William Morris’s Historic Printing Press Gets a New Home in Rochester, NY

Albion No. 6551On December 5 New York Times reporter David Dunlap published a fascinating article about the forthcoming sale at Christie’s auction house of the illustrious printing press that under William Morris’s cultivated hand and eye printed the Kelmscott Chaucer, with illustrations by pre-Raphaelite painter Edward Burne-Jones. Completed between 1894-96, it is among the most important modern fine press books ever printed and published. I’ve always enjoyed Dunlap’s reporting, in which he usually covers architecture. He brought the right sensibility to this article, which I loved for it being stuffed with factual nuggets like these:

“The instrument on which this artwork  [the Kelmscott Chaucer] was composed was the Improved Albion Press No. 6551, a hand press almost seven feet high, weighing 2,000 to 3,000 pounds, that was made in 1891 by Hopkinson & Cope in England. It is to be auctioned on Friday by Christie’s [in New York]. The estimate is $100,000 to $150,000.”

I’ve been waiting to blog about Dunlap’s article, because I wanted to report the auction result, if I could. And from a report I just found today, I’ve got that now, and also great detail on the provenance of the press. For instance, I’d been wondering: 

How did the Albion Press No. 6551 even get to North America?

Turns out, in 1924, noted type designer Frederick Goudy shipped the Albion across the Atlantic to his print shop in Marlborough, NY. I’m glad it wasn’t wartime, when the ship could’ve been the target of a U-Boat crew. In a real sense, the precious Albion carried the legacy of Morris’s elevated enterprise, so devoted–all-in, as we say now– to cultivating the art of the book. In 1960 the press was acquired by J. Ben and Elizabeth Lieberman of White Plains, NY. Under their ownership it was moved on three occasions, the last time when they moved house to Ardsley, NY. Though the family had long been active in fine printing circles, they came to find day-to-day operation and maintenance of the press beyond their capacities. Current owners, Jethro K. Lieberman and his wife Jo Shiffrin, told Dunlap, “It’s time for someone who will put it back into service.”

Dunlap reports that over two years in the last decade of the 19th century, 438 copies of the Kelmscott Chaucer were printed by Morris and his pressmen on the Albion, and that every copy is accounted for, whether in institutions, libraries or private hands. He writes,

“Four belong to the Morgan Library & Museum. John Bidwell, its curator of printed books and bindings, permitted this reporter to examine a volume bound in white pigskin.The sheer amount of ink on paper is breathtaking. The decorated pages are blacker than they are white. Yet the printing is so exact that there is not so much as a stray smudge in this jungle of leaves, vines, berries and flowers.”

The report on the auction, running at What They Think, a site devoted to news of the commercial printing industry, reports that the Albion N. 6551 will now be housed at the Rochester Institute of Technology (RIT) in upstate NY in the Cary Graphic Arts Collection. It was bought for RIT by the “Brooks Bower family. Bower, a 1974 graduate of the School of Print Media, is an RIT trustee and chairman and chief executive officer of Papercone Corp., an envelope-manufacturing firm in Louisville, KY.”  The auction price was $233,000, well above the estimate. It will be put in to regular use by RIT students. I was pleased to read this thorough provenance of the press, which includes a lovely bit of history provided in part by Steven Galbraith, curator of the Cary Collection:

“’From 1932 to 1941, Albion No. 6551 was owned by the Cary Collection’s namesake, Melbert B. Cary Jr., director of Continental Type Founders Association and proprietor of the private Press of the Woolly Whale. . . .Cary bequeathed the press to his pressman George Van Vechten, and in 1960, J. Ben and Elizabeth Lieberman acquired Albion No. 6551 for their Herity Press. They topped the press with a Liberty Bell, a reminder of the vital role that private presses play in the freedom of the press.’ Albion No. 6551 will join the Cary Collection’s Arthur M Lowenthal Memorial Pressroom, a working collection of 15 historical printing presses and more than 1,500 fonts of metal and wood type. Supporting study of the press is a collection of Kelmscott Press publications and archives of material related to Frederic Goudy and Cary’s Press of the Woolly Whale. The Cary Graphic Arts Collection is located on the second floor of The Wallace Center at RIT. Hours are from 9 a.m. to noon and 1 to 5 p.m. Monday through Friday. For information, call 585-475-3961 or go http://cary.rit.edu.”

It’s been a good week for the art of the book, as last Friday I saw gorgeous printed materials at the Center for Book Arts’ holiday open house, and now this news about the outcome of the Christie’s auction. I hope to see the Cary Collection and the Albion No. 6551 someday. The photo at the top of this informational post and those borrowed below for it I happily credit to Eddie Hausner and Marilynn K. Yee, photographers of The New York Times, and thank them for this fair use.Kelmscott ChaucerJPKELMSCOTT1-articleLarge-v2

A Belated #FridayReads–Peter Warner’s Smart Spy Novel “The Mole”

In early November I’d been to the launch party for the spy novel The Mole: The Cold War Memoir of Winston Bates, and am only now getting around to reading it. I’m really enjoying this heady thriller whose narrator and protagonist is a Canadian transplant to the U.S. that finds himself on the staff of the real-life senator from Georgia, Richard Russell. I tweeted about the book last Friday and neglected to share about it here until now. Highly recommended, the sort of book for which I’d like to put my work aside so I can burrow deeper in to the unfolding tale.

Note: This piece is cross-posted at my other blog, Honourary Canadian.

Celebrating Books & the Season at the Center for Book Arts

Center for Book ArtsHad a great time at the Center for Book Arts holiday open house and sale last night. My wife Kyle, a visual artist, used to teach a course on printmaking at the Center and it was fun for both of us to revisit the big loft space in Chelsea on W. 27th Street and see the place full of people. We found the work of many, many talented book artists and paper artists on display, Kafana Mundial, a musical trio (clarinet, accordion, and percussion) playing Balkan music, and lots of nice food & drink. Everywhere my eye landed I saw printing presses, drawers of old metal type fonts, bookbinding materials, and beautiful examples of paper craft and book art. We enjoyed speaking with Alex Campos, director of the Center; Barbara Henry, master of letter press printing who’s done a stunning Walt Whitman book under her Harsimus Press; Roni Gross, book artist and publisher of Z’roah Press; and Esther K. Smith, artist, author and co-publisher of Purgatory Pie Press. Here are the best pictures Kyle and I took last night. Please click here to see all of them  

#FridayReads, Nov 22–Patty Dann’s Novel “Starfish”

Starfish

#FridayReads, Nov 15–James Agee’s “Cotton Tenants: Three Families” & Patrick Watson’s “Alter Ego”

Cotton Tenants

Cotton Tenants backAlter Ego backAlter Ego

Talking Transition–for Mayor de Blasio & NYC’s New Government–w/PEN America

Support the Book EconomyAs a member of PEN America, I was invited to participate in a PEN speak-out Tuesday night that was part of Talking Transition, an event going on all week and next in Soho, providing input on policy and priorities to NYC’s incoming mayor Bill de Blasio, all citywide officeholders, and the new members of our City Council. Talking Transition is taking place in a big heated tent that’s set up on the north side of Canal Street, along Sixth Avenue. Each day this week has been devoted to a different topic–Tuesday night had an emphasis on Arts & Culture. PEN chose to devote its 90-minute slot to “Keeping NYC a literary and cultural capital.” On Twitter, you can follow transition events @TalkNYC2013 and the hashtag #TalkingTransition.

Each member who chose to speak was given just a 3-minute slot, so we really had to trim our points down to the minimum. The group was comprised of almost two dozen speakers, including several poets, administrators of poetry and literary programs, and publishing colleagues. The evening moved along with alacrity in front of a pretty good-sized audience under the big tent. This was the preliminary list of speakers, which came off with only a few small changes.PEN Speakout roster I titled my own talk “Support the Book Economy, Foster Publishing Experiments.” The transcript of my remarks, delivered almost verbatim, is here, and below them is a key point I would’ve made if I’d had a bit more time.

Support the Book Economy, Foster Publishing Experiments. 

When the recession hit in September 2008, the book economy in New York, was already in a parlous state. To choose just two measures, the rate of closure among indie bookstores was rising and the income of mid-list authors was declining, along with their access to being published at all. A few months later, in January 2009, I was swept out of corporate publishing when the imprint where I’d been editorial director was shuttered. Much as I could talk about my experiences over the past five years, the new business I started, or my three decades in the book business, this talk is not about me, for I am only one among 100s of publishing professionals who lost full time jobs in the months and years since the economic collapse who have yet to again find full employment. To get at the scale of the problem, consider that in 2009 Publishers Weekly started a “Comings & Goings” feature that allowed folks to submit their contact info so that others who wanted to be in touch, to hire them, or just to network, could do so. It had over 200 names at one point. And then last month another book news outlet, Media Bistro’s galleycat, created a directory of just freelance editors, which after a few weeks already has nearly 300 people in it. Based on my observations of book industry layoffs, I’m sure that these figures of self-selecting people only hint at the total numbers.

Clearly, there is still a wealth of great publishing talent in the city. That’s good news. And yet while many of us are still working as editors, marketers, and publicists, or working in adjacent fields like online news, often we are not being paid adequately, and sometimes not at all, for time spent on publishing tasks we hope will one day turn in to full time jobs or paying assignments. Regrettably, this condition persists even while the book industry has experienced a boom from digital reading that’s given greater exposure to book culture, increased the engagement of many readers, and left thousand of readers more avid for books, print and digital.

Yet, even while the boom has grown, the benefits of it are not being felt by most of the under-employed full time publishing workers. This crisis offers the city an opportunity to capitalize on the talents of all these bookpeople with publishing incubators that would foster innovation, experiments, and new models to help business-savvy bookpeople turn their enterprises and current projects in to job-creating engines of the book and the New York City economy.

Therefore, I urge City Council, Mayor-elect de Blasio, and all citywide officeholders to establish public-private partnerships and other initiatives that would help make available low-cost or no-cost business enterprise advice (legal, accounting, financing); no-cost or low-cost workspaces where people could share cubicles, WiFi, and conference rooms. With philanthropic support, or venture capitalists with money looking to do good, a fund for experiments could be launched, with grants being provided to offer recognition, encouragement, and a stipend. I urge the tech community, really a first cousin to digital publishing, to work with bookpeople to create new initiatives that will elevate the entrepreneurial efforts of New York City’s publishing community.

My addendum to these comments is an explicitly political point. One of the reasons that the economy remains anemic in New York City and around the country–with a lack of full employment for millions of people, not just publishing professionals–is that obstructionists in Congress have imposed austerity on the country. Since 2010, right-wing politicians have thwarted any ongoing economic stimulus that would, if enacted, help prime the pump and accelerate demand.  This has been denied us, even at a time of very low interest rates. Now, with the victories of Mayor-elect de Blasio, many progressive citywide officeholders, including by far the most progressive City Council since I moved to New York in 1985, I hope that the city, and my own precious book industry, can have, courtesy of the new actors in city government, its own local and direct stimulus that will benefit publishing, readers, authors, and all of New York City.

Finally, here are pictures I took Monday and Tuesday night when I attending Talking Transition events. PEN Participants had been asked to submit favorite quotations, our own, or those of other writers, which you’ll see in a tweet cloud in many of the photos.Please click here to view them.

Why Family Members Probably Ought to Refrain from Publicly Defending Relatives

November 20 Update: Interesting to see in today’s Deals Report from PublishersMarketplace.com that Sidney Blumenthal is going to publish a new multi-volume biography of Abraham Lincoln with Simon & Schuster. Judging by the report, it looks as if the biographical trilogy is well underway, with the first book due to come out in 2015. Having published two books with Blumenthal in 2008, and found him a very capable author, I’m glad to see he’ll soon be publishing again.

Former assistant and senior adviser to President Bill Clinton and political journalist for publications including the Washington Post, the New Republic, Vanity Fair, and the New Yorker Sidney Blumenthal’s A SELF-MADE MAN, A HOUSE DIVIDED, and JUDGMENTS OF THE LORD, a three-volume biography of Abraham Lincoln exploring new sources coupled with original interpretations that promise to give readers new insights into Lincoln, his genius, and his world, to Alice Mayhew at Simon & Schuster, for publication beginning in 2015, by Robert Barnett at Williams & Connolly.

 


Yesterday, a Buzzfeed story by Rosie Gray about writer and pundit Sidney Blumenthal* coming to the defense of his author son Max, whose current book Goliath: Life and Loathing in Greater Israel had received a critical review in The Nation from Eric Alterman, left me considering the frequency with which family members step in to attack detractors when they see a spouse, child, or sibling being criticized. This week alone, Doug Ford has been agitating on behalf of his brother, Toronto mayor, Rob Ford, demanding that Police Chief Bill Blair resign his office (merely for stating he was “disappointed” upon viewing tape of the mayor smoking from a crack pipe). A day earlier, it was Mackenzie Bezos, wife of Amazon founder and CEO Jeff Bezos, and a published novelist, giving a poor review to Brad Stone’s new book, The Everything Store: Jeff Bezos and the Age of Amazon, actually posting her knock on the book’s Amazon page. Talk about meta!

I have to question the judgment and wisdom of these three. While the impulse to defend a loved one is understandable, indulging in it is far from the wisest step they could take on behalf of their kin. Even if the comments are well-reasoned and not ad hominem–a contrast seen between the comparatively measured words of Ms. Bezos and the blustery rhetoric of Doug Ford–why do these defenders of the clan fail to see that their comments will be believed by many people to be little more than self-interested attacks on their relatives’ critics? It almost doesn’t matter how they put it–with many people they simply begin as an impeached source. Blumenthal’s critiques of Alterman’s review haven’t been made public, as Gray’s story reports he sent his pushback in emails only to a selected list of contacts, not on the Web or out loud in sullen tones to a national broadcaster.** But whether the words are cool or overheated, not only are these familial defenses often not believed, they also make the relative appear weak and unwilling or unable to fight his/her own battles. What’s more, in hitting the “publish” button on her “review” did Ms. Bezos not consider that she’d be lending Stone and his publisher a welcome jolt of publicity and attention in prominent media around the world? Maybe to Ms. Bezos an attempt to correct the record is more important, but I say she committed a strategic mistake.

After reading yesterday’s story about Blumenthal and Alterman, this morning I read a post on the Guardian book blog, “Is MacKenzie Bezos’s one-star Amazon review part of a trend?“, with even more examples of ill-considered missions on behalf of spouses, including the 2011 example of Ayelet Waldman attacking critics of her husband Michael Chabon’s first childrens book. She denounced “jackasses” and “fucking Amazon reviewers giving Awesome Man 1 star… IT WAS WRITTEN FOR LITTLE KIDS”. Hmm, talk about intemperate.

One of the reasons I’m surprised at the inability of these people to not enter the fray is that in connection with my own wife and teenage son, operating in social media, we typically check with one another before “liking” something by the other, or “tagging” them. We recognize that in one’s social and professional life one doesn’t always want to be shadowed by family members. This prompts the question whether Max Blumenthal, Rob Ford, and Jeff Bezos each gave their blessing to the attacks by their father, brother, and wife, respectively.  For my part, if it were me I would say to my loved one, “Please, keep out of it.”
*Disclosure-In 2008 I published two books with Sidney Blumenthal and around that time had dinner with him and his son, Max, journalist Joe Conason, and a handful of other people. I found Max to have a noticeably angry disposition.
** Consider though that this may make a writer more apt to use invective, if he thinks his venting will never be published.

#FridayReads, Nov 8–Book Proposals & Manuscripts–Examining a Notorious Political Killing, Exploring the Paranormal, etc.

#FridayReads, Nov 8–While I’m sure I’ll be reading a proper book or two this weekend, my reading this week has been dominated by work-related materials–nonfiction book proposals, fiction manuscripts and lots of promising queries on submission to me in my work as a literary agent, part of my publishing work. Here’s a rundown on some of what I’m looking at, only in generalities out of deference to the writers whose work I’m considering: 1) a proposal for a book that will explore the motive behind one of the most infamous consequential political crimes of the 20th century, while also one of its least examined; 2) a hardboiled crime novel about the theft of an election in a battleground midwestern state; 3) several works by a British scholar with a rigorous approach to unexplained phenomena involving the super- or even the paranormal; and 4) an original manuscript that includes the original heretofore unpublished memoir of Hollywood’s most idiosyncratic, even weird, movie-making mogul.