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Sold: “PICTURE SHOW PLAYLIST: Pop Music in Film from the Crystals to Rihanna” by Nate Patrin

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Delighted to announce our sale of the second book by my agency client, music writer Nate Patrin. As a follow-up to his stellar debut, BRING THAT BEAT BACK: How Sampling Built Hip-Hop, a Rolling Stone best music book of 2020, published by the University of Minnesota Press, Nate will be writing about music in film in a series of linked essays on eighteen movies for the PICTURE SHOW PLAYLIST: Pop Music in Film from the Crystals to Rihanna. In addition to the music and movie pairings noted in the adjacent Deal Report that’s running today in PublishersMarketplace, he’ll also be  covering these examples of pop music in movies:

  • John Coltrane, “A Love Supreme” — Mo’ Better Blues
  • The Delfonics, “Didn’t I Blow Your Mind This Time” — Jackie Brown
  • Talking Heads, “The Big Country” — 20th Century Women
  • Simon & Garfunkel, “The Sounds of Silence” — The Graduate
  • The Doors, “The End” — Apocalypse Now
  • Steppenwolf, “The Pusher”—Easy Rider
  • Jimmy Cliff, “Many Rivers to Cross” — The Harder They Come

    I’m excited for Nate, whose first book received splendid reviews like this one: “A deeply informed, eminently readable account of a facet of pop music as complex as it is commonly underestimated.”—Music Books of 2020, on the Rough Trade music store blog.

The cover of Nate Patrin’s first book Bring that Beat Back: How Sampling Built Hip-Hop (University of Minnesota Press, 2020)

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First review of Nate Patrin’s “Bring That Beat Back: How Sampling Built Hip-Hop” is a Winner

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Due to the pandemic, University of Minnesota Press pushed the publication date of my agency client Nate Patrin’s new book, Bring That Beat Back: How Sampling Built Hip-Hop, from April 28 to May 26. Evidently, not everyone got the message, but that’s just fine because the book’s first review in a consumer publication has already appeared, and critic Adam Ellsworth, writing for the Boston-area outlet The Arts Fuse, enjoyed the book very much. The headline is “Bring That Beat Back”—A Stellar History Of The Art Of Sampling, and the first line below that tells readers, “Nate Patrin’s magnificently written and wildly informative new book argues for the artistry of sampling, its potential for beauty.”  I invite you to read the whole review, but for a quick hit, please see the screenshots below with two key sections of the piece. I’m optimistic there will be much more coverage of the book in weeks to come, but until that I’m very excited for my author, and offer him hearty congratulations! To have the first review of one’s debut book be such a positive and thoughtful essay is very heartening indeed!

 

 

 

 

 

 

 

 

As a postscript for this good news blog post, you’ll also find here a lengthy Spotify playlist of all the music associated with the book.

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Sold: Audio book rights for “Bring That Beat Back: How Sampling Built Hip-Hop” by Nate Patrin

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Excited to announce that I’ve sold audio rights to editor Madeleine Collins at Tantor Media for BRING THAT BEAT BACK: How Sampling Built Hip-Hop by my agency client, and contributor to Stereogum, Nate Patrin. The book is a close analysis of four creators—pioneering DJ Grandmaster Flash; sampling innovator Prince Paul; superstar mogul Dr. Dre and left-field curator Madlib—who’ve helped shape the sounds of what’s become one of the world’s most popular art forms, one beat at a time. I earlier sold print rights to Erik Anderson, editor at University of Minnesota Press, who will publish their edition in April 2020. #books #hiphop #sampling #audiobooks #publishing #criticism

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Sold: Music Critic Nate Patrin’s Forthcoming “BRING THAT BEAT BACK: How Sampling Built Hip-Hop”

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Nate Patrin’s new book will explore many aspects of the growth and development of hip-hop, especially how sampling began in an analog world, with recording tape being cut, spliced, and matched with new sounds, then in later years evolving in to the digital production environment the music thrives in today. Patrin is a St Paul, MN native who’s written for Stereogum, Pitchfork, and City Pages. This book, his first, will be published on the superb music list of the University of Minnesota Press, which features such outstanding titles as Out of the Vinyl Deeps, the collected music criticism of Ellen Willis, awarded the 2011 National Book Critics Circle Prize, and Rifftide: The Life and Opinions of Papa Joe Jones, as told to Albert Murray, edited by Paul Devlin, afterword by Phil Schaap. Patrin’s book is scheduled for publication in 2020. 

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