No Comments »

March 6th, 2015

By Philip Turner in: Art, Photography, Design; Urban Life & New York City

NYC & Hudson River Views, March 5-6, 2015

4 Shore SnowPictures taken on walks in my Manhattan neighborhood March 5-6, 2015. On Thursday, there was wind-driven snow from midnight till evening with about 7 inches accumulation, when I took the first two pictures posted here. Today, Friday, was bright and sunny, a good day for a walk along the Hudson. All pictures here.

Tags: , ,

No Comments »

January 17th, 2015

By Philip Turner in: Art, Film, TV, Photography, Fine Printing & Design; Urban Life & New York City

Hopping to Brooklyn Galleries on a Friday Night

Gallivanting to galleries with Kyle on a Friday night in Brooklyn. First went to Janet Kurnatowski’s gallery in Greenpoint for group show called Paperazzi w/a Wonder Wheel drawing variation of Kyle’s. Lots of great works on paper. Enjoyed chatting with David Ambrose whose mosaic-like painting mesmerizes. Then to spacious Life on Mars in Bushwick for show of lush paintings by Fran O’Neill w/work by Ben Pritchard in project room. Enjoyed the genial vibe in the busy borough.

Tags: , , , , , , ,

No Comments »

December 10th, 2014

By Philip Turner in: Art, Photography, Design; Personal History, Family, Friends, Education, Travels; Philip Turner's Books & Writing; Urban Life & New York City

Appreciating Ruth Gruber’s Lifetime of Humanitarian Activism and Photojournalism, at the JCC til Feb 25

Ruth at JCC, Dec 9, 2014Kyle, Ewan, and I had a great time last night at the opening reception for an exhibit of Ruth Gruber’s photojournalism at the JCC. This is essentially the same exhibit that was mounted in 2012 at the International Center of Photography, the year that Ruth was awarded the ICP’s Infinity Award. If you’re unfamiliar with Ruth’s work, this show is a great way to begin. If you’re not in NYC to go see it, this link will lead you to many of the images. If you’re not familiar with her remarkable career, here’s a primer:

Born in 1911 in Williamsburg, Brooklyn, Ruth was always precocious. She received her B.A. from NYU at age sixteen; an M.A. in German language and literature from the University of Wisconsin at eighteen; and at twenty was offered a fellowship to participate in an exchange program at the University of Cologne. Early in her studies there, in 1931, she was asked by a professor if she would consider reading the work of Virginia Woolf, and writing a doctoral thesis about her. I’ve imagined that Ruth’s professors must have realized they had this bright female student in their midst, a reader of English and German who could tackle the Englishwoman’s books and write about them, asking themselves when they might again have such an opportunity, especially with the inter-war years—which they turned out to be—increasingly fraught by international peril? Ruth demurred—she had not yet read Woolf’s work, she could afford to be in Cologne only one year, her parents would not let her stay longer, the work would surely take more than a year—but soon, though she hadn’t read any of Woolf’s books when the professors asked her, she said, “I’ll try.” Taping up a picture of Woolf in her room, she undertook to read all of Woolf’s books then published, pondering their meaning and the significance of Woolf’s creative enterprise.

Despite the notoriety that her youthful doctorate brought her (she was heralded in the NY Times as the “World’s Youngest Ph.D.”), the Depression was in full swing and Ruth found little work upon her return to the States. She continued traveling and trying her hand at journalism and photography. In 1935, she was delighted when the thesis on Woolf was published as a book in Germany by the Tauchnitz Press, which had a list of English-language titles, including Woolf’s The Waves. Ruth sent a copy of her thesis to Woolf in London, thus beginning a lengthy correspondence between the two women that culminated in Ruth paying a visit to Woolf at her Bloomsbury home in 1936 or ’37. For more on this period of Ruth’s life, including the meeting between the two women, you can also read my post, Virginia Woolf and Ruth Gruber, Driven to Create as Women her on this blog.

After her experiences in Germany, she won a Fulbright scholarship, which included attending a rally at which Hitler spoke, where the foreign students were seated very near him, she devoted an extended period of independent study to the examination of “women under democracy, fascism, and communism.” She became the first Western journalist to tour the Soviet Arctic, and in 1937 published her second book, I Went to the Soviet Arctic, which she parlayed in to a new career as a public lecturer. In 1940, Ruth continued her association with the peoples of the polar regions when she became a member of the FDR administration, under Interior Secretary Harold Ickes who named her his special field representative for the territory of Alaska. She is doubtless one of the Roosevelt administration’s eldest surviving staffers. She worked for the government off and on during and immediately after WWII, leaving at times to work as a foreign correspondent for the New York Post and the Herald Tribune. In 1944, Ickes assigned Ruth a mission she urged him to give her, that of escorting nearly 1,000 WWII survivors from Naples, Italy, on the Henry Gibbins, a ship that also carried wounded American troops back to the US. In 1947, she was working as a foreign correspondent when she covered the fate of the Exodus ship, and chased its thousands of stateless passengers all over the Mediterranean and central Europe the summer of that year.

To read more about Ruth Gruber’s lifetime of humanitarian activism I recommend any of the six books I published with her, five of which are currently available in new editions from Open Road Integrated Media, whose executives Jane Friedman and Philip Rappaport were also on hand at the JCC. The titles I published with Ruth are 1) Exodus 1947: The Ship that Launched a Nation, Introduction by Eleanor Roosevelt biographer Blanche Wiesen Cook; 2) Haven: The Dramatic Story of 1,000 WWII Refugees and How They Came to America, which was adapted for a TV movie in 2000 (Foreword by Dava Sobel, author of Longitude, and Ruth’s niece); 3) Raquela: A Woman of Israel, winner of the Jewish Book Award in 1978 (Introduction by novelist Faye Kellerman); 4) Ahead of Time: My Early Years as a Foreign Correspondent (also the title of a documentary on Ruth), Introduction by Vanity Fair writer Marie Brenner; 5) Inside of Time: My Journey from Alaska to Israel: My Journey from Alaska to Israel; and 6) Virginia Woolf: The Will to Create as a Woman.

I have written about Ruth several times on this blog, posts that are all illustrated with photographs by Ruth or of her: 1) Ruth Gruber’s Photojournalism at Soho Photography; 2) My Friend Ruth Gruber, Pioneering Photojournalist; 3) Virginia Woolf and Ruth Gruber, Driven to Create as Women; 4) Celebrating Photojournalist & Author Ruth Gruber’s 102nd Birthday With Her; and 5) Marking Photojournalist Ruth Gruber’s 103rd Birthday. Below are photos I took at last night’s reception, and photos I’ve taken of her book jackets.

Tags: , , , , ,

3 Comments »

November 16th, 2014

By Philip Turner in: Art, Film, TV, Photography, Fine Printing & Design; Urban Life & New York City

Katherine Bradford, “Shelf Paintings” at Arts + Leisure, till Dec 14

Katherine Bradford, "Shelf Paintings" catalogKyle and I had lots of fun amid the lively crowd that gathered at Arts + Leisure gallery for the opening of  “Shelf Paintings,” an exhibit of new work by one of our favorite painters, Katherine Bradford. These are colorful object paintings that employ dimensionality with a shelf projecting out at the bottom, with other structural elements arrayed in them. Kyle and I had earlier seen Bradford’s 2012 exhibit at Edward Thorp Gallery, which was also full of terrific paintings. Kyle wrote about that show for the Left Bank Art blog and over the past couple years we have continued to find her work irresistible and enjoyable, not missing a chance to see her work. Below are pictures from last night’s reception at the very convivial Arts & Leisure, located along Lexington Avenue at 101st St, on Carnegie Hill, on the southern edge of El Barrio. It was a pleasure meeting and making many old and new friends, including Shari Mendelson, Rick Briggs, JJ Manford, Elisa Soliven, and David Rich; Donald Cameron and Nick Lawrence of Arts & Leisure; and of course, Katherine Bradford herself, who inscribed a copy of the full-color catalog for Kyle. If you like what you see here of Bradford’s work, go to Arts & Leisure where the exhibit will be up until Dec 14. Also, you can read Kyle’s essay on the 2012 exhibit, and the informative release/essay posted on Arts & Leisure’s site, accompanying “Shelf Paintings.”

Tags: , ,

No Comments »

November 10th, 2014

By Philip Turner in: Books & Writing; Urban Life & New York City

The Sound of a Poet’s Voice

Dylan ThomasDylan Thomas, Collected PoemsI was fortunate to attend an event remembering Dylan Thomas on the 61st anniversary of his death, November 9, hosted by my friend Peter Schulman and New Directions, Thomas’s longtime publisher. Pictures, reportage, and links at my Storify post and below.

Tags: , , ,

1 Comment »

October 23rd, 2014

By Philip Turner in: Personal History, Family, Friends, Education, Travels; Urban Life & New York City

Flashing Back to a Moment When I Encountered a Near Namesake of Mine

Walking with my good friend Karl Petrovich in the NYC nabe of Soho almost thirty years ago, I spied this handsome panel truck that had a version of my name painted on it, only I spell my first name with just one ‘l’ and my middle initial is ‘S,’ not ‘C.’ It was an odd doppelganger moment—evidence of someone like me, but not me. Karl had a camera, and we snapped a pic of me in front of the truck, emblazoned with this PCT’s architectural practice, with outposts in NYC and strangely, in far away Tulsa. It was a memorable, weird, modern moment, pre-Internet. As a grace note, here also is a picture I took of my pal Karl, sadly now deceased. We were classmates at Franconia College in the 1970s.PCT and PSTKarl Petrovich

Tags: , ,

No Comments »

October 21st, 2014

By Philip Turner in: Bicycling; Urban Life & New York City

A Gorgeous Day Along the Hudson

Tags:

No Comments »

October 15th, 2014

By Philip Turner in: Bicycling; Urban Life & New York City

Creating Safer Streets in New York City

WEA new lanes, looking southAs a New Yorker who walks, bikes, and occasionally gets around in the city by taxi, I have been alarmed by the dangers on our streets and the numerous fatal encounters among pedestrians, bikers and cars. In August, I attended a public meeting held by NYC Council Member Helen Rosenthal, announcing potential changes to the local streets, designed by the Dept of Transportation to minimize these dangers, and “calm” vehicular traffic, as the planners put it. In the weeks since that meeting, West End Avenue has been freshly paved, and now new lane markers have been painted, which I hope will fundamentally alter the traffic flow, and improve the safety of all local residents. Please examine the screenshots below to see for yourself, or all the photos and charts via this link, which reveal the new design in its entirety. A key part of the plan boils down to dividing the 60-foot wide avenue differently than it’s been configured for many years. Rather than the avenue being divided in to six lanes each ten feet wide (with two of those lanes reserved for parking, and four lanes reserved for northbound and southbound traffic), the plan (view PDF here) will see the parking lanes on each side of the avenue widened to thirteen feet, the traffic lanes widened to eleven feet, and the creation of a center turning lane to allow for safer turns on to the neighborhood’s side streets. At some intersections, no turns from or on to side streets will be permitted.href=”http://philipsturner.com/wp-content/uploads/2014/10/SaferStreets-WEA.jpg”>New pedestrian islands on West End Ave

Now that the new lanes have been painted, I hope the city will quickly put in place public education and new signage, to make clear to drivers, pedestrians, and bikers how the new configuration is supposed to work. I am concerned that in the short term, the new markings will befuddle many people, leading to dangerous impatience and confusion. If you are an upper west sider, and want to know more about the efforts of Council Member Rosenthal and the DoT to improve safety, you may visit Rosenthal’s website, where you can submit your own suggestions. At Rosenthal’s site, you can also join her email list, to receive the many communications they forward from the DoT.

WEA redesignWEA redesign II

Tags: ,