“Life is a Carnival”*

The Bard Graduate Center on West 86th Street is a gem of a small New York museum. On my birthday last Saturday, Kyle asked me what I wanted to do for fun. I suggested we go view Bard’s current exhibit, “Circus and the City: New York, 1793-2010.”

I’ve loved the circus for years, and have even collected artwork on it, like the print below of high-wire artists on a bike, by Dame Laura Knight. I bought it  in 1987 from my late art dealer friend Robert Henry Adams when I was editing and publishing the splendid circus novel, Suite for Calliope: A Novel of Music and the Circus, by Ellen Hunnicutt, who won the Dru Heinz Literature Prize that same year for her short fiction collection, In the Music Library. Ellen’s novel centers around a young female protagonist who’s a runaway from a bizarre custody battle in her family. Holed up in the safe harbor of the Florida winter quarters of a circus troupe, throughout the novel she’s using their calliope to compose a musical work in memory of her late mother. The novel’s theme is how we may turn our mourning and loss to the service of art and creativity. For the record, Ellen passed away in 2005. I hope some day to republish her novel.

Much as I’ve read about circus lore, I had not understood a key aspect of the historical record as documented by the exhibit: the central role that NYC played in the growth and development of the circus throughout North America. Many of the biggest promoters were headquartered in Manhattan, the continent’s entertainment capitol. Once the circus began moving from town to town via train cars, Gotham’s status as a rail hub, as well as its large, diverse population, made it the essential city for promoters and performers alike.

The 20th century was covered on the third floor of the exhibit, with great photographs by Weegee, best known for his lurid crime scene photography, here depicting circus audiences enthralled by performances. There was also a video monitor showing a film of female stunt artist Tiny Kline performing the “Slide for Life,” in which she clamped down on a kind of leather bit she’d placed in her mouth, then slid on a cable for a 1,000 feet hanging above Times Square.

Along with the exhibit, which comprises more than 200 works displayed on three floors of the museum, there will be nine public talks given beginning October 11 and stretching into 2013, ending on January 31, discussing female equestrians; performance photography; the design and typography of circus posters; P.T. Barnum and Ralph Waldo Emerson; Alexander Calder; clowning; and the circus of the future. I hope to be there for one or more of these presentations. Meantime, here is a gallery of images from the exhibit. Please click through to view art and images from the exhibit.

*Thanks to The Band, for use of the title of their song, “Life is a Carnival, written by Rick Danko, Levon Helm, and J.R.R. Robertson, from their 1971 album, “Cahoots.”

Best Feel-Good Story in Ages

Lovely story here: Kris Doubledee is a bus driver in Winnipeg, Canada. This past Tuesday, just a day after he’d seen a desolate man in bare feet along his route, saw the man again. This time he stopped his vehicle, got out from behind the wheel and approached the stranger. According to an interview Doubledee did with CBC TV, the two had an exchange that went like this:

“‘I said to him, ‘Do you have any shoes?’

The man answered, ‘No, I don’t.’

‘If I give you a pair of shoes [will] you keep ’em?

He said, ‘Yeah.’

‘I took off my shoes and gave ’em to him.'”

Doubledee got back on the bus and continued driving down Portage Avenue, now in his stocking feet. Later that day, Denise Campbell, a passenger of Doubledee’s who’d observed the exchange between the two men, began telling her office colleagues about this unusual act of kindness. Later, she posted an account of what she’d seen on a community news site, under the headline, Winnipeg Transit Driver’s Act of Kindness Stuns Passengers. She wrote,

“I realized that the man the driver was chatting with was barefoot.  The bus was dead silent.  I think we were all stunned and speechless.  As we proceeded to our next stop, one of the passengers got up and said to the driver, that was the most amazing thing she had ever seen; and then she asked him, why did he do that?
 
The bus driver answered[,] because he couldn’t stand the thought of that poor man walking without shoes.   Wow!  No judgement; it was just, ‘Here buddy you need these more than I do.’ There wasn’t a dry eye on the bus. All the passengers were moved by this bold and selfless gesture. Now, a homeless man will have shoes for his feet because of a bus driver’s random act of kindness. Not bad for a Tuesday morning in downtown Winnipeg.”

Campbell’s blog went viral and soon news crews were looking to interview Doubledee. Eventually he was located and just below is one of the interviews he gave. (He was also contacted by CBS News in New York and he appeared on their morning show today with Mayor Sam Katz of Winnipeg–when I find that link I’ll share it, as well.)

Doubledee’s fateful stop came at the corner of Portage and Main. It so happens that one of the Canadian indie music groups that I heard this summer during the North by Northeast Festival (NXNE) is called Portage & Main, so here is a link that includes their song, “What Have I Done,” a moving ballad about trying to do better in one’s life. I offer it here as a feel-good bonus for all my kind readers. You’ll find it at the top-right corner of their band page at CBC Radio 3.

#FridayReads, Sept. 21–“500 Days” and “Night Strangers”

#FridayReads, Sept. 21–500 Days: Secrets and Lies in the Terror Wars by Kurt Eichenwald, a carefully researched and meticulously documented narrative history, encompassing much new information about the events of September 11, 2001, going well beyond what has been known before in many areas. Eichenwald made news when on September 10, he published a NY Times Op-Ed, The Deafness Before the Storm, detailing with unprecedented specificity the degree to which the Bush Administration failed to heed numerous warnings from intelligence officials about signs of an imminent attack, a column drawn from this book. This is all personal to me, since I was a lower Manhattan office worker on the day of 9/11, and have recently written, Remembering 9/11/01–Running Through a Dust Cloud in Lower Manhattan, about my own experiences that day, but even if it weren’t I would want to be reading 500 Days, the sort of book that people eager to understand the early days of the 21st century will be reading 100 years from now.

The fiction I’m just picking up, a kind of counterbalance, is Chris Bohjalian’s Night Strangers, a New England haunted house novel. The author comes from the North Country, near where I went to college in Franconia, NH. I’ve been hearing about Bohjalian for years, and am excited to finally read him.

Oh, No, Not Back to the Giuliani Years!

This bit of toxic subway advertising takes me back uncomfortably, unwillingly, to the Giuliani years in New York City. Via @mondoweiss, at this link of theirs. The ad campaign, which the MTA was forced to accept after a court’s free speech ruling, is being arranged by the obnoxious Pam Geller.

Remembering 9/11/01–Running through a Dust Cloud in Lower Manhattan

In May 2001, Avalon Publishing Group–the Berkeley, California company I worked for as an editorial executive with Carroll & Graf Publishers–moved all its New York employees to new offices on 161 William Street in lower Manhattan, near City Hall Park, behind Park Row and the J&R Music World stores, 2-3 blocks east of the World Trade Center. I had enjoyed our original space on W. 21st Street, and didn’t appreciate the longer commute from the Upper West Side of Manhattan, but soon got used to the new neighborhood, new restaurants, new sights and sounds.

On the morning of September 11, 2001, I rode the train downtown and emerged from the Fulton Street subway station, at the corner of William and Fulton, with a customary single earbud stuck in one ear, tuned in to local public radio station WNYC, alert to what might be going on at street level. I detected uncharacteristic alarm from the on-air voices of host Brian Lehrer and correspondent Beth Fertig. Before I could comprehend the source of their concern, my gaze turned west and up in to the air toward the World Trace Center towers, startled to see flames, smoke, and debris pouring from the structures, against a backdrop of a California-type deep blue sky. The air around me was palpably hot, a weird sensation I couldn’t account for, even after seeing the flames above me in the sky.

What in the world?

Turning the corner and hurrying toward my office building, I focused again on the radio voices, hearing something about an airplane having crashed into one of the towers, and then, that a second such crash had occurred only moments before I came out of the subway. Lehrer’s and Fertig’s alarm was in real time. Any idea I had momentarily entertained, associating this incident with the incident in the 1940s when the Empire State Building was struck by a light plane, was dashed. I ran in to 161 William, took the elevator to our upper floor and found a handful of Avalon colleagues who’d arrived before me. I hustled over to the western side of the floor, joining them as we all took in a clear view of the twin towers, with a valley of lower buildings below and between us and the conflagration. The volume of flame, smoke, and debris were all much greater than when I’d first seen them downstairs. The debris included a fluttering cascade of myriad loose sheets of white paper. Midway between our building and the two towers, I noticed a lone man on a rooftop across the way and below our floor. The figure seemed to be in a prayerful pose, kneeling on a rug, wearing a white skullcap. I never learned what he was doing there, and have in the years since pondered it with colleagues such as Keith Wallman who also saw the man that morning.

In those days, neither my wife nor I owned a cell phone. I rushed into my office, on the east side of the building, and used my phone there to call Kyle. The lines worked the first time I tried our home line. She’d just gotten in from taking our son Ewan to kindergarten; on her way home she’d heard about the events downtown. I told her what I’d seen and she said she had TV on and warned me to leave the office building right away. I said, yes, but I don’t know what’s going on at street level. What if the buildings fall, and topple in the eastern direction? What if people are panicked or trampling each other? Maybe I’d be safer upstairs.  These were some of my thoughts. Kyle said she was going to go out and get cash and drinking water for our apartment, then go back to school and bring Ewan home. We talked a few minutes more and I told her I was going to go back to the other side of the floor to see the latest developments. I stayed a few minutes and finally decided, yes, it’s time to leave. I tried my home line again but now couldn’t get a call through. I would’ve left a message, telling Kyle I was leaving and that I would try to call her again later, but couldn’t get through at all. A colleague and I decided to descend in the elevator together, and then make a run for it when we got out on William Street. My companion was my fellow editor Tina Pohlman. As we were rushing from the western windows in to the open elevator car–I know now it was at 9:59 AM–we heard one of the weirdest sounds I’ve ever experienced, made by the collapse of the first tower. First, came a deeply guttural bass sound, created probably by the tremendous downdraft of air from the vertical collapse–something almost felt more than heard. The next instant, I registered a high, trebly, tinkling noise made up, I think, of breaking glass and splintering metal.

Tina and I descended without incident and saw out the lobby’s revolving door hundreds of people running past our building front, engulfed in a dusty, smoky cloud. Without hesitating more than a few seconds, we pushed out the door and joined the massing throng pushing north and east, toward the Brooklyn Bridge. Tina hoped to head over to the lower East Side, where she lived, if permitted by police. My direction was uptown, all the way to West 102nd Street, my home. We were immediately surrounded by the cloud, a murk that wasn’t pure gray or black, examples that TV footage would later show; this cloud actually had some shafts of sunlight in it. It was more ochre than gray. Still, it was pretty opaque and a specific fear registered that if debris were flying in it, we might not even see it heading at us. We made a right turn on Beekman Street, past New York Downtown Hospital, and turned left on Pearl Street, running together for several blocks until we ran under the Brooklyn Bridge.

Though still surrounded by the blanket of dust, and impelled to keep running till I was clear of it, I was beginning to fear that I couldn’t keep up the pace. I wasn’t so much out of breath–the problem was the shoes I had worn that morning: a pair of newish ankle-high boots. With the beautiful fall weather that morning, I had considered them appropriately autumnal and so decided to don them. But I hadn’t broken them in yet, and they proved terrible to try to run in, or even to try walking fast. I would regret my choice of footwear for many months that followed.

I tried to ignore the nascent pain and resumed my nervous, awkward jog, continually hitching and hauling up the knapsack slung over my shoulder. Surrounded by earnest and fearful strangers, all of us still shrouded by the murk, my route passed through unfamiliar parts of Chinatown. Approaching Canal Street the cloud began to thin a little. Finally, we crossed Canal Street and burst into patches of clear air. Tina and I said goodbye and wished each other well as we headed off in our separate directions. I was relieved to be in clearer air and thought, Now I just have to get home. Problem was, I still had a long way to go. Any city buses that passed were insanely overcrowded, and moving at a crawl anyway. Yellow cabs and livery taxis were also full and barely moving through the dense surface traffic. Continuing to listen to the radio, I learned that the second tower had fallen, at 10:28. With both towers now down, I was now confirmed in my horror that thousands of people had died this day. Meantime, the subways had been halted, and it was unknown when they would resume operation. I had no choice but to walk all the way home, about 8 miles.

I pushed up Broadway, through Soho, past Union Square, the Flatiron Building, Madison Square, Times Square, the Theater District, Central Park, Columbus Circle, and Lincoln Center. Every now and then on this odyssey I’d stop and try Kyle on a pay phone. The lines were all dead. She didn’t know when or even for sure if I had left my office. At last, I hit 72nd Street and was on the Upper West Side. It felt good to be back uptown, but I still had thirty blocks to go. I kept pushing, increasingly hobbled, eventually ringing our bell and announcing I was home. It was around 3PM, about five hours since I’d left William Street. Kyle and Ewan were waiting for me and I collapsed into their open arms. I sat down and removed my shoes and socks. Both feet were raw and blistered, from ankles to toes. I tuned in to TV for the first time all day and saw with my eyes the enormity of the loss that everyone else had been viewing all day via the visual medium. Not wanting to disturb Ewan any more than he might be already, we shut off the set until he went to bed.

Avalon’s offices would remain closed for about a week and a half. I tried to stay off my feet and let them heal, but the need to be ambulatory prevailed and I resumed walking around. Unfortunately, my gait was much altered by what I’d endured, which led to a series of foot, ankle, calf, hamstring, and leg injuries over the next couple years. Damage to the #1, 2, and 3 subway lines in lower Manhattan was so serious that my longer commute was lengthened further; a trip that used to take 30-40 minutes often ran to 90 minutes or longer. It was a horrible burden every day to come to work in the same neighborhood with the toxic brew a few blocks west that was already making recovery workers on the pile ill. For some reason, cold air seemed to magnify the odor that drifted eastward in the neighborhood. On winter evenings, I would leave the office and rush down in to the subway station, covering my mouth with a handkerchief to cut the horrible, vile crippling smell that I knew contained a mix of plastics, circuit boards, burnt upholstery, carpets and human remains.

A new normal kind of took over, but nothing really seemed normal anymore. I read about and followed the 9/11 Commission and was appalled at what had been the Bush administration’s failure to heed urgent warnings from counter-terrorism officials, as we were reminded again this morning with Kurt Eichenwald’s NY Times Op-Ed, The Deafness Before the Storm. I was deeply and personally offended when Bush held his 2004 convention in NYC, using the still-healing city as a backdrop for his bogus triumphalism. He and Dick Cheney claimed to have kept us safe–except I always hastened to add–when they had failed, big time. I was enormously relieved when Avalon moved offices again, back into Chelsea, a welcome removal from the still-stricken neighborhood downtown.

Each year on 9/11 our UWS neighborhood welcomes mourners, firefighters, police, and families to the Fireman’s Memorial on Riverside Drive at 100th Street. Last year, on the tenth anniversary, the day’s observances drew firefighter crews from all over the U.S., anglophone and francophone Canada, Scotland, France, and Australia. I’ll conclude this personal remembrance of September 11, 2001, and its aftermath by sharing nine of the photographs Kyle and I took at the special day last year. I will close by saying I hope your 9/11 anniversary this year, 2012, has been a soothing day. Shalom.
Please click through to read entire post and see all photos  . . . //more//

NOIR, a New Magazine

Now here’s a new magazine I can really get behind. According to Lori Kozlowski in Forbes, it’ll be a tablet-only publication called Noir, devoted to the nether world of mysteries, crime fiction, and tough-guy movies. While they have no issue ready yet, you can ‘like’ their Facebook fan page, which I have done. Co-founder Nancie Clare, an ex-LA Times Magazine editor, says that she and her partner in the venture, Rip Georges, “were. . .obsessed with the mystery genre. In the past, there were a couple of magazines I worked on, and I would always try to figure out a way to do a special issue that would be their Raymond Chandler-driven or their mystery-driven issue. It’s been a recurring theme throughout our careers.”

Adding more specifics, and suggesting they may be publishing original mystery fiction, Clare and Georges continued,

“When we say Noir, there’s definitely a genre of literature you think about. But what’s extraordinary is back from Sherlock Holmes and Edgar Allan Poe, it has evolved. We will certainly respect the history, but some of the best hard-boiled fiction is being written today. The idea is to be respectful of the past, but focus on where this is going. . . Crime fiction is more passionate, sexier, more hard-boiled, more violent, and more exciting than ever.”

A Kickstarter campaign for the publication is starting soon, and I’ll look to share the link and donate when it’s up. The irresistible detective magazine covers shown below were part of the Forbes story, used by permission of the LA Times.

Tosca, a San Francisco Retreat, Facing Eviction

When I worked for Carroll & Graf Publishers from 2000-2007 I used to travel 2-3 times a year to the Bay Area for sales conference with our parent company Avalon Publishing Group. Though Avalon was based in Berkeley, I learned from my senior colleague Herman Graf that it was far more interesting to stay in San Francisco, and drive over the Bay Bridge to the East Bay in the morning for our meetings. Years earlier Herman–who I recently helped fete to mark his 51 years in publishing–had years before I joined the company staked out a motel that suited his needs perfectly, and mine too once I became semi-frequent on the Jet Blue flights from JFK to SFO.

This establishment was the Royal Pacific Motor Inn, and I see from the Web that it’s still thriving. The Royal Pacific had everything we wanted–perfectly adequate and clean motel rooms; free guest parking, which Herman appreciated since he was the one of us who rented a car (never mind that driving with him was often a hilarious if not nerve-wracking adventure); and great restaurants and nightlife all around us in the Chinatown/North Beach neighborhood. The motels current reviews on yelp.com make clear that, depending on your personal preferences, it can be an ideal and reasonably priced place to stay when you’re in the Bay Area.

The nearby streets offered innumerable Italian and Chinese restaurants (I still recall and savor the fresh whole Dungeness crab cooked Szechuan-style I ate one night at a Chinese place less than a 100 steps from the motel); coffee bars; City Lights Bookstore and Black Oak Books; and Tosca Cafe, an after-hours bar and hang-out that was a pleasant cave-like retreat from the busy sidewalks outside. Its soft lighting showed red booths, eye-catching murals on dark walls, and a long bar to stand at or park a stool in front of. Back in the day, Enrico Caruso frequented Tosca, so the excellent jukebox sported not only rock n’ roll, but opera. Whatever the musical genre, it was never up too loud. There was also a back room with a pool table, where I once shot a game or two with astronomer and author Timothy Ferris. Over the years Tosca’s clientele has been reported to include Sam Shepard, Gov. Jerry Brown, and Francis Ford Coppola, who with Tosca’s owner Jeannette Etheredge, started an initiative for homeless denizens of North Beach, according to C.W. Nevius of the San Francisco Chronicle. Like such legendary watering holes as Greenwich Village’s White Horse Tavern, remembered fondly in Pete Hamill’s memoir, A Drinking Life, and Elaine’s Restaurant on Manhattan’s Upper East Side, Tosca always seemed like a place that didn’t try to do too much for its customers, but what it did do, it did very well.

These recollections of the Royal Pacific, North Beach, and Tosca are prompted by a column by reporter Nevius in last Saturday’s Chronicle. He reports that Toscas’s landlord, a strip club owner named Roger Forbes, is seeking a substantial rent increase that Etheredge says she she simply cannot afford to pay. If the two are unable to reach a settlement, Tosca may be evicted. Etheredge laments the situation, telling Nevius, “Look at the place. It’s out of an Edward Hopper painting.” Like the late Elaine Kaufman of Elaine’s, who was known to sometimes treat customers with disdain, Etheredge is also no shrinking violet. Nevius writes,

Etheredge has a long history in North Beach. Her family owned Bali’s, a restaurant there, and she purchased Tosca in April 1980. However, it is probably too much to expect that she would polish a few of her rough edges. One of her endearing traits is that she treats famous actors just like everyone else–she yells at them, too.”Everybody knows she’s a pain in the ass,” said [her attorney] Keker. “And everyone loves her.”

Well, maybe not Roger Forbes. For his part, Nevius adds,

That’s why, although Forbes may have all that strip club cash, I don’t like his chances. It is possible that he could evict Tosca and put in another generic stripper revue in its place. He might even make a little more money. People are reportedly warning Forbes not to mess with Tosca. Putting in a strip club is one thing. Evicting an institution is another. You’ll still get a nice sum in rent and you won’t incur the wrath of the city’s famously combative true believers. That’s good advice.

Urban homogenization is increasing everywhere these days, whether banks and chain drugstores taking over the commercial blocks on the upper west side of Manhattan, or North Beach submitting to the siren song of tourist-friendly peep shows. As a New Yorker who’s seen favorite businesses lose their lease or disappear overnight  (farewell Calcutta Cafe on Broadway at 104th St.), I hope Tosca can hang on. After reading about Tosca’s troubles, I called Herman Graf to let him know and share some old North Beach memories. He reminded me that during sales conference week, other Avalon Publishing Group clients, such as Morgan Entrekin of Grove Atlantic, would end up at Tosca in the wee hours, one of the very best times to hang out there. To get a sense of the bar’s splendid interior and rich history, I urge you to view the rest of photographer Carlos Avila Gonzalez’s excellent slideshow and read Nevius’s entire column via this link.

Suzzy Roche’s Sensitive Reading of Edith Wharton

Kyle and I took the bus to Bryant Park yesterday to hear singer, musician and novelist Suzzy Roche* lead a discussion of Edith Wharton’s House of Mirth in the Park’s long-running Reading Room series. We arrived just in time to corral two chairs near the front of the outdoor space and settled in as Suzzy was tuning her guitar for what would later be an original song to close the program. Suzzy began by sharing some notes and interesting facts she had learned about Wharton.

She said that 2012 marks the 150th year since Wharton’s birth in to a wealthy family in New York City. The family name was Jones, and some believe their conspicuous upper-class status may be the origin of the phrase “keeping up with the Joneses.” Early on, Edith’s mother forbade her from reading novels, lest her daughter’s intellect expand in ways that would make it harder to ensure a proper marriage for her. Suzzy reminded everyone how fitting it was to be in Bryant Park with a view of the main branch of the New York Public Library, since the novel we were discussing includes a scene set in the lovely park. From her youthful days, Wharton exhibited a high degree of sensitivity, and Suzzy read a quote she found in Wharton’s autobiography: “The owning of my first dog woke in me the long ache of pity for animals and for all inarticulate beings which nothing has ever stilled.”

Wharton’s first full-length piece of fiction, a novella finished at age 18, was accompanied by several passages of self-criticism where she assessed what she judged to be the weaknesses of her own work. Suzzy quoted this early comment of Wharton’s on the subject of criticism: “After all, one knows one’s weak points so well it’s rather bewildering to have the critics overlook them and invent others.”

With these details of Wharton’s life in our minds, Suzzy turned the discussion to the novel itself. After reviewing contemporary critical reaction to the book, which often emphasized Wharton’s gender, she asked “Does this book have something to say to us right now about the place of women and money in society? She pointed out that just this year, Jonathan Franzen ignited a controversy when he wrote in the New Yorker about “Edith Wharton’s looks.” Suzzy continued that Franzen wrote “it was hard for him to warm to her novels because she had every advantage of wealth and privilege and was extremely socially conservative. But, he said, ‘she did have one potentially redeeming disadvantage: she wasn’t pretty.’  On the surface, there would seem to be no reason for a reader to sympathize with Lilly; she’s profoundly self-involved and incapable of true charity.  She pridefully contrasts other women’s looks with her own. She has no intellectual life to speak of. She’s put off from pursuing her one kindred spirit because of the modesty of his income. She’s basically the worst sort of party girl, and like Wharton, she didn’t even try to be charming.” There was a gasp among the Bryant Park crowd as Suzzy read the remarks of the award-winning novelist, which whether said about Wharton or Lily Bart, struck many of us as chauvinistic. Please click through for rest of post and all photos