is checked out from a public library, the author receives a small royalty. You might see this as the first micro-payment. During the Q&A I asked if there might be something like a “digital lending right,” that could follow a book down the resale or re-licensing trail, benefiting creators beyond the first sale.  Ossenmacher answered favorably, but of course he wouldn’t be the party directly funding that. 

After the program ended, I went to the podium to thank the speaker, and found him in conversation with Bill Rosenblatt, of Giant Steps Media Technology Strategies. Rosenblatt was saying to Ossenmacher that as far as he could ascertain, ReDigi must be creating a copy of efiles they receive from resellers, which if so, would suggest one kind of legal status for them vis-a-vis the IP they’re handling. For his part, Ossenmacher insisted, “No, we’re not creating a copy.” Standing there, I pitched in an observation, that in ReDigi’s parlance, they’re “passing on a baton,” as in a relay race, not making a new baton. I wasn’t trying to carry water for ReDigi, but that was his point. Rosenblatt appeared unconvinced, though he declined to argue the point further. Ossenmacher thought the baton image aptly fits what they’re trying to do and I later tweeted about our 3-way exchange.

I’m intrigued at least that ReDigi, in trying to create a secondary market for ebooks and music, is sharing revenue with publishers and record labels. If that part of it works, it could become a good thing for creators and content companies. And yet, I worry about the far greater possibility that a market for re-licensed digital files will only degrade the value, and the price, of initial sales that publishers make. I wonder if ReDigi’s willingness to share revenue is in part conditioned by their certainty that publishers’ reluctance to do business with them would never be overcome without this provision. Color me skeptical about the whole idea. 

In the picture at the right, Ossenmacher is standing in front of the slide that charts the money he believes publishers are leaving on the table by not pursuing a second-hand market for digital goods.photo (1)

*Autography is one company working to create personalization in ebooks, with digital autographs, inscriptions, etc.

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A Great Afternoon at Book Camp

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IMG_1407Above is just one of the dozens of tweets that emerged from an event I attended today, Book Camp, known as an ‘unconference.’ The first time I heard about Book Camp was in 2010 when one was held in Toronto. I was unable to make that one, but I’ve participated in each of the four Book Camps that has been held in NYC, always on a Sunday. Here’s a blog post I wrote about last year’s Book Camp. It is a supremely ad hoc occasion where, by design, those attending don’t know what they’re going to talk about until the action gets underway. At the outset, a blank wall is at the front of the room and participants begin writing down descriptions of sessions they want to lead, taping these pages to the wall, and the schedule fills in with 4-5 sessions during each of the four 45-minute time blocks, with 10-minute networking intervals between each block. The discussions are invariably about the future of the book and publishing, whether print, digital or Web-based. Potential new initiatives are tabled that we can undertake individually or as an industry. Hosts lead the sessions they’ve offered and attendees decides what discussions they want to join, showing up at each session ready to listen and contribute. And if a session isn’t making it for you, or if you got all you needed after a few minutes, you’re encouraged to get up and move on to another one, with no aspersion cast on the host, or you for leaving. It’s like a no-fault divorce. All this stands in contrast to more scripted gatherings such as Digital Book World and Tool of Change (ToC)–with the latter handily following in the days after Book Camp. With lots of book and tech people in NYC from out of town for ToC, it’s an ideal time for this unconference, which charges no admission, though space is limited.

I led a session about ‘monetizing’ one’s website, an ungainly term that I’ll continue using until a better one comes along. I’ve begun making money with this blog and website, and am embarked on learning more fully how to convert the Web assets I’m creating in to income, and do it with greater focus and savvy. The session drew a good turnout and I’m grateful to everyone who came, with each person around the table speaking up and participating. I learned a lot, while also taking the opportunity to talk about The Great Gray Bridge and describe the curatorial impulse that drove me to create it in 2011, an impulse that continues to fuel my writing for it virtually everyday. I explained how, upon leaving corporate publishing in 2009, when I no longer had a publishing list to assemble of 20-25 books each year, I felt bereft and for a time, oddly uninspired. After a couple years of that arid feeling, I realized I needed a new garden to tend, and what’s more, that I could plant it with the seed of my own writing, and assemble my own little jewel box of a website.

Book Camp is organized by a posse that includes Chris Kubica, Ami Greko, and Kat Meyer, each denizens of the evolving digital book universe. This year we were fortunate to have space provided by Workman Publishing, in its light and spacious offices on Varick Street in Tribeca. If you’re interested in the concept of an unconference, and Book Camp in particular, I encourage you to visit the Book Camp website and follow today’s discussion on Twitter under the hashtag #Book2. I will try and add more to this post over the next day or two, but after a full day at it, I’m going to close my report for now, after first putting up a couple more of my grainy pictures. (Note to self: don’t forget to bring good camera next time!)IMG_1405IMG_1412

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Excited with a New Assignment–Helping Protect the Freedom to Read

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ABFFE logoI’m pleased to have a new consulting client, the American Booksellers Foundation for Free Expression (ABFFE), a non-profit organization that acts as the voice that independent booksellers and the book community raise in opposition to censorship and book banning. I’ll be working with them on fundraising and marketing, and over time, I hope their social networking. The funds ABFFE raises support programs promoting free expression, like their signature initiative, Banned Books Week. ABFFE also advocates for bookstore customer privacy. This has become a flashpoint several times over the past couple decades.

In the 1990s, Whitewater Special Prosecutor Kenneth Starr subpoenaed the bookstore purchase records of Monica Lewinsky. Kramer Books & Afterwords in Washington D.C., was the target of Starr’s efforts. At a Book Expo America during the 1990s I recall picking up a t-shirt emblazoned with the message “Subpoenaed for Bookselling” that I wore for several years afterward.  Then, after 9/11 the Bush administration, in enforcing the Patriot Act, demanded that Denver’s Tattered Cover bookstore and several public libraries hand over the purchase records and circulation history of some of their customers and patrons. ABFFE was in the trenches throughout these instances, helping booksellers and librarians resist the demands.

The first assignment I’m working on with ABFFE is the expansion of their affiliate program. Under this banner, companies that sell sidelines to bookstores, such as their  newest partner Filofax, contribute to ABFFE a percentage of the sales they make to American Booksellers Association (ABA) member bookstores. Sidelines from Filofax include journals,  and planners, as well as Lamy pens and pencils and diaries from Letts of London. Other affiliate partners supply bookstores with such items as reading glasses and bookmarks. I’ve drafted a press release announcing ABFFE’s new partnership with Filofax, which also mentions my new work with the foundation. The release, posted on the news portion of ABFFE’s website, is being circulated to book industry news outlets and bookstores around the country. I will be reaching out to sideline companies to recruit them for the program, and to booksellers, asking them who their best sideline suppliers are. If you’re interested in ABFFE’s work, I encourage you to follow them on Twitter where their handle is @freadom, or to like their Facebook page.

This is a particularly welcome assignment for me, having started out in the book business as a retail bookseller. Undercover Books, which I ran with my sibling and our parents, was an active member store in the ABA. My late brother Joel served as an ABA board member. We were activist booksellers, and Joel especially relished working on issues like those that ABFFE often confronts. In 2000 he ran for Congress as a Libertarian party candidate, placing reader privacy high on the list of issues he campaigned on. When Joel died in 2009, my sister Pamela and I made ABFFE one of the organizations that friends of the family and longtime Undercover customers were encouraged to donate to in his memory.

Happily, yet another personal connection pertains here. Readers of this blog may recall my longtime association with author and notable diarist Edward Robb Ellis (1911-98), who stands still as the writer remembered for having kept a diary longer than anyone else in American history, from 1927 until the year of his death. Between 1995-98, I edited and published four of Ellis’s books, including  A Diary of the Century: Tales From America’s Greatest Diarist, with an Introduction by Pete Hamill, and The Epic of New York City, both of which are still in print today.

Eddie, as all his friends called him, was a passionate advocate and ambassador of diary-keeping, so much so that after the Guinness Book of World Records recognized him and his diary in their 1981 edition for his achievement in American letters, the aforementioned Letts of London, in the business of making diaries since 1796, arranged with Eddie to publish “The Ellis Diary,” a handsome red leatherette bound, gold-ribbon bookmarked blank diary. You can imagine then how tickled I was when as part of this new assignment I scanned the catalogs and materials ABFFE director Chris Finan gave me to read up on Filofax’s business, happily discovering their association with the venerable Letts of London. Moreover, when I called and introduced myself to Filofax USA’s Paul Brusser, I learned that Letts of London is actually now Filofax’s parent company–it’s clear this long-living British company is still going strong. I wonder if anyone with Letts of London today remembers Eddie Ellis and “The Ellis Diary.” One of the nice things about this new gig is it may offer me the chance to find out! Below you’ll find some artifacts illustrating my work with Eddie Ellis, and his relationship with Letts of London. Click here to see photos.

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Second Lives for Good Canadian Publishing Names

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douglas-and-mcintyreMany in the book business were distressed last fall when it was abruptly announced that Douglas & McIntyre (D&M), one of the finest indie publishers in Canada, had announced it was seeking protection from creditors and filing for bankruptcy. Making matters worse, when the list of their creditors was published, the names of many authors and publishing partners were included, a sad sign that the pain and financial loss was going to run deep and wide in the Canadian book community, bleeding in to the U.S., too.

Nonetheless, people looking for a bright side were hoping that the assets of the Vancouver, British Columbia-based company would somehow find their way more or less intact in to the hands of another publisher, and that the books they’d published might somehow stay in print without interruption, giving the authors a shot at making up some of their loss. But there was no certainty of this. What’s more, there were three separate companies involved–New Society Publishers, Greystone Books, and D&M. It was possible that the assets of one or more of the imprints might be bought and carried on, while one or more of the others could fall by the wayside. Early on, it was revealed that New Society would be sold back to its founders. In the months that followed, while many stalwart employees of the full company lost their jobs, the assets went in to receivership under supervision by provincial courts, and it became very quiet, at least looking at it from the outside.

Last week, the dam began to break when it was announced that Greystone Books was being bought by Heritage House of Victoria, B.C. This pleased me because I’m friendly with Greystone’s publisher, Rob Sanders, who will continue with the company under the new Heritage House arrangement. That left only D&M still awaiting a new home. Today, that was resolved too, with the welcome news that B.C.’s Harbour Publishing is buying D&M. I assume this will include backlist and current books, as well as potentially books D&M had signed up but not yet published. The sale pleases me too, because I’m friendly with at least one author who had signed with D&M last year, and now has a chance to continue with the new entity.

Considering the bleak prospects, and not forgetting that much pain and loss has already been felt, this is about as good an outcome as could have been hoped for. I wish everyone involved only the very best going forward.

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Feting Michael Jacobs, a Publishing Friend of Many Years, for a Good Cause

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Michael Jacobs program 4Last Thursday night the publishing industry finally had a chance to celebrate the career of Michael Jacobs, currently head of Abrams, who earlier had successful tenures at Scholastic, Simon & Schuster and Viking Penguin. I write “finally” because the event feting Michael–which was also designed to give his friends and colleagues the chance to contribute money for the good work of Goddard Riverside Community Center, a key provider of social services on the west side of Manhattan–was originally scheduled for Monday, October 29th, the night that Superstorm Sandy hit NYC.

In the aftermath of the devastating storm, I, and none of the friends I had been hoping to see that night, were sure that the event would be rescheduled. But just before Christmas it was announced the benefit would still be held, on January 31st. I was pleased, as many were, that we’d still have the chance to formally toast the honoree. On a side note, I picked up something interesting about event planning in NYC, and which may have pertained in this instance. A friend who seemed knowledgeable indicated that because the mayor’s office had officially shut the city down on the Sunday–shuttering subways and announcing school closures, all well in advance of the storm’s arrival–the bond that had been taken out on the event, the insurance against last-minute cancellation of it–did not have to be paid, at least not in full. The venue, Capitale on Bowery near Grand Street, never had to unlock its doors or turn on the lights, the caterer didn’t have to prepare a canape or uncork a bottle of wine, and the waitstaff didn’t have to don their livery and report for work. Thus, it seems that financial sacrifices for all parties were minimized and a make-up date could be scheduled, with donors’ contributions all going toward the benefit of Goddard Riverside, such a valuable community resource.

Capitale is a grand venue–a former bank–designed by architect Stanford White.*  The high, vaulted space looks like it could have been the set for a depression-era film, such as “American Madness,” where Walter Huston plays a bank president trying to avert a crippling ‘run’ on his institution. The evening began with a cocktail hour, where almost 500 guests began assembling right at the opening time of 6 PM. Even in this huge space it became cramped quickly, making it a challenge to get around and say hello to the friends and familiar faces one hadn’t seen in a long time. Still, it was very convivial, even shoulder to shoulder, elbow to elbow, all at close quarters. I just wouldn’t have wanted to be one of the waiters serving those canapes. I saw Michael Jacobs and told him how glad I was this event was at last coming off. He was beaming. As with many people I know in the book business, I met Michael, then with Viking, sometime between 1978-85 when with my family I ran Undercover Books, a 3-store chain of indie bookstores in Cleveland, Ohio. Abrams was then known for publishing the most opulently printed art and coffee table books, and our store did great business with their whole list. The company has changed a lot since, but Abrams remains one of the finest publishers of illustrated books, along with childrens’ books and a range of nonfiction.

Around 7:00 we were asked to head through a curtain dividing the room and find our tables. I was at #37–a prime number, I thought–at a table put together by my friend, longtime rights maven, publisher, and agent, Mildred Marmur.** The program portion of the evening kicked off with an amusing short film made by Michael’s exceptional executive assistant, Merle Brown, with a crew made up of family members of hers. It was a scenario where Merle, as dinner benefit wrangler ‘stalks’ Chronicle Books president, Jack Jensen, to enroll his support. Jack continually dodges her and pleads with her to leave him alone. It was quite funny, with Merle speaking directly to the camera at points, feigning fatigue from chasing Jack all over, in apartment building lobbies, at an airport, and on the street. When it ended Merle introduced Jack, who quickly assured us he wasn’t really reluctant to be feting his good friend Michael. He and Michael had gotten to know each other around 1980, when they roomed together. Jack was followed by a number of speakers, including Abrams author Jeff Kinney, creator of the Diary of a Wimpy Kid series. Kinney explained how glad he was when Michael and he had capitalized on the launch of Diary of a Wimpy Kid: Cabin Fever in 2011 to benefit programs at Goddard Riverside. The materials handed out to guests included Goddard Riverside’s annual report for 2011, from which I learn that the Center’s roots reach back to the settlement house movement of the 19th century, in their case to 1887. Their annual budget is more than $20 million, supporting a day care center in a brownstone; a mobile mental health unit; a residence for low-income adults; and a center devoted to training college counseling professionals all over the city. There is also their signature book industry event, the annual holiday book fair, to which publishers contribute thousands of books, drawing New Yorkers every year.

Amid the remarks, salad, dinner and dessert were served and eaten. The program concluded when Michael was introduced by JP Leventhal, of Black Dog & Leventhal Publishers, and he took to the podium. It was a warm talk, full of affection for the book business that’s given him his career, and fondness for the many people who’ve befriended him along the way, especially for the folks who’d organized the dinner, even after its near-cancellation. He thanked lots of people by name, told us that more than $600,000 had been raised for Goddard Riverside, gave shout-outs to his family, and closed by reading a Wallace Stevens poem.

In a long line to retrieve my coat and bag, I found myself waiting with Penguin editor-in-chief Kathryn Court, and Elliott Figman, executive director of Poets & Writers, whom I had never met before, though I enjoy his magazine. The three of us discussed how Sandy had displaced us to varying extents. I was tickled to learn that Elliott, who went to Oberlin College, clearly remembered Robert Fuller, now my author client, who was president of Oberlin for 4 years.  We enjoyed meeting and agreed to talk again another time.

It was a great night for Michael Jacobs, and a grand night for publishing, affirming once again that the book business is still a collegial world, filled with people who care for one another, and for their city.

*I recall that the ill-fated White was played by Norman Mailer in Ragtime, the 1981 movie adapted from E.L. Doctorow’s historico-literary novel. The plot covered, in part, the murder of White by Harry Thaw, who was jealous of White’s affair with his wife Evelyn Nesbit, played by Elizabeth McGovern, nowadays playing Cora in “Downton Abbey.”

**In 1975, while Marmur was Director of Subsidiary Rights at Random House, the company published Ragtime in hardcover. She auctioned the rights to Doctorow’s novel to Bantam, for what was then the largest deal ever made for a paperback reprint of a literary novel, $1,850.000.

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