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July 16th, 2015

By Philip Turner in: Book Biz; Personal history, Family, Friends; Philip Turner Book Productions; Publishing & Bookselling

Happy to be Back in Bookselling with the New Rizzoli Bookstore

To longtime readers of this blog, and many, many friends in the book business, I’m excited to announce a new venture I’m going to be part of. I’ll be working as a bookseller in the soon-to-be-reopening Rizzoli Bookstore here in New York City. You may recall that last year Rizzoli lost its prior location on W. 57th St when their lease there ended. They’ve found a fabulous new location in the St. James, a landmark building on Broadway between 25th St and 26th St in the booming Manhattan neighborhood of NoMad (north of Madison Park). The Wall St Journal’s Ralph Gardner wrote about Rizzoli’s plans in a story here. Earlier this month, Rizzoli sent out this fact sheet. Decorated handsomely with elegant fixtures in a museum-like setting, the new 5,000 square foot store will offer a stellar inventory of illustrated books in art, photography, architecture, interior design, fashion, film, theater, dance, music, and cooking, along with current releases and classics in fiction and nonfiction, and childrens books. The selection of titles will be fabulous.

The store will have a soft opening, apt for our sultry summer weather, starting July 27. While I’m already spending lots of my time there to help get the store opened and underway, and will continue working many hours in the early weeks once it opens, my longterm schedule will nonetheless permit me to continue operating Philip Turner Book Productions, my editorial service and publishing consultancy, and in fact have completed work on two manuscripts for author clients this month.

I am really excited with this opportunity to be back working on the floor of a well-stocked bookstore, which brings my career full circle. It all began for me with Undercover Books, the three-store indie chain I ran with my family in Cleveland, a business I worked in from 1978 until 1985, when I came to NYC and began working in publishing. I worked for big publishing houses from 1986 until 2009, when I began my consultancy. Now, thirty years after leaving Undercover Books, I’m back as a bookseller. I look forward to seeing NY friends and visitors to the city in the new Rizzoli Bookstore, at 1133 Broadway.

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January 24th, 2015

By Philip Turner in: Books & Writing; Personal history, Family, Friends; Philip Turner Book Productions; Philip Turner's Books & Writing

Glad to Be Part of Publishers Weekly’s Coverage on Post-Corporate Life in the Book World

I’m glad to be one of three editors featured in a Publishers Weekly article about how editorial professionals with long careers in-house have re-made themselves post-corporate life. The other editors are Pat Mulcahy and Joan Hilty. It’s up online today, and will be a spread with photos in the magazine’s print issue on Monday. I’ll scan a copy of the print story to share on this blog when I get a print copy, but meantime here is a link to the story, headlined “Publishing, After a Life in Publishing.” In particular, I was happy to explain to PW reporter Calvin Reid the role that my blogs have played in my post-corporate career, which Calvin characterized it this way: “He launched a blog, the Great Gray Bridge, on his website, philipsturner.com, and got his first job, ‘by word of mouth.’ He credits the blog and his writing with bringing in work. ‘People come to my blog and find out that I’m offering editorial services,’ he said.”

Also very glad my author client Mike Orenduff and his superb six-book POT THIEF mystery series are both mentioned in the article, along with a mention of Open Road Integrated Media, the company where I licensed the books in 2013, to editors Tina Pohlman and Philip Rappaport. Until I get the print issue, Below are scanned images of each of the story’s three pages, and then a screenshot of the online story’s first six paragraphs. Please note I submitted three corrections for the story that have been input on the online version.

Readers of this blog, please note, I submitted three corrections for the story that have been input on the online version. For the record, they are: 1) In the 4th paragraph, while I was first “executive editor” at Carroll & Graf, I was “editor-in-chief” my last couple years there. 2) In the 5th paragraph, the author of the POT THIEF series is “J. Michael Orenduff” (not J. Michale Orendoff). 3) In the 14th paragraph, the correct quote about my writing is that I found I had the “psychic elbow room” to write, not “psychic space.”
 PW Turner Jan 23, 2015

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December 14th, 2014

By Philip Turner in: Books & Writing; Philip Turner Book Productions

Michael Dirda ♥s “The Big Book of Swashbuckling Adventure”

Readers of this blog may recall I’ve posted occasionally about The Big Book of Swashbuckling Adventure, a new anthology I sold to Pegasus Books as literary agent. The last time I wrote about it, Oct 10, it had just received two excellent pre-publication reviews, from Publishers Weekly and AuthorLink. Now the book is out and available in bookstores and it continues to draw praise, the latest coming from Michael Dirda, a critic whose literary recommendations I’ve enjoyed for many years. Offering his annual roundup of gift books for the holidays, Dirda tendered this brief encomium:

The Big Book of Swashbuckling Adventure (Pegasus, $24.95), selected and edited by Lawrence Ellsworth. Captain Blood, Zorro, the Scarlet Pimpernel, Brigadier Gerard, Robin Hood; stories with titles such as “Pirate’s Gold” and “The Queen’s Rose”—this is just the gift for, in Arthur Conan Doyle’s words, “the boy who’s half a man, OR the man who’s half a boy.”Dirda gift books

In the early 2000s, Dirda moderated a weekly online chat on washingtonpost.com in which he consistently offered erudite yet accessible book chat. I rarely missed one of them, and would often print out the whole chat to keep as a reference. In that forum, Dirda distinguished himself as the least snobbish of critics. No matter what readers might throw at him—whether asking about James Joyce, John Milton, or nearly forgotten authors of genre fiction—he always made smart and generous comments. He’s also an author, with several books to his name, two of which I’ve enjoyed (pictured below). It’s fun to have a book be included in Michael Dirda’s gift suggestions, so if you’re looking for a book for a certain kind of reader, someone who relishes pirate lore, swordplay, movies like “Captain Blood,” “The Adventures of Robin Hood,” and “Zorro,” the seafaring novels of Patrick O’Brian, and the Flashman novels by George MacDonald Fraser, The Big Book of Swashbuckling Adventure is sure to strike the right chord. You can buy it via this Amazon link, where it is currently riding high as their #1 bestseller among anthologies of historical fiction.

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December 1st, 2014

By Philip Turner in: Books & Writing; Philip Turner Book Productions; Philip Turner's Books & Writing; Publishing & Bookselling

Happy to Be Part of Blurb, Platform Connecting Writers with Quality Editorial Services

Glad to be a collaborator with Blurb, a new Web space where writers can find editors to help them hone their work, and other publishing services, including design. There’s a nice, clean look to editors’ profiles, like mine linked to here, and shown in the screenshot of it below. If you’re an author looking for editorial help, or know a writer who is, please have a look and get in touch.PST Blurb profile

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October 10th, 2014

By Philip Turner in: Books & Writing; Philip Turner Book Productions

First Reviews of THE BIG BOOK OF SWASHBUCKLING ADVENTURE: “An Excellent Read” & “A Brilliant Selection of Dash, Pluck, Skill, Yearning, and Fortune.”

And now the second pre-publication review is in for The Big Book of Swashbuckling Adventure, selected and introduced by my author client Lawrence Ellsworth, another very positive notice. It comes from Publishers Weekly, who commissioned author William Dietrich to review the anthology. Dietrich’s piece closes with this encomium: “Ellsworth offers the reader an excellent and entertaining survey of the genre’s roots, a brilliant selection of dash, pluck, skill, yearning, and fortune.” See below for more details on the book, and the first review, which came in last week. Thanks to Pegasus Books for preparing the handsome edition and congrats to editor Lawrence Ellsworth. There will be finished copies of the book in November. It’s setting up very nicely!

I first posted about this book project when I began presenting it to publishers in March 2013, and am delighted that Pegasus Books acquired it. They’re an independent press whose titles are sold to bookstores by W.W. Norton. Pegasus has done a great job getting the anthology ready for publication. You can see their catalog listing for the book via this link (or in the screenshot below). Yesterday, I was delighted to see the first review of it, by Cindy A. Matthews at Authorlink, which I quickly shared in its entirety on Facebook (embedded below). In the catalog copy, you’ll note an interesting sidelight about my author client Lawrence Ellsworth, who conceived of the anthology, selected all the pieces, wrote the introductions, and translated the Alexander Dumas selection that’s in the book: he was an original team member of the group that created the legendary role-playing game Dungeons and Dragons. The oversized quality paperback, illustrated with art from the heady period when these stories were originally published, between the 1870s-1920s, will make a great holiday gift. Big Book of Swashbuckling Adventure Pegasus catalog

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October 9th, 2014

By Philip Turner in: Personal History, Family, Friends, Education, Travels; Philip Turner Book Productions

What’s Keeping Me Busy These Days

For any readers who’ve been wondering about the relative (in)frequency of my recent posts here and on Honourary Canadian, I want to explain that since Labor Day my business, Philip Turner Book Productions, has gone full bore and I am busy with such paying assignments as reading and reporting on a suspense novel for an author who hired me to assess his manuscript; editing the professional memoir of a retired corporate executive; editing website copy for a financial and retirement planner; meeting with the operations director of a website to discuss me providing book-related content for them; as an agent, I’m working on the contract for a Spanish novelist whose book I recently licensed to a US publisher; and pitching a terrific pirate-themed trilogy that’s already a self-publishing success, to major US publishers. I love writing and curating the two blogs, but they sometimes take a back seat to other work, especially work that is directly remunerative.

And in honor of Autumn, and the Winter that is surely coming, I’ve grown back my goatee, a facial accoutrement I’ve maintained periodically over the years.

PT photo w/goatee

Thanks, as always, for checking back here to see what is new, or for that matter, what’s old—in the three years I’ve been writing these blogs, I’ve published almost 900 posts, so there’s bound to be material you haven’t noticed before, on books, publishing, media, music, culture, and current affairs. Also, remember to look for me on Twitter where my handle is @philipsturner, on Facebook, on LinkedIn, and the other social networks shown at the top right corner of this site.

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June 15th, 2014

By Philip Turner in: Books & Writing; Philip Turner Book Productions; Publishing & Bookselling

One More BEA in the Books—2014 Edition

I’ve noticed we live now in an age of reunions, with various landmarks in our lives regularly memorialized. There are invitations to school reunions, throw-back Thursdays in our social networks (aka #tbt), and much (re)greeting and (re-)meeting at occasions related to our professions. Most recent among these for me was Book Expo America (BEA), held in NYC May 28-31 at the Javits Center.

I’ve been attending the annual book convention most years since 1978, when I got started in the book business with Undercover Books, the bookstore chain I ran with my siblings and our parents until 1985, when I came to NY and began working in publishing. Over the past ten years BEA has almost always been held in NY, though in earlier decades the book industry held its trade show in Chicago, New Orleans, Atlanta, Las Vegas, Dallas, Anaheim, Los Angeles, and Washington, D.C. For a long time the event was called ABA, until the American Booksellers Association, the trade group of indie booksellers that ran it, sold the show to Reed Exhibitions, a corporation that runs such conventions. The regular meetings with many of the same people over many years accounts in part for the warmth and chumminess that makes the book business such a special field to work in.

A hunger for human connections, for friends new and old, in business and in our lives, has long been part of human nature, and I believe it’s increasing. Our society is in the third decade of the Internet, with more and more virtuality in our lives all the time, so true human contact is welcomed, especially with the economic stresses so many live with, leading us to crave actually seeing old friends and establish new relationships, giving us a chance to speak of our latest enterprises and tell our personal stories, while listening to those of our friends and counterparts. I think this appetite for the actual is also responsible for the growth I’ve noticed in the field of educational conferences—public events that have thematic programming, and often quite interesting public speakers, who may speak on their own, often with projected slides, or as part of panels with multiple speakers in conversation.

I think this also helps explain why a company for which I consult, ExpertFile.com has made a good business for itself the past few years. I began working with them after I met CEO Peter Evans at Digital Book World in 2011, when they were known as SpeakerFile. One of the areas in which they’d established themselves was to help meeting planners connect with the right speakers for each event, sort of like an eHarmony for the conference industry. In their name change ExpertFile identifies the gaining of expertise as a great need of modern professionals. They still work in the conference area, but now concentrate on helping organizations amplify and promote their in-house talent through online expert centers created with ExpertFile’s unique software, enabling members of the media, businesspeople, and conference organizers to discover these uniquely talented people. During BEA, I was tweeting tech stories from the floor that I found compelling, like this one.

Another intriguing company, new to me, if not entirely new in the market, was Mediander, which describes itself as creating “a knowledge engine, and power[ing] contextual discovery.” I was reminded in what they’re doing of Small Demons, the now-shuttered company that emphasized keyword indexing and mapping of publishers’ titles. I look forward to seeing what Mediander does in months to come. 

I note that during the recession, while so many industries floundered or sunk, conferences (like Aspen Institute, TED, TEDx, and Digital Book World flourished). Though O’Reilly and F&W Media shuttered Tools of Change after 2013, they still run a bunch of other conferences. By contrast, it must be said that the convention business—with events like BEA, where attendees still stroll aisles of booths set up by exhibitors—is relatively weak. BEA is trying to affiliate itself with more programmed events, but at its core it’s still been a trade show with floor exhibits mounted mostly by, in our case, publishers. Significantly, in 2013, and again this year, BEA has on its last day opened the show to the reading and bookbuying public—fans of authors—an inevitable evolution that I endorse. This latter part of BEA is now called BookCon, and Shelf Awareness reports that next year Reed will extend the the convention by a day, into Sunday with a second day of BookCon. This move, mixing an industry show with a consumer show, echoes ComicCon, a very successful show in Reed’s line-up. This year BookCon seemed to go very well, with more than 10,000 members of the reading public buying tickets and attending, as you’ll see from some photos below.

I’m going to reserve my book and publisher commentary for the captions accompanying the pictures below, most of them taken by Kyle Gallup, my wife, a painter, and Managing Editor of Philip Turner Book Productions.

Before that, I’ll say I’ve already read and enjoyed one book I got at Book Expo, Harvey Araton’s newspaper novel, Cold Type, which I made my #FridayReads this past weekend. I also want to add an observation that despite the continuing struggles of book publishing, it was actually quite an upbeat convention. Business has stabilized since the depths of the recession, and people are tired of feeling lousy, and talking as if the earth’s going to swallow us all. And, business has definitely gotten better in some areas. Also, many bookpeople I know were heartened this year by the fact that Amazon is taking it on the chin in many quarters of the press and in public opinion for their quarrel with Hachette over wholesale discount policies that the Seattle company is reportedly trying to dictate to the publisher. I don’t know when or how the standoff will end, but it makes many bookpeople, including me, feel good, or a bit better, to see the shine on Amazon’s reputation get tarnished a bit. With that, I’ll say I enjoyed I seeing many old friends, and making new ones at this year’s BEA. If you there were, dear reader, and we somehow didn’t bump in to each other, I hope you had a good convention, and I hope to see you next year. Here are many of the pictures Kyle and I took:

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February 1st, 2014

By Philip Turner in: Books & Writing; Music, Bands & Radio; Philip Turner Book Productions

#FridayReads–Barry Lancet’s Thriller, “Japantown” & Dan Richter’s “The Dream is Over,” Memoir of the 60s

Japantown#FridayReads, Jan 31–Barry Lancet’s thriller, Japantown and Dan Richter’s The Dream is Over, a memoir of the 60s.

I’d made Japantown my #FridayReads last weekend, when I had read only about 140 pages of the nearly 400-page fast-paced international thriller. The rest of the book was every bit as riveting, and overall, hugely enjoyable. I liked it so much that, on Wednesday night, heading out to hear live music–I stowed the hardcover book in my knapsack, along with my handy bike flashlight–and read deep in to its last chapters between sets in the dimly lit music room at Pianos, inching toward the suspenseful climax which I reached the following morning. Here’s an abbreviated version of the plot rundown from my post last week:

“The book is at first set in San Francisco where protagonist Jim Brodie works as a dealer in Asian antiquities, while also maintaining connections with the private detective agency his late father founded and ran in Tokyo. Brodie’s widowed, a single dad living with his grade school-age daughter, Jenny. Brodie is the new go-to-guy when the San Francisco Police Department find itself investigating a grisly mass murder with Japanese victims and Japanese cultural characteristics. At the crime scene, Brodie finds only one clue, a paper artifact emblazoned with an obscure written character (kanji in Japanese). Brodie doesn’t realize, though the reader sees, that even as he surveys the scene of the brutal killing he and his Homicide Dept confidant are being surveilled with lenses and cameras by unknown agents. Though not understanding the full extent of the danger he’s in, Brodie senses he’s being watched, at his gallery and even at home with Jenny. With the obscure kanji in hand, Brodie undertakes an investigative trip to Japan, first putting Jenny in to the protective embrace of a police safe house. Once in Japan, the malign forces behind the killings begin taking aim at Brodie and his trusted Japanese colleagues.”

Good set-up, huh? Trust me, it’s much more exciting than my synopsis. After finishing Lancet’s totally satisfying thriller, I’m really excited he’s working on another book set in Jim Brodie’s world.

After finishing Japantown, I needed a nonfiction tonic and so picked up  The Dream is Over, Dan Richter’s personal account of London in the ’60s, his friendship with Yoko Ono and John Lennon, and his struggles with addiction. Richter’s book, released in hardcover in Britain in 2012, carries a Foreword by Yoko. I met Dan in the early 2000s, when I edited and published his first book Moonwatcher’s Memoir–A Diary of 2001: A Space Odyssey. Dan was in his twenties, working as a mime actor, when Stanley Kubrick–searching for the right sort of performer to play the role of the marauding ape wielding a club in the opening scene of the 1968 intergalactic time travel epic–met Dan and cast him in the part. Working with Dan, I learned that he’d met Yoko in the ’60s through his theater work and her early works of performance art. Later, he would meet John Lennon through Yoko. His verbal accounts of those years were fascinating to hear about, so I’m delighted he’s written this second memoir. It focuses on 1969-73, when he was living in London, putting on poetry readings at the Albert Hall, and running with a literary set that included Alan Ginsberg, during his frequent visits to London, and Beat writer Alexander Trocchi, a bad-boy Scotsman who wrote Cain’s Book, a notorious and transgressive book in its time. Dan recently got in touch and asked if I might be able to help him find a US publisher for The Dream is Over, so I’m reading it as work and for the welcome evocation of a rich era that it paints. Characters who walk in and out of the narrative include Eric Clapton, Andy Warhol, Bob Dylan, the rebel psychiatrist R.D. Laing, members of the Beatles and the Rolling Stones. I don’t know yet about the prospects for finding a US publisher, but I’m glad to be reading the book. I’ll try to post more about it once I’ve read more. The flap copy promises an intimate account of the making of the album “Imagine.”Moonwatcher's Memoir
Dream is Over

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