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Autumn and the Little Red Lighthouse Festival 2014, an Ideal Combination

Brisk winds and the aftermath of a rainy Friday night didn’t dampen the fun at the 22nd annual Little Red Lighthouse Festival this past Saturday, held on the grounds under the George Washington Bridge, aka the great gray bridge, near the Little Red Lighthouse, the last beacon light to shine in Manhattan. I have written about the landmark several times in recent years, including after I attended last year’s fall festival. The Parks Dept opens the lighthouse to visitors on these occasions, allowing New Yorkers to fully appreciate this splendid example of maritime architecture. After I toured the lighthouse last year, I wrote about its history and the children’s book that improbably helped to keep it standing on the shore of the Hudson: LRLH books

“If you’ve never had a close-up view of [the George Washington Bridge and the Little Red Lighthouse] and aren’t certain where they are or how to see them for yourself, we’re talking about upper Manhattan on the island’s west side roughly level with what would be West 178th Street and the Hudson River. I get there on my bike, pedaling on good pavement alongside the river most of the way from my neighborhood around West 100th Street and Riverside Drive. The area can also be reached from Washington Heights, near 181st Street, and in both cases it’s accessible to walkers as well as cyclists. The forty-foot tall lighthouse–whose exterior is dotted with porthole windows and decked out in bright red enameled paint with a white cone and clear glass at the top–sits below the lower deck of the bridge, close to the monumental steel foot of the span’s eastern arch. According to a NYC Parks Dept web page, the two structures became most indelibly linked in the public imagination in the early 1940s, and even earlier in the city’s maritime history. Here’s a lightly edited version of the Parks Dept. article:

‘In the early 20th century, barge captains carrying goods up and down the Hudson demanded a brighter beacon. The [lighthouse] had been erected on Sandy Hook, New Jersey in 1880, where it used a 1,000 pound fog signal and flashing red light to guide ships through the night. It became obsolete and was dismantled [but not destroyed or discarded] in 1917. In 1921, the U.S. Coast Guard reconstructed this lighthouse on Jeffrey’s Hook [future site of the George Washington Bridge] in an attempt to improve navigational aids on the Hudson River. Run by a part-time keeper and furnished with a battery-powered lamp and a fog bell, the lighthouse, then known as Jeffrey’s Hook Lighthouse [the name since the early 1800s for the shelf of Manhattan schist that juts out in to the river right there], was an important guide to river travelers for ten years. The George Washington Bridge opened in 1931, and the brighter lights of the bridge again made the lighthouse obsolete. In 1948, the Coast Guard decommissioned the lighthouse, and its lamp was extinguished.

‘The Coast Guard planned to auction off the lighthouse, but an outpouring of support for the beacon helped save it. The outcry from the public was prompted by the children’s book, The Little Red Lighthouse and the Great Gray Bridge, written by Hildegarde Swift and Lynd Ward in 1942. In the popular book, the Little Red Lighthouse is happy and content until a great bridge is built over it. In the end, the lighthouse learns that it still has an important job to do and that there is still a place in the world for an old lighthouse. The classic tale captured the imaginations of children and adults, many of whom wrote letters and sent money to help save the icon from the auction block.’

The Parks’ web page adds that in 1951 the Coast Guard gave the lighthouse and grounds to the City, and in 1979 the Little Red Lighthouse was officially added to the National Register of Historic Places. Refurbishments took place in 1986, when on the 65th anniversary the concrete foundation was restored, and in 2000 when it was repainted, true to its original shade of red.

In a real sense, the persistence of the lighthouse on the Manhattan shoreline is a product of one of the first episodes of “historic preservation” in the modern history of New York City. Too often, the city and posterity have been the loser in those battles, such as what occurred in 1963, when–unaccountably to current-day New Yorkers–the old Penn Station was torn down.”

I will add that it’s a great time for parks and historic sites in New York City, with such projects as the ongoing restoration of High Bridge, the footbridge that’s connected the Bronx and Manhattan since 1842, though it’s been derelict and off-limits to hikers for many years. Also heartening was the news last week that more than $130 million will be spent to upgrade and renovate thirty-five NYC parks that have historically been neglected, even while better known parks, like Central Park and Prospect Park, garner lots of resources.

I didn’t enter the Little Red Lighthouse on Saturday, as the line was long and I was glad to let others see it for the first time. I was just happy to walk the grounds and stop at the booths of several upper Manhattan organizations and businesses. Among these was the NYC Parks Dept, which sent several urban rangers to staff an information table; Summer on the Hudson, @summeronthehudson on Twitter, whose director Zhen Heinemann was on hand making sure everything ran smoothly; Word Up Books, “a completely volunteer run community bookshop,  and arts space in Washington Heights,” on Amsterdam Ave at 165th Street, near the Morris-Jumel Mansion, the oldest wooden structure in Manhattan, built in 1765; graphic artist Norman Ibarra, who was selling a handsome poster he’s designed, printed on quality paper, that shows the seven lighthouses along the Hudson River, upstate from Athens and Saugerties south toward Manhattan and Jersey City; the National Lighthouse Museum, near the Staten Island Ferry terminal, whose representatives told me about the hoped-for restoration of the Old Orchard Beach lighthouse, wrecked during Hurricane Sandy; and Anthi’s Greek Specialities, a food vendor that was selling tasty spinach pie and baklava. Along with the above Facebook post I sent out that afternoon, I took lots of pictures during the festivities. Here are the best of them.

First Reviews of THE BIG BOOK OF SWASHBUCKLING ADVENTURE: “An Excellent Read” & “A Brilliant Selection of Dash, Pluck, Skill, Yearning, and Fortune.”

And now the second pre-publication review is in for The Big Book of Swashbuckling Adventure, selected and introduced by my author client Lawrence Ellsworth, another very positive notice. It comes from Publishers Weekly, who commissioned author William Dietrich to review the anthology. Dietrich’s piece closes with this encomium: “Ellsworth offers the reader an excellent and entertaining survey of the genre’s roots, a brilliant selection of dash, pluck, skill, yearning, and fortune.” See below for more details on the book, and the first review, which came in last week. Thanks to Pegasus Books for preparing the handsome edition and congrats to editor Lawrence Ellsworth. There will be finished copies of the book in November. It’s setting up very nicely!

I first posted about this book project when I began presenting it to publishers in March 2013, and am delighted that Pegasus Books acquired it. They’re an independent press whose titles are sold to bookstores by W.W. Norton. Pegasus has done a great job getting the anthology ready for publication. You can see their catalog listing for the book via this link (or in the screenshot below). Yesterday, I was delighted to see the first review of it, by Cindy A. Matthews at Authorlink, which I quickly shared in its entirety on Facebook (embedded below). In the catalog copy, you’ll note an interesting sidelight about my author client Lawrence Ellsworth, who conceived of the anthology, selected all the pieces, wrote the introductions, and translated the Alexander Dumas selection that’s in the book: he was an original team member of the group that created the legendary role-playing game Dungeons and Dragons. The oversized quality paperback, illustrated with art from the heady period when these stories were originally published, between the 1870s-1920s, will make a great holiday gift. Big Book of Swashbuckling Adventure Pegasus catalog

What’s Keeping Me Busy These Days

For any readers who’ve been wondering about the relative (in)frequency of my recent posts here and on Honourary Canadian, I want to explain that since Labor Day my business, Philip Turner Book Productions, has gone full bore and I am busy with such paying assignments as reading and reporting on a suspense novel for an author who hired me to assess his manuscript; editing the professional memoir of a retired corporate executive; editing website copy for a financial and retirement planner; meeting with the operations director of a website to discuss me providing book-related content for them; as an agent, I’m working on the contract for a Spanish novelist whose book I recently licensed to a US publisher; and pitching a terrific pirate-themed trilogy that’s already a self-publishing success, to major US publishers. I love writing and curating the two blogs, but they sometimes take a back seat to other work, especially work that is directly remunerative.

And in honor of Autumn, and the Winter that is surely coming, I’ve grown back my goatee, a facial accoutrement I’ve maintained periodically over the years.

PT photo w/goatee

Thanks, as always, for checking back here to see what is new, or for that matter, what’s old—in the three years I’ve been writing these blogs, I’ve published almost 900 posts, so there’s bound to be material you haven’t noticed before, on books, publishing, media, music, culture, and current affairs. Also, remember to look for me on Twitter where my handle is @philipsturner, on Facebook, on LinkedIn, and the other social networks shown at the top right corner of this site.

Marking Photojournalist Ruth Gruber’s 103rd Birthday

As a book editor, I’ve had the privilege of working with dozens of talented authors. Amid all the superb writers one sub-group stands out: authors in their 80s, 90s, or even older, in their 100s. This group has included Edward Robb Ellis (1911-1998), author of A Diary of Century: Tales by American’s Greatest Diarist. Here is a collection of posts Ive written about him. Another of these remarkable authors is Ruth Gruber, also born in 1911, with whom I’ve published six books, including her memoir Ahead of Time: My Early Years as a Foreign Correspondent, also the title of a documentary about her. Ruth turned 103 this week, and is still going strong. This is a collection of posts I’ve written about her. Please join me in celebrating her amazing life and career.

In Which My Critique of PBS NewsHour for Letting Architect of Iraq War Spew Invective at President Obama Gets Wide Coverage

For a media hound like me, Jim Romenesko’s media news website is a regular must-read. Imagine the satisfaction I felt today when I saw he’d done a post yesterday that used a tweet of mine from Monday night—about a shockingly one-sided PBS Newshour segment about ISIS and President Obama—as the jumping-off point for his piece. In the segment, Judy Woodruff interviewed Frederick Kagan, an early proponent of invading Iraq, who slammed President Obama repeatedly for his supposed failures with regard to Iraq, including the bogus canard that he failed to leave US troops in the country, when it was the Bush administration that negotiated the terms under which US forces left. This and many other false and tendentious claims were made by Kagan of the American Enterprise Institute, all of which went unchallenged by interviewer Judy Woodruff. Worse, at the end of the segment she said, “We hear you,” as if lending her stamp of approval to Kagan’s screed. I was appalled at this egregious example of biased coverage and tweeted to that effect. Today, Romenesko ran a post picking up my tweet, and for which he interviewed PBS ombudsman Michael Getler, who’s also covered this episode. Getler agreed that the segment was an example of terrible and one-sided coverage. Getler learned that the program had planned for another guest to be on opposite Kagan, but that they couldn’t come on, after all. The NewsHour never told viewers this on-air. Below is a screenshot to Romenesko’s post, and here’s a link to it.

Romenesko, Sept 30, 2014