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Publishing November 15, “Richard Tregaskis: Reporting Under Fire From Guadalcanal To Vietnam”

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As mentioned on this blog, I’m a lifelong fan of reading biographies, and it’s a delight to work on so many good ones, like Ray E. Boomhower’s new portrait of the life and career of Richard Tregaskis, one of the most accomplished combat correspondents of the twentieth century. Here’s how the catalog copy for University of New Mexico Press’s High Road imprint describes the book:

In the late summer of 1942, more than ten thousand members of the First Marine Division held a tenuous toehold on the Pacific island of Guadalcanal. As American marines battled Japanese forces for control of the island, they were joined by war correspondent Richard Tregaskis…one of only two civilian reporters to land and stay with the marines, and in his notebook he captured the daily and nightly terrors faced by American forces in one of World War II’s most legendary battles–and it served as the premise for his bestselling book, Guadalcanal Diary.

One of the most distinguished combat reporters to cover World War II, Tregaskis later reported on Cold War conflicts in Korea and Vietnam. In 1964 the Overseas Press Club recognized his first-person reporting under hazardous circumstances by awarding him its George Polk Award for his book Vietnam Diary. Boomhower’s riveting book is the first to tell Tregaskis’s gripping life story, concentrating on his intrepid reporting experiences during World War II and his fascination with war and its effect on the men who fought it.

 

Richard B. Frank, author of Guadalcanal: The Definitive Account of the Landmark Battle, says of the new biography:

“Alongside Ernie Pyle, Tregaskis was perhaps the most outstanding American war correspondent of WWII. [He’s] best know for…Guadalcanal Diary, but that book covered only one small chapter of his reporting from the front lines. Ray Boohmoer’s excellent new biography finally does justice to Tregaskis in this deeply researched, thoughtful portrait of the man and his times.”

 

The book’s official pub date will be November 15, and I’m getting an early start on congratulating the author, for whom I’ve already sold a second biography of an important journalist to UNMP, The Ultimate Protest: Malcolm W Browne, Vietnam, and the Photo that Stunned the World. Congrats, Ray!

 

 

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Publishing November 1, 2021—“Emily Mann: Rebel Artist of the American Theater” by Alexis Greene

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One of the joys of being a provider of editorial and publishing services is the opportunity to work on terrific books that I enjoy reading, and which I know a great many readers will also enjoy. As a longtime fan of biography, I’m especially pleased that I get to work on so many excellent life stories, like Emily Mann: Rebel Artist of the American Theater by Alexis Greene, finished copies of which just arrived in my office today, good timing in view of the book’s November 1st publication date.

As I wrote when I sold the book to Applause Theater and Cinema Books earlier this year:

“This will be the first book about Mann, a trailblazing woman playwright and stage director, artistic director of the McCarter Theatre in Princeton from 1993-2020. It chronicles the story of Mann’s path through a field where women have often struggled for the opportunity to direct the work of other playwrights, leave alone see their own plays produced.

Greene chronicles Mann’s role in the growth of a socially-oriented theater with plays she’s written that explore current events and issues while focusing on the lives of under-recognized groups in society, in scripts virtually ripped from the headlines and braided together from archives, diaries, public records, and interviews conducted with participants in momentous events. Dubbed a “theater of testimony” Mann has written such plays as “Execution of Justice,” on the murder of Harvey Milk and Mayor Moscone in San Francisco; “Greensboro (A Requiem),” on a deadly 1979 KKK attack; “Mrs. Packard,” based on the true story of a 19th century minister’s wife committed to an asylum when she abandoned the church; “Having Our Say,” based on the bestselling book of the same title, on the centenarian African American sisters Sadie and Bessie Delany; and “Gloria: A Life,” drawn from the life and career of Gloria Steinem. Her development of a kind of new documentary theater has been influential in many ways.

A New York City native, Alexis Greene is the author and editor of numerous books about theater, including The Lion King: Pride Rock on Broadway, written with Julie Taymor, and the biography Lucille Lortel: The Queen of Off Broadway. Her career spans acting, theater criticism, and teaching (she holds a PhD from the Graduate Center of the City University of New York).”

It’s the first biography of the pathbreaking director and playwright, known best for her “Theater of Testimony,” documentary-style plays drawn from public documents and oral histories. If you’re a theater-goer, and enjoy inspiring life stories, I heartily recommend Emily Mann: Rebel Artist of the American Theater.

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Sold: “Devouring Time: Jim Harrison, a Life” by Todd Goddard

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I’m very excited to announce that under the banner of my literary agency Philip Turner Book Productions I’ve sold Devouring Time: Jim Harrison, a Life to Blackstone Publishing in print, ebook, and audiobook, on behalf of my author client Todd Goddard, associate professor of literary studies at Utah Valley University.  This will be the first biography to chronicle the fascinating, large life of the acclaimed poet and fiction writer (1937-2016). Goddard will examine all aspects of Harrison’s creative life, and how he incorporated major life milestones in to his work. Among those momentous events:

  •  The fatal car wreck that killed Jim’s father and sister when he was twenty-four; he blamed himself as they were heading to a weekend stay at a family cabin for which Jim had intended to join them until his last-minute cancellation delayed their departure. The tragedy spiraled Jim in to a deep depression, while also spurring his dedication to writing, as he soon after published his earliest poems and met Denise Levertov who shepherded his first book to publication, a poetry collection from Norton.
  • Jim received an introduction to Jack Nicholson who became a patron, supporting him financially through the completion of the three novellas that would become the collection,  Legends of the Fall; this relationship led to work on film projects and relief from the money woes that had long burdened him. Through this he also formed associations with many Hollywood figures including Anjelica Huston, John Huston, John Belushi, director Bob Rafelson and his wife Toby, who had made the match with Nicholson, and Stanley Kubrick, with whom Jim played chess.
  • Working with publisher Seymour Lawrence, who embraced the idea of publishing a collection of novellas, an unorthodox experiment that other publishers of the day were not eager to take on. Interviews by the biographer with Harrison’s longtime agent Bob Datilla explore the relationship between the writer and publisher.

Harrison’s sense of place will also be key to the narrative, as Goddard explores the importance of landscape in Jim’s poetry and fiction, mapping his life and situating him topographically. This process will unfold throughout the book in a number of important locales, from the lakes and forests of Michigan, to the crashing surf of the Florida Keys, to Greenwich Village where he drank with Jack Kerouac at the Five Spot bar, to hardscrabble Durango, Mexico, as well as Montana, Hollywood, Arizona, and Provence, France.

Todd Goddard regularly teaches Harrison’s fiction and poetry, and has presented research on Harrison’s works for the Jim Harrison Society at the American Literature Association’s annual conference. His research is well underway, already taking him in to the Harrison archive courtesy of the late author’s estate, thanks to an introduction by generous executives at Grove Atlantic. The archive includes correspondence with Raymond Carver, Francis Ford Coppola, Annie Dillard, Louise Erdrich, Allen Ginsberg, Barry Lopez, Peter Matthiessen, Norman Mailer, Gary Snyder, David Foster Wallace, Terry Tempest Williams, and Tom McGuane.

Goddard is also in touch with the The Jim Harrison Author Page on Facebook, where more than 10,000 fans celebrate the writer’s life, from preparing a special cassoulet to arranging bookstore discussions of Harrison’s work.

In Harrison’s later years, he was twice a featured guest on Anthony Bourdain’s TV shows, gaining a status as an elder statesman of American letters and enlightened living. With such biographies as Madison Smartt Bell’s work on Robert Stone (Doubleday, published this month), it’s a propitious time for this biography of Jim Harrison.

 

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