Find a Way to Preserve Libraries, So We All May Flourish

In the UK, Canada, and the USA public libraries are under threat of reduced funding, outright defunding, and total closure. Increasingly, authors are inserting themselves into public discussions of the future of libraries. In Toronto, Margaret Atwood helped prevent drastic cuts to the city’s library budget, but only after a local politician, the brother of Mayor Rob Ford, made a fool of himself. According to the Toronto Star, upon learning that Atwood had urged  Torontonians to let City Council know of their determined support for libraries, Councillor Doug Ford

“said that the literary icon and activist—who took him to task on Twitter for saying, erroneously, that his Etobicoke ward has more libraries than Tim Hortons [coffee shops]—should get herself elected to office or pipe down. ‘Well good luck to Margaret Atwood. I don’t even know her. If she walked by me, I wouldn’t have a clue who she is,’ said the councillor and advisor to his brother, Mayor Rob Ford, after a committee meeting on proposed cuts. ‘She’s not down here, she’s not dealing with the problem. Tell her to go run in the next election and get democratically elected. And we’d be more than happy to sit down and listen to Margaret Atwood.’”

What followed was an outpouring of support for Atwood so pronounced that both Fords have since backed off of their effort to close Toronto libraries.

Aggressive know-nothingism is also found among American politicians. In 2000 Senator Hillary Clinton referred to E.B. White in a debate during her campaign for re-election. Incredibly, then-Governor George Pataki told media in the post-debate spin room said,  “It doesn’t sound to me like that guy was a New Yorker or understood New York the way we do.”

The future of libraries is especially dire in Britain, due to the severe austerity imposed by David Cameron’s government, hitting all sectors of British society, from schools to rubbish pick-up to recreation to the libraries. This week, author Jeannette Winterson gave an impassioned speech at the British Library where she called for dragooning tax revenues due from the UK divisions of Amazon, Google, and Starbucks to support the country’s endangered library systems. Controversy has attached to those three companies over their apparent efforts to park profits from their UK operations in offshore tax havens. According to The Guardian’s report, Winterson took a very personal turn toward the end of her remarks.

She ended by telling the story of how she discovered TS Eliot in her local library in Accrington, aged 16 and about to be thrown out of the house by her mother “for breaking a very big rule – the rule was not just No Sex, but definitely No Sex with your own Sex”. Scared and unhappy, Winterson went to collect her mother’s books from the library–including Murder in the Cathedral, which her mother had assumed was “a gory story about nasty monks”. Winterson took a look, having never heard of TS Eliot, and saw it was written in verse.

“The librarian told me he was an American poet who had lived in England for most of his life. He had died in 1964, and he had won the Nobel prize. I wasn’t reading poetry because my aim was to work my way through ENGLISH LITERATURE IN PROSE A-Z. But this was different. I read: ‘This is one moment/ But know that another/ shall pierce you with a sudden painful joy.’ I started to cry,” she said.

She went outside and read the whole thing, sitting on the steps. “The unfamiliar and beautiful play made things bearable that day, and the things it made bearable were another failed family–the first one was not my fault but all adopted children blame themselves,” she said. “The second failure was definitely my fault. I was confused about sex and sexuality, and upset about the straightforward practical problems of where to live, what to eat, and how to do my A-levels. I had no one to help me, but TS Eliot helped me. I had no one to help me, but the library helped me. That’s why I’m here tonight.”

Publishers Weekly on Political Books, w/My Take on the National Climate

A couple days after President Obama’s re-election last week, I was invited by Rachel Deahl of Publishers Weekly to comment on the current and future climate for political books.  She asked “what narratives seem to be emerging, or what narrative(s) you might be looking for.”  I heard from a friend today that this week’s print issue of the magazine has Rachel’s story, and though I haven’t seen that version yet, she just sent me a link to the story on line. It’s posted at the PW site, under the headline:  “Let’s Get Political”. I invite you to read the published story–there are seven publishing people quoted in it. Due to space I’m sure, the email comment I’d submitted was abridged, so I’m glad I can post my full remarks below, edited lightly for this space. Rachel also asked for a head shot, and since I’m not sure if the magazine used it, I’ll pasted in here at the bottom of the post.

Hi Rachel,

I’ve been through many presidential book cycles, and it is true that books published for the benefit of the out-party (anti-Bush books from 2000-08; anti-Obama books 2009-2012) tend to flourish in these times.

However, what I’d like to be seeing now as an author’s representative, a political blogger, an editor, and a reader is a break from the more vituperative titles. I think even rabid partisans are tiring of these titles and are beginning to show less suport for them than in the past. I think what we need, and what the politically engaged reading public craves, are vigorously reported books in which the author, while not reining in his opining or editorial comment, nonetheless allows a pointed narrative to emerge from the facts of their story. An example from years past of what I’m looking for now is typified by Barbara Ehrenreich’s Nickled & Dimed.

For the many authors, and publishers, who’ve featured criticism of Pres. Obama in their books, I think they need to look in the mirror and offer work that is as much self-critical as it is bashing of the president. I suggest this not as a partisan from the other side, but as a way for them to establish and enhance their own credibility with a more diverse readership. After all, there must be some critical self-assessment in the wake of an election that did not go the way of their advocacy, lest they lose all credibility with a more general readership, and remain in the bubble that bred their lack of prescience.

For authors on the left or from the more traditional center, I look at Michael Grunwald’s The New New Deal (S&S, August 2012, my Oct. 12 #FridayReads blog entry), as an example of the kind of book I’d be looking for. Extensive reporting of facts (about the 2009 Federal stimulus) that build a case for his thesis that the Recovery Act was the most consequential legislation since the New Deal. The point of view in Grunwald’s book emerges from the reporting, not the other way around.

I will add that one genre I’ve not tired of is the traditional, Theodore White-style “Making of the President” narrative. My longtime author David Pietrusza has done books like this for such years as 1920, 1948, and 1960. I think it’s too late now for me to work on one of those about 2012, but I’d sure like to read one. That is, not a magazine piece, but a deeply reported and full textured portrait of the campaign.

Thanks for asking for my input, Philip

The Great Gray Bridge
Philip Turner Book Productions

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