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June 25th, 2012

By Philip Turner in: Books & Writing; Canada; Philip Turner Book Productions; Philip Turner's Books & Writing; Publishing & Bookselling

Announcing My Collaboration with Speakerfile

June 25, 2012–Shelf Awareness, the e-newsletter for booksellers and librarians and others in the book trade, has run a generous report on the collaboration I announced last week with Speakerfile. It was in the email they sent out to their subscribers this morning and at this link on the Web. If you don’t already subscribe to their emails, I recommend them–there’s a professional one for the book trade that comes out every workday and one for readers that’s published twice a week–they are grouped together at this link.

Last Friday, the day the release below hit the wires, the daily e-newsletter Publishers Lunch also covered the news, with a piece at this link.
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June 22, 2012–Today I am announcing a business collaboration with Speakerfile–the Toronto-based company I’ve been writing about a lot on this blog over the past month. I’ll be representing their robust online platform that connects conference organizers and meeting planners with authors and thought leaders to publishers, authors, agents, and publicists. This press release on PR Newswire announces the arrangement. I’ve also pasted it in below, for your convenience. If you are an author, or you work with authors who want to do more public speaking, please read the release and follow the links to learn more about this engine of discovery that has the potential to put authors in front of audiences and drive book sales. You’ll also find a promo for Speakerfile near the upper right-hand corner of this website, which you can click on to go directly to Speakerfile’s site. Please let me know directly of any questions you may have, or if you’d like to sign up for Speakerfile.

New York Publishing Industry Veteran Philip Turner Joins Speakerfile

Software company positioned to address growing demand for authors on the podium

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Quote startThe Speakerfile platform will help authors promote their work… providing the discoverability that I know all publishers and authors are seeking: an engine that will place authors in front of audiences and drive book sales.Quote end

New York City, NY (PRWEB) June 22, 2012

On June 5th, during the Book Expo America convention, Speakerfile announced the release of its Publisher Edition, which promises to change the way conference organizers discover and book authors for speaking engagements. Today, the Toronto startup is proud to announce it has begun working with New York-based publishing executive Philip Turner to introduce their online platform to the bookseller, librarian, publisher, publicist, literary agent, and author communities. Turner brings decades of bookselling, editing, and publishing experience to the new role of Business Development for the Speakerfile team. This collaboration comes at an exciting moment as Speakerfile moves to showcase authors in the expanding market of conferences and events—many of which are co-hosted by librarians and retail booksellers.

“Author appearances drive book sales, therefore the publishing market is huge for Speakerfile. Philip Turner has a unique perspective on how this market is changing for authors and the entire publishing industry,” says Peter Evans, CEO of Speakerfile. “From our first meeting, Philip understood our vision for helping authors gain more visibility as speakers. He came recommended by the biggest players in the industry. Having Philip as a resource on the ground in the New York market will help us discover new publisher and author clients and serve them well.”

Over the past 25 years, Turner has held a number of senior positions with publishers in New York City, acquiring, editing, and publishing many notable titles. As Senior Editor and Editor-in-Chief of Kodansha America and Kodansha Globe, he published the first paperback edition of Barack Obama’s DREAMS FROM MY FATHER: A Story of Race and Inheritance (1996). While Executive Editor and Editor-in-Chief with Carroll & Graf, Turner acquired, edited, and published THE POLITICS OF TRUTH: Inside the Lies that Led to War and Betrayed My Wife’s CIA Identity by Ambassador Joseph Wilson, a New York Times and Publishers Weekly bestseller (2004), and became in part the basis of the film “Fair Game.” He also published the U.S. edition of the Canadian bestseller SHAKE HANDS WITH THE DEVIL: The Failure of Humanity in Rwanda by Lt. Gen. Roméo Dallaire (2006), a Washington Post bestseller. Turner is a member of the PEN American Center, an associate member of the National Book Critics Circle, and a member of Your Expert Nation. Since 2009 he has operated Philip Turner Book Productions, an editorial and marketing consultancy. In 2011 he began curating and writing The Great Gray Bridge, a popular blog devoted to coverage of books, publishing, music, urban life, and current affairs.

“The response from the publishing market to Speakerfile has already been tremendous,” says Philip Turner. “Speaking engagements have become increasingly important for authors to promote their work, yet meeting planners and conference organizers have lacked an effective way to discover and connect with the right speakers for their events. Some publishers have recognized this by starting their own in-house speakers bureaus. Speakerfile is not duplicating those efforts, and is not in competition with publishers. Instead, its ingenious software works like a matchmaking service to connect the right authors with the right events.”

The Speakerfile online marketplace offers individual accounts for authors and speakers, as well as corporate accounts for publishers, publicists, and organizations. Accounts are offered free of charge for event planners who are listing their event and searching for authors for speaking engagements, as well as for members of the media.

“I am confident the Speakerfile platform will help authors promote their work even in an increasingly crowded marketplace, providing the discoverability that I know all publishers and authors are seeking: an engine that will place authors in front of audiences and drive book sales,” says Turner. “Speakerfile offers authors an engaging online presence that will more efficiently connect them to event organizers, and even members of the media, who are also invited to register on the platform free of charge.”

The Speakerfile online platform does not charge a commission for speaker placements; the platform generates revenue from premium speaker profiles and corporate speaker bureau software. The Speakerfile signup page provides more information on membership types and pricing.

About Speakerfile
Speakerfile is an online expert network and events marketplace that provides a better way to connect industry and professional speakers with global events and media. Offered as a free service to event organizers, Speakerfile is a simpler way to discover, evaluate and efficiently connect with speakers using rich-media profiles, advanced search, and private connection features. For organizations seeking to promote their thought leaders as speakers, Speakerfile allows those organizations to quickly create an affordable and professional looking corporate speaker site that can be viewed and efficiently searched by a global network of event organizers.

Speakerfile has a growing base of industry clients now using its platform to feature their experts and speakers in knowledge-based industries, including: Legal, Accounting, Finance, Technology, Media/Publishing and Health Care. Clients include: Deloitte, KPMG, Moveable Type Management, Research in Motion, Cassels Brock & Blackwell LLP, IDC, Baycrest Hospital, Veracap Corporate Finance, and the Conference Board of Canada.

For more information, visit http://www.speakerfile.com, or follow us on Twitter at @Speakerfile.

Editor’s Note: Images and logos are available on the Speakerfile Media page.

 

 

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May 3rd, 2012

By Philip Turner in: Books & Writing; Media, Blogging, Internet; News, Politics & History; Philip Turner's Books & Writing

Continuing to Correct Politico and Drudge

Some readers of this blog will have noticed yesterday that an incorrectly reported Politico story–about Barack Obama as author of Dreams From My Father–which was then inflated on the Drudge Report in to a bogus “Obama lied” meme, led to me being quoted in TPM’s story on the dust-up, because I published the first paperback edition of the book, in 1996. The TPM story ran under the headline, ”‘Dreams From My Father’ Publisher: Drudge, Politico Obama Hits Bunk.”

And now today, Craig Silverman–who in 2007 published a book with me, Regret the Error: How Media Mistakes Pollute the Press and Imperil Our Free Speech –writes about this situation on his blog, where he covers media mistakes and corrections, in a column, How Politico can fix its mistake about Obama book. In his piece, Craig does an excellent job taking away useful lessons from the episode that all media people and news orgs should consider following, especially on how to handle the aftermath of a mistake. For media people who care about preventing errors, and the misinformation and harm that flow from them, I urge you to heed Craig’s constructive advice.

For the record, I’ve also written about correcting the Politico error and the Drudge amplification of it here, and earlier wrote about publishing Dreams From My Father here.

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May 2nd, 2012

By Philip Turner in: Books & Writing; Media, Blogging, Internet; Philip Turner's Books & Writing; Publishing & Bookselling; Urban Life & New York City

Correcting Politico and Drudge on “Dreams From My Father”

Happy to be quoted at length in this TPM story by Brian Beutler about the erroneous reporting by Politico, which mistakenly reported today that Barack Obama had failed in the earliest editions of Dreams From My Father: A Story of Race and Inheritance to acknowledge that he created composite characters in the book. I know otherwise because I published the first paperback edition of the book, in 1996, as I have written on this blog. I contacted TPM this afternoon to correct the record on the needlessly murky situation created by the false report that originated with today’s Politico story by Dylan Byers, then amplified on the Drudge Report. You may click on the TPM story or read it below.

A former executive of the original paperback publisher of President Obama’s 1995 memoir Dreams from My Father weighed in on Wednesday’s manufactured controversy over whether Obama represented fiction as fact by using composite characters in his autobiography.
“It is unfathomable to me how Dylan Byers of Politico could have overlooked the very plain disclaimer that the book carried from the very start,” Philip Turner said to TPM via email. Turner was an editorial executive with Kodansha America, which published the paperback version of Dreams from My Father in 1996.
“The reference to ‘compression’ appears on page ix of the Introduction of the book I published then, which I have on my desk as I write this message,” Turner says. “What’s more, the 1996 paperback was an exact reprint with no changes of the hardcover edition that had been published a year earlier….” (emphasis added).
The fact that Obama used composite characters in his memoir — and that he disclosed this in the book’s introduction — was widely known before it was mentioned again in an excerpt from David Maraniss’ upcoming Obama biography, published Wednesday in Vanity Fair. It even featured prominently in a 2007 story by Politico’s top political reporter Mike Allen.
But on Wednesday, Politico published a story that made no reference to the disclaimer, suggesting Obama had misled his own readers. That piece has since been appended with a correction, but still reads as an indictment of the President.

For the record, this is the entire comment I sent to TPM which they quote from above:

As the first paperback publisher of “Dreams From My Father,” in 1996, I feel obliged to confirm everything in the above TPM story by Benjy Sarlin. The reference to “compression” appears on page ix of the Introduction of the book I published then, which I have on my desk as I write this message. What’s more, the 1996 paperback was an exact reprint with no changes of the hardcover edition that had been published a year earlier. For the record, I was editor-in-chief of Kodansha America then, and we acquired the rights to publish the book from Random House, whose imprint Times Books had done the hardcover. In the early 2000s Kodansha’s license to publish the paperback expired and rights reverted to Random House. Their Three Rivers Press imprint republished it in paperback in 2004 with a new preface by the author, and yet his original Introduction, with the disclaimer about “compression” remained in the book then.

It is unfathomable to me how Dylan Byers of Politico could have overlooked the very plain disclaimer that the book carried from the very start. I wonder if commenter @wpilderback isn’t right in his explanation below: “This was an opportunity for them to remind people that Obama slept with a white woman, and nothing more.” Even if Byers just made a stupid and avoidable mistake, I’m sure Drudge was only too happy to perpetuate the error.       

For readers interested in further information on the paperback edition I published, I refer you to a personal essay I published last month on my blog The Great Gray Bridge, via this link:  http://philipsturner.com/2012/03/11/dreams-father-circa-1995-96/

 

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March 11th, 2012

By Philip Turner in: Books & Writing; Philip Turner Book Productions; Philip Turner's Books & Writing; Publishing & Bookselling

“Dreams From My Father” & Kodansha Globe, 1995-96

As some of my book biz friends know, in the 90s I had a good long tenure as an editorial executive with Kodansha America, the NY office of the largest Japanese publisher. Although we published some Asian-oriented titles, it was a mostly U.S. list with such books as the national bestseller Having Our Say, by the centenarian Delaney sisters, and A Diary of the Century: Tales From American’s Great Diarist by Edward Robb Ellis, which sold well and got lots of coverage, including a rare hat trick when the author appeared on all three network morning shows the week of publication. I just blogged about Eddie a few weeks ago, on the anniversary of what would have been his 101st birthday.

During my five years with Kodansha, I also started a trade paperback series that in some ways anticipated the fine list published nowadays by the New York Review of Books Classics imprint. Kodansha Globe combined titles in cross-cultural studies, anthropology, natural history, adventure, narrative travel and belle lettres. I developed the program with my astute and affable Japanese boss Minato Asakawa, with valuable contributions from talented editorial colleagues Paul DeAngelis–who introduced me to the work of Owen Lattimore, whose 1950 anti-McCarthyite broadside Ordeal by Slander I would republish in 2003–and Deborah Baker, about whom I’ll say more below. By the time I left Kodansha in 1997 we had published more than ninety Globe titles.

The Globe list included revivals of notable books that had fallen out of print: Man Meets Dog, on the origins of the human-canine bond, by Konrad Lorenz, Alone, a harrowing account of survival near the South Pole, by Admiral Richard Byrd, Blackberry Winter, the youthful memoir of Margaret Mead, and All Aboard with E.M. Frimbo, a classic of train culture by New Yorker stalwarts Rogers E.M. Whitaker and Tony Hiss; originals like Sarajevo, Exodus of a City, a biography of the besieged city by Bosnian playwright Dzevad Karahasan, which the Voice Literary Supplement made a year-end best book during the Balkan Wars; and reprints of current hardcovers from major houses like Peter Canby’s The Heart of the Sky, on the resilience of Mayan culture in the Americas and Alex Shoumatoff’s The Mountain of Names, chronicling the history of human kinship and genealogy, which before dying last year Christopher Hitchens made the springboard for one his last columns. We also developed a strong list in books on Central Asia, including four books by the master chronicler of the region, Peter Hopkirk, whose The Great Game: The Struggle for Empire in Central Asia was the top-selling Globe title.

The books looked terrific with a uniform design created by Marc Cohen, who had earlier designed the Vintage Internationals series. The 4-color brochure we produced to share with reviewers and booksellers for Globe’s first season in 1994 promised that Kodansha Globe books would go “Straight to the heart of an ever-changing world.”

One day in 1995 Deborah Baker came in my office to tell me about a new hardcover that she was excited about from the Times Books division of Random House.
Written by a young state senator from Illinois, she said it was a chronicle of his biracial upbringing and a memoir of how he had struggled to come to terms with the ambiguous legacy of his complicated African father. She said the narrative opened with the author’s discovery of the father’s death after a road accident in Africa. After Deborah gave me an advance copy, I began reading it and vividly recall encountering the book for the first time: a lucid, poised voice; a fluent telling of emotionally-laden events that cut back and forth across time; an accomplished work of self-revelation with an authorial eye fixed on the larger picture of what his family’s story meant in an America that was becoming more variegated with cross-cultural influences. Within days I told Deborah I agreed with her, that yes, we ought to make an offer to Random House to acquire the paperback rights to Dreams From My Father: A Story of Race and Inheritance by Barack Obama. The book would be published as a trade paperback in the Kodansha Globe series in August 1996, under a standard seven-year license, meaning that Kodansha would have rights to the book until 2003, unless it the agreement was renewed.

Once our offer was accepted by Random House I encouraged Deborah to get in touch directly with the author, and find out if perhaps Kodansha might have a shot at his next book, a common hope among paperback reprinters in those days, even if it often went unfulfilled. Deborah reported back that she had indeed spoken with him, and that he hoped to publish more books, but would probably next turn to writing fiction. She said this Chicago politician and attorney’s writerly ambition led him to hope he might follow in the footsteps of another prominent Chicago attorney, and bestselling novelist, as Deborah reported that he’d told her he wanted to become “the next Scott Turow.” Since we didn’t publish fiction at Kodansha America, our notion of publishing the follow-up to Dreams From My Father seemed unlikely to go anywhere.

I was really proud to have Dreams From My Father on the Globe list, as I was proud of every book in the quality program. It ultimately sold out its first printing of 6,000 copies, but no external event ever occurred that would have made sales soar. After leaving Kodansha in 1997, I took a new editorial position, oddly enough, with Times Books of Random House. Over the next three years I worked as the liason to the New York Times, creating books with departments at the newspaper like the Times Book Review, the Real Estate section, City, Arts & Leisure, and Cooking. I also assembled my own list of nonfiction titles with books like Dead Run, about an arguably innocent man on Virginia’s Death Row, with an Introduction by William Styron. In my third year at Random House the license under which Random House operated Times Books ended, and overnight I became attached to Crown Publishing, another Random House division that would be taking over all Times Books titles. After six months as a Crown editor, I left for another job, with Carroll & Graf. During these years, I didn’t often think of Dreams From My Father or its author, at least not until John Kerry invited Obama, by now a candidate for a U.S. senate seat in Illinois, to give the keynote address at the 2004 Democratic convention. Around the time he gave what turned out to be an electrifying speech I began seeing a new edition of Dreams From My Father stacked up in bookstores. Kodansha’s seven-year license had expired and Crown, taking over all of Times Books’ former titles, had reissued the book with a new Introduction by the author, under an enterprising editor named Rachel Klayman, who would also commission what became Obama’s second book, The Audacity of Hope. According to the data service that tracks book sales, to Crown’s and Rachel’s credit their edition of Dreams From My Father has up to this week sold 1,801,881 copies.

In the years since 2004, when the book was reissued and became a multi-year bestseller, I’ve had many occasions to marvel at the odd chain of circumstance and coincidence which has connected me to Barack Obama and his first book, often when it appears in the news. For instance, I saw State Senator Obama’s ambitions for bestsellerdom in a new light when during the 2008 Democratic primary, Hillary Clinton and her campaign accused candidate Obama of having wanted to be president since he was in kindergarten. I knew better: at one point he’d really wanted to become a bestselling novelist; with the college loan debt he’d still had hanging over him in 1995 this seemed quite genuine. During the 2008 campaign, strident right-wingers tried to convince voters that the chimerical Bill Ayers had ghost-written the book, when publishing people in New York knew that he had written every word of it, with editorial help prior to its hardcover publication from editor Henry Ferris, as explored in a May 2008 New York Times article by Janny Scott, which quoted Peter Osnos (who had been the publisher at Times Books), and Deborah Baker and me. The reporting for that story must have triggered a great deal of personal curiosity in Scott, because in May 2011 she published her own book,  A Singular Woman: The Untold Story of Barack Obama’s Mother.

The latest flashback to 1995 occurred this week when the website buzzfeed.com ran a shot of a New York magazine ad for an August 1995 autographing at Barnes & Noble’s Astor Place store in Manhattan: “Meet author Barack Obama when he reads from Dreams From My Father: A Story of Race and Inheritance, a stirring memoir of growing up as the son of a white American mother and a black African father.” This would have been right around the time that we were acquiring the paperback rights for Kodansha America. I didn’t know about the B&N signing or I might have gone to hear him and introduce myself. I’ve never heard anything since 1995 about Barack Obama writing a novel, but maybe that new literary frontier will be reserved for his post-presidency; I know I’d be keenly interested in reading it.

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January 18th, 2012

By Philip Turner in: Books & Writing; Philip Turner's Books & Writing; Publishing & Bookselling

Kodansha Returning to U.S. Publishing Scene

Excited to see a brief item explaining that Kodansha, the Japanese publishing house I worked for from 1992-97, is planning their return to the U.S. scene. In 1996, as part of the Kodansha Globe series we published the first paperback edition of then-Illinois State Senator Barack Obama’s debut book, Dreams From My Father: A Story of Race and Inheritance.

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October 30th, 2011

By Philip Turner in: Books & Writing; Philip Turner's Books & Writing; Publishing & Bookselling

A Global Readership

Happy to see the U.S. State Dept. sees value in placing Pres. Obama’s books in embassy libraries in Egypt, S. Korea, Indonesia, etc. The Moonie-run right-wing Washington Times is trying to stir up a controversy with a story on this, “But State Department spokesman Noel Clay said the book purchases followed regular government procurement rules. He said diplomats have long used books as a way to help broker talks on important foreign-policy matters….We often use books to engage key audiences in discussions of foreign policy.” In 1996 I published the first paperback edition of Dreams From My Father as part of Kodansha Globe, a series devoted to books for cross-cultural and multicultural audiences, so it makes me very glad to see the book is still engaging readers in distant lands.