Entries by Philip Turner

RIP David Pryce-Jones (1936-2025), A True Man of Letters Whose Work Revealed Anti-Semitism in the UK

January 11, 2026 Update

As an addenda to the tribute below I published last month about British man-of-letter David Pryce-Jones, in which I mentioned that he and actress Helena Bonham-Carter were cousins, I want now to share an article by Juliet Conway in the Daily Mail that highlights their close relationship:

“Helena has long credited David’s 2015 memoir Fault Lines with helping her understand the dramatic history behind the ‘melting pot’ that is her maternal heritage.

The book recounts life at Royaumont with Helena’s maternal grandparents, Eduardo Propper de Callejon – the Spanish diplomat who saved thousands of Jews by issuing illegal visas – and his wife Helene, known as Bubbles, an Austrian-Jewish heiress from the Springer industrial dynasty.

‘It would make a great sitcom or drama,’ Helena has said of the family’s wartime adventures. ‘There were so many characters, so dramatic and funny and bonkers. And David captured it all.’

His death marks the passing of the last of a generation whose real-life dramas—wartime heroism, family feuds, literary scandals —were as vivid as anything in Netflix’s The Crown, in which the actress played Princess Margaret.

And as Helena once joked: ‘I’d have to approach [Crown writer] Peter Morgan. “I’ve got a whole other family story for you. Forget the fifth, and sixth seasons [of The Crown]. You’re coming with me, mate.”‘

December 17, 2025

I was saddened by the recent passing of David Pryce-Jones (1936-2025), which I read about in a Times of London obituary. (It’s linked to here, though you may hit a paywall, so I’ve also pasted it in below in five sequential screenshots.) We became acquainted via letters and email, beginning in 2023, though never met in person. I had sent him a letter after discovering his books thanks to a biography, The Maverick: George Weidenfeld and the Golden Age of Publishing by Thomas Harding. Harding’s book on the dynamic British publisher Lord Weidenfeld (1919-2016) was not a cradle-to-grave biography, but instead devoted a chapter to a dozen or so of the most important books Weidenfeld published in his prolific career, some of which courted controversy; among them were Saul Bellow’s Herzog, Mary McCarthy’s The Group, Watson and Crick’s The Double Helix, Nabokov’s Lolita, and a writer who was then new to me, David Pryce-Jones and his nonfiction book Unity Mitford, a Quest, published in 1976.

One of the five Mitford sisters, Unity had a notorious romance with Adolf Hitler in the 1930s. For writing about her life some members of the Mitford family sued Pryce-Jones for libel, intent on suppressing the book, while some upper crust Brits inveighed against Pryce-Jones for spotlighting deep currents of anti-semitism in British society; he was Jewish, and as a three-year old had been evacuated from France through Dunkirk where he was when WWII began. Weidenfeld and Pryce-Jones were faced with a decision to halt publication, or go forward, despite the threat of significant monetary damages if they lost in court. They refused to back down, the book was published, and Pryce-Jones was vindicated; it is still in print today.

I found the whole story of his family, told in the memoir Fault Lines, quite inspirational, particularly the actions of his maternal grandfather, a Spanish diplomat named Eduardo Propper de Callejón who during WWII, defied contrary orders from the Franco government and used his diplomatic portfolio to sign visas for refugees; his bravery warrants a place for him alongside the heroic exploits of the American journalist Varian Fry, who helped rescue Jews in France, and the Japanese diplomat Chiune Sugihara, who signed visas for many in Lithuania. Indeed, Propper de Callejón is honored at Yad Vashem. Among David’s relatives was the British actress Helena Bonham-Carter, also a grandchild of the Spanish diplomat. She explores the WWII period in this interview on youtube. Among the people her and David’s grandfather saved was the person who later started Unicef.

The Times of London obit explains that he had a complicated relationship with his father Alan Pryce-Jones, who was editor of the Times Literary Supplement. The elder Pryce-Jones can be seen in a fascinating interview he conducted with W. Somerset Maugham in 1955, also on youtube. The Maugham interview, which my adult son and business partner M. G. Turner discovered during Covid, led to me recognizing the name of David Pryce-Jones when I encountered it in Thomas Harding’s book on Lord Weidenfeld.

David was a true person of letters, the likes of which there are few today, among men or women. He was a foreign correspondent, memoirist, essayist, novelist, biographer, and devoted letter writer. Another book of his that I enjoyed enormously was Signatures, in which he tells the stories behind the many inscribed books that populated the bookshelves in his personal library, chronicling more than ninety literary relationships in his life, among them with W. H. Auden, Beryl Bainbridge, Saul Bellow, Isaiah Berlin, Paul Bowles, Cyril Connolly, Martha Gellhorn, Lawrence Durrell, Robert Graves, Aldous Huxley, Alfred Kazin, Amos Elon, Philip Glazebrook, Arthur Koestler, Jessica Mitford, V. S. Naipaul, Edna O’Brien, Alan Sillitoe, Muriel Spark, J. B. Priestley, Isaac Bashevis Singer, Hugh Nissenson, and Dame Rebecca West, among many others. It is an extraordinarily enjoyable book. Just two pages from the Table of Contents are shown below in blue type. He led an extraordinary life, and was a kind man. RIP. 

Recently Published, Alexis Greene’s “Shakespeare Theatre Company: The History of a Classical Theatre”

A treasured author of Philip Turner Book Productions is Alexis Greene (Emily Mann: Rebel Artist of the American Theater, Applause Books, 2021) who this fall published a fantastic book for which we were proud to arrange publication; it will make an ideal gift for lovers of the Bard, the written word and the theatrical arts. The book is Shakespeare Theatre Company: The History of a Classical Theatre (Peter Randall Publishers, September 2025). It’s a sumptuous, coffee-table book that tells the engaging story of how this nonprofit theatre in Washington, DC, became one of America’s foremost centers for the performing arts. Illustrated with more than 250 dramatic photographs of productions and performers, Greene’s history takes readers from the earliest performances of Shakespeare in America; through the establishment of the Folger Shakespeare Library; the founding of the enthralling Shakespeare Theatre Company (STC); and its current role as a theatre that embraces Shakespeare, as well as other classical playwrights and contemporary dramatists. This unique history was envisioned and commissioned by longtime supporter of the STC, Lawrence Hough to commemorate the 40th anniversary of the company. Ewan Turner and I were honored to edit the text with Alexis Greene, as well.

Shakespeare Theatre Company was recently featured in Washington Unbound, linked to here, and Alexis was interviewed for the same publication in “A Glimpse Behind the Scene of One of Washington’s Finest Theaters.”

Actors and theatre professionals have praised the book, with comments like this:

“I am utterly fascinated by Alexis Greene’s superb account of Washington, D.C. Shakespeare Theatre Company’s existence. She highlights its leadership under five very different artistic directors as well as its operation from small to big physical homes, never failing to convey a vivid personal sense of the actors, directors, and writers that are involved in each decade of its productions. She doesn’t shrink from quoting the good and less-than-good reviews they encountered and gently threads her own feelings about the long-overdue employment of women directors. A volume worthy of a special place on your bookshelf.” Gail Merrifield Papp, author of Public/Private: My Life with Joe Papp at the Public Theater.

Sold: “City of Dark Dreams: Tales from Another New York” by M. G. Turner

Postcard showing what New Yorkers in the past imagined the future metropolis would look like.

Great news about my adult son M. G. Turner and his writing! As his literary agent, I’ve sold what will be his first full-length commercially published book, City of Dark Dreams: Tales from Another New York, to be published in January 2027 by DarkWinter Press.

Incorporating the mysterious and the macabre, the 25 tales—selected from a larger body of work the author has dubbed the Neighborhood Legendarium—explore life and death, ask whether mortality can be circumvented, imagine dreams impinging on reality, and find the uncanny in the everyday. Melding the collection into a unified whole is the setting, the Upper West Side of Manhattan and a fictional college, Hudson University, which introduces a dark academia motif. The characters populating this world intersect and influence each other’s lives, akin to the storytelling in David Lynch’s “Twin Peaks.” We’ll have more information about the book in the future, including how to pre-order copies.

And, while we have your attention, if you’re starting to think about books you may want to give as presents to friends and family for the holidays this year, here’s something to consider:

We are pleased to offer a bundle of three small chapbooks M. G. Turner’s published this year under our Riverside Press imprint. They are 1) Dreams of the Romantics, a story cycle inspired by the Romantic Poets, Lord Byron, Mary and Percy Shelley, etc.; 2) Roman Visions, a story cycle inspired by Virgil and The Aeneid; and 3) Reader Faustus, a novella-in-verse in which a young man—possessed by the desire to read every book ever written—makes a pact with a demon. These three books, each between 96-116 pages, may be enjoyed in single sittings, or savored over time. To relieve what would be the cost of shipping three separate books we’ve decided to package them as a bundle. The suggested list price of each is between $18-$20. However, the special price including shipping for the 3-book bundle is $30. If you’d like to know more about the three chapbooks, we invite you to read reviews of them, including in The Seaboard Review of Books, where editor of the publication James Fisher wrote, “Dreams of the Romantics was a beautiful read. Turner’s use of language reflects the period, and I read through the book several times, picking up on different metaphors from the lives of all those in attendance at Lord Byron’s dinner party. I also found it educational, as I had only a passing knowledge of the Shelleys, little of Byron and none of Doctor John Polidori. Invariably, I was sent scrambling to the Internet for answers to my questions, as well as the biographies of the participants.” You may read more here and here. For ordering information for the bundle, please contact us at ptbookproductions[@]gmail[.]com.

Offering a Bundle of M. G. Turner’s Three Chapbooks

On sale now, a three-book set of M.G. Turner’s Riverside Press chapbooks. Thanks to our friend James Fisher, Editor of The Seaboard Review of Books, and his colleagues there, who’ve suggested this idea, we are pleased to offer readers in Canada, the United States, and elsewhere Dreams of the Romantics, a story cycle inspired by the Romantic Poets; Roman Visions, a story cycle inspired by Virgil and The Aeneid; and Reader Faustus, a novella in verse in which a young man—possessed by the desire to read every book ever written—makes a pact with a demon, in an elegant 3-book package that can be enjoyed all at once or savored over time. To relieve what would be the cost of shipping three separate books we’ve decided to package them as a bundle so that the books can be enjoyed without constraint. The books range in page count from 96 to 116 pages, and the suggested list price of each is between $18-$20. However, the special price, including shipping, for the 3-book bundle will be $30 USD. For ordering information, please contact us at ptbookproductions[@]gmail[.]com.

We invite you to read about M. G. Turner and his work at this link, while reviews of his work can be found here and here.

Elaine Dewar (1948-2025), Stellar Writer and Dear Friend, RIP

I’m sharing with friends and readers of The Great Gray Bridge that a dear friend and talented author, Elaine Dewar, passed away yesterday—age 77, after a brief illness—in Toronto surrounded by her loving family, including her daughters Anna Dewar Gulley and Danielle Dewar Birch. Elaine was a very accomplished journalist and author who specialized in reporting on and writing about challenging subjects, especially cutting-edge science as it intersected with culture, business, and society. I had the privilege of working on four of her seven books. A Jewish funeral was held at a chapel in Toronto today, and I was able to sit in on it via youtube with my wife. We both benefited over the years from Elaine’s kindness and hospitality. I wish we could have been in Toronto to pay a shiva call at the family home.

Beyond our strong professional links, she was a tremendously steadfast friend—having us stay in a comfortable bedroom in her home numerous times when visiting Toronto, always reminding us that it was there for a getaway when needed. She also had my back after 2009, the year that I became an independent editorial provider in the book business, with me no longer holding an in-house publishing position. One manuscript of hers that I edited was Smarts: The Boundary-Busting Story of Intelligence, which I also covered on this blog in 2015. As I wrote then, just editing it had made me smarter (a bit, anyway :-). Her intellectual curiosity was prodigious. While working for Carroll & Graf Publishers, I’d published the US editions of two of her earlier books—Bones: Discovering the First Americans, on the ancient peopling of the Americas, and The Second Tree: Clones, Chimeras and Quests for Immortality, a kind of nonfiction version of Margaret Atwood’s dystopian novel Oryx and Crake. Those books had been edited and published in Canada, so having the chance to edit Smarts was a treat. The fact Elaine went out of her way to hire me for the well-paying freelance assignment of editing the manuscript, so lengthy that it became a nearly 600-page book, shows her loyalty.

Later, she undertook tenacious investigative reporting to chronicle a hidden history that combined business and culture. This story, of a secret corporate consolidation in the Canadian book publishing industry mingled with improper obeisance to the interests of a particular multinational publisher, became her book The Handover: How Bigwigs and Bureaucrats Transferred Canada’s Best Publisher and the Best Part of Our Literary Heritage to a Foreign Multinational (Biblioasis, 2017), which was nominated for the Governor’s General in Nonfiction. She asked me to read early chapters of that book, which I did happily, and with great interest. Prior to her death, Elaine completed a final book, which will be published next year, Growing up Oblivious: Residential Schools, Segregated Indian Hospitals, and the Use of Indigenous People as Slaves of Race Science, another Canadian exposé, which Biblioasis describes thus: “An investigative journalist reckons with the cost of settler privilege in this gripping exposé of racism and unethical science.” Speaking during the funeral today, her daughter Danielle described the forthcoming book as a memoir of sorts, one of which Elaine had never written.

There have already been other tributes to Elaine, along with this one chronicling important and interesting parts of Elaine’s life and work I didn’t know about. One is by her lifelong friend, Marci Macdonald, and is available on the website of Benjamin’s Funeral Home, which also hosted the video of the service today. Significantly, her current editor, Dan Wells of Bibliosasis, writes movingly on his site The Bibliophile of editing Growing up Oblivious in person with Elaine in her last days. He also has a valuable perspective on the writing and editing of “researched nonfiction,” which I realize now can correctly be said to have been Elaine’s true metiér.

I will always think fondly of Elaine, and her husband Stephen Dewar (d. 2019), seated at the breakfast table in their cozy kitchen, CBC Radio program Metro Morning on the dial, newspapers open, when I came down for a morning meal, and they each greeted us with humor and charm.

 

Powerful Endorsements for “Devouring Time: Jim Harrison, a Writer’s Life” by Todd Goddard

September 15, 2025 update:

Along with all the terrific endorsements the author and publisher have received for Devouring Time: Jim Harrison, a Writer’s Life by our agency client Todd Goddard (shown below), we now also have an enthusiastic Publishers Weekly review (“A perceptive account of a prolific and celebrated artist.”), which was quickly shared by the proprietor of the popular Jim Harrison Author Page on Facebook**, where it’s generating more enthusiasm and pre-orders ahead of the book’s launch on November 4.
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As announced previously on this website, Devouring Time: Jim Harrison, a Writer’s Life by our agency client Todd Goddard, the first biography of the notable American author, will be published on November 4, 2025, in hardcover, audiobook, and ebook by Blackstone Publishing. The book has garnered powerful endorsements so far, from writers Gretel Ehrlich, Rebecca Solnit, Colum McCann, Carl Hiassen, John Matteson, William Souder, and Jim Fergus, as shown below.

If you’re interested in pre-ordering the book, here are links for doing so:

Bookshop.org (Bookshop is an online bookseller whose sales support  independent bookstores), 2) Barnes & Noble, 3) Books-A-Million, and 4) Amazon.

Advance Praise for Devouring Time: Jim Harrison, a Writer’s Life by Todd Goddard

Devouring Time is a massive achievement, a deep plunge into the life of Jim Harrison whose 40 books of fiction, nonfiction, and poetry line our shelves. Atavistic, inspired, despairing, gluttonous, turbo-charged, and broken-hearted, the gut strings of what drove Harrison are plucked, page by page until his high-wire obsessions, his “beggar’s banquets” of eating, drinking, traveling, and writing finally recede. What lasts are the words.”—Gretel Ehrlich, author of The Solace of Open Spaces and Unsolaced: Along the Way to All That Is

“Jim Harrison was a mustang that never got corralled, or at least broke out of all the paddocks he found himself in, and Todd Goddard tells the story of this bon vivant, outdoorsman, hellion, and great poet from his ancestors to his end with grace, momentum, generosity, and insight. I was more than glad to go on the journey that was Harrison’s life in Devouring Time’s narrative, and what a great American life it was, wreckage, glory, gifts, and all.”—Rebecca Solnit, author of Orwell’s Roses

“Jim Harrison is and always will be one of my great heroes. He emerges from Todd Goddard’s splendid Devouring Time in vivid technicolor, and indeed shadow, as if he could walk off the page at any moment, sounding out his American yawp. Gracefully rendered and impeccably researched, Goddard intimately charts the free-flowing river that was Harrison’s life, its headwaters and tributaries, the glistening shallows and eddies, and the dark charging currents that carved channels through the literary landscape. His timeless poetry and fiction, singular joie de vivre, boundless appetites and intellect, as well as his unerring commitment to wisdom and wildness, resound on every page. One of our most cherished writers, Jim Harrison has landed in the hands of a worthy biographer. An absolute pleasure to read, Devouring Time resonates with me still.”—Colum McCann, author of Let the Great World Spin and Apeirogon

“My friend Jim Harrison always seemed a fiercely untameable subject for a biographer, but I think Devouring Time will stand as a complete and moving portrait. Jim was one of those rare writers whose private life was as adventurous as their works, but only a dogged journalist could have tracked down all the tales. Todd Goddard tells the whole story in a way that Jim would have admired – raw and revealing, yet with a sensitive eye for both the pain and the talent that made Jim one of modern America’s most intriguing poets and novelists.”—Carl Hiaasen, author of Bad Monkey and Fever Beach

Jim Harrison, Paris, 1971. Credit: Dan Gerber

“Jim Harrison lived a big life, and he has long deserved a gargantuan biography, both in size and spirit. And this is what Todd Goddard has given us. All by itself, the meticulously rendered story of how Harrison’s prose masterpiece Legends of the Fall came into being would be ample reward for the curious reader. But Goddard has given us immeasurably more. Impeccably researched, sensitively written, Devouring Time gives us a man — one who experienced the very depths of pain but found there the building blocks of enduring art. Cruelly battered by adversity, Harrison nevertheless infused his world with transcendent song. Read in conjunction with his own work, Devouring Time completes his testament.”—John Matteson, Pulitzer-Prize-winning author of Eden’s Outcasts: The Story of Louisa May Alcott and Her Father

“A feast of a biography that does full justice to a writer whose vast appetites…for books, food, sex, success, and a life in the wild…fueled a prodigious and prolific talent. Sweeping yet judicious, written with grace and restraint, Devouring Time deftly captures a life that veered between exhilaration and despair, impoverishment and acclaim. A keen-eyed and sensitive interpreter of Harrison’s writing, especially his poetry, Todd Goddard also grapples with his subject’s manifold excesses and insecurities. Harrison’s long marriage to his wife Linda, to whom he was serially unfaithful but never faithless, anchored his tempestuous personality. Their often-challenged devotion to each other is the beating heart of this moving portrayal of an artist who craved domesticity but could never live entirely within its boundaries. An exquisite, indelible book.”—William Souder, author of Mad at the World: A Life of John Steinbeck

“Let me just say upfront that any other writers who are working on, and/or planning to write a biography about the life and times of poet/novelist Jim Harrison, I would suggest that you hang up your pens and pencils, fold up your laptops, and turn your literary attentions elsewhere. Todd Goddard here delivers the most definitive possible such work, a book brilliantly constructed, comprehensive and artfully written.

I was a close friend of Jim Harrison’s for thirty-seven years (among, of course, many others) right up until the evening of his death. I thought in that time (as many of us did) that I had heard virtually all of Jim’s stories, some more than once, for he was a consummate storyteller, frequently with alternate versions of his tales, and never too shy to talk about himself.

Herein are the rich details of the life and career of one of America’s sometimes overlooked literary geniuses, a man devoted to his art, who pushed his talents, and body, to the limit, from the rarefied world of poetry, to fiction and novels, to screenplays on the other end of the spectrum. Along the way, the reader will learn a great deal about the complicated and sometimes cutthroat literary and film businesses, as well as meet a vast array of friends, family members and colleagues who peopled Jim’s world.

There are no punches pulled here; like so many creative geniuses, Jim Harrison had his dark side, fueled by alcoholism of which he himself was more than well aware. This is a big book, and not just in size, that tells the story of an extraordinary character unlike any other, a man so totally out of the ordinary, that those of us who knew him personally, forgive him all his excesses, remember his humor and generosity, and will miss his presence on earth until the day we die.”—Jim Fergus, author of One Thousand White Women: The Journals of May Dodd

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