Hopping to Brooklyn Galleries on a Friday Night

Gallivanting to galleries with Kyle on a Friday night in Brooklyn. First went to Janet Kurnatowski’s gallery in Greenpoint for group show called Paperazzi w/a Wonder Wheel drawing variation of Kyle’s. Lots of great works on paper. Enjoyed chatting with David Ambrose whose mosaic-like painting mesmerizes. Then to spacious Life on Mars in Bushwick for show of lush paintings by Fran O’Neill w/work by Ben Pritchard in project room. Enjoyed the genial vibe in the busy borough.

Glad for Revival of THE REVENANT, a Great Adventure Novel

JANUARY 2016 UPDATE: Readers of this blog may recall my connection to The Revenant: A Novel of Revenge, mentioned on this site a year ago in the post below, after I learned the book, originally published in 2002, was about to be reissued by a new publisher, the basis of a major motion picture. I saw the movie last weekend, and found it quite engrossing, even at more than 2 1/2 hours duration. The cinematography is exceptional, the acting quite believable, and the storytelling very powerful. I recall that author Michael Punke was already then having discussions about possible film adaptations, since the Glass story had already once been filmed, as “Man in the Wilderness,” with Richard Harris  and John Huston in 1971. Even so, over the years no film resulted, that until word came last year of the cinematic collaboration between Alejandro Gonzalez Inarritu’s and Leonardo DiCaprio’s. As the credits rolled following the film last weekend, I saw that the production of course credited the book, though with a proviso I’d not seen before, stating that the movie was “Based in Part on the Novel by Michael Punke.” I imagine the wording was mutually agreed to between the author’s agent and the producers, because the two works do diverge. But I don’t criticize the filmmakers on that score, for as Punke himself wrote in an Historical Note at the end of the novel, the confirmed history surrounding Hugh Glass’s life is scant—little more is known for certain beyond the fact he lived, was a skilled tracker, was mauled by a grizzly bear during an 1823 expedition with the Rocky Mountain Fur Trading Company, following which he was left for dead by two of his likely companions, a miscreant named John Fitzgerald and a teenaged Jim Bridger; Bridger ultimately became a much more famous mountain man than Glass, with modern tourist sites in the Mountain West named after him. I’m pleased to see the movie is bringing more attention to the gripping novel, which is a bestseller in the Picador reissue. I’m also pleased to remind people about the book, since as the Obama administration’s Deputy Trade Representative to the WTO in Geneva, Switzerland, Michael Punke is not permitted to directly promote his own commercial interests. I’m happy to stand in for him, then, as relatives of his have been doing at premieres of the movie, which has now garnered many Academy Award nominations.

When I was a retail bookseller with Undercover Books, this is exactly the sort of novel that we would read in advance galleys from the publisher, then order 50 copies, and sell them all in the book’s first month on sale. If you enjoy adventure tales, I recommend you read this one, a gripping survival story based on the life of a real American who traverses a great swath of the inter-mountain west in a quest for justice, less than 20 years after the Lewis and Clark Expedition had opened the region to exploration.


January 2015nant-front.jpg”>Revenant frontthe BN Review recently I was delighted to discover that one of the most engrossing novels I ever edited and published—The Revenant: A Novel of Revengehas been reissued and is being made in to a major movie starring Leonardo DiCaprio, directed by Alejandro Gonzalez Inarritu, who recently directed “Birdman.” The novel, by Michael Punke, was published in 2002, when I was an editorial executive at Carroll & Graf. It’s inspired by the epic life and adventures of a historical figure, Hugh Glass. He was a frontiersman and fur trapper who in 1823 was part of a westward expedition spanning what is today Nebraska, the Dakotas, Montana, and Wyoming. While foraging for game, away from the troop, Glass was attacked and severely mauled by a grizzly bear. Grievously wounded and bleeding, with the skin on his back nearly flayed off his torso, Glass was still conscious when his comrades found him. Believing that Glass would surely die soon, the leader of the troop ordered two men to stay with him until he expired, then bury him and catch up to the group. In the midst of this death watch, a band of Indians approached the camp, panicking the two men: they grabbed Glass’s rifle and hunting knife and fled. Deserted, defenseless, and enraged at being abandoned, Glass refuses to succumb to his wounds; he survives, determined to recover his weapons, vowing revenge on the men who left him to die. The novel is beautifully written and reads like a timeless adventure story. Talk about a film adaptation of the novel began years ago, and I’m delighted to see now it’s really happening, and with such a high profile team. Hugh Glass did inspire one earlier film, in 1971, when actor Richard Harris was cast as the Glass figure in “Man in the Wilderness,” a rather lurid and unexceptional movie. Punke’s telling of this epic saga, with Glass crawling and dragging himself across wild terrain until he was again able to walk, has all the elements for a great movie and I’m hopeful that is what the production will lead to.

Punke’s agent Tina Bennett submitted the manuscript to me soon after 9/11, an event and aftermath that I was close to, as the offices of Carroll & Graf and Avalon Publishing Group were only a few blocks from the World Trade Center. As I chronicled on this blog on Sept 11, 2012, in a post titled Remembering 9/11/01—Running Through a Dust Cloud in Lower Manhattan, the exertions of that day left me with nagging leg injuries that persisted for most of the year that followed. In fact, when I attended the book launch for The Revenant, held in Washington, DC, in the summer of 2002, I took the train from NYC using a cane to help me walk on a still-tender ankle.

Though novels don’t often have subtitles or reading lines, I suggested to the author that we use one here. We had quite an evocative title, though the word ‘revenant’ (a being that returns from the dead) was not then and still isn’t a widely familiar term. Glass’s odyssey seeking revenge and justice resonated powerfully with the spirit of the time, so “A Novel of Revenge” seemed the right way to position the book for readers. The publisher reissuing the book now is Picador, part of Macmillan, and I’m glad to see in online listings they’ve chosen to retain the reading line. Interestingly, they’ve reissued the novel in hardcover, not paperback, a somewhat unusual choice for a book published more than a decade ago, though perhaps a sign of the publisher’s confidence in its continuing relevance.

Michael Punke has written two nonfiction books in the years since 2002, both in Western history, Fire and Brimstone: The North Butte Mining Disaster of 1917 and Last Stand: George Bird Grinnell, the Battle to Save the Buffalo, and the Birth of the New West. The book launch for The Revenant was in DC because Punke worked for a law firm there. Among the hosts at the party was a mentor and colleague to Punke, Mickey Kantor, a lawyer involved in international trade who’d served as chair of the Clinton campaign for president in 1992. Punke now works as President Obama’s Deputy United States Trade Representative and US Ambassador to the World Trade Organization in Geneva, Switzerland. According to this article in Maxim, his ability to engage in promoting his books is very limited by his sensitive position in the federal government. I’m very glad to know that Michael Punke’s first book is coming back in to print, and that a movie is in the works. We have been in touch occasionally over the past decade, and I’m pleased that I have so much good news to congratulate him about when we’re next in touch. Above is the front and below the back cover of the paperback edition of The Revenant from 2003.Revenant back

 

An Unrepentant Literary Forger’s Infamous Career

I’m glad my Facebook post above on prolific forger Lee Israel drew appreciation from Fb friend Joseph Mackin, who shared it on his blog 2paragraphs. This is the link to his nicely presented reposting which looks like this:2paragraphs Lee Israel

Words I Like to Live By, Some of My Own, Some Borrowed from Others

A motto I find useful to live by, on New Year’s Day, and most days: “Stay neutral, lean positive.”

And since I’m quoting myself, here are a couple more coinages of my own:

“Being an editor allows me to express my latent religiosity, since I spend so much time praying for my books.”

“Publishing companies have long been known as ‘houses’ because they (are supposed to) offer hospitality to writers.”

And a Yiddish proverb I found years ago in W.H. Auden’s marvelous A Certain World: A Commonplace Book, a personal anthology of favorite lines and wise quotations the English poet gathered over his lifetime of reading and writing, published in 1970. I treasure my old copy.

“If the rich could hire other people to die for them, the poor could make a comfortable living.”

Happy New Year! Let’s all have a great 2015. PT Mac selfieAuden, A Certain World back coverAuden, A Certain World front cover

The DOJ Just Doesn’t Get the Book Biz

Despite an overwhelming preponderance of comments that were critical of the proposed remedy in the agency model case involving ebook pricing, the Dept. of Justice announced a ruling yesterday that was a huge disappointment to me and many people in the book business. The DOJ rejected the arguments of many, including me, who pointed to Amazon.com as the corporation whose conduct warranted scrutiny, not the defendant publishers. Worse, the DOJ dismissed comments critical of the settlement imposed on three of the Big Six publishers as stemming from fiduciary self-interest. Although people are definitely concerned about their livelihoods, they are also concerned about the future of the business and whether publishers and authors are going to be able to carry on at all. The DOJ claimed it was all about consumers paying less, but I think to only look at price is to miss the larger picture. Unfortunately, I think Shelf Awareness got it right when they headed their coverage, “Justice Dept. to Book Industry, ‘Drop Dead'”.

Lebron James’ 10-Year Old Son, Already Dashing to the Hoop, Hitting Circus Shots&Making Great Passes

Lebron James ‘s 10-year son, known as Bronny, is already a skilled basketball player. Catch what he does on the court against kids his own age in this 2-minute video.

Michael Dirda ♥s “The Big Book of Swashbuckling Adventure”

Readers of this blog may recall I’ve posted occasionally about The Big Book of Swashbuckling Adventure, a new anthology I sold to Pegasus Books as literary agent. The last time I wrote about it, Oct 10, it had just received two excellent pre-publication reviews, from Publishers Weekly and AuthorLink. Now the book is out and available in bookstores and it continues to draw praise, the latest coming from Michael Dirda, a critic whose literary recommendations I’ve enjoyed for many years. Offering his annual roundup of gift books for the holidays, Dirda tendered this brief encomium:

The Big Book of Swashbuckling Adventure (Pegasus, $24.95), selected and edited by Lawrence Ellsworth. Captain Blood, Zorro, the Scarlet Pimpernel, Brigadier Gerard, Robin Hood; stories with titles such as “Pirate’s Gold” and “The Queen’s Rose”—this is just the gift for, in Arthur Conan Doyle’s words, “the boy who’s half a man, OR the man who’s half a boy.”Dirda gift books

In the early 2000s, Dirda moderated a weekly online chat on washingtonpost.com in which he consistently offered erudite yet accessible book chat. I rarely missed one of them, and would often print out the whole chat to keep as a reference. In that forum, Dirda distinguished himself as the least snobbish of critics. No matter what readers might throw at him—whether asking about James Joyce, John Milton, or nearly forgotten authors of genre fiction—he always made smart and generous comments. He’s also an author, with several books to his name, two of which I’ve enjoyed (pictured below). It’s fun to have a book be included in Michael Dirda’s gift suggestions, so if you’re looking for a book for a certain kind of reader, someone who relishes pirate lore, swordplay, movies like “Captain Blood,” “The Adventures of Robin Hood,” and “Zorro,” the seafaring novels of Patrick O’Brian, and the Flashman novels by George MacDonald Fraser, The Big Book of Swashbuckling Adventure is sure to strike the right chord. You can buy it via this Amazon link, where it is currently riding high as their #1 bestseller among anthologies of historical fiction.

Appreciating Ruth Gruber’s Lifetime of Humanitarian Activism and Photojournalism, at the JCC til Feb 25

Ruth at JCC, Dec 9, 2014Kyle, Ewan, and I had a great time last night at the opening reception for an exhibit of Ruth Gruber’s photojournalism at the JCC. This is essentially the same exhibit that was mounted in 2012 at the International Center of Photography, the year that Ruth was awarded the ICP’s Infinity Award. If you’re unfamiliar with Ruth’s work, this show is a great way to begin. If you’re not in NYC to go see it, this link will lead you to many of the images. If you’re not familiar with her remarkable career, here’s a primer:

Born in 1911 in Williamsburg, Brooklyn, Ruth was always precocious. She received her B.A. from NYU at age sixteen; an M.A. in German language and literature from the University of Wisconsin at eighteen; and at twenty was offered a fellowship to participate in an exchange program at the University of Cologne. Early in her studies there, in 1931, she was asked by a professor if she would consider reading the work of Virginia Woolf, and writing a doctoral thesis about her. I’ve imagined that Ruth’s professors must have realized they had this bright female student in their midst, a reader of English and German who could tackle the Englishwoman’s books and write about them, asking themselves when they might again have such an opportunity, especially with the inter-war years—which they turned out to be—increasingly fraught by international peril? Ruth demurred—she had not yet read Woolf’s work, she could afford to be in Cologne only one year, her parents would not let her stay longer, the work would surely take more than a year—but soon, though she hadn’t read any of Woolf’s books when the professors asked her, she said, “I’ll try.” Taping up a picture of Woolf in her room, she undertook to read all of Woolf’s books then published, pondering their meaning and the significance of Woolf’s creative enterprise.

Despite the notoriety that her youthful doctorate brought her (she was heralded in the NY Times as the “World’s Youngest Ph.D.”), the Depression was in full swing and Ruth found little work upon her return to the States. She continued traveling and trying her hand at journalism and photography. In 1935, she was delighted when the thesis on Woolf was published as a book in Germany by the Tauchnitz Press, which had a list of English-language titles, including Woolf’s The Waves. Ruth sent a copy of her thesis to Woolf in London, thus beginning a lengthy correspondence between the two women that culminated in Ruth paying a visit to Woolf at her Bloomsbury home in 1936 or ’37. For more on this period of Ruth’s life, including the meeting between the two women, you can also read my post, Virginia Woolf and Ruth Gruber, Driven to Create as Women her on this blog.

After her experiences in Germany, she won a Fulbright scholarship, which included attending a rally at which Hitler spoke, where the foreign students were seated very near him, she devoted an extended period of independent study to the examination of “women under democracy, fascism, and communism.” She became the first Western journalist to tour the Soviet Arctic, and in 1937 published her second book, I Went to the Soviet Arctic, which she parlayed in to a new career as a public lecturer. In 1940, Ruth continued her association with the peoples of the polar regions when she became a member of the FDR administration, under Interior Secretary Harold Ickes who named her his special field representative for the territory of Alaska. She is doubtless one of the Roosevelt administration’s eldest surviving staffers. She worked for the government off and on during and immediately after WWII, leaving at times to work as a foreign correspondent for the New York Post and the Herald Tribune. In 1944, Ickes assigned Ruth a mission she urged him to give her, that of escorting nearly 1,000 WWII survivors from Naples, Italy, on the Henry Gibbins, a ship that also carried wounded American troops back to the US. In 1947, she was working as a foreign correspondent when she covered the fate of the Exodus ship, and chased its thousands of stateless passengers all over the Mediterranean and central Europe the summer of that year.

To read more about Ruth Gruber’s lifetime of humanitarian activism I recommend any of the six books I published with her, five of which are currently available in new editions from Open Road Integrated Media, whose executives Jane Friedman and Philip Rappaport were also on hand at the JCC. The titles I published with Ruth are 1) Exodus 1947: The Ship that Launched a Nation, Introduction by Eleanor Roosevelt biographer Blanche Wiesen Cook; 2) Haven: The Dramatic Story of 1,000 WWII Refugees and How They Came to America, which was adapted for a TV movie in 2000 (Foreword by Dava Sobel, author of Longitude, and Ruth’s niece); 3) Raquela: A Woman of Israel, winner of the Jewish Book Award in 1978 (Introduction by novelist Faye Kellerman); 4) Ahead of Time: My Early Years as a Foreign Correspondent (also the title of a documentary on Ruth), Introduction by Vanity Fair writer Marie Brenner; 5) Inside of Time: My Journey from Alaska to Israel: My Journey from Alaska to Israel; and 6) Virginia Woolf: The Will to Create as a Woman.

I have written about Ruth several times on this blog, posts that are all illustrated with photographs by Ruth or of her: 1) Ruth Gruber’s Photojournalism at Soho Photography; 2) My Friend Ruth Gruber, Pioneering Photojournalist; 3) Virginia Woolf and Ruth Gruber, Driven to Create as Women; 4) Celebrating Photojournalist & Author Ruth Gruber’s 102nd Birthday With Her; and 5) Marking Photojournalist Ruth Gruber’s 103rd Birthday. Below are photos I took at last night’s reception, and photos I’ve taken of her book jackets.