Last summer I wrote a #FridayReads essay that recalled a 1979 visit to my bookstore Undercover Books by a young novelist named Stephen King–then only in the early years of what would become his decades-long career as a bestselling novelist. While discussing his new book Dead Zone he excitedly recommended to me a novel from his publisher, The Dogs of Marchby Ernest Hebert. I eagerly told King that I had already read Hebert’s book and that I would from then on tell my customers about his endorsement of it, and recommend it even more energetically. Soon after King’s visit to my bookstore, I wrote a letter to Hebert c/o his editor, the late and much-missed Alan Williams at the Viking Press (who was also King’s editor then). I let Hebert know that I’d enjoyed The Dogs of March, and that he and his novel had boosters in Stephen King and at my bookstore. After, that Ernie, as I came to know him, and I carried on a correspondence that continued for several years. I also visited him and his family on trips I made from Cleveland back to New Hampshire, where I had attended Franconia College earlier in the ’70s. One of the things that Ernie did with great skill in The Dogs of Marchwas to juxtapose longtime residents in New England towns with incomers, or as he puts it, “natives vs. newcomers.” He wrote compelling fiction about all kinds of characters, and did it with a sharp edge of social observation.
While Ernie and I later fell out of touch, I kept an eye out for his work, noting that he had moved on from working as a newspaper reporter when I first met him, to teaching writing at Dartmouth College, all while he continued to write and publish novels. In fact, The Dogs of Marchwas followed by a string of related books, collectively known as the Darby Chronicles, named after the town where he had set them, as well as a historical novel and a piece of speculative fiction. After I wrote about Stephen King and The Dogs of Marchlast July, Ernie and I got back in touch, a happy reunion. He writes a superb blog of his own filled with writerly craft, which I subscribe to and visit regularly. This week Ernie published a new post informing readers that in Fall 2014 the University Press of New England will publish Howard Elman’s Farewell, the seventh book in the Darby series.* I recommend that new post, where he also writes about a guide to the Darby Chronicles he’ll be publishing online. His blog is filled with keen reflections showing how a career novelist thinks about his books–before they’re written, while they’re being composed, and once they are completed and out in the world. I also recommend his books of course, and suggest if you’re just starting on them you begin with The Dogs of March.. Here’s a picture gallery of all my editions of Ernest Hebert’s books, with author photos, many of them taken by his wife Medora Hebert:
* The seven books in the Darby Chronicles are The Dogs of March; A Little More Than Kin; Whisper My Name; The Passion of Estelle Jordan; Live Free or Die; Spoonwood; and (forthcoming) Howard Elman’s Farewell.
http://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.png00Philip Turnerhttp://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.pngPhilip Turner2013-10-23 12:34:392022-04-26 11:25:36Ernest Hebert, for Many Years Among my Favorite Novelists
Among the best books that I discovered during Book Expo America (BEA) last June, was Quiet Dellby Jayne Anne Phillips. In August I had made this mesmerizing novel–set in 1930s West Virginia, drawn from the annals of a notorious true crime–one of my #FridayReads and have written about it a few times since, including in a post about what I’ve dubbed “documentary fiction.” Early newspaper reviews have been great, including praise by the Tampa Bay Times Book Editor Colette Bancroft (“Sometimes eerie and dreamlike, others grippingly tense, yet warmly human, always written with beauty and emotional power, Quiet Dellis a virtuoso performance by a highly original writer.”); Amy Driscoll in the Miami Herald (“A smart combination of true crime, history and fiction tied together with Phillips’ seamlessly elegant writing….Phillips writes with a tone that is sometimes impressionistic, sometimes hard-edged. It’s a linguistic balancing act that results in an emotional chiaroscuro.”); and Celia McGee in the Chicago Tribune (“If the factual underpinnings of this latest novel are unusual for Phillips, her ability to transform them into a fictionalized narrative place her at the top of her form. Phillips has…create[d] a story both splendid and irreparably sad.”).
The book was officially published yesterday, and I was excited to attend Phillips’ first reading and signing for it last night. The event drew a big crowd to the Rare Book Room at the Strand Bookstore. Phillips read three sections from the novel, introducing nine-year old Annabel Eicher, who has a lingering presence in the narrative, even after she and her family are taken off by their killer, under the guise of her widowed mother’s suitor; a dog with the Victorian name, Duty, a kind of avenger on behalf of the Eicher family that had adopted the loyal Boston Terrier (the AP review dubs him “one of fiction’s best dogs); and journalist Emily Thornhill, who reports on the criminal case and ensuing trial for a Chicago newspaper. She was a careful reader of her own prose, with appropriate weight given to key passages.
Phillips left the lectern and joined writer Amy Hempel, seated in a chair at the front of the room. Hempel began their conversation by asking who among the audience were readers of the True Crime genre. A number of hands went up, including mine. Hempel continued, asking Phillips about her decision not to dwell in the sensational aspects of the crime that is the basis of the book, and instead focus on imagining the lives of the Eicher family before they became the victims that history has remembered them as, at least until Quiet Dell. Hempel added that Phillips also might tell the audience about the video book trailer (pasted in below) that has accompanied the book’s release.
Phillips responded, “I grew up in a little town and Quiet Dell was a tiny hamlet nearby of maybe 100 people. My family had been in West Virginia since the 1700s.” Her mother at just age six had been aware of the sensation that discovery of the crimes caused in the region. “Many thousands of people walked past the crime site. People almost made pilgrimages there.” She said, “almost everything in the book is based on fact” and the available historical record, “except for Emily [Thornhill]’s intuitions. . . . I feel a life is not defined by its brevity, but by its intensity and the idea behind fiction is too allow a reader to enter a life through a kind of complex empathy, to really feel that life. And, I think or I hope, that you feel each one of these children. There is a sense of adjacent dimensions, all the way through the book. From the very beginning, in the beautiful Christmas section, the reader is aware in ways the characters are not, of Annabel’s slightly strange pronouncements which people are accustomed to hearing from her, which actually do in some way foreshadow something what is going to happen and if it’s going to happen, what does that mean? That’s a real mystery.”
After about twenty-five minutes of conversation, Hempel asked her final question and the floor was opened to questions and comments from the audience. I raised my hand and first told Phillips how much I’d loved reading Quiet Dell. Thinking of “documentary fiction” as a new sort of genre, I added that we seem nowadays to live in an age of mashups in which creators borrow material from many sources, and that while she had been thinking about writing this book for many years, I was glad that it had come out now because it seemed almost as though the culture had matured to the point where collage-like works like this were more apt to be accepted and appreciated than they might have been at another time. Had I been smarter at that moment, I would have recalled that as early as the 1940s John Dos Passos was using an assemblage technique for his USA Trilogy, but that aside, Phillips had a great response: “Well, I hope you’re right. To me the fascinating thing was that I was inside this invented world, and yet in the snippets of these articles there were the names of my characters so it kept underscoring the reality all the way through. And the photographs, it was just an incredible boon, to have this backbone of reality and yet all the meaning was really inside the fiction, that had to be invented.”
Among the questions that followed was one about Phillips’ writing process, to which she responded that due to her full time job at Rutgers University (where she’s Director of the MFA Program in Creative Writing), she finds she can only write full-time during the summer. It occurred to me, I bet she’s a great teacher, too, as well as a superb fiction writer. Standing in line later, I reintroduced myself to Phillips (we had met briefly last spring at the NBCC awards and in the summer at BEA) and had her sign two of her earlier books I bought that the Strand had on hand, Lark & Termite and Black Tickets. Below is the video trailer and photos from last night’s inspiring literary event.
http://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.png00Philip Turnerhttp://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.pngPhilip Turner2013-10-16 16:34:012023-06-27 19:12:57Jayne Anne Phillips Launches “Quiet Dell” at the Strand Bookstore
Joe and I had last met up in 2010 when he was part of a New York Timespanel that included Nora Ephron, Anna Devere Smith, Roy Blount, Jr., and Garrison Keillor marking the 25th anniversary of the Times’ Op-Ed pages. It was moderated by then Op-Ed page editor David Shipley*, who invited Joe because he judged Joe’s July 6 2003 op-ed What I Didn’t Find in Africa had been one of the most historically significant columns the newspaper published that decade. It led to the Bush administration’s repeated disclosures that Joe’s wife Valerie Plame was a CIA official and years of flimsy denials that the administration had doctored the intelligence that fueled their false claims about WMDs in Iraq, enabling the unjustified invasion of the country.
Publishing The Politics of Truth was a high-wire act for Joe, for me and for Carroll & Graf that lasted over a year. In July ’03, I heard about it right away when Valerie’s CIA employment was reported by columnist Robert Novak. A few weeks later indie book publicist Barbara Monteiro connected me with Joe. She had earlier worked on the book I did with Whitewater heroine Susan MacDougal. Barbara knew my sense of justice would’ve been offended by what was being done to Valerie, and Joe. He had been writing opinion columns about Bush’s misguided rush to war and was already thinking of writing a book. We quickly made a deal and got to work while the news story swirling around Valerie and Joe grew and grew.
Right off the bat, we were fortunate in that before retiring from the State Dept in 1998, following 25 years in the foreign service, Joe had sat for a full oral history of his career. He had the transcript and used it as an aide-mémoire and the basis of the historical portions of the book, later justifying our use of two subtitles on the front cover and spine! With this foundation, Joe then wrote practically every day and in February ’04 he delivered an excellent 150,000 word manuscript to me. C & G leapt in to action, as colleagues from several departments and I line-edited, copyedited, designed, typeset, indexed, and produced the book on a “crash” production schedule, for planned release only four months later, in what was going to be May ’04, less than a year after Novak’s column. From a marketing and strategic standpoint, it was like riding a tiger.
The toughest part of this as a publishing proposition was that though the story had only gotten bigger over the intervening months–and while we knew we’d be able to book Joe on tons of media–at the same time we wondered and worried:
What will be the state of the journalistic investigations and of the federal grand jury hearings looking into the unauthorized disclosure when we publish the book?
How can Joe in the book, in his public statements, and we in our press materials take advantage of new developments while still conforming to the latest important events?
How could we take advantage of breaking news but not have Joe get too far out on things that were constantly shifting?
Of course, for Valerie and Joe it was more than a publishing proposition, it was their lives. This was a dynamic in publishing a book I had never encountered before, a delicate strategic challenge. I was already a highly-tuned-in-to-news-person, especially after the 2000 presidential election and 9/11, but this tendency became even more pronounced the year I was actively working every day on Joe’s book. The book sold more than 60,000 copies in hardcover and spent more than a month on the NY Times Bestseller list. I have written about the lessons I learned working on it a number of times on this blog, in such posts as “Hubris”–10 Years Later, Run-up to the Iraq War Still Shadows the Media & the U.S. and On the Imperative of Publishing Whistleblowers.
Last night’s party for Valerie and Sarah Lovett was hosted by director Doug Liman, author Naomi Wolf, and producer Avram Ludwig. Liman had directed the 2010 movies “Fair Game” with Naomi Watts and Sean Penn, based on Valerie’s 2006 book, Fair Game: My Life as a Spy, My Betrayal by the White Houseand on The Politics of Truth.
We enjoyed meeting the three co-hosts and many of our fellow guests. Among the latter group was one of my favorite suspense writers Lee Child, with whom we happened to ride up in the elevator. About Blowback he’s said: “Great storytelling, real insider authenticity, and above all a fascinating main character in Vanessa Pierson. And maybe those initials are not a coincidence–sometimes fiction can reveal things nonfiction can’t.” The latter part of Child’s blurb–and the reference to “redaction” in my tweet above–are rueful nods to the unfortunate fact that Fair Game was heavily redacted by the Bush-era CIA, and though it had a well-reported Afterword by national security reporter Laura Rozen, the many blacked-out passages inevitably left readers in the dark in many areas. I’ve included three of Child’s books among my weekly #FridayReads essays, including Worth Dying For, a true corker of a suspense novel, the first of Child’s Jack Reacher books that I read. His latest is Never Go Back, which I am eager to read. Guest Maggie Topkis–longtime co-proprietor of the NYC mystery bookstore Partners and Crime who nowadays works with Lee Child–told me she thinks it’s his best book yet, which is saying a lot.
I met co-author Sarah Lovett, and told her how much I’d enjoyed reading Blowback. From Blue Rider Press, I congratulated David Rosenthal, Valerie’s publisher, and Executive Editor Sarah Hochman. I was also glad to see the two sides of the recent Penguin Random House merger well represented, with Kent Anderson, a sales rep from Penguin (now Penguin Random House). He had been with Publishers Group West, distributor for Carroll & Graf, when I published The Politics of Truth there in 2004. With Kent, I saw Madeline McIntosh, COO of Random House, a senior executive in the merged company. I liked that she had come to this book party for a key title of a Penguin imprint.
I was also glad to see book biz pal Will Schwalbe,* who after a distinguished publishing career has made himself in to a successful author most recently with The End of Your Life Book Club, which I wrote about here. Will explained that he and Naomi had been old college classmates, and said how much he’d enjoyed her poetry from those years. Naomi seemed touched by that. Will graciously introduced me to Naomi who asked how I had come to know Joe and Valerie, at which I mentioned The Politics of Truth . She said how glad she was to be able to show special support for Valerie and her new book. Those comments were echoed when a few minutes later she and Doug Liman convened the gathering for toasts and congratulations. Liman gestured toward a nearby portrait of his late father, the prominent lawyer Arthur Liman, a pivotal player in the Iran-Contra scandal who served as chief counsel to the Senate committee that investigated the Reagan’s administration’s notorious arms-for-hostages conspiracy. The younger Liman cited his father’s example as an inspiration to him in working with dedicated public servants like Valerie and Joe.
After the toasts, I approached Joe once more. As we chatted Ewan took a picture of us. Here it is, along with a few others from last night. (Please click here to see all pics) It was a fun book party and the three of us were very happy to be a part of the celebration.
If you’re looking for realistic and pacy suspense fiction with a smart and appealing female protagonist, I highly recommend Blowback , the first of a series featuring covert operative Vanessa Pierson. Valerie has done lots of media this week including “Morning Joe” (See video below.) One of Valerie’s next stops is going to be in Washington, DC this Friday night, October 5, when Laura Rozen will be interviewing her at Politics & Prose Bookstore.
Last Sunday, which happened to be my birthday, Kyle and I headed out to the Brooklyn Book Festival, the third year in a row we’ve attended this urban book extravaganza. We had a great time at this event which for us has replaced BEA as the most enjoyable book occasion on our literary calendar. We spent nearly 3 hours in Brooklyn, enjoying the crisp autumn air, blue skies, bright sunshine, and many serendipitous encounters with friendly bookpeople. If you’re in the NYC area, and you’ve never been to the Brooklyn Book festival, I urge you to go next year. It was a great way to spend a birthday, especially because we followed it by having a meal at a new restaurant we were eager to try, A Taste of Persia, covered yesterday on this blog. All the photos in this post were taken by Kyle Gallup. Click here to view them.
Saw this amazing wall-size tapestry at the Robert Miler Gallery’s “Suddenness + Certainty” exhibit, curated by artist Robert Greene. It’s by the late Jan Yoors (1922-77), a Belgian artist and author by whom I once nearly published a book. It was to have been his seminal study Gypsies, for the Kodansha Globe trade paperback series which I edited in the 1990s. As I recall, rights to publish a new edition of the book ended up with another publisher. According to a Wikipedia article about Yoors, at age 12 he ran away with a group off gypsies, living with them for some months until he went back to his parents. He returned to the gypsies periodically over the years. His book, originally published in 1969, was a rare study of the Romany, told from inside the group structure, with their customs and folkways portrayed with rare intimacy and authenticity.
I hadn’t thought of Yoors for years, until I saw his name on the tapestry last Thursday night. It’s a striking work–strong, graphic, and tactile, with a surprising cream-colored shape in the center of the piece. The price on the list of works in the exhibit was $85,000. I took some pictures of it and asked at the desk if they knew whether it was the author, Jan Yoors, but they weren’t sure. I checked later and confirmed that he was both an author and artist. How nice to be reminded of his book, which I had enjoyed so much, and found so interesting almost twenty years ago. It was a fun night at the Robert Miller Gallery as Kyle and I also got to see paintings by our friend Stephen Lack, who introduced me to his friend Simon Hancock, of HarperCollins.
http://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.png00Philip Turnerhttp://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.pngPhilip Turner2013-09-15 20:39:052013-09-15 20:49:06Jan Yoors–Chronicler of the Romany & Tapestry Artist
Along with The Great Gray Bridge, which is designed and built* upon a WordPress theme, I maintain a blog–currently on tumblr–where I share briefly written posts with photos and quick hits. It’s often handy when I’m traveling or running around town, away from my desk.** That site was formerly named after this blog, but I’m officially refocusing it–its emphasis will now be on Canadian content and covering Canadian issues. I’m renaming it Hono(u)rary Canadian, in a bid for transnational wit. I make no singular claim to that title, for I know that Canada draws interest and affection from many in the US. I use it though, as kindly Canadians have said it about me, and because I do cherish a near-lifelong deep and personal connection with Canada. In fact, from the time I began The Great Gray in October 2011, Canada has played an important role in my coverage, constituting roughly 20-30% of my writing, links, and sharing. I’ve connected with many Canadian readers over the past two years, and have found there many Facebook friends and Twitter followers. I’m hoping to connect with even more Canadian readers with the newly named site, and more deeply.
Given my interest in Canadian literature, authors, indie music, geography, and politics–and the enjoyment I find in writing about them, this is a natural extension for me. I also plan to write about Canada’s next federal election, which will take place no later than 2015. I’ll also be sharing photos from my many years of travel in Canada, beginning with the image that I’ve chosen as the signature visual for the site. It shows the monumental Roche Percé or ‘pierced rock’ on the Gaspé Peninsula in the most eastern portion of Quebec. I visited the region on a solo vacation in the autumn of 1988. The mighty rock juts in to the Atlantic Ocean with its massive pointed prow facing toward shore. It is a wonder of the world, no kidding. A visitor can only get near it at low tide, as I did on one lucky occasion. I remember spending about 3 hours scampering in and out of the surf and trying to get as close as possible to the pierced opening, with the huge bulk of it towering at least a hundred feet above me. The image at the bottom of the post is a ‘selfie’ I took the same day, long before that term was in the vernacular. It’s a place I hope to see again someday, next time with my family.
I invite you to visit Hono(u)rary Canadian in the days, weeks, and months to come. I’ll post on both sites, share often between them, and do lots of cross-linking. My interest in reading, book culture, live music, city life, media, and current events, and my writing about them–covering New York City, the US, and Canada–is growing so that I need the two sites. Thanks for reading me at one or both of them.
* My excellent designer, who adapted the WordPress theme I chose for this site, is Harry Candelario, who when I first met him was known as the Mac Doctor, for his work on Apple products. I frequently suggest him to people when they ask me to recommend a web designer. I should add he also offers helpful advice about WordPress, various Web platforms, SEO, and generally helps to increases one’s Web savvy.
** Though I may soon convert it from tumblr to WordPress.
http://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.png00Philip Turnerhttp://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.pngPhilip Turner2013-09-08 13:22:352013-11-27 14:10:27“Hono(u)rary Canadian”–My New Blog
#FridayReads, Sept. 6–The many books of Canadian novelist Robertson Davies, which I have had the pleasure of reading and enjoying over the past 30 years.
August 28, 2013, was the 100th anniversary of the birth of Robertson Davies, the great Canadian novelist and all around man of letters. The Canadian postal service is marking the anniversary by issuing the stamp below. When I ran Undercover Books in Cleveland, Ohio, which opened in 1978, we introduced thousands of U.S. readers to books by Canadian authors, particularly including Davies.* We were doing so much business in his books at one point in the early ’80s that I wrote Davies a letter c/o of his publisher Viking Penguin to let him know. He responded from ivied Massey College in Toronto, where he was a Don of Letters, and a pleasant correspondence between us ensued over a couple of years. Later, organizers of a writing conference at Case Western Reserve University asked me to invite Davies to a big meeting of theirs, but he declined, explaining he was averse to travel. The organizers asked me if I would instead speak on the combined experience of reading and selling Davies’ books, an invitation I accepted. In my files somewhere is a transcript of the talk I gave and the letters I exchanged with Davies. I will dig them out someday soon and scan them for this site and my newly renamed tumblr, Hono(u)rary Canadian, where I’ve also covered the new Davies stamp.
If you haven’t yet read Davies’ work, I still recommend his books highly. Most readers start with his Deptford Trilogy, and its opening book, Fifth Business, which was first published in 1970, followed in the trilogy by The Manticore and World of Wonders. Their motifs are indelible painted in my mind, though I haven’t re-read the books in more than 20 years: saints, snowballs, magicians, and freakish beauty. His earlier books–Tempest-Tost, Leaven of Malice, and A Mixture of Frailties–collectively known as the Salterton Trilogy, are also very enjoyable. His first break-out book, as a hardcover bestseller, was Rebel Angels, thanks in good part to the enlarged audience that my store, and other indie booksellers, brought to his books.
I’m really glad Robertson Davies is being remembered with this special stamp, which was announced at the Canada Post website and covered at Quill & Quire magazine. Below the stamp are photos of my copies of Davies’ books. Please click here to see all photos.
* In a page on this website devoted to my career, Philip Turner–Professional Background, under the heading “Hono(u)rary Canadian” I present more info on Canadian authors I’ve worked with: As a native of the Great Lakes region, I have a keen affinity for Canadian books and authors, seeing the book world of the U.S.’s upper Midwest and Canada’s southern tier (and one might argue, the whole of the Pacific Northwest) as contiguous literary cultures. As an Ohio bookseller, I introduced thousands of U.S. readers to such Canadian authors as Robertson Davies, Margaret Atwood, Mordecai Richler, Margaret Laurence, Timothy Findley Farley Mowat, and Pierre Berton. As an editor and publisher, I broadened that effort, publishing U.S. editions of books by Atwood, Richler, Mowat, Berton, and Dallaire, as well as Paul Quarrington, Antonine Maillet, Ken McGoogan, Julian Sher, William Marsden, Elaine Dewar, Bonnie Buxton, Howard Engel, Joan Barfoot, George Eliot Clarke, Steven Galloway, Stephen Strauss, Joel Hynes, Paul Anderson, Sheila Munro, and Jan Lars Jensen, among others.
When I was an editorial executive at Carroll & Graf Publishers from 2000 until 2007, Nick Robinson was a frequent publishing partner based in the UK. His company, Constable & Robinson, brought out many books in Britain that we then published in North America. Each publishing season there were between 10-20 titles. Mysteries, solid nonfiction like Jack Holland’s Misogyny: The World’s Oldest Prejudice, and lots of books that just balanced our list very well. A backbone of our program with them were the editorially smart, superb value-oriented series of Mammoth Books, with well over 75 titles in the program, some of them shown below. My senior colleague Herman Graf first met Nick in 1983. They worked together very closely, meeting in London and NYC and at the int’l book fairs. When I began attending the Frankfurt Book Fair for my new company I had the good fortune to meet Nick and work with him, too. He liked that I’d been a bookseller before I became an editor. Nick hired people well and so had great colleagues who always attended our group dinners in Frankfurt, including one female executive, Nova. At those dinners, he was always cheerful and funny, showed great knowledge of food and wine, and always called for a toast and set aside time for all to savor our collective moments together.
Another of C & R’s books that C & G published in the US and Canada was The Great Hedge of India: The Search for the Living Barrier that Divided a People, a fascinating book on an entirely forgotten landmark from colonial India that actually figured in 20th century India’s history, though it had been all but forgotten. I still recommend this book to friends interested in the history of the subcontinent and those, say, who enjoyed Richard Attenborough’s film, “Gandhi.” Hedge author Roy Moxham also wrote, Tea: Addiction, Exploitation, and Empire, a book I still own and plan to read one day.
After leaving Carroll & Graf at the end of 2006 I learned from Herman that Nick and Nova had gotten married, and I was glad for them. At my new job, Union Square Press at Sterling Publishing, I had little reason to be in touch with Nick or his company, so we lost touch, though Herman kept me informed. He told me once that Nick had become ill, though he didn’t know if it was serious.
When I left Carroll & Graf, its parent company, Avalon Publishing Group, was on the brink of being sold to Perseus Books. Herman stayed around there for a little while, but soon the changes took full effect and Perseus absorbed many of the titles that we had published from Constable & Robinson. The crime books went to Soho Press, but the Mammoth Books stayed with Perseus, at Running Press. From time to time, I thought of Nick but after leaving Sterling in 2009 I had little reason to be in touch with him. But just last week, with August ending and the autumn publishing season commencing, I was planning to email Nick and let him know about a book project I’m developing, focused on classic swashbuckler fiction, that I knew would be of interest to him personally, and which I thought might be suitable for his company. I was so sad to read this morning in Book Brunch, a daily UK publishing newsletter, that Nick had died last Friday. The story (available by subscription only) reads in part:
Widely admired independent publisher Nick Robinson, 58, died on Friday 30 August 2013 following a longstanding illness. He founded Robinson Publishing in 1983, later merging it with Britain’s oldest independent publisher Constable & Co in 1999 to create Constable & Robinson. He brought new life to the Constable name, then propelled it into the 21st century with a series of innovations. Constable & Robinson was named both Independent Publisher of the Year at the Bookseller Industry Awards and IPG Independent Publisher of the Year in 2012….Nick Robinson is survived by his wife Nova Jayne – who also serves as a C&R director and now becomes Chair of the Board as part of the succession plan – and his son and his daughter.
Nick was a very good man and a brilliant publisher. I spoke with Herman Graf today. He told me that he considered Nick “a mensch for all seasons.” I know Herman will miss him very much, as will I, and all who had the good fortune to know and work with him. I extend my deepest condolences to his wife Nova, his two children, his colleagues, and all those among us who knew and admired him. Please click here to see all photos associated with this post.
http://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.png00Philip Turnerhttp://philipsturner.com/wp-content/uploads/2016/11/GGB_Logo.pngPhilip Turner2013-09-03 14:25:392013-09-04 09:11:12Nick Robinson, RIP–Inspired Publisher and a Good Man
Last summer I wrote a #FridayReads essay that recalled a 1979 visit to my bookstore Undercover Books by a young novelist named Stephen King–then only in the early years of what would become his decades-long career as a bestselling novelist. While discussing his new book Dead Zone he excitedly recommended to me a novel from his publisher, The Dogs of March by Ernest Hebert. I eagerly told King that I had already read Hebert’s book and that I would from then on tell my customers about his endorsement of it, and recommend it even more energetically. Soon after King’s visit to my bookstore, I wrote a letter to Hebert c/o his editor, the late and much-missed Alan Williams at the Viking Press (who was also King’s editor then). I let Hebert know that I’d enjoyed The Dogs of March, and that he and his novel had boosters in Stephen King and at my bookstore. After, that Ernie, as I came to know him, and I carried on a correspondence that continued for several years. I also visited him and his family on trips I made from Cleveland back to New Hampshire, where I had attended Franconia College earlier in the ’70s. One of the things that Ernie did with great skill in The Dogs of March was to juxtapose longtime residents in New England towns with incomers, or as he puts it, “natives vs. newcomers.” He wrote compelling fiction about all kinds of characters, and did it with a sharp edge of social observation.
